week in art holiday party edition 745025

This article from Artnet News recaps a series of holiday parties and galas in the New York art world during December 2016. Highlights include the New York Botanical Garden's 18th Annual Winter Wonderland Ball, attended by Anne Hathaway, Tinsley Mortimer, and Andrew Warren; artnet's own holiday party featuring the Bumbys and a magician; ACRIA's 21st Annual Holiday Dinner honoring the Robert Mapplethorpe Foundation and actress Judith Light; and Project for Empty Space's Winter Bacchanal Benefit, which presented the first Badass Art Woman Awards to curators Rujeko Hockley, Rocio Aranda-Alvarado, and Deana Haggag.

Strikes Damage UNESCO Sites in Israel and Iran; Cologne Cathedral to Charge Tourists Entry

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Escalating conflict in the Middle East has resulted in significant damage to UNESCO World Heritage sites in both Israel and Iran. In Tel Aviv, Iranian missile strikes damaged Bauhaus-style buildings in the White City district and the Habima National Theater, while Israeli and US bombings reportedly struck Tehran’s historic Golestan Palace. Meanwhile, the Cologne Cathedral announced it will begin charging tourists an entry fee in July to address a financial crisis, following a trend of European landmarks seeking new revenue streams for monument upkeep.

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New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.

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The Mauritshuis in The Hague announced it will loan Johannes Vermeer's "Girl with a Pearl Earring" (circa 1665) to the Nakanoshima Museum of Art in Osaka, Japan, this summer while the Dutch museum closes for building alterations from August 24 to September 20. Separately, President Donald Trump's administration released a memo on January 7 stating the US will withdraw from over 60 international groups, including ICCROM and IFACCA, which focus on arts and cultural heritage preservation, arguing these bodies operate contrary to US interests.

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An artist known as Sunday Nobody has created a new work consisting of a bag of Flamin' Hot Cheetos encased in resin and suspended inside a 3,000-pound concrete sarcophagus, which he has buried outside Seattle with instructions for it to be opened in 10,000 years. The 28-year-old motion graphics designer, who maintains anonymity, funds his complex, labor-intensive projects through his day job and documents their creation in viral social media videos.

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Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

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Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.

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Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.

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The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.

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Saudi Arabia is significantly scaling back its ambitious "Vision 2030" cultural and infrastructure spending due to falling oil prices and massive budget overruns. Major international projects, including a $200 million investment deal with the Metropolitan Opera in New York and funding for the Centre Pompidou’s refurbishment, are currently in limbo or facing payment delays. Reports of unpaid invoices to art service firms and the halting of "gigaprojects" like Neom suggest a period of financial retrenchment for the kingdom.

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Six years after announcing plans to deaccession its 1,600-work collection—the world's foremost trove of Post-war Northern California art—the di Rosa Center for Contemporary Art has reopened in a new downtown San Francisco space. The inaugural exhibition, "Far Out: Northern California Art," features artists such as Enrique Chagoya, Peter Saul, Viola Frey, Roy De Forest, and Jay DeFeo, celebrating the radical, countercultural ethos of the region. The space, located at the Minnesota Street Project in Dogpatch, had been vacant since the McEvoy Foundation for the Arts closed in 2023. Curator Twyla Ruby reports that visitors have been emotionally moved by seeing the collection reunited.

Damien Hirst offers his hot take on art dealers

On a recent podcast, artist Damien Hirst identified his manager, Joe Hage, as the most influential person he's met, praising his work with other major artists. Hirst also downplayed the role of major galleries like Gagosian and White Cube, comparing them to 'estate agents,' and revealed a new private commission: an amethyst-encrusted grotto for the Getty family.

Which Artists Are Insiders Searching For? After 10 Years, Not Much Has Changed

Artnet's Price Database analysis reveals that the most-searched artists by its users have remained remarkably consistent over the past decade. Pablo Picasso, Andy Warhol, and Marc Chagall continue to hold the top three positions, with David Hockney and Yayoi Kusama joining the list, while Salvador Dalí and Lucio Fontana have dropped off.

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New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.

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Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.

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Artnet News has curated a list of 10 artworks available through its Gallery Network as Valentine's Day gift suggestions. The featured works include pieces by artists such as Damien Hirst, Marc Chagall, Man Ray, and Emilie Charmy, with prices available upon inquiry. The selection ranges from contemporary works like Hirst's 'Butterfly Heart' (2020) to historical pieces like Chagall's 'The Adolescents' (1975), all presented as alternatives to traditional Valentine's gifts like roses or chocolates.

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Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

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The Mauritshuis museum in The Hague has announced that Johannes Vermeer's "Girl with a Pearl Earring" will be loaned to the Nakanoshima Museum of Art in Osaka, Japan, for a temporary exhibition this fall. The loan occurs while the Dutch museum undergoes renovations in August and September. The painting was last lent to the Rijksmuseum in Amsterdam for its 2023 Vermeer retrospective. The Asahi Shimbun Company is underwriting the presentation and will serve as a project partner to the Mauritshuis for four years, funding a new education center slated for 2028.

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Thomas Schlesser's novel *Mona's Eyes* has been named Barnes & Noble's book of the year for 2025, but its cover has sparked controversy online. The cover features Johannes Vermeer's *The Girl with the Pearl Earring*, even though the story is about a girl named Mona who visits Paris museums with her grandfather, and the painting is not held in Paris—it resides at the Mauritshuis in The Hague. A viral Reddit thread on an art history subreddit accused the publisher of "ragebait," noting the mismatch between the cover image and the book's content. Schlesser, an art historian who teaches at the École Polytechnique and runs the Hartung Bergman Foundation, defended the choice, saying he wanted an iconic work symbolizing light and darkness rather than highlighting any of the 52 artworks featured in the story.

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Art conservators faced a crisis after two key ingredients for Beva 371, a glue used to line historical canvases, were discontinued—first the resin Laropal K-80 in 2005 and then the tackifier Cellolyn 21E in 2020. Researchers from the University of Akron and New York University's Conservation Center, funded by a Getty Foundation grant, developed a new version called Beva 371 Akron. The adhesive is less toxic, less vulnerable to supply-chain issues, and available in three forms: a pre-mixed heat-seal variant, solid spaghetti-like pellets for easy transport, and a solvent-free pure adhesive.

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The Metropolitan Opera is considering selling its two iconic Marc Chagall murals, 'The Sources of Music' and 'The Triumph of Music,' which have been appraised at $55 million. The institution's general manager, Peter Gelb, has proposed a sale with the condition that the buyer agrees to leave the works in place at Lincoln Center, with a donation plaque.

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New York's Metropolitan Opera announced it may sell its two iconic Marc Chagall murals, *The Sources of Music* and *The Triumphs of Music*, which have adorned the building's Grand Tier since 1966. The proposal includes a caveat that the paintings must remain in place at the opera, with the owner recognized on a plaque. Sotheby's valued the artworks at a total of $55 million within the past year. The financially beleaguered institution has drawn $120 million from its endowment and reduced its performance schedule since the pandemic, and previously used the Chagalls as collateral for a $35 million loan from J.P. Morgan in 2009.

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The article reports on a growing trend in the art world called a 'strategic pause,' where galleries and art fairs are temporarily suspending operations to reassess their futures. Vienna's Spark Art Fair announced a hiatus, Berlin dealer Mehdi Choukri is pausing exhibitions at his 30-year-old gallery, and the Art Dealers Association of America's Art Show skipped a year to 'reimagine' its direction. Additionally, the Metropolitan Opera in New York is considering selling its iconic Marc Chagall murals, and a fresh-to-market Magritte painting is heading to Christie's London.

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Johannes Vermeer's iconic painting *Girl with a Pearl Earring* will travel to Japan for the first time in over a decade, on view at the Nakanoshima Museum of Art in Osaka from August to September. The loan is necessitated by the closure of its permanent home, the Mauritshuis in The Hague, for renovations. The Mauritshuis had previously pledged not to lend the painting again after its 2012–2014 tour of Japan, Italy, and the U.S., making an exception only for the Rijksmuseum's 2023 Vermeer exhibition. Director Martine Gosselink called the trip a unique opportunity to share the work with the Japanese public, possibly for the last time.

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On Public Domain Day 2026, works from 1930 entered the U.S. public domain, including art by Piet Mondrian, Paul Klee, José Clemente Orozco, and Sophie Taeuber-Arp. Notable artworks now free to use include Mondrian's *Composition With Red, Blue, and Yellow*, Klee's *Tierfreundschaft*, Orozco's *Prometheus*, and Taeuber-Arp's *Composition of Circles and Overlapping Angles*, as well as pieces by Philip Guston, Marc Chagall, and Edward Hopper from the Metropolitan Museum of Art. Literary works like Sigmund Freud's *Civilization and Its Discontents* and William Faulkner's *As I Lay Dying*, films such as *All Quiet on the Western Front*, and musical compositions including "Dream a Little Dream of Me" and "Georgia on My Mind" also entered the public domain, along with the original Betty Boop character and early *Blondie* comics.

How Much Is That Chagall in the Window: Metropolitan Opera Faces Funding Crisis After Saudi Deal Collapse

The Metropolitan Opera in New York faces a $30 million deficit after a $200 million funding deal with Saudi Arabia collapsed. The Saudi government withdrew from the agreement, which would have sent Met performers to the Royal Diriyah Opera House for three weeks each February, citing economic pressures from the Iran War and the blockage of the Strait of Hormuz. To address the shortfall, the Met is considering selling two monumental Marc Chagall paintings—The Sources of Music and The Triumph of Music (1966)—valued at $55 million, along with other options like selling naming rights or seeking a similar deal with another country.

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Christie’s has been consigned to sell works from the collection of the Kawamura Memorial DIC Museum of Art, including pieces by Claude Monet, Pierre-Auguste Renoir, Marc Chagall, Henri Matisse, and Henry Moore, as part of its fall marquee auctions. A top highlight is Monet’s oil painting *Nymphéas* (1907) with a low estimate of $40 million. The museum, located in Sakura, Japan, and owned by the DIC Corporation, decided last December to downsize and relocate, selling 75 percent of its 384 artworks valued at $77.5 million. The sale includes eight works in Christie’s 20th Century Evening Sale in November, with additional pieces in day sales for Impressionist and Modern Art as well as Post-War and Contemporary Art.

Van Gogh and café culture: 'The absinthes and brandies would follow each other in quick succession'

An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.

Sotheby's auction: Modern & contemporary art

Sotheby’s is holding its Modern and Contemporary Art auction during Singapore Art Week, featuring rare works that have not been publicly available for decades. Highlights include Walter Spies’s *Die Schlittschuhlaufer (The Ice Skaters)*, estimated at $980,000–$1.8 million, and Raden Saleh’s *The Eruption of Mount Merapi, by day*, appearing at auction for the first time after being held in a private European collection for over a century. Other notable lots include works by Pacita Abad, Marc Chagall, Zao Wou-ki, Mai Trung Thu, and David Hockney. Public exhibition runs January 22–25 at The Singapore Edition, with the live auction on January 25.

Two legacy galleries open in a Berlin gas station

International gallery Pace has partnered with Galerie Judin to open a new arts hub in a converted 1950s gas station in Berlin's Schöneberg neighborhood. The venue, called Die Tankstelle, features exhibition spaces for both galleries, a café, and a Die ZEIT-branded bookshop. The inaugural exhibition, 'Reverse Alchemy,' runs from May 2 to June 14, 2025, and brings together works on paper by Jean Dubuffet, Jean-Michel Basquiat, and Robert Nava. The gas station, originally built in 1954 and abandoned in 1986, was purchased by Juerg Judin in 2007 and renovated by Thomas Brakel and bfs design, with landscape architect Guido Hager adding a garden. It previously housed Das Kleine Grosz Museum from 2022 to 2024.