Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

Meet the global taskforce working to recover stolen cultural heritage

The London Metropolitan Police's Art and Antiques Unit, in collaboration with the Heritage Crime Task Force (HCTF) of the Organisation for Security and Co-operation in Europe (OSCE), is processing over 300 recovered cultural artefacts. The objects—including statues, frescoes, chainmail armour, and stucco heads—were voluntarily handed over by an individual who had kept them for over a decade. Experts are conducting forensic analysis, photography, and archaeological assessment to determine authenticity and origin, with initial findings suggesting items from Cambodia's Angkor Period, the Gandhara region of Pakistan and Afghanistan, the Indus Valley civilisation, and possibly a mosque in Syria or Iraq.

Gustav Klimt portrait sells for about R4 billion, breaking modern-art auction records

Gustav Klimt's portrait "Portrait of Elisabeth Lederer" (1914–1916) sold for $236.4 million (about R4 billion) at a Sotheby's auction in New York, becoming the most expensive modern artwork ever sold at auction and the second most expensive painting in history, behind only Leonardo da Vinci's "Salvator Mundi." The sale, which featured works from the estate of billionaire collector Leonard Lauder, unfolded in a tense 20-minute bidding war among six collectors. The painting had been hidden from public view since the 1980s. The same auction also saw Maurizio Cattelan's 18-karat gold toilet "America" sell for over $12 million.

Gustav Klimt portrait sells for $236.4m, making it the second most expensive artwork ever sold at auction

Gustav Klimt's "Portrait of Elisabeth Lederer" sold for $236.4 million at Sotheby's New York on Tuesday night, becoming the second most expensive artwork ever sold at auction and the most expensive modern artwork ever auctioned. The six-foot-tall painting, created between 1914 and 1916, depicts the young heiress and daughter of Klimt's patrons. Six bidders competed for 20 minutes before the work was sold, though Sotheby's declined to name the buyer. The painting had been looted by the Nazis during World War II, returned to the Lederer family in 1948, and later acquired by Estée Lauder heir Leonard A. Lauder in 1985. Lauder died in June at age 92, and the sale was part of his collection auction that fetched $575.5 million total.

Gustav Klimt portrait sale breaks modern art record

Gustav Klimt's portrait of Elisabeth Lederer sold for $236 million (£180 million) at Sotheby's in New York, setting a new record for the most expensive work of modern art ever sold at auction. The painting, completed between 1914 and 1916, depicts the daughter of Klimt's most important patrons and was part of the collection of the late cosmetics billionaire Leonard Lauder, who had purchased it in 1985. The sale took place during Sotheby's first evening sale at its new Manhattan headquarters, with bidding starting at $130 million and narrowing to two contenders before the hammer fell at $236 million.

Plains Art Museum exhibit celebrates women artists

Plains Art Museum in Fargo has opened "Women Artists: Four Centuries of Creativity," a major exhibition running through March 1, 2026, in the Jane L. Stern Gallery. The show features 40 works from the museum's permanent collection alongside 37 works on loan from the Reading Public Museum, spanning etchings, engravings, lithographs, drawings, watercolors, woodblock prints, and photographs by canonical women artists. Highlights include a 1650 piece by Elisabetta Sirani, one of the earliest renowned female Renaissance artists. Students from Minnesota State University Moorhead's Women and Art course contributed original research and curatorial support.

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A French national audit report, the Cour des Comptes, has revealed severe security deficiencies at the Louvre Museum, finding that only 39% of its rooms had cameras as of 2024 and that a security upgrade begun in 2015 only resulted in a tender at the end of last year, with completion not expected until 2032. The report was released shortly after a theft of crown jewels from the museum, and it criticizes the Louvre for prioritizing acquisitions and post-pandemic projects over essential security investments. Louvre director Laurence des Cars acknowledged the museum's "very inadequate" and "outdated" security systems during a Senate hearing, though she stated alarms functioned during the heist. Four suspects are in custody for the October 19 robbery.

500-Plus And Just Like That… Items Head to Online Auction

Julien’s Auctions is hosting an online sale featuring over 500 items from the production of the HBO series "And Just Like That…," the sequel to "Sex and the City." The auction includes a wide array of fashion, accessories, and home decor associated with main characters Carrie Bradshaw, Miranda Hobbes, and Charlotte York-Goldenblatt, as well as new additions like Lisa Todd Wexley. Notable lots include Carrie’s hatbox suitcases, Miranda’s wine-red jumpsuit, and various furniture pieces from the characters' apartments, with a portion of proceeds benefiting the foster care charity You Gotta Believe.

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The Louvre has indefinitely postponed the competition to select an architect for its expansion project, Louvre—Nouvelle Renaissance, just days before the jury was set to vote on a winning proposal. Announced by French President Emmanuel Macron in January 2025, the $778 million plan aimed to ease overcrowding at the museum, which hosts 9 million visitors annually, by creating a new entrance, upgrading infrastructure, and controversially building a dedicated 33,000-square-foot gallery for the Mona Lisa. Five firms—Amanda Levete Architects, architecturestudio, Dubuisson Architecture, Sou Fujimoto, and STUDIOS Architecture—had been shortlisted. The postponement follows staff walkouts, a leaked memo detailing structural issues, and a high-profile theft.

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The Newark Museum of Art in New Jersey has appointed Lisa Funderburke as its new director and CEO, effective February 1. She succeeds Linda C. Harrison, who left the position seven months ago. Funderburke joins from the Artist Communities Alliance, a much smaller nonprofit focused on supporting artists and residencies.

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UK Culture Secretary Lisa Nandy announced a £1.5 billion arts funding package on Wednesday, urging London-based national institutions like the British Museum and the National Portrait Gallery to extend their reach across the country. The package includes £600 million for national institutions, £425 million for a Creative Foundations Fund supporting capital projects at arts venues nationwide, £160 million for local and regional museums, £230 million for the heritage sector, £27.5 million for public libraries, and an additional £80 million for national portfolio organizations. Nandy praised the Royal Shakespeare Company’s outreach as a model and framed the investment as the largest reset in the arts for a generation, comparable to post-World War Two cultural rebuilding.

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A leaked French government audit reveals that the Louvre Museum's security system is "outdated and inadequate," with significant gaps in CCTV coverage. The report, conducted by France's Court of Auditors and set for public release next month, found that modernization of security systems had been repeatedly postponed, and cameras were mostly installed only when rooms were refurbished. In the Denon Wing, home to the Mona Lisa, one-third of rooms lack cameras; in the Richelieu Wing, 75 percent of rooms are without them. Only 138 additional cameras have been installed since 2019. The audit was initiated by Louvre president and director Laurence des Cars after she assumed the role in 2021. The findings follow a robbery of French crown jewels from the museum and come amid staff strikes over understaffing and overcrowding.

Gallery is showing works by Britain's most influential artists

The Little Gallery in Marlborough is hosting a three-week exhibition featuring a prestigious collection of 20th-century British art. The show spans the evolution of modernism from Impressionism to the 1960s Avant-Garde, showcasing works by iconic figures such as David Hockney, Elisabeth Frink, and Sandra Blow. Highlights include Anthony Whishaw’s 1967 painting inspired by Pink Floyd and a curated selection of increasingly collectible British studio ceramics.

Booming stock market is fueling a mega-billion return to classic art and a backlash to junk

A booming stock market and increased disposable income among the ultra-wealthy have fueled a $2.2 billion fall auction season in New York, led by Gustav Klimt's "Portrait of Elisabeth Lederer," which sold for $236.4 million at Sotheby's. Other major sales include Frida Kahlo's "El sueño (la cama)" setting a record for a female artist at $55 million, and Mark Rothko's "No. 31 Yellow Stripe" fetching $62 million at Christie's. The surge is attributed to a convergence of high-quality estates coming to market—including those of Leonard Lauder, Robert and Patricia Ross Weis, and Jay and Cindy Pritzker—and renewed confidence among wealthy buyers after a stagnant period for art prices.

Louvre Appoints Christophe Leribault as New Director

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Christophe Leribault has been appointed as the new director of the Louvre, succeeding Laurence des Cars following her resignation. Leribault, who currently leads the Palace of Versailles and previously directed the Musée d’Orsay, returns to the institution where he once served as deputy director of graphic arts. He takes the helm during a period of intense turmoil marked by staff strikes, a high-profile $102 million heist of the French crown jewels, and systemic security failures.

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Empress Elisabeth of Austria (1837–1898), known as Princess Sisi, has re-entered the cultural spotlight after eagle-eyed historians noticed a striking similarity between Franz Xaver Winterhalter's informal portrait of the Empress with her hair down and a bridal scene in Guillermo del Toro's new film *Frankenstein*, where actress Mia Goth appears with flowing auburn locks. The comparison, shared widely on social media by historian Rachael Gibson and others, gave Winterhalter's 19th-century portrait a new viral moment, sparking renewed interest in Sisi's life and the role of hair in Victorian Europe.

Arts funding gap in the north must be closed | Letters

Two letter writers to The Guardian criticize the UK government's arts funding imbalance, highlighting that London receives disproportionate investment compared to northern England. Christine Baranski points out that £135m was spent on the V&A East in London while the Tate in Liverpool has been closed for over two years and the Albert Docks cultural area appears neglected. Sharon Maher notes that Arts Council spending is roughly £57 per Londoner versus £28 per person in the north, and argues that future national museum outposts should be located in the north.

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Gustav Klimt's landscape painting *Waldabhang in Unterach am Attersee* (1916) sold for $70.8 million at Sotheby's on Tuesday night, hammering at $61 million. The work, believed to be the last surviving landscape by the artist, was the third Klimt sold by Sotheby's from the collection of the late mega-collector Leonard A. Lauder. It was the first Klimt Lauder ever purchased, marking a personal milestone in his collecting career. The sale follows earlier record-breaking Klimt sales from Lauder's holdings, including *Blumenwiese* ($86 million) and the portrait of Elisabeth Lederer ($236.4 million).

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Gustav Klimt's landscape painting *Waldabhang in Unterach am Attersee* (1916) sold for $70.8 million at Sotheby's on Tuesday night, hammering at $61 million. The work was the third Klimt painting sold by Sotheby's from the collection of the late mega-collector Leonard A. Lauder, and was the first Klimt landscape Lauder ever purchased. The sale comes after Lauder's other Klimt landscapes achieved record prices, including *Blumenwiese* ($86 million) and his portrait of Elisabeth Lederer ($236.4 million).

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Global fine-art auction sales reached $11.7 billion in 2025, marking a 13.3 percent increase over the previous year and the first market growth since 2021. While the first half of the year was hampered by inflation and geopolitical tensions, a surge in the second half—particularly during New York’s November marquee sales—pushed the market upward. This recovery was led by a renewed appetite for "trophy works," highlighted by the record-breaking $236.4 million sale of Gustav Klimt’s Portrait of Elisabeth Lederer at Sotheby’s.

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Artnet's Price Database reveals signs of recovery at the top end of the art market in 2025, following three years of contraction. The article highlights gains in high-value sales, exemplified by Gustav Klimt's "Bildnis Elisabeth Lederer" pictured at Sotheby's Marquee Sales Series in New York. It also notes a growing trend of small and emerging galleries working with artists' estates, and reports that roughly half of art-backed loans by non-bank businesses defaulted in 2024.

Great Dunmow artist has painting featured in Harlow Open exhibition

Great Dunmow artist Mandy Whittick is among the selected participants in this year's Harlow Open exhibition at the Gibberd Gallery. Her acrylic painting, "Stocks and Tulips," was chosen from nearly 500 submissions by a panel of prestigious judges, including representatives from the Royal College of Art and the Cambridge School of Art. The annual showcase, organized by the Harlow Art Trust, features 205 works from regional creators and is curated this year by Laura Noble.

Comment | Latest auctions prove Old Masters are not ‘out of fashion’

Recent Old Master auctions in New York have defied narratives of market decline, totaling over $185 million across Sotheby’s and Christie’s. High-profile sales included a newly discovered Michelangelo drawing for $27.2 million, a Canaletto masterpiece for $30.5 million, and a record-breaking Rembrandt drawing sold for $17.8 million. These results, alongside the Italian state's $14.9 million acquisition of an Antonello da Messina, suggest that historical masterpieces remain premier "civilisational assets" and stable financial havens during periods of economic volatility.

Antony Gormley and Brian Eno donate works to auction for Gaza health workers

A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.

Self-portraits, Surrealism and sanitary pads: what to expect from Tate Modern's Frida Kahlo show

Tate Modern has announced details for its upcoming blockbuster exhibition "Frida: the Making of an Icon" (25 June–3 January 2027), featuring more than 30 works by Frida Kahlo alongside photographs and personal artefacts. Co-curator Tobias Ostrander revealed that the show highlights Kahlo's impact on women artists across Mexico, the Americas, and Europe from 1970 to today, including highly personal works reflecting her suffering after a miscarriage and her complex relationship with the United States. The exhibition includes paintings such as "My Dress Hangs There" (1933-38), "Self-Portrait with Thorn Necklace and Hummingbird" (1940), and "The Frame" (1938), and examines Kahlo's links to Surrealism following her 1939 Paris exhibition. The show also features portraits of contemporary artists who have imitated Kahlo, such as Tracey Emin and Yasumasa Morimura, and a final section on "Fridamania" exploring how her image dominates popular culture on toys, dolls, and even branded sanitary pads by Saba.

Manhattan’s New Museum sets early spring date for reopening after $82m expansion

The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.

Art sales surge with artists like Picasso and Warhol in demand: Guggenheim

Art sales are surging after a two-year slump, according to prominent Canadian art advisor Barbara Guggenheim, CEO of Barbara Guggenheim Associates. In an interview with BNN Bloomberg, Guggenheim noted that collectors are now prioritizing quality, seeking established artists like Picasso and Warhol, and that fresh-to-market works are attracting strong bids. Recent record-breaking sales include Frida Kahlo's self-portrait for $54.7 million and Gustav Klimt's 'Portrait of Elisabeth Lederer' for $236.4 million at Sotheby's. The middle market remains robust, with works like Stuart Davis's 'Municipal' selling for $1.5 million, while lower-priced pieces under $30,000 are harder to guarantee as investments.

Art market 2025 review: all eyes on the Gulf as Trump destabilises global order

The global art market continued to contract in 2025, with prominent galleries such as Blum, Clearing, Sperone Westwater, Tilton, Kasmin, TJ Boulting, Project Native Informant, Nir Altman, and Altman Siegel closing due to challenging macroeconomic conditions. However, a rebound emerged at the top end by autumn, driven by Sotheby's white-glove sale of the Pauline Karpidas collection, strong VVIP sales at Art Basel Paris, and New York's November auctions, where Klimt's *Portrait of Elisabeth Lederer* (1914-16) sold for $236.3 million and Frida Kahlo's *El Sueño (la cama)* (1940) for $54.7 million. Christie's and Sotheby's reported increased sales from 2024, with second-half auctions up 26% year-on-year, though recovery remains uneven and concentrated in classic secondary-market tastes.

Five forces that reshaped the art market in 2025

In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.

The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid—podcast

This podcast episode from The Art Newspaper covers three major art-world stories. Gustav Klimt's "Portrait of Elisabeth Lederer" (1914-16) sold for the second-highest price ever at auction during Sotheby's New York sale of works from the late billionaire Leonard Lauder's collection, a "white-glove" auction that has sparked debate about a market recovery. Additionally, the episode discusses COP30-related art commissions appearing on posters across the UK and Brazil under the theme "It's Not Easy Being Green," alongside the Gallery Climate Coalition's new Stocktake Report on carbon emissions. The episode's Work of the Week is Caravaggio's "Victorious Cupid" (1601-02), which has traveled from Berlin's Gemäldegalerie to the Wallace Collection in London for an upcoming exhibition.