This article appears to be a promotional or editorial piece about the artwork "PixCell-Elk#3, 2026" by artist Kohei Nawa. It describes a partnership with leading galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers. The text also highlights the role of art advisors providing access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.
Jasmine Lezema, an art history major and museum intern at the Janet Turner Print Museum, has organized a peer-led exhibition tour titled "Through an Art Historian’s Lens," scheduled for Wednesday from 5 to 5:30 p.m. The tour focuses on printmaking at Chico State and encourages students to engage deeply with artworks. Lezema selected three pieces from the current exhibition that personally resonated with her, drawing on her art history training to interpret symbolism, materials, and context. The museum’s director, Rachel Skowoski, and education assistant, Dylan Charlton, emphasize that student interns are empowered to shape programming around their interests, making this tour a product of that philosophy.
The article is a promotional statement from an art platform, not a news report. It describes a partnership model where the platform collaborates with leading galleries to present artists and exhibitions, with membership granted through application and invitation. The platform positions itself as an art advisory leader with high-level access to influential galleries, collectors, and auction houses.
The article is a promotional statement from an art advisory or gallery partnership platform, not a news report about a specific event. It describes a service that partners with leading galleries to showcase artists and exhibitions, vetted by industry peers, and positions itself as a leader in art advisory with access to influential galleries, collectors, and auction houses.
Ladies Compartment, an exhibition by Method (India) now showing at Galerie Melike Bilir in Hamburg, features six Indian women artists—Anushree Fadnavis, Avani Rai, Darshika Singh, Keerthana Kunnath, Krithika Sriram, and Shaheen Peer—who reframe the gendered space of a Mumbai local train's ladies compartment through photography, pigment, video, and self-portraiture. The show coincides with India Week Hamburg 2025 and marks Method's debut in Germany, curated by Sahil Arora.
Contemporary African art has transitioned from a niche regional interest to a central pillar of the global art market and institutional landscape. Artists such as El Anatsui, Njideka Akunyili Crosby, and William Kentridge are leading this shift, utilizing diverse media to address universal themes of identity, colonialism, and technology while maintaining deep local roots.
The American Popular Art Museum Tomás Lago (MAPA) in Chile has trained a group of children as art mediators for the 2026 Popular Arts Encounter in Cerrillos. The program, called "Art Mediators in Your School," began after the school Pedro Aguirre Cerda hosted its first community art encounter in 2022, initiated by educator Sandra Ramírez and local organizers. Ten children received training in cultural mediation and art appreciation at MAPA, then guided their peers through the exhibition. The collaboration has deepened, with MAPA now also contributing to curating and exhibit design for the 2026 edition.
The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.
The Harold J. Miossi Art Gallery at Cuesta College hosted a closing ceremony for its latest exhibition, “High Tide,” on August 14. The event featured live jazz music, driftwood sculptures, and refreshments, showcasing works by over 60 local Central Coast artists. Artists were invited to nominate fellow creatives, resulting in a diverse display of paintings, ceramics, assemblage, digital media, and photographs. Coordinator Tim Stark described the exhibition as a reflection of the region's creative ecosystem, built on mutual trust and recognition among artists.
Four members of the Ventnor Artists Collective—Melanie Ayres, Robert Carter, Mary King, and Marilyn Mittelheuser—will exhibit their work at Peer Studios in Ventnor as part of the Isle of Wight Open Studios. The exhibition runs daily from 11am to 4pm between Friday 16th and Monday 26th May, offering visitors the chance to meet the artists, learn about their creative processes, and purchase original artworks. Each artist brings a distinct style: Ayres focuses on nature-inspired printmaking, Carter paints traditional oils, King explores emotion through mixed media, and Mittelheuser creates colorful textured works on canvas.
Artist Peer Bode’s experimental video works from the 1970s and 1980s are currently on display at the Visual Studies Workshop (VSW) in the exhibition "Signal into Memory." The show features twelve screens and two digital prints, showcasing Bode’s "Process Tapes" created during his time at the Experimental Television Center (ETC). The works utilize analog technology, such as Portapak cameras and cathode ray tube televisions, to explore the nature of video signals, temporal dissonance, and the physical process of image-making.
The British Museum in London is opening a major exhibition titled 'Hawai‘i: a Kingdom Crossing Oceans' (15 January–25 May), accompanied by a catalogue featuring over 150 works from ancient Hawaiian treasures to contemporary pieces. The show explores the historical and cultural ties between Hawaii and the UK, highlighting objects such as an 18th-century feather cloak gifted to a British captain, portraits of King Kamehameha II and Queen Kamāmalu from their 1824 London visit, and a crested helmet. The catalogue includes an inventory of the entire Native Hawaiian collection at the British Museum, the largest outside Hawaii.
Atelier Gallery in Salmon Arm will host "Springing Forth," the first exhibition in the city from the Federation of Canadian Artists' Thompson Nicola Shuswap Chapter. The show runs from May 1 to May 16 and features works by artists from the Shuswap, Kamloops, and Okanagan regions, selected through a peer jury process.
Pennington’s, a new hybrid bookstore, coffee shop, and art gallery, is celebrating its grand opening on Chattanooga’s Southside. The multi-use space features a curated selection of independent press books and zines alongside a dedicated gallery area managed by painter Ellie Wical. The venue aims to serve as a community hub, offering local pottery, prints, and future art classes.
The Representational Art League has launched its latest group exhibition at the Hagopian Gallery, located within the Humboldt County Library in Eureka, California. This showcase features a diverse array of studio and plein-aire works created by local artists using mediums such as watercolor, acrylics, pastels, and oils. Featured participants include Paul and Nancy Rickard, Michelle Murphy-Ferguson, and several other regional creators.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
Arttime Supplies in Ipswich has launched its 15th annual group exhibition, "On Paper," showcasing works that utilize paper as the primary medium. The show features a diverse range of disciplines from over 15 local artists, including watercolor, printmaking, sculpture, and drawing, providing a professional platform for emerging talent in the region.
chi too, 1981–2026
Malaysian artist chi too, known for his multidisciplinary and community-focused work, passed away on March 7, 2026, at age 44. A self-taught artist, he was a key figure in Malaysia's alternative art scene, creating works across painting, performance, and installation that addressed identity and societal issues through a blend of humor and seriousness.
Western Washington University's Western Gallery is hosting its biennial faculty and staff exhibition, featuring 20 artists from the art department. The show includes diverse works such as interactive sensory pieces, weavings, and photographic rings, offering students a rare glimpse into their professors' professional art practices outside the classroom. Students like printmaker Myrie Murphy and faculty such as fiber professor Seiko Purdue emphasize how the exhibition demystifies the art world and humanizes instructors as practicing artists.
The Veterans Wellness Centre and Art Gallery in Port Stanley, Ontario, is celebrating its first anniversary while facing a surge in demand that exceeds its current financial capacity. Founded by veteran James Agesen, the center provides a dedicated space for veterans and first responders to engage in art therapy, exhibit their work, and access peer support services to assist in their transition to civilian life.
A Lucca c’è la mostra perfetta per riscoprire il talento del pittore Emilio Malerba
The Fondazione Ragghianti in Lucca is hosting a major retrospective dedicated to Emilio Malerba, a key member of the Novecento Italiano movement who died a century ago. Curated by Paolo Bolpagni and Elena Pontiggia, the exhibition marks the first solo presentation of Malerba’s work since 1931. The showcase spans his early career in commercial advertising for brands like Amaro Ramazzotti to his mature paintings that lean toward Magic Realism, featuring intimate portraits that prioritize psychological depth over narrative.
The Jidar Street Art Festival has concluded its latest edition in Rabat, Morocco, transforming the capital’s urban landscape into an expansive open-air museum. This year’s event featured twelve large-scale murals created by a diverse roster of local and international street artists, alongside a program of workshops and guided tours designed to engage the public with contemporary urban art.
The New Jersey City University (NJCU) Visual Arts Gallery is hosting the 2026 BFA Thesis Exhibition titled 'Intertwined.' The exhibition showcases the culminating work of students completing their Bachelor of Fine Arts degrees, presenting a diverse range of artistic practices and media.
The Springville Museum of Art is currently hosting its 54th annual Utah All-State High School Art Show, featuring a record-breaking 1,000 submissions this year. A panel of twelve judges selected 352 works across categories including painting, drawing, 3D/mixed media, photography, and digital art. The exhibition occupies the museum's entire first floor, utilizing diverse display methods such as salon-style themed walls and ceiling-mounted installations to showcase the breadth of young talent across the state.
The Gallery at Penn College is hosting "Five Artists: Explorations and Conversations," a summer exhibition running June 4 through July 24, 2025. The show features works by five Pennsylvania-based artists—Meredith Eachus Armstrong, Elizabeth Z. Bennett, Jean E. Downing, Peggy Blei Hracho, and Cecilia J. Rusnak—who have met monthly for nearly a decade to critique and support each other's creative processes. Their shared commitment to using textiles as an essential element is evident across a range of techniques including hand and machine stitching, dyeing, printing, collage, and assemblage. A free public reception with a gallery talk is scheduled for June 8.