Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in

The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.

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The Department of Homeland Security (DHS) posted a painting by the late artist Thomas Kinkade titled *Morning Pledge* on social media platforms Facebook, Instagram, and X, with the caption “Protect the Homeland.” The painting depicts an idealized American small town with midcentury cars, a schoolhouse, and an American flag. Kinkade, known for mass-producing sentimental, conservative scenes and dubbed the “painter of light,” was widely dismissed by the mainstream art world as kitschy. The DHS post coincided with the opening of a new ICE detention center in the Florida Everglades, nicknamed “Alligator Alcatraz,” built to imprison immigrant detainees, and with the passage of a controversial bill expanding ICE funding while cutting healthcare and food benefits.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

art ivan argote paris studio pigeon

The article profiles Colombian-born, Paris-based artist Iván Argote, focusing on his monumental aluminum-cast pigeon sculpture *Dinosaur* (2024), currently installed on the High Line Plinth in New York. It discusses his broader practice, which includes performance, video, and installation, often addressing themes of power, resistance, and public space. Argote is preparing for his second exhibition at Albarrán Bourdais in Madrid, centered on a civic performance where he fills sidewalk cracks with colored concrete. The piece also includes a studio visit during Paris Art Week, revealing his creative process, team, and personal touches like a stocked champagne fridge.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

Zhang Huan’s 125 Newbury Show Is Not for the Weak

Zhang Huan has unveiled a provocative new solo exhibition at 125 Newbury in New York, featuring a series of visceral works that utilize unconventional materials like cowhide and incense ash. The show centers on the artist's career-long exploration of the body, spirituality, and the cycle of life and death, anchored by large-scale sculptural paintings that challenge the viewer's sensory boundaries.

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YouTube megastar MrBeast (James Donaldson) released a video titled "I Survived 100 Hours in an Ancient Temple" on May 10, amassing over 55 million views in four days. Mexico's National Institute of Anthropology and History (INAH) confirmed that the production had full permission from federal and state authorities to film at Mayan archaeological sites including Chichén Itzá, Calakmul, and Balamcanché, and that all shoots occurred in public areas without disrupting other visitors. However, INAH also pointed out several inaccuracies in the final cut: no drones were flown inside El Castillo, no helicopter descents occurred, no one spent the night at a site, and a funerary mask shown in the video was a contemporary reproduction, not an authentic artifact.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Chicago Artist Brian Sykes draws huge crowd for emotional exhibit debut

Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.

Dvaita (द्वैत) or Dualities Exhibition Explores Philosophical Contrasts at The Lexicon Art

The Lexicon Art in New Delhi is set to host "Dvaita (द्वैत): Dualities," a group exhibition curated by architect and artist Ankon Mitra opening on April 18, 2026. Featuring the work of 11 contemporary artists, the show explores the philosophical concept of dualism through contrasting elements such as light and shadow, geometric and amorphous forms, and gold and silver. The exhibition design moves away from the traditional white cube format, instead utilizing the gallery space to create a physical "dance of dualities" that reflects India’s layered cultural realities.

A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.

New Nanaimo Art Gallery show focuses on impacts to developing countries

The Nanaimo Art Gallery is set to debut "An Animated Assembly," a collaborative exhibition by artists Richard Ibghy and Marilou Lemmens that explores the socio-economic consequences of resource extraction. Opening April 11, the show utilizes hand-painted murals, animations, and sculptures to critique the Global North's demand for energy transition materials, such as lithium, and the resulting impact on countries in the Global South. The works employ a satirical, "cartoonish" aesthetic to juxtapose cold, analytical data with the bold, often morally questionable rhetoric of corporate and political leaders.

Trinity Professor’s Art Installation Comes to Connecticut Museum

The New Britain Museum of American Art has opened "The Museum of the Old Colony," a site-specific installation by Trinity College Professor Pablo Delano. The exhibition uses archival photography, sculptural objects, and text to examine the enduring impact of U.S. colonial rule in Puerto Rico since 1898. For this iteration, Delano has expanded the work to include new materials specifically documenting the history and experiences of the Puerto Rican community within Connecticut.

25 of 2025: 5 Trailblazing Performance Artists to Know

Artnet News spotlights five trailblazing performance artists defining 2025, including Geumhyung Jeong, whose work "Toys, Selected" (2025) at Canal Projects in New York explores the uncanny relationship between humans and robots through intimate, choreographed interactions with machine parts she built herself. Jeong, who studied acting, dance, and film animation in South Korea, has performed at Kunsthalle Basel, the 2022 Venice Biennale, and London's ICA, and is currently unrepresented by a gallery. The article also profiles Maja Malou Lyse, who was tapped to represent her country at the Venice Biennale.

What is it like to be a young artist in Milan today? Denise Ceragioli answers

Com’è oggi essere una giovane artista a Milano? Risponde Denise Ceragioli

The article features an interview with young Milan-based artist Denise Ceragioli, who discusses the challenges and realities of sustaining an artistic practice in the city after graduating from the Brera Academy. She details her journey of finding a studio, the evolution of her painting from figurative to highly material-based work involving wax, and the importance of building relationships within Milan's art ecosystem of institutions, galleries, and independent spaces.

Recalling When Lower Manhattan Was New Amsterdam

The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.

‘Greater New York’ Brings the Noisy, Messy Vitality of 53 Artists

MoMA PS1 has unveiled the latest iteration of 'Greater New York,' its signature quinquennial survey showcasing the diverse output of artists living and working across the five boroughs. This year’s edition features 53 artists and collectives, emphasizing those who operate outside the mainstream spotlight or whose contributions have been historically overlooked. The selection leans into a gritty, experimental aesthetic that captures the complex social and physical realities of contemporary life in the city.

"36 Clicks of Mount Fuji": Photographer Julien Rocheblave Reinvents Hokusai's Legendary Prints

« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai

French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.

That Lovely Land of Might-Have-Been at The Falstaff Project

A new group exhibition, "That Lovely Land of Might-Have-Been," opened at The Falstaff Project in El Paso, featuring works by over twenty artists including Haydee Alonso, Diamond Stingily, and Edward Thomasson. Curated by artist Miguel Bendaña, the show presents a diverse range of media, from video installations to other contemporary forms, and will run from January 29 through March 8, 2026.

The artist who blocked an Ice projectile with her drawing board during protests

Artist Isabelle “Izzy” Brourman narrowly escaped serious injury while documenting protests against Immigration and Customs Enforcement (ICE) in Minneapolis. While sketching the scene for her project Starring America News, a masked federal agent fired pepper balls at her at point-blank range; Brourman managed to block the projectile with her wooden drawing board, which was left with a jagged hole. The incident, captured on video by her collaborators Peter Hambrecht and Jeannette Berlin, occurred on the same day a nurse was killed by federal agents during the unrest.

What Faces Do Not Say: Reimagining Portraiture Beyond Recognition.

Curator Yasmin Sarnefors challenges the traditional boundaries of portraiture in the exhibition 'What Faces Do Not Say,' which features artists from Africa and its diaspora. Moving away from the expectation of physical resemblance, the show explores identity through ambiguity, memory, and the use of archives, landscapes, and abstract gestures. By presenting works that obscure or transform the human face, the exhibition highlights the psychological and political dimensions of how individuals are perceived and represented.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

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Saudi Arabia is scaling back some of its ambitious 'gigaprojects' under the Vision 2030 plan due to falling oil prices and budget constraints, raising questions about the future of its major cultural investments. This shift occurs as the art world's attention turns to the Gulf region for the inaugural Art Basel Qatar, highlighting the tension between grand cultural ambitions and economic realities in a key emerging art market.

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New York artist mentor Paddy Johnson released the inaugural New Visions Report on Wednesday, surveying 1,000 mid-career artists to assess their careers with the same data-driven approach used for other businesses. The report, produced with arts journalist Julia Halperin and Gray Market columnist Tim Schneider, reveals that 75 percent of surveyed artists earn $15,000 or less from their practice, 45 percent earned less in 2025 than in 2024, and 56 percent say debt influences their decisions. Despite these struggles, 73 percent remain optimistic about their careers. The report also found that even the most successful artists—those with gallery representation and museum shows—face debt and lack basic systems like estate plans, while 82 percent want more gallery and museum opportunities but are unsure how to achieve them.

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First Presbyterian Church in Topeka, Kansas, is selling one of its ten Tiffany stained-glass windows at Sotheby's Design sale on December 10. The Jonathan Thomas Memorial Window, a rare medallion window designed by Louis Comfort Tiffany himself in 1910, carries an estimate of $1.5 million to $2 million. The church cites the high cost of maintaining its historic building and the Tiffany windows—sending just one window for repair cost over $50,000—as the reason for the sale. The auction also features a magnolia floor lamp designed by Agnes Northrup, estimated at $2 million to $3 million.

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Artist Jack Butcher (b. 1988) debuted his first-ever booth at Art Basel Miami Beach, titled *Self Checkout*, where he sells art—literally receipts—on a pay-what-you-wish model. Each receipt includes a seed phrase creating a custodial Ethereum wallet holding a digital copy, but the NFT cannot be sold; it merely proves ownership of the physical receipt. The project features a real-time tracker showing his progress toward recouping the $74,211 total cost of the booth, with purchases made at self-checkout kiosks or online in Ethereum. By the fair's second day, the amount needed had dropped to $33,103.56, and Butcher was optimistic about breaking even. If the countdown hits zero, he will auction the flip board and receipt case as a one-of-one sculpture.

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The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.

A missing wolf and a Sydney sunset: photos of the day – Thursday

The Guardian’s picture editors have curated a selection of global photographs capturing significant moments from Thursday, April 9, 2026. The collection spans a wide range of subjects, including a dramatic sunset at Milk Beach in Sydney, environmental concerns over a widening faultline in the Swiss Alps, and political activities involving leaders in Scotland and Italy. It also documents somber events, such as the funeral of Al Jazeera correspondent Mohammed Wishah in Gaza.

And who are you?

Und wer seid ihr?

The article is a brief interview conducted at the Venice Biennale, where a visitor named Franzi explains her presence at the event and discusses her favorite pavilion. She cites the Austrian Pavilion by Florentina Holzinger as her absolute favorite after five days of art, and clarifies that her bare chest is not a political protest against Putin but a homage to Holzinger's work. She also mentions missing the Vatican Pavilion due to long queues.

Chang-Ching and Rhett Tsai’s Tricks of the Light

Artists Rhett Tsai and Chang-Ching Su have presented tandem projects at Chicago's Watershed Art & Ecology, inspired by a joint research trip to fishing villages on China's Huangqi Peninsula. Their works explore the practice of light-lure fishing, with Su creating photographic exposures using the green LED lights from squid-fishing boats and translating satellite fishing data into sculptural installations. Tsai's contributions include CGI films and a VR video that depict the rhythms and social realities of coastal communities, focusing on the Tanka boat-dwelling people.