Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.
Artist RD Riccoboni curated a new exhibition titled "ArtSpectrum 2026" at Gallery 21 in Balboa Park, showcasing the work of 12 LGBTQ artists from San Diego. The show runs from May 5 through June 1, 2026, and was produced in collaboration with the Village Arts and Education Foundation and Patric Stillman of The Studio Door. Featured artists include Miguel Camacho-Padilla, Trevor Copenhaver, Tommy Diethert, Don Grant, Brian Hicks, Carole Kuck, Martin Luera, Danne Sadler, Stefan Talian, and Tim Weedlun, with works spanning painting, sculpture, ceramics, and stained glass.
Brazilian artist Vânia Quintão is offering her 2023 painting "Cold Afternoon" for sale through Inn Gallery. The acrylic-on-canvas work, sized 70 × 100 cm, depicts a suspended, cool-toned landscape under a diffuse blue sky. Quintão, a self-described cultural producer and fundraiser based in Belo Horizonte, has exhibited internationally including at the Louvre Museum in Paris and won prizes at The Holly Art Exhibition (London) and Art Connects Women (Dubai). The work is hand-signed, includes a certificate of authenticity, and is priced at US$1,500.
Art Spectrum, a new exhibition in Balboa Park’s Village to Gallery 21, showcases the work of twelve professional San Diego LGBTQ+ artists throughout May. Curated by painter RD Riccoboni and produced by gallerist Patric Stillman, the show was initiated by the Village Arts and Education Foundation, which lacked community connections to organize an LGBTQ+ exhibition. The selected artists, including Carole Kuck, Miguel Camacho-Padilla, and Stefan Talian, are mature professionals whose practices span painting, pottery, and stained glass.
La mostra dell’artista Marinella Senatore a Milano è una festa di nome e di fatto
Marinella Senatore's solo exhibition "FESTA!" opens at Mazzoleni's Milan space, marking both the artist's first show at the gallery and the gallery's 40th anniversary. The exhibition presents new works including sketches, drawings, and embroidered tapestries that reinterpret Baroque public celebrations as participatory, community-driven art. The tapestries, produced in collaboration with the Chanakya school in Mumbai, feature motifs from 17th- and 18th-century festivities—ephemeral architecture, light displays, and fireworks—transformed into contemporary banners that activate the gallery space.
The Madison Museum of Contemporary Art (MMoCA) announced a lecture by linguist Dr. Salikoko S. Mufwene, exploring the evolution of language and symbols, alongside an exhibition of Gelsy Verna's artwork "Mother, Father, Please Help Me" (May 7–September 27, 2026). Verna, a Haitian-born Canadian artist and former University of Wisconsin–Madison professor, created the piece as a palimpsest over several years in collaboration with David Dunlap; the reverse side has been reproduced for display. MMoCA has added the work to its permanent collection.
More than 200 works by the elusive British street artist Banksy will go on display in Austin, Texas, this summer. The traveling exhibition, titled "The Art of Banksy Without Limits," opens at Fair Market on May 29 and runs through September 7. It features certified original prints, photos, sculptures, and reproduced murals, along with video mapping, an infinity room, and a hologram installation. A portion of ticket sales will support the Banksy-founded Louise Michel organization, which operates a rescue vessel in the Mediterranean.
The Museum of Art + Light (MoA+L) in Manhattan, Kansas, will host the U.S. debut of "Picasso: Art in Motion," a landmark immersive exhibition exploring Pablo Picasso's life and work, opening May 3, 2026. Produced in agreement with the Picasso Administration, the exhibition uses large-scale projections, film, and digital environments in the museum's 21,500-square-foot Mezmereyz gallery, featuring 108 projectors and over 188 million pixels. It will be accompanied by "Picasso on Paper," a quieter exhibition of etchings, lithographs, and linocuts, and will anchor a broader season including "Interference: The Interactive Art of Daniel Rozin" and "EMULATION: Selections from the Art Blocks 500."
Richard MacDonald, the internationally acclaimed figurative sculptor known for his bronze works of dancers, athletes, and performers, is celebrating his 80th birthday with a two-day event on June 5 and 6, 2026, in Monterey, California. The celebration takes place at his studio and foundry, featuring a private invitation-only evening on June 5 for close friends, family, and leading collectors, followed by a public cocktail event on June 6. Activities include live performances, guided studio and foundry tours, a live bronze pour demonstration, and the unveiling of new sculptures, including a commissioned piece for the Weaver of Change Foundation in Singapore.
The Tomás y Valiente Art Center (CEART) in Fuenlabrada is hosting a major exhibition of Catalan artist Teresa Vall Palou titled "Chromatic Atmospheres." Featuring over sixty large-format works produced over the last decade, the show highlights Vall Palou’s experimentation with color, form, and "conscious unconsciousness" through expansive canvases and diluted glazes. Despite a sixty-year career largely spent in "opacity," this exhibition marks a significant moment of public recognition for the artist, whose abstract style draws comparisons to Pollock and Rothko.
Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale
A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.
Amato dal pubblico, ma non dai critici d’arte. Jack Vettriano in mostra a Roma (intervista alla curatrice)
A major retrospective exhibition of Scottish painter Jack Vettriano has opened at Palazzo Velli in Rome. The show, which originated in Bologna at Palazzo Pallavicini, was transformed into a posthumous retrospective following the artist's death in March 2025. It features both original oil paintings and high-quality, limited-edition reproductions on museum paper, a curatorial choice made by Vettriano himself to make his work more accessible.
A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.
The article, published by L'Officiel Art, provides a guide to fashion-brand-sponsored exhibitions at the 2026 Venice Biennale. It highlights projects by luxury houses including Bottega Veneta, Louis Vuitton, Zegna, and Bvlgari, framing them as unmissable cultural events within the broader Biennale program.
Thai street artist MUEBON (Danaiphat Lertputtarakarn) and Norwegian stencil artist Martin Whatson have opened a joint exhibition titled "Night and Day" at Sphere Gallery in Bangkok. The show, running from April 28 to May 12, 2026, features a collision of their distinct styles—MUEBON's playful, socially charged cartoon characters and Whatson's layered stencil work with a signature "decay" aesthetic—presented through graffiti, sculpture, and immersive installations. The project took two years to prepare, with the artists exchanging works across time zones in a process akin to sending letters.
Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.
Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne
The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.
The Armenian Museum of America in Watertown, Massachusetts, will debut the exhibition “Father” by internationally acclaimed artist Diana Markosian, running from May 29 to September 13. The show uses photography, archival materials, video, and text to document Markosian’s journey to reconnect with her estranged father, exploring themes of family, memory, and identity. Curated by Anahit Gasparyan, the exhibition is co-produced by Les Rencontres d’Arles and Foam, Amsterdam, and sponsored by the JHM Charitable Foundation. A private member preview on May 28 will feature a conversation between the artist and curator.
In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.
ASA, an anonymous photographer, captured a candid iPhone X image in Bastia, Corsica, during the summer of 2018. The photograph shows a woman walking through strong sunlight, reduced to a silhouette against burned facades. ASA waited patiently for the right passerby, later imagining the woman might be heading to a romantic appointment, though they emphasize the work is about shape, movement, and contrast rather than identity.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
The article reports on the exhibition "Sicilia. Un’isola, tante Sicilie. Fotografia, memoria e patrimonio culturale nell’opera di Armando Rotoletti" at the Antiquarium Comunale di Centuripe in Sicily, running until September 27, 2026. The show features over thirty years of black-and-white photographic research by Armando Rotoletti (born 1958 in Messina), a photojournalist who left Sicily for London and Milan but maintained a deep connection to his homeland. His work captures the island's plural, complex identity through rituals, daily gestures, and cultural resistance to standardization, with images that blur past and present.
Il fotografo Valerio Minato colpisce ancora. Lo straordinario scatto della luna rossa allineata con lo skyline di Milano: “ho atteso per 5 anni”
Italian photographer Valerio Minato captured a striking image on May 2, 2026, showing a giant red moon aligned with Milan's skyline, including the Porta Garibaldi skyscrapers and the Duomo with its Madonnina. The photograph, which went viral, was the result of a five-year pursuit involving astronomical calculations, multiple location scouting across northwestern Italy, and precise timing to align the moon with the city's landmarks. A Ryanair Boeing 737-800 crossing the lunar disk added an unexpected cinematic element.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.
On May 13, 2026, D'ART Gallery in Baku opened the solo photography exhibition 'The Eternity of a Moment' by fine art photographer Anna Ibrahimbayova. The show is the first installment of the gallery's new project 'Homes Warmed by Love and Art,' which explores how creative partnerships shape shared lives and artistic growth. The opening featured remarks by gallery founder Dilara Muzaffarli, an interview with the artist conducted by art producer Sofiko Dvalishvili, and tributes to Ibrahimbayova's late husband, Azerbaijani playwright Maksud Ibrahimbayov, from People's Artist Omar Eldarov and MP Ulviyya Hamzayeva. The exhibition runs through May 15.
A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.