A Reuters investigation this week identified street artist Banksy as 52-year-old Robin Gunningham, reigniting a long-running public debate about the unmasking of anonymous artists. This follows a recent hoax announcement of novelist Elena Ferrante's death, which similarly targeted her carefully guarded identity.
The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.
British painter Hurvin Anderson's exhibition at the Art Gallery of Ontario features his lush, layered paintings that explore themes of home, belonging, and cultural memory. The show includes his "Ball Watching" series, which reworks a 1983 photograph taken in Birmingham's Handsworth Park, transforming a personal snapshot into a meditation on place and identity.
Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.
"Hinter allen schönen Dingen liegt ein Leiden"
The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.
In London geht es Tracey Emin um Tod und Auferstehung
Tracey Emin has opened a major exhibition at the Tate Modern in London. The show, which follows her battle with an aggressive bladder cancer diagnosed in 2020, presents a new chapter in her work, focusing on themes of trauma, triumph, and the body.
Un chef-d’œuvre d’Otto Dix prend vive dans la nouvelle saison d’« À Musée Vous, À Musée Moi »
The popular web series "À Musée Vous, À Musée Moi" has returned for a new season focusing on Otto Dix’s 1926 masterpiece, "Portrait of the Journalist Sylvia von Harden." Created by Fouzia Kechkech and co-produced by the Centre Pompidou and Dada Media, the series uses short, humorous live-action sketches to bring iconic paintings to life. In these episodes, actress Isabelle Desplantes portrays Von Harden, navigating anachronistic situations—such as dealing with social media trolls—while providing historical context about the New Objectivity movement and the "New Woman" of the Weimar Republic.
L’orientalisme, contes et histoire au Louvre-Lens
The Louvre-Lens has launched "Beyond the Arabian Nights," an ambitious exhibition exploring the evolution of Orientalism in France. Moving past simple clichés of odalisques and flying carpets, the show features over 300 items, including masterpieces by Delacroix, Ingres, and Gérôme, alongside popular culture objects like porcelain figurines and film clips. The exhibition traces cultural exchanges from medieval trade and the Crusades to the 19th-century obsession with Islamic art, utilizing a scenography that emphasizes the construction of fictional narratives.
De l’art de paraître
The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.
Art Paris, un bilan meilleur que prévu
The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.
The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.
Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.
Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.
Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.
Two previously unseen preliminary pencil sketches of Winnie-the-Pooh by illustrator E.H. Shepard have been revealed to the public for the first time. Shared by the artist’s family to mark the centenary of A.A. Milne’s classic stories, the drawings depict scenes from the "expotition" to the North Pole and the hunt for a "Woozle" that were never included in the final 1926 publication. These rare works are set to go on display at Peter Harrington Rare Books in London starting April 17.
Prominent figures in Black British music, including Goldie, Estelle, and Dennis Bovell, reflect on iconic photographs and visual artifacts that define the history of their genre. The article highlights specific works such as Eddie Otchere’s portrait of drum and bass pioneers Kemistry and Storm, Janette Beckman’s photography of Slick Rick, and Adrian Boot’s documentation of the Race Today offices in Brixton.
The Brooklyn Museum has named photographer and multimedia artist Keisha Scarville the winner of its sixth annual UOVO Prize. She will receive a $25,000 unrestricted grant, a public exhibition titled "Where Salt Meets Black Water" at the museum's Iris Cantor Plaza opening May 8, and a commission for a large-scale work on the façade of UOVO's Bushwick storage facility.
British artist Simon Fujiwara has opened a major career survey, 'A Whole New World,' at Mudam Luxembourg. The exhibition features a reinterpretation of Picasso's *Guernica* using his cartoon character Who the Baer, alongside works addressing his personal experience with syphilis and a commemorative installation for Japanese gay porn star Koh Masaki. The show is structured as a thematic 'theme park' exploring contemporary issues.
Art21 hosted an advance screening of Sophie Calle's segment from the upcoming Season 12 of "Art in the Twenty-First Century" at the SAG-AFTRA Robin Williams Center in New York. Following the first public showing of the documentary, which follows Calle preparing exhibitions in Paris, Arles, and Minneapolis, the artist participated in a conversation with filmmaker Bette Gordon. They discussed the influence of 1980s New York and themes of identity and vulnerability in her work.
A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.
Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.
The Getty Museum is hosting a comprehensive exhibition titled “Photography and the Black Arts Movement 1955-1985,” featuring over 150 works including paintings, photographs, video art, and archival memorabilia. Developed in partnership with Cal State Northridge, the show highlights the pivotal role of Black photographers and artists in documenting and shaping the Civil Rights era and the subsequent Black Arts Movement. The collection includes iconic imagery from figures like Barkley L. Hendricks and Gordon Parks, as well as local Los Angeles legends such as Betye Saar and Harry Adams.
The American Folk Art Museum on the Upper West Side is celebrating its 65th anniversary and the upcoming 250th anniversary of the United States with two major exhibitions: “Folk Nation: Crafting Patriotism in the United States” and “Self-Made: A Century of Inventing Artists.” These shows feature works ranging from 19th-century textiles to 20th-century paintings by self-taught icons like Morris Hirshfield and Reverend Benjamin Franklin Perkins, highlighting how marginalized and non-academic artists have historically interpreted American identity and personal narrative.
The Indian art scene is set for a bustling April 2026 with a series of high-profile exhibitions across major cities like Delhi and Mumbai. Key highlights include Subodh Gupta’s monumental installations at the Nita Mukesh Ambani Cultural Centre, a photographic tribute to Bombay by Raghubir Singh at Jhaveri Contemporary, and the public viewing of Raja Ravi Varma’s iconic 'Yashoda and Krishna' at the ShowKeen exhibition. These shows span a diverse range of media, from Akanksha Patil’s introspective narratives on migration to Laila Khan Furniturewalla’s raw, expressive paintings.
The National Portrait Gallery in London is hosting "To Be Seen," the first major UK museum exhibition dedicated to the American photographer Catherine Opie. Curated in collaboration with the artist, the show spans over 30 years of work, including her seminal 1991 series "Being and Having" and her Holbein-inspired portraits of the LGBTQ+ community. The exhibition is further expanded through a series of interventions where Opie’s contemporary photographs are placed in direct dialogue with the gallery’s permanent collection.
Chicago-based artist Carlos Rolón has debuted a new solo exhibition titled "The Division Street Riots" at 65Grand gallery. Moving away from his signature high-gloss aesthetic of Swarovski crystals and gold, Rolón presents a series of restrained graphite and charcoal drawings and dye sublimation prints based on archival imagery. The works document the 1966 uprising in Chicago's Humboldt Park, which was sparked by the police shooting of a young Puerto Rican man, Arcelis Cruz, following the city's first Puerto Rican Day Parade.
The Estate of Barkley L. Hendricks presents "All is Portraiture," a major exhibition of the artist's work at the Marian Goodman Gallery in Paris. The show, running from February 6 to April 4, 2026, features a comprehensive checklist of Hendricks's portraits, offering a focused look at this central aspect of his celebrated practice.
The Salvator Mundi Museum of Art has launched a new exhibition titled "THE ORB SHOW - All About Balls." This unconventional presentation focuses on the recurring motif of the sphere in art, drawing inspiration from the crystal orb held by Christ in the museum's namesake painting, the Salvator Mundi.
Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.
A major retrospective of artist and writer Theresa Hak Kyung Cha highlights her pioneering work in feminist conceptual art, focusing on videos and performances that explore displacement, language, and the violence of cultural hegemony. The exhibition, born from recent reassessments of her legacy, reconstructs the image of an artist whose brief career anticipated contemporary struggles with nationalism and identity.