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andrea fraser whitney museum prisons 440837

Artist Andrea Fraser has launched a site-specific sound installation titled "Down the River" at the Whitney Museum of American Art’s new Renzo Piano-designed building. The project features audio recorded at Sing Sing Correctional Facility, played within the museum’s massive, empty 18,200-square-foot fifth-floor gallery. By piping the sounds of cell doors, inmate voices, and prison intercoms into the pristine museum space, Fraser physically links the acoustics of confinement with the architecture of elite cultural institutions.

London’s V&A launches webpage exploring provenance of its objects

The Victoria and Albert Museum (V&A) in London has launched a dedicated digital hub to document the provenance of its collection, specifically addressing objects acquired through violence, coercion, or looting. The initiative includes detailed research on controversial items such as the Maqdala material from Ethiopia, Asante Regalia from Ghana, and imperial Chinese jade. This transparency effort coincides with International Provenance Research Day and aims to provide public accountability regarding the museum's colonial-era acquisitions.

This Liminal Moment

The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.

Taiwan revokes Sakuliu Pavavaljung’s National Award for Arts

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts granted to artist Sakuliu Pavavaljung in 2018, ordering him to return the NTD 1 million prize. The revocation follows a Supreme Court ruling on 1 April that upheld a January 2025 conviction by the Pingtung District Court, which found the artist guilty of rape and sentenced him to four years and six months in prison.

Art Collector and ‘Galerie’ Magazine Founder Lisa Fayne Cohen Fawned Over Jeffrey Epstein in Emails: ‘There Is No One Else Like You’

Newly released documents from the Justice Department's Epstein files reveal that New York art collector and Galerie magazine founder Lisa Fayne Cohen and her husband, real estate developer Jimmy Cohen, were in close contact with financier and convicted sex offender Jeffrey Epstein in 2015 and 2016. The emails show Cohen seeking Epstein's advice and arranging to photograph his Paris apartment for her magazine, which later featured the residence anonymously in its second issue.

banksy mural judge protestor scrubbed off royal courts wall 1234751395

On September 8, 2025, street artist Banksy painted a new mural on an exterior wall of the Royal Courts of Justice in London, depicting a judge using a gavel to beat a protester lying on the ground, with a red blood-like spatter on the protester's placard. The artwork was quickly covered and guarded, and by September 10, a masked man was filmed scrubbing the image off the wall while police stood nearby. The Ministry of Justice stated the mural was destroyed because the building is a protected heritage site, and the court was obliged to maintain its original character.

new banksy mural london royal courts covered up 1234751094

On September 8, 2025, street artist Banksy unveiled a new mural on the side of the Royal Courts of Justice in London, depicting a judge beating a protester with a gavel. Banksy confirmed the work's authenticity via Instagram, and within hours, the mural was covered up and guarded by security officers. Local reports suggest the artwork references the recent arrest of nearly 900 pro-Palestine protesters in London on September 6.

150+ Works Celebrate Philadelphia’s Boxing Legends and Monuments in New Exhibition

The Philadelphia Museum of Art will present "Rising Up: Rocky and the Making of Monuments," an exhibition opening April 25, 2026, that explores the cultural significance of the Rocky statue and its connection to Philadelphia's boxing legends, immigrant neighborhoods, and public monuments. Featuring over 150 works by more than 50 artists—including Keith Haring, Rashid Johnson, Kara Walker, and Andy Warhol—alongside artifacts spanning 2,000 years, the show includes sculptures, paintings, video, and new commissions, timed to the 50th anniversary of the film "Rocky" (1976), the city's World Cup matches, and Philadelphia's Semiquincentennial.

Islamophobia, motherhood, war and immigration: Indy artists get political

Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.

Review: June Leaf retrospective at Oberlin College is a revelation

The Allen Memorial Art Museum at Oberlin College is hosting a major retrospective of the late American artist June Leaf, featuring over 100 works spanning 75 years. The exhibition, which originated at the Addison Gallery of American Art, showcases Leaf’s unique figurative style and her roots in Chicago’s "Monster Roster" group. The show aims to provide art historical justice to an artist who often worked in the shadow of her husband, the legendary photographer Robert Frank.

A Conversation with Visual Artist Nick Cave

Acclaimed visual artist Nick Cave participated in a public lecture and live conversation moderated by Rukaiyah Adams, CEO of the 1803 Fund, as part of the Miller Family Free Day. The event centered on Cave’s multidisciplinary practice, specifically highlighting his work featured in the exhibition "Conductions: Black Imaginings II" and his iconic Soundsuits, which address themes of social justice, identity, and trauma.

Blockbuster Frida Kahlo exhibit and 8 more new Houston art openings

The Museum of Fine Arts, Houston unveils a monumental Frida Kahlo exhibition, alongside eight other new art openings across Houston museums and galleries. Shows include Cynthia Isakson's "Anachronous" at Holocaust Museum Houston, "norMAL and unreMARKable" at Throughline, "The Uncanny In-Between" at Blaffer Art Museum, "End Cash Bail" at Lawndale Art Center, and "Magic Mirrors" at Art League Houston, among others, spanning photography, ceramics, multimedia, and social justice themes.

New Exhibition is a Compelling Rummage Through the Relics of an Artist's Radical Life

The New Mexico Museum of Art's Vladem Contemporary has opened "Lucy Lippard: Notes from the Radical Whirlwind," an exhibition curated by Alexandra Terry that showcases artworks gifted to the influential art critic and activist Lucy R. Lippard by artists she championed. The show features pieces by Melanie Yazzie, Ana Mendieta, and others, tracing Lippard's journey from a young art history graduate working at MoMA to a writer for Artforum and Art International, and ultimately to a vocal advocate for social justice who merged art with activism.

Press Release: Pace University Art Gallery Presents Nuclear Injustice: Advocating for a Nuclear-Free Future

Pace University Art Gallery presents 'Nuclear Injustice,' a group exhibition featuring works by Kathy Jetñil-Kijiner, Alan Nakagawa, Michael Wang, and Will Wilson. The show explores the lasting consequences of nuclear testing and bombings through photography, sound installation, video poetry, and sculpture, opening November 15, 2025, and running through January 31, 2026. Curated by Sarah Cunningham and Joel Wilson in collaboration with Emily Welty, the exhibition examines radioactive landscapes, Indigenous resistance, and global movements for a nuclear-free future.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

Seattle Art Museum’s Latest Exhibition Explores French Farm-To-Table

The Seattle Art Museum has opened "Farm to Table: Art, Food, and Identity in the Age of Impressionism," a traveling exhibition exploring the connections between food, art, and national identity in late 19th-century France. Featuring over 50 works by Impressionist masters including Claude Monet, Paul Gauguin, Eva Gonzalès, and Pierre-Auguste Renoir, the show examines both the privileged dining experiences of the upper class and the labor of those who grew and harvested food. The exhibition, organized by the American Federation of Arts in collaboration with the Chrysler Museum of Art, runs until January 18, 2026, and includes interactive elements such as a seated discussion table with conversation prompts and a series of panel talks on food-related topics.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

An exhibition in New York City takes on censorship in the art world

Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.

UC Davis Artist, Sociologist, Ph.D. Student Reflect on ‘Breathe' Exhibition at Manetti Shrem Museum

Three UC Davis scholars—artist and professor Margaret Laurena Kemp, a sociologist, and a Ph.D. student—reflect on the exhibition 'Breath(e): Toward Climate and Social Justice' at the Manetti Shrem Museum. The show, curated by Glenn Kaino and Mika Yoshitake, combines climate change and social justice themes through works like Jin-me Yoon's video installation 'Turning Time (Pacific Flyways),' 2022. Kemp incorporates the exhibit into her course, using breathwork and dance to engage students with Black literature and visual art, culminating in a student performance at the museum on November 13.

Elizabeth Catlett, a Master Artist With a Message, Gets Her Due at the Art Institute of Chicago

The Art Institute of Chicago has opened a major solo exhibition titled "Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies," surveying 75 years of the artist's work. Catlett, who died in 2012, was a Black American artist who spent six decades in Mexico, creating prints and sculptures that depicted Black women and addressed social injustice. The show includes iconic works like "Target Practice" and "Sharecropper," and runs through January 4, 2026.

Best 16 Seattle art exhibits to see this fall

This fall, Seattle's visual arts scene is exceptionally strong, with a curated guide highlighting 16 must-see exhibitions across the city. Notable shows include Matthew Deane Parker's 'Hard Body' at Gallery 4Culture, featuring foam boulders sculpted by an artist with multiple sclerosis; Rob Rhee's 'Crossings' at the Jacob Lawrence Gallery, using dried gourds; and Stefan Gonzales's 'Unclassified Materials' and 'Quarry,' which reimagine land art through a decolonial lens. Other highlights include Rodney McMillian's 'Neighbors' at the Henry Art Gallery, 'Woven in Wool' at the Burke Museum showcasing Coast Salish weaving, and a trio of Indigenous-focused shows at the Frye Art Museum featuring Camille Trautman, Priscilla Dobler Dzul, and a survey of the late Beau Dick.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

A brush with… Lubaina Himid — podcast

This podcast episode features a conversation with Lubaina Himid, the Turner Prize-winning artist born in Zanzibar in 1954 and based in Preston, UK. Himid discusses her paintings, sculptures, and installations that center marginalized figures, diasporic cultures, and overlooked histories. She reflects on the influence of artists Stanley Spencer, Bridget Riley, and William Hogarth, as well as writers Audre Lorde and Essex Hemphill. The episode also covers her curatorial work in the 1980s, her role in the Black British Arts movement, and her admiration for peer Claudette Johnson. Upcoming exhibitions include a show with Magda Stawarska at Kettle’s Yard in Cambridge, a group show at the Institute of Contemporary Arts in London, and her representation of the British Pavilion at the 2026 Venice Biennale.

Show at Civil War-era fort spotlights California’s Black history from the 19th century to today

Fort Point, a Civil War-era fortification beneath the Golden Gate Bridge in San Francisco, opens the exhibition "Black Gold: Stories Untold" today through November 2. The show features works by 16 contemporary artists and one collective, exploring 19th-century African American life in California—from the Gold Rush onward—highlighting little-known entrepreneurs, activists, soldiers, and musicians. Curated by Cheryl Haines of the non-profit For-Site, the exhibition includes recent works by artists such as Carla Edwards, Isaac Julien, Alison Saar, Yinka Shonibare CBE, and Hank Willis Thomas, alongside new commissions by Demetri Broxton, Adrian L. Burrell, Mildred Howard, and others. The project was two years in the making, privately funded, and developed with a nine-person advisory committee of Black historians and curators.

Westminster muralist Grow Love readies to show off work at new exhibition in Colorado Springs

Westminster-based muralist Grow Love (Robyn Frances) will participate in a group exhibition titled "Justice of the Piece: Resistance in Unity in Street Art" at the Galleries of Contemporary Art at the University of Colorado, Colorado Springs, opening next month. The show features three female muralists: Grow Love, Lady Pink, and Sydney G. James, whose work explores resistance, reclamation, and collective healing through public murals and studio practice. An accompanying arts market will allow local creatives to sell their work for free.

MoMA acquires works featured in monumental Adam Pendleton installation

The Museum of Modern Art (MoMA) has acquired the 35 individual paintings, drawings, and video works that comprised Adam Pendleton's monumental installation *Who Is Queen?* (2019-21), which was on view in the museum's atrium from 2021 to 2022. The installation explored Pendleton's conceptual framework of "Black Dada," a term he first outlined in his *Black Dada Manifesto* (2008), and included works such as *Notes on the Robert E. Lee Monument, Richmond VA (Figure)* (2021), a film reflecting on the 2020 racial justice protests. The acquisition marks a significant institutional commitment to Pendleton's practice, which continues to evolve in his current exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC.

Boulder County’s latest art exhibits

The Boulder County arts community is hosting a diverse array of exhibitions across its galleries and museums this spring. Key highlights include Jorge Vinent’s environmentally focused works at Ana’s Art Gallery, the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art, and a historical exploration of segregation at the Collective Community Arts Center. The region is also showcasing student work from the Boulder Valley School District and various solo presentations by local artists like Rodney Carswell and Jessica Rohrer.

pussy riot russia designation extremist group 2721804

A Moscow court designated the feminist art collective Pussy Riot as an extremist organization on December 15, following a lawsuit from Russia's Ministry of Justice. Founder Nadya Tolokonnikova, currently living in exile, condemned the ruling, warning that owning a balaclava, having a song on a computer, or liking a post could lead to prison time. She learned of the lawsuit while finishing her durational performance "Police State" at the Museum of Contemporary Art Chicago, which she described as a warning about surveillance authoritarianism. Tolokonnikova co-founded Pussy Riot in 2011 and was previously imprisoned for performing anti-Putin songs at a Moscow cathedral.

At London's Barbican, Lucy Raven chronicles the destruction of a California dam

Lucy Raven's video installation "Murderers Bar" (2025) has its European premiere at the Barbican's Curve gallery in London. The work documents the 2023-2024 demolition of four dams on the Klamath River in Oregon and California, focusing on the destruction of the Copco No. 1 dam built in 1918. The film is the final part of Raven's trilogy "The Drumfire," exploring themes of pressure, release, and material transformation. It uses aerial photography, drones, lidar, and sonar animations to capture the river's reclamation of its course after the dam's removal, following decades of activism by Indigenous communities including the Yurok, Karuk, Klamath, Hoopa, and Shasta Indian Nation. The exhibition also includes a new kinetic sculpture, "Hardpan" (2025), that physically manifests ideas of force and pressure.

After 11 Years in Court, Heir Reclaims a Modigliani Looted by the Nazis

A French court has ordered the restitution of a 1918 Amedeo Modigliani painting, "Seated Man with a Cane," to the heir of its original Jewish owner. The artwork was looted by the Nazis in 1944 and had been held for decades by a holding company controlled by billionaire art dealer David Nahmad, who purchased it at auction in 1996.