Finland Pulls Back Venice Biennale Presence Over Return of Russian Pavilion

Finland’s political leadership has announced it will boycott the Venice Biennale if the Russian Pavilion proceeds with its planned exhibition. While Finnish public officials will still attend to support their own national artists, the Ministry of Education and Culture stated that Russia should be excluded as long as the war in Ukraine continues. This move follows an open letter from 22 European nations and a warning from the European Commission regarding potential sanctions violations.

Ukraine Sanctions Russian Culture Figures Linked to Country’s Participation in Venice Biennale

Ukrainian President Volodymyr Zelenskyy has issued a decree imposing sanctions on five Russian cultural figures involved in the Russian Pavilion for the 2026 Venice Biennale. The sanctioned individuals include pavilion commissioner Anastasia Karneeva, former culture minister Mikhail Shvydkoy, and three performers from the Intrada Ensemble. Ukrainian officials argue that these figures use international art platforms to legitimize Russian aggression and spread state propaganda, specifically citing past activities in occupied territories like Crimea and Donetsk.

‘The extremely happy part of the crowd’: Hungarian arts figures hope for change after 16 years of Orbán rule

The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.

Galle Facing

Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.

The Politics of Russia’s Return to the Venice Biennale

Russia has announced its intention to return to the Venice Biennale in 2026, marking its first participation since the full-scale invasion of Ukraine in 2022. The proposed pavilion, titled "The Tree is Rooted in the Sky," plans to feature 38 participants from Russia and several Global South nations. The announcement has sparked intense backlash from the European Commission and culture ministers across 22 countries, who argue that Russia’s presence undermines democratic values and serves as a tool for "dark cultural diplomacy."

In A State Of Flux: Tumi Magnússon’s Exhibition Is A Meditation On Movement And Change

Contemporary artist Tumi Magnússon has opened a solo exhibition titled "Herefrom Thereto Therefrom Hereto" (Héðan þangað þaðan hingað) at the Reykjanes Art Museum in Keflavík, Iceland. Curated by Gavin Morrison, the show marks a significant return for both the Copenhagen-based artist and the U.S.-based curator to the Icelandic art scene. The exhibition features a dialogue between Magnússon’s early post-conceptual paintings from the late 1990s and his more recent explorations in video, sound, and digital imagery.

The Humboldt Forum is Already Under Fire

"Das Humboldt Forum wird schon beschossen"

The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.

EXPO Chicago isn't just at Navy Pier this weekend

EXPO Chicago has returned to Navy Pier with a streamlined format of 130 booths, but the fair's influence is increasingly felt through satellite exhibitions across the city. A notable example is 'Neighbors,' an alternative exhibition space hosted in a Gold Coast apartment by Mirka Serrato, which provides a more affordable and intimate platform for 15 emerging galleries and artists from around the world.

Catalan Museum Has Yet to Follow Through on Court Order to Return Contested Murals to Aragon Monastery

The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.

Manhattan D.A.’s Office Returns 17 Stolen Antiquities and Rare Books to Italy

The Manhattan District Attorney's Office returned 17 stolen antiquities and rare books, valued at over $1.5 million, to Italy and the Vatican in a restitution ceremony. The items include six rare 16th–17th century Chinese-language Jesuit books stolen from the Vatican Archives and other artifacts seized from institutions like the Morgan Library and the Metropolitan Museum of Art.

San Francisco Mural of Cesar Chavez Painted Over, Venice Mayor Warns Russian Pavilion Against Peddling Propaganda: Morning Links for March 20, 2026

A prominent mural of Cesar Chavez in San Francisco's Mission District was painted over by the building owner and the original artist in response to sexual abuse allegations against the late labor leader. The artwork, which had adorned the Latin Rock Music House, was removed as a direct statement against the confirmed allegations.

Italy’s Culture Minister Calls For Resignation Over Russian Pavilion’s Return to Venice Biennale

Italy's Culture Minister Alessandro Giuli has demanded the resignation of Tamara Gregoretti, the government's representative on the Venice Biennale board, accusing her of failing to alert the ministry to Russia's planned return to the 2026 exhibition. Russia announced it will reopen its national pavilion for the first time since 2019 with a presentation titled 'The Tree Is Rooted in the Sky,' curated by Anastasia Karneeva and featuring over 30 artists.

Canada returns 11 artefacts to Turkey in the first repatriation between the countries

Canada has returned 11 Ottoman-era artefacts to Turkey, marking the first official repatriation of cultural property between the two nations. The items, which include manuscript pages and calligraphy works from the 17th to 19th centuries, were handed over in a ceremony at the Canadian Conservation Institute in Ottawa following a federal court ruling.

Reimagining communities: inside the Hong Kong International Cultural Summit

The Hong Kong International Cultural Summit returns on March 22-23, gathering cultural leaders from 14 countries in the West Kowloon Cultural District to discuss how institutions can reimagine their relationship with communities. Key figures like M+ Museum Director Suhanya Raffel, Hong Kong Palace Museum Director Louis Ng, and WestK CEO Betty Fung highlight the district's cross-disciplinary, audience-focused approach.

Pixels and paintings: video games return to the V&A

The Victoria & Albert Museum hosted a special Friday Late event in collaboration with the London Games Festival, transforming its historic galleries into a playground for interactive and independent video games. Visitors could play titles like the Bafta-winning 'Thank Goodness You’re Here!' and the comedic 'Sex With Friends' amidst the museum's permanent collection, while live-coding music performances and participatory art projects like 'Robot Karaoke' and 'The Line is the Game' emphasized communal, performative experiences.

The Kaldea street-art exhibition at Espace Cinko plunges us into kawaii Japan — photos

French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.

Sands and Rituals from the Antipodes: To Be Discovered in a Former Church in Venice

Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia

The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.

Learning is something aesthetic and emotional. Marco Dallari says so in his latest book (and in this interview)

L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)

Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.

GA Watercolor Society’s National Exhibition Comes to Arts Center

The Georgia Watercolor Society’s National Exhibition is returning to the Carrollton Center for the Arts from April 15 to May 22. This year’s juried showcase features 80 watercolor paintings selected from artists across the United States, ranging from highly detailed still lifes to impressionistic landscapes. The exhibition will kick off with a series of public events on April 18, including an artist demonstration by Carol Carter, an opening reception, and the society's annual meeting.

Three years after, Adelakun takes 45 KókóEwà to Mydrim

Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

A Parade of Floating Artworks Honors Hieronymus Bosch in the Netherlands

The 2026 Bosch Parade will return to the Dommel river in ’s-Hertogenbosch from June 18 to 21, featuring nineteen new floating artworks inspired by the theme "Powered by Defects." This biennial event pays tribute to the surrealist legacy of Hieronymus Bosch, the city's most famous son, by inviting international artists to create fantastical aquatic installations. The program includes the "Garden of Earthly Delights," an open-air studio at the Citadel where visitors can interact with artists as they develop their contemporary interpretations of Bosch’s fascination with human imperfection and the absurd.

"Suddenly it was a completely different world"

"Es war plötzlich eine ganz andere Welt"

Margot Pilz, a pioneer of the feminist avant-garde, is reviving her historic 1982 art intervention "Kaorle" for the Klima Biennale in Vienna. Originally conceived as Europe's first urban beach, the installation transformed Vienna's Karlsplatz by depositing tons of sand and installing a palm tree, deck chairs, and a synthetic whale in a pond to create a surreal coastal escape in the city center.

1-54 New York Lines-Up More Than 20 Exhibitors, with a Special Focus on Brazil

The 1-54 Contemporary African Art Fair has announced its exhibitor lineup for its New York edition, set for May 13–17 at the Starrett-Lehigh Building in Chelsea. More than 20 galleries will participate, including a mix of returning and first-time exhibitors from Africa, the Caribbean, Europe, and the Americas, with the fair running concurrently with Frieze New York and NADA New York.

Exhibition | Etsu Egami, 'Blessings from Afar' at Tang Contemporary Art, Hong Kong

Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.

Sotheby’s Returns to Profit as Sales Rise, Though Cash Pressures Persist

Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.

Pop-up art gallery “Class C” rolls into Irvine Barclay Theater plaza

Artist Ruben Ochoa has returned to the UC Irvine campus with "Class C," a mobile art gallery housed inside a converted 1985 Chevy delivery van. The pop-up exhibition features works by UCI-affiliated artists Sean Duffy, Beatrice von Rague Schleyer, and André Woodward, showcasing contemporary art within a space that mimics a traditional white-cube gallery. The project is presented in coordination with the exhibition "Breakdown/Breakthrough: Art and Infrastructure" at the Langson IMCA.

When the Pergamon Altar can be seen again

Wann man den Pergamonaltar wieder sehen kann

The Pergamon Museum in Berlin is set to partially reopen in the spring of 2027 following extensive renovations, allowing public access to the hall containing the world-famous Pergamon Altar. However, the reopening will be staggered and subject to further interruptions; the altar hall is scheduled to close again for five months in 2034 to facilitate connections to the museum island's archaeological promenade. Full completion of the museum's renovation, including the South Wing housing the Ishtar Gate, is not expected until 2037.

Indonesia Returns to Venice Biennale for 2026 Edition

Indonesia will return to the Venice Biennale in 2026 after a six-year absence. The national pavilion, titled "Printing the Unprinted," will be curated by Aminudin TH Siregar and will feature archival materials alongside works by 14 emerging artists, aiming to explore the country's cultural identity and art history.