Anyone can say something against injustice. This group uses artwork to do that.

The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.

The 2026 Medalists at a Glance

Art Basel has announced the 33 medalists for its 2026 Awards, a global initiative recognizing excellence across the contemporary art ecosystem. The awards span nine categories, including Emerging, Established, and Icon artists, as well as curators, patrons, and institutions. Notable honorees include Barbara Kruger, Howardena Pindell, and Jenny Holzer in the Icon category, alongside established figures like Arthur Jafa and Julie Mehretu. The selection process, led by a jury of nine international experts, emphasizes a cross-disciplinary and geographically diverse group with a strong representation from the Global South.

The Art World This Week: Nazi-Looted Modigliani Reclaimed, Kengo Kuma to Design National Gallery Wing, Seoul’s Centre Pompidou to Open in June, and More

The art world saw several major developments this week, headlined by a significant legal ruling regarding Amedeo Modigliani’s 'Seated Man with a Cane' (1918). A judge ruled against a holding company controlled by billionaire dealer David Nahmad, moving the Nazi-looted masterpiece closer to reclamation. Meanwhile, institutional expansions took center stage with Kengo Kuma being selected to design a new wing for London’s National Gallery, and the Centre Pompidou Hanwha in Seoul confirming a June 4 opening date.

12 must-see exhibitions in and around Los Angeles during Frieze

Los Angeles is hosting a series of major exhibitions to coincide with the Frieze Los Angeles art fair, highlighting both historical activism and contemporary social critiques. Key shows include Judith F. Baca’s exploration of her iconic 'Great Wall of Los Angeles' mural at Jeffrey Deitch, a massive survey of time-based media from the Julia Stoschek Foundation at the Variety Arts Theater, and a collaborative project between MOCA and The Brick titled 'Monuments' that recontextualizes removed Confederate statues through the lens of contemporary Black artists.

African LGBTQ+ art at the Smithsonian, the Iran crisis, Louise Nevelson at Pompidou Metz—podcast

The latest episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. It features a discussion with co-curator Kevin Dumouchelle about 'Here: Pride and Belonging in African Art,' a new exhibition at the Smithsonian’s National Museum of African Art in Washington, D.C., focusing on LGBTQ+ artists from Africa and its diaspora. The episode also examines the cultural impact of the protests and brutal crackdown in Iran, with reporter Sarvy Garenpayeh, and highlights Louise Nevelson's 'Tropical Garden II (1957)' as the Work of the Week, tied to a new survey of the sculptor's work at the Centre Pompidou-Metz.

10 Art Shows to See in Los Angeles This November

This article highlights ten art shows to see in Los Angeles this November, featuring a diverse range of exhibitions. Key shows include Kathleen Ryan's bejeweled rotten fruit, Puppies Puppies's homage to freedom flags, and TJ Shin's bird songs. Historical perspectives are offered through a survey of prints by Robert Rauschenberg at Gemini G.E.L., rarely seen works by Mexican muralist Alfredo Ramos Martínez at Scripps College, and a tribute to the Brockman Gallery at the Vincent Price Art Museum. The two-venue exhibition 'Monuments' investigates how art reflects national narratives, while Puppies Puppies's dual shows use color and text to address contemporary liberation struggles.

These 16 Artists Are the Biggest at U.S. Museums Right Now

This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.

15 Art Shows to See in Los Angeles This Fall

This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.

The Broad invites art lovers to Jeffrey Gibson exhibition

The Broad museum in Los Angeles has announced free Thursday evening tickets for "Jeffrey Gibson: the space in which to place me," an exhibition on view through September 28. The show features over 30 works including paintings, sculptures, flags, murals, and a video installation, adapted from Gibson's 2024 U.S. Pavilion presentation at the 60th Venice Biennale, where he became the first Indigenous artist to represent the United States with a solo exhibition. This is Gibson's first single-artist museum exhibition in Southern California.

In pictures: Rujeko Hockley’s Frieze favourites

Rujeko Hockley, an associate curator at the Whitney Museum of American Art, shares her personal highlights from Frieze art fair, selecting works by artists including Joey Terrill, Chitra Ganesh, Danielle Brathwaite-Shirley, Ernie Barnes, Jeremy Frey, Maia Ruth Lee, Beverly Buchanan, and Luana Vitra. Each selection is accompanied by Hockley's commentary on the themes and techniques that draw her to the pieces, ranging from new media and biographical elements to Indigenous craft and migration narratives.

Ford Foundation Gallery and NXTHVN presents THIS IS NOT A RETREAT! NXTHVN Through the Years

The Ford Foundation Gallery and NXTHVN present "THIS IS NOT A RETREAT! NXTHVN Through the Years," an exhibition opening June 5, 2025, at the Ford Foundation Center for Social Justice in New York. The show features work by alumni artists from the first five years of NXTHVN's intensive 10-month fellowship program, which has supported 41 artists and 12 curators since 2018. Co-founded by artist Titus Kaphar and impact investor Jason Price, the exhibition is curated by Marissa Del Toro and spans drawing, painting, prints, installation, etchings, and sculpture. A concurrent group show, "The Things Left Unsaid," featuring NXTHVN's Cohort 06 Fellows, runs from May 8 to June 21, 2025, at James Cohan Gallery.

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The Trump administration has escalated its attacks on billionaire philanthropist George Soros, with the Justice Department calling for an investigation into his Open Society Foundations. The foundations, which provide substantial grants to artists and human rights organizations globally, are accused of potential racketeering, wire fraud, and material support for terrorism, based on allegations from the conservative Capital Research Center. Soros, a major Democratic donor, has previously been targeted by Trump and Vice President JD Vance, who claim the foundations fund leftist protests. The Open Society Foundations have awarded $100,000 fellowships to numerous prominent artists, including Firelei Báez, Yto Barrada, and Nicholas Galanin, and provided $1.2 billion in funding in 2024 alone.

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Tim Blum, founder of Blum Gallery, announced the closure of his gallery in early July, citing systemic problems and burnout. However, former employees and artists have since spoken out, claiming they were blindsided by the decision and criticizing the lack of notice, severance, and transparency. Some sources allege that poor business decisions, including a buyout of partner Jeff Poe and costly renovations in a shaky economy, contributed to the closure, while others dispute Blum's claims of strong sales at Art Basel. Separately, a bipartisan Senate bill seeks to extend a 2016 law aiding Holocaust victims in reclaiming Nazi-looted art, but major museums are pushing back, arguing the law unfairly hinders their ability to defend claims.

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Barbara Kruger's monumental text-based mural "Untitled (Questions)" (1990/2018) at the Geffen Contemporary in Los Angeles has become a backdrop for National Guard deployments during protests against ICE raids. Originally commissioned by MOCA in 1989, the 191-foot-long work asks "WHO IS BEYOND THE LAW?" and has been photographed twice with armed soldiers beneath it—first in 1992 during the Rodney King protests, and again this week as President Donald Trump deployed the National Guard to quell demonstrations against immigration enforcement. Photographer Jay L. Clendenin captured the latest image, showing a calm scene that belies nearby unrest.

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Germany's Stuttgart Higher Regional Court ruled that Ravensburger, a German toy manufacturer, can continue using Leonardo da Vinci's *Vitruvian Man* (c. 1490) in its puzzles, dismissing a claim by Italy's Culture Ministry and the Gallerie dell'Accademia di Venezia. The Italian plaintiffs had sought a licensing agreement under a domestic cultural heritage law, arguing that commercial use of the image required their authorization, even outside Italy. The ruling reverses a 2022 Venice court decision that had ordered Ravensburger to stop production. The Italian parties may appeal to the German Federal Court of Justice.

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A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

Gearing Up for Venice

The 2026 Venice Biennale's awards jury has announced it will not consider artists from countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically naming Israel and Russia. In other news, satellite imagery confirms Azerbaijan demolished an Armenian church in Artsakh, the World Press Photo of the Year was awarded to Carol Guzy for an image of ICE detaining a father, and Argentine abstract painter Ides Kihlen died at age 108. Hyperallergic also published a guide to the Biennale by Hrag Vartanian and reported on Lynda Roscoe Hartigan's appointment as director of the Smithsonian American Art Museum.

Can the V&A’s New Museum Fulfill Its Democratic Promise?

The Victoria and Albert Museum (V&A) has opened its new V&A East museum and V&A East Storehouse in Stratford, East London. This expansion, part of a £660 million redevelopment, presents the museum's collection with a focus on community co-design, social justice themes, and local artists, aiming to be more accessible and democratic than its imposing South Kensington flagship.

Remembering Pearl Fryar, Siri Aurdal, and Frank Stack

The art world mourns the loss of several influential figures, including self-taught topiary artist Pearl Fryar, who transformed a South Carolina cornfield into a botanical landmark, and painter Celeste Dupuy-Spencer, known for her politically charged works featured in the Whitney Biennial. The week's memorials also include Norwegian sculptor Siri Aurdal, a pioneer of industrial materials in the 1960s Scandinavian scene, and Frank Stack, the educator and cartoonist credited with creating the first underground comic.

A Visual Journey Through 150 Years of the Legal Aid Society

A Visual Journey Through 150 Years of the Legal Aid Society

The New York Historical Society has unveiled a special exhibition, "Delivering Justice: 150 Years of The Legal Aid Society," chronicling the history and impact of the nation's largest public defense provider. The display features archival photographs, newspaper clippings, and artwork that trace the organization's evolution from its 1876 founding as a small office aiding German immigrants to its modern role in landmark cases, including its defense of Attica prison uprising leaders and a recent lawsuit against brutality at Rikers Island.

Raghu Rai’s masterful images of Indian life – in pictures

Raghu Rai, the celebrated Indian photographer who was recruited to Magnum Photos by Henri Cartier-Bresson in 1977, has died at the age of 83. Over five decades, he produced defining images of Indian life, ranging from intimate portraits of Mother Teresa to stark documentation of the Bhopal disaster. His work captured both the grand and the everyday, from crowds at Mumbai's Churchgate railway station to slums in Dharavi, and he published more than 18 books, receiving multiple awards for his unflinching human gaze.

Has a new Banksy statue just appeared in central London?

A new statue has appeared on Waterloo Place in central London, bearing the signature of elusive street artist Banksy. The artwork depicts a suited man carrying a large flag that covers his face, stepping off a plinth, and blends with nearby bronze and granite monuments. Sightings were first reported on Wednesday 29 April, but how and when the statue was erected in this busy intersection remains unknown. Banksy has not yet posted the work on his Instagram account, his usual method of authentication, though crowds have already gathered.

Contemporary US Art is Sick with Problems

"Die zeitgenössische US-Kunst ist von Problemen krank"

Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.

One of the Greatest Photographic Documents of the 20th Century

"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"

A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.

In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

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A new report by the World Jewish Restitution Organization (WJRO) finds that most U.S. museums are not transparent enough about the provenance of artworks with World War II-era gaps, making it harder for families to track down Nazi-looted art. The American Alliance of Museums shut down an online portal that had listed nearly 30,000 such works, and the WJRO discovered that only 10,668 of those can now be located online through individual institutions. Separately, the Central State Museum in Almaty, Kazakhstan, abruptly canceled a planned exhibition of Taiwanese artists amid allegations of Chinese censorship, and Marina Abramović will be the subject of a historic solo exhibition at the Galleria dell’Accademia in Venice in May 2026.

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Los Angeles-based artist and researcher Sandy Rodriguez has opened her most ambitious exhibition to date, "Currents of Resistance," at the Ringling Museum of Art in Sarasota, Florida, running through August 10. The centerpiece is "Resistance Map of the Gulf of Mexico" (2025), a 94.5-inch amate paper map from her ongoing "Codex Rodriguez-Mondragón" series. Rodriguez creates her own pigments from foraged minerals and botanical specimens, and uses handmade amate bark paper from San Pablito, Mexico, a sacred Mesoamerican material once outlawed during the colonial era. The map layers 500 years of cartographic tradition with historic and contemporary acts of resistance, including the Mixtón War, the Calusa resistance, and modern police violence in New Orleans. For this exhibition, she also introduced ocean water from the Gulf of Mexico to thin her pigments, referencing climate change as ongoing colonial aggression.

IMLS Spared in Legal Battle—But Threat of Budget Cuts Looms

The U.S. Department of Justice has reached a settlement with the American Library Association and the AFSCME union, effectively halting President Donald Trump’s executive attempt to dismantle the Institute of Museum and Library Services (IMLS). Following a series of legal defeats where courts ruled that only Congress has the authority to eliminate federal agencies, the administration withdrew its appeal and reinstated previously terminated grants. However, the threat remains as the proposed 2027 federal budget once again seeks to zero out funding for the IMLS, the NEA, and the NEH.