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Weisman Explores What Makes a City in New Exhibition

The Weisman Art Museum in Minneapolis has opened a new exhibition titled "Imagining Future Cities: Global and Minnesota Visions, Past and Present," running through September 14. Curated by Dingliang Yang, an urban designer and McKnight Land-Grant Professor at the University of Minnesota, the show features architectural drawings, diagrams, and models that examine the history and meaning of cities over the past 150 years. Yang collaborated with faculty members Thomas Fisher and Jennifer Yoos, research fellow Michael Keller, and 17 student research assistants over three years to create the exhibition, which is organized into three galleries exploring theoretical, experimental, and perceptual approaches to urban design.

Arts of Oceania

The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.

A New Art Exhibition Ponders the Perpetual Cycle of Urban Transition

The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.

Six contemporary artists reimagine ‘the Gothic’ for new Tyntesfield exhibition

Six contemporary artists have created new works reimagining the Gothic aesthetic for an exhibition at Tyntesfield, a Victorian Gothic Revival house in Somerset, England. The artists were invited to respond to the architecture, collections, and atmosphere of the National Trust property, producing paintings, sculptures, and installations that engage with themes of the macabre, the supernatural, and the uncanny.

art east end studio archival photography

Robin Standefer and Stephen Alesch have compiled an archival collection of photographs documenting the studios and homes of artists in the East End, spanning nearly two centuries. The project highlights the enduring appeal of the region as a creative haven for generations of artists.

Art exhibit preview: Springs array of shows from the past and present

The article previews a series of art exhibitions in Springs, featuring both historical and contemporary works. It highlights the range of shows opening in the area, drawing from past and present artistic movements to attract diverse audiences.

Exhibition 'Our History Living in Stitches' fascinates viewers [PHOTOS]

An exhibition titled 'Our History Living in Stitches' has opened at the Azerbaijan National Art Museum, dedicated to the Goycha and Garagoyunlu regions of Western Azerbaijan. The show features carpets woven by Azerbaijani women from those areas, preserved as treasured belongings during deportations between 1987 and 1991 and brought to Azerbaijan. The opening ceremony included speeches by museum director Shirin Malikova, community leaders, and a member of parliament, alongside musical performances by the 'Khazri' dance ensemble.

Exhibit reimagines the work of W.E.B. Du Bois

An exhibit at the African Diaspora Art Museum pairs the original sociological work of W.E.B. Du Bois with contemporary photographs of Black Atlantans, reimagining his early 20th-century data visualizations and writings through a modern lens. The show juxtaposes Du Bois's pioneering studies on Black life in America with current imagery, creating a dialogue between past and present.

Canadian Museum for Human Rights’ planned exhibition on displacement of Palestinians sparks outpouring of support and criticism

The Canadian Museum for Human Rights in Winnipeg announced plans for an exhibition titled 'Palestine Uprooted: Nakba, Past and Present,' scheduled to open in June 2026. The show will document the lived experience of the Nakba—the mass displacement of Palestinians beginning with the 1948 Arab-Israeli war—through video testimonials, objects, art, text, and photography, focusing on personal stories of Palestinian Canadians. The announcement has drawn both strong support and criticism, with museum CEO Isha Khan emphasizing the exhibition is not a historical retrospective or commentary on current Israel-Palestine relations.

“Testing the Waters” – New art exhibition at Chichele College opens as part of the Northants & Rutland Open Studios Art Festival

Four local artists—Ashley Medlock, Emma Saul, Annabelle Benjamin, and Ellen Bletsoe—are presenting a group exhibition titled “Testing the Waters” at Chichele College, an English Heritage site in Higham Ferrers. The show runs from 20-21 September and 24-28 September 2025, as part of the Northants & Rutland Open Studios Art Festival, the largest visual arts event in the county. Each artist contributes contemporary works in painting, ceramics, and abstract forms, set against the medieval backdrop of the historic building.