The Grinnell College Museum of Art has opened two new exhibitions. 'Unruly Lines: The Art of Sonia Sekula,' curated by professor Jenny Anger and museum curator Dan Strong, occupies the east gallery, while 'Rhizomatic Intimacies: Photography from the Collection of Keith Jantzen and Scott Beth,' curated by students from Michael Mackenzie's Exhibition Seminar, is on view in the west gallery.
Cubitt Artists, a non-profit gallery and studio space in central London that has operated for over 25 years, announced it will leave its current home in Islington this spring after its lease was not renewed. The artist-run cooperative, which houses 32 studios, is launching a fundraising campaign to find a new location and continue providing affordable studios, contemporary art programming, and opportunities for early-career artists and curators.
Cal State Fullerton's Nicholas and Lee Begovich Gallery has opened "Carole Caroompas: Mystical Unions," a special exhibition celebrating the life and legacy of the late contemporary artist and CSUF alumna Carole Caroompas. Curated by College of the Arts Director Jennifer Frias and Caroompas's longtime friend Mary Anna Pomonis, the show features paintings, mixed-media works, and personal ephemera drawn from the artist's archives at the Getty Research Institute, including journals, letters, and sketches that offer an intimate look at her creative process.
Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.
The Phoenix Gallery and Music Hall in Burlington, Vermont, will host the exhibition “Sensual Turns” opening January 23, with a reception from 6 to 8 p.m. The show features new work by guest curator and featured artist Elizabeth Powell, alongside pieces by artists Jenny Kemp and Bonnie Morano. Powell, a painter and printmaker, holds an MA and MFA from the University of Iowa and has exhibited at Kishka Gallery and Hexum Gallery. Morano, based in Brooklyn, earned an MFA from Hunter College and has been selected for the XL Catlin Artist Prize. Kemp, a 2015 NYFA Fellowship recipient, has shown work nationally and internationally.
Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.
The Gallerist, a new satire directed by Cathy Yan, premiered at the Sundance Film Festival. The film follows struggling gallerist Polina Polinski (Natalie Portman), who is betting everything on a one-artist debut at Art Basel Miami Beach. After an obnoxious art influencer, Dalton Hardberry (Zach Galifianakis), dies accidentally by impalement on a sculpture titled The Emasculator, Polina and her assistant Kiki (Jenna Ortega) conspire to pass off his corpse as part of the artwork, duping wealthy clients. The ensemble cast also includes Catherine Zeta-Jones as a legendary dealer reminiscent of Marian Goodman, Da'Vine Joy Randolph as the earnest artist Stella Burgess, and Sterling K. Brown as Polina's ex-husband.
Artist Ektor Rivera has created a painting titled "The Discovery of Americans" (2025) that reimagines Emanuel Leutze's "Washington Crossing the Delaware" to celebrate Puerto Rican cultural figures, with Bad Bunny at the center. The work was commissioned by Miami art collector Seth Goldberg as a response to conservative criticism over Bad Bunny being selected to perform at the Super Bowl halftime show. The five-by-eight-foot painting places George Washington in the background while Puerto Rican icons including Jennifer Lopez, Ricky Martin, and Roberto Clemente take center stage, with Bad Bunny draped in the Puerto Rican flag. The artwork has garnered over 2.3 million views on Instagram and Facebook.
The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.
Award-winning photographer Tom Jenkins captures the high-stakes atmosphere of the 2026 Grand National meeting at Aintree. The photo essay documents the dramatic physical feats of the horses, including falls at the notorious 'Chair' fence, alongside the vibrant social culture of the spectators, from the high-fashion 'Style Awards' on Ladies’ Day to the rain-soaked crowds of the final day.
Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.
Bonhams, the UK-based auction house, reported a nearly 90% surge in pre-tax losses to £213 million ($286.3 million) in 2024, alongside a 9% revenue decline to £176 million ($236.6 million), according to filings with Companies House. The losses were driven by £153 million in impairment charges due to reduced cash flow forecasts, reflecting a write-down on the investment value held by former owner Epiris. The house was sold to Pemberton Asset Management in October 2024, and subsequently saw a leadership overhaul, with Seth Johnson appointed CEO, Liese Thomas as CFO, and Jennifer Babington as COO, replacing Chabi Nouri and Céline Assimon.
Pemberton Asset Management, a European private credit manager backed by Legal & General, has acquired the auction house Bonhams from private equity firm Epiris for an undisclosed sum. The acquisition led to the departure of Bonhams's global CEO Chabi Nouri and chief commercial officer Céline Assimon, with a new senior leadership team appointed including Seth Johnson as CEO, Liese Thomas as CFO, and Jennifer Babington as COO. Bonhams chairman Hans-Kristian Hoejsgaard will remain in his role, while Chris Ellerker and Mohit Agarwal from Pemberton join the board.
Pemberton Asset Management, a European private credit manager, has acquired the 232-year-old auction house Bonhams from private equity firm Epiris for an undisclosed sum. The acquisition prompted the departure of Bonhams's global CEO Chabi Nouri and chief commercial officer Céline Assimon, with a new leadership team installed including Seth Johnson as CEO, Liese Thomas as CFO, and Jennifer Babington as COO. Bonhams chairman Hans-Kristian Hoejsgaard remains in place, while Pemberton representatives Chris Ellerker and Mohit Agarwal join the board.
Western Washington University’s art department has opened its 2026 faculty and staff biennial, featuring 20 artists with works spanning painting, photography, sculpture, video, and installation. The exhibition is held in the Fine Arts Building, room 124, and runs Monday through Saturday until May 2, with free admission. New gallery director Kelly Lindner curated the show, which includes interactive pieces and collaborative works. Featured artist Jennifer Anable contributed three works inspired by Skagit Valley and dark humor, emphasizing the importance of students seeing their teachers’ professional practice.
Western Washington University’s art department has opened its 2026 biennial exhibition, featuring 20 faculty and staff artists with works spanning painting, photography, sculpture, video, and installation. The show runs through May 2 in the Fine Arts Building, with free admission and interactive pieces that invite viewer participation. New gallery director Kelly Lindner curated the exhibit, which includes works such as Jennifer Anable’s “Tulip Vase (Hell Fire)” and collaborative pieces by multiple artists.
The Polygon Gallery in Vancouver has announced its 2026 exhibition schedule, featuring a diverse lineup of solo and group shows. The year's programming is anchored by photography but includes sculpture, installation, and beadwork, with a strong focus on local and Indigenous artists. Highlights include a major solo show by Tania Willard, a career retrospective for photographer Greg Girard, a two-person exhibition with Jeneen Frei Njootli and Catherine Blackburn, and the return of the Lind Biennial.
The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' Curated by Executive Director and Chief Curator Stephanie Gibson, the show features immersive, interactive works that blend visual art and sound. A highlight was a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians, including Ruby Barrientos, Sophie Duvall, Jonesy, Sarah Strauss, and Karlie Watson, which took place on October 1 and 2, 2025. The exhibition remains open to the public, inviting visitors to touch and activate Tsabar's felt-and-piano-wire sculptures, challenging traditional museum norms.
The Clay Studio in Philadelphia has opened a new exhibition titled 'Clay as Care: Ceramic Art and Wellbeing,' which explores the therapeutic and restorative benefits of working with ceramics. Co-curated by Jennifer Zwilling and Nicole Pollard, the show features four artists—Adebunmi Gbadebo, Jennifer Ling Datchuk, Ehren Tool, and Maia Chao—each using clay to address personal healing journeys, from fertility struggles to trauma recovery. The exhibition includes interactive elements like communal clay for visitors and is part of a research project partnering with the University of Pennsylvania Center for Neuroaesthetics, Jefferson University Art Therapy Department, and Drexel University Art Psychotherapy team to study the wellness effects of art exhibitions.
The Clay Studio in Philadelphia has opened a new exhibition titled "Clay as Care: Ceramic Art and Wellbeing," which explores the therapeutic and restorative benefits of working with ceramics. The show features four artists—Adebunmi Gbadebo, Jennifer Ling Datchuk, Ehren Tool, and Maia Chao—each using clay to address personal healing journeys, from fertility struggles to military trauma. The exhibition includes interactive elements like communal clay for visitors and is part of a research project in partnership with the University of Pennsylvania Center for Neuroaesthetics, Jefferson University Art Therapy Department, and Drexel University Art Psychotherapy team, collecting data on the show's impact on wellness.
Hamburger Galeristin Jenny Falckenberg unerwartet gestorben
The Hamburg art world is mourning the sudden passing of gallery owner and art agent Jenny Falckenberg, who died in her sleep at the age of 45. The daughter of the late legendary collector Harald Falckenberg, she had established herself as a significant force in the German contemporary art scene, known for her ability to bridge the gap between established figures and emerging talent.
The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.
The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.
Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.
The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.
The Center for Creative Works (CCW) and Haverford College's Cantor Fitzgerald Gallery have partnered to present LOOK HERE, a multisensory exhibition highlighting the work of neurodivergent artists. The show features six CCW artists—Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu—and is curated by Jennifer Gilbert alongside CCW artists Mary T. Bevlock and Paige Donovan. The exhibition includes accessible design elements such as braille, ASL videos, touch panels, sensory backpacks, and tours led by neurodivergent artists. Two satellite exhibitions, LOOK THERE at Haverford's VCAM gallery and LOOK EVERYWHERE at Philadelphia's Atelier Gallery, run concurrently, along with the sixth annual Creating Community Symposium, which brings together progressive art studios from across the US.
Silverlens Manila is set to debut two distinct exhibitions in April 2026: a solo show by Is Jumalon titled "Topographies of Seeing" and a group exhibition titled "PLAY." Jumalon’s work utilizes mixed media to reimagine landscapes through the lens of her childhood memories of Zamboanga’s rock formations, blending natural beauty with an underlying sense of danger. Meanwhile, "PLAY" features artists Jenifer K Wofford, Jake Verzosa, and Aze Ong, focusing on the concept of place-making and postcolonial spatial realities, specifically highlighting the cultural significance of basketball courts across the Philippines.
The exhibition "Painting Miniatures by Slaven Vidović" opened on Saturday at the Split Art Gallery, presenting for the first time works from the previously unknown artistic oeuvre of Slaven Vidović, the son of painter Emanuel Vidović. Curated by Iris Slade, the show features eighty works on paper created during the 1920s, drawn from the legacy of Vidović's daughter Zjenja Čulić. Due to the fragility of the originals, high-quality prints are displayed instead. Vidović, a prominent physician and art collector, studied medicine in Prague from 1919 to 1926, where he developed a passion for capturing everyday life in working-class districts, night bars, and cafes, drawing on styles including Fauvism, Cubism, Dadaism, Expressionism, and Neorealism.
The Muscogee (Creek) Nation has opened the first Mvskoke-owned and operated art gallery in the Greater Tulsa area, Mvskoke Waters Gallery, in Jenks, Oklahoma, on December 13. The inaugural exhibition, “Mvskokvlke: Road of Strength,” features nearly two dozen Mvskoke artists from across the country, including George Alexander, Joy Harjo, and Sterlin Harjo, and includes a tribute to the late artist Mary Edward Smith. Co-curated by Bobby C. Martin and Carly Treece, the show celebrates Mvskoke resilience, strength, and cultural continuity.
Somerset artist Brian Fox has created a powerful exhibit titled “In the Valley of the Shadow,” now on display at the Narrows Center for the Arts in Fall River, Massachusetts, through December 27th. The paintings depict the harrowing experiences of Vietnam War veterans, with Fox spending hours consulting veterans like Wayne Smith, a former combat medic, and David Jennings of the 1st Marine Division to ensure historical and emotional accuracy. The project began with a single war-themed painting and has grown into a full exhibition that Fox plans to expand by one or two paintings each year.