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Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

How Banksy’s Stenciled Satire Took the Aughts by Storm

Four screenprints by Banksy from the 2000s are featured in Artnet Auctions’s Contemporary Editions sale, running through August 28, 2025. The lots include 'Bomb Love (Bomb Hugger)' (est. $25,000–$35,000), 'Welcome to Hell (Pink)' (est. $30,000–$50,000), and 'Morons (Sepia)' (est. $25,000–$35,000), tracing the artist’s rise from Bristol street graffiti to international fame. The article highlights key milestones: his 2002 Los Angeles show 'Existencilism,' his counterfeit £10 notes featuring Princess Diana, and the Oscar-nominated documentary 'Exit Through the Gift Shop.'

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

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Ronnie Wood, guitarist for the Rolling Stones, has released a new series of artworks titled "Paint It Black" to mark his 50th anniversary with the band. The paintings, which depict Wood and his bandmates Mick Jagger, Keith Richards, and the late Charlie Watts, went on view at Redhouse Gallery in Harrogate, U.K. Signed, personalized prints are available in limited editions of 100, priced at £1,250 each. The release coincides with a reissue of the album "Black and Blue" (1976), Wood's first as an official band member.

Great Plains Art Museum opens three exhibitions to kick off anniversaries

The Great Plains Art Museum at the University of Nebraska–Lincoln will open three exhibitions on January 20, 2026, celebrating the 50th anniversary of the Center for Great Plains Studies and the museum's 45th anniversary. The main and south galleries feature "Collection Connections: Art in Conversation," pairing artworks from the museum's history to highlight formal and thematic ties. The west gallery presents "'All the Beauty You Can See': Dwight Kirsch in Nature," focusing on the Nebraska-born artist's lifelong fascination with nature, while the mezzanine gallery hosts "Indigenous Ceramics from the Collection," showcasing ceramic works by Indigenous artists of the Great Plains and Southwest. The exhibitions run through July 25, with a First Friday reception on February 6.

Historic Istanbul exhibition reveals century of growth and creative vision

Yapı Kredi Culture Arts and Publishing has opened a landmark exhibition in Istanbul titled "Imprints on the Century: The Koç Group and the Arts," running until November 29, 2026, at the Yapı Kredi Culture Center in Galatasaray. Curated by YKYM Gallery Director Didem Yazıcı over two years, the show commemorates the 100th anniversary of the Koç Group, tracing its evolution from a small business registered by Vehbi Koç in 1926 to a global industrial conglomerate. The exhibition draws on archives from the Sadberk Hanım Museum, Arter, and the Rahmi M. Koç Museums, highlighting the group's contributions to archaeology, museology, contemporary art, publishing, and theater, including milestones like the first color film in Turkey and the Bauhaus-inspired Küçük Sahne theater.

Bharti Kher Makes a Powerful Return to Painting: ‘I Wanted to Break This Sort of Spell’

Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

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A 1987 Bob Ross painting, *Cabin at Sunset*, sold for $1.04 million in a benefit auction hosted by late-night comedian John Oliver, setting a new auction record for the artist. The work was painted during the second episode of the 10th season of Ross's television series *The Joy of Painting*. The online sale, which concluded November 24, included 65 eclectic lots—from presidential wax figures to a signed bucket of dolls—and raised funds for the Public Media Bridge Fund, which supports independent broadcasters amid federal cuts to public broadcasting.

ORDINARY MIRACLES. A Conversation with Rene Matić by Bianca Stoppani

Artist Rene Matić discusses their multidisciplinary practice and the personal history that informs their exploration of British identity, race, and subculture. The conversation highlights Matić’s deep connection to skinhead culture—inherited from their father—and their use of an "ethnographic methodology of the Self" to document queer BIPOC communities and personal memories.

Must-See Museum Exhibits Opening in Colorado in 2026

Several Colorado museums are launching new exhibitions in 2026. The Museum of Boulder presents "Blazing Trail for 150 Years at CU Boulder" (Jan 16–Mar 1), celebrating the university's sesquicentennial. The Boulder Museum of Contemporary Art (BMoCA) opens "Yes &…" (Jan 29–May 3), featuring 18 artists exploring human-made art in the age of AI. History Colorado Center mounts "Mountains Majesty: On the Summit With John Fielder" (Jan 24, 2026–Jan 10, 2027), showcasing landscape photographs by the late John Fielder. MCA Denver hosts Ana María Hernando's solo exhibition "Seguir Cantando (Keep Singing)" (Mar 5–Jul 5), featuring tulle sculptures.

Guangzhou Image Triennial 2025 Review: The Case for Sensitivity

The Guangzhou Image Triennial 2025, titled 'The Case for Sensitivity,' has opened at the Guangdong Art Museum. The exhibition, featuring over 50 artists and artist groups, directly addresses a perceived crisis of technological mediation, arguing that digital existence deprives us of direct contact with the natural world. It aims to foster new forms of attention by emphasizing the materiality of images—what they are made of—over what they represent.

New Art21 Documentary Follows Camille Henrot as She Completes New Work for the New Museum’s Reopening

Art21 has announced the premiere of a new documentary titled "Camille Henrot: In Movement," scheduled for release on April 22, 2026. Directed by Adam Golfer, the film tracks the multidisciplinary artist over the course of a year as she prepares a new body of work, including paintings, bronze sculptures, and a new film titled "In the Veins" (2026). The production follows Henrot from her New York studio to a foundry in Paris, capturing her creative process leading up to a major presentation at the newly reopened New Museum.

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The British Museum is hiring a dedicated treasure hunter to recover hundreds of stolen antiquities, including gold jewelry and semi-precious stones allegedly taken by former curator Peter Higgs. Since the theft of some 1,500 objects was revealed in 2023, over a third have been recovered, but the museum is racing to find the remaining pieces before they are destroyed or melted down. The new role will focus on liaising with an international network of dealers, auction houses, and collectors, while also using open-source investigation and AI tools to track down items scattered globally.

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Japan’s Yokohama Triennale has appointed Cosmin Costinaș and Inti Guerrero as co-artistic directors for its 9th edition, opening at the Yokohama Museum of Art on April 23, 2027. Costinaș, a Romanian writer and critic currently senior curator at Haus der Kulturen der Welt in Berlin, will become a curatorial adviser there at year’s end. Guerrero, from Bogotá, is a professor at City University in Hong Kong. The duo previously co-directed the 2024 Biennale of Sydney and the 2018 Dak’Art Biennale, and have collaborated on several other projects. They were selected from 22 candidates by a six-person international committee.

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Five of seven valuable 18th-century snuffboxes stolen from Paris’s Cognacq-Jay Museum in November 2024 have been recovered. Paris Musées announced the return, crediting a police investigation with assistance from the Paris Criminal Investigation Department. The boxes were taken by masked thieves during a daylight robbery from the exhibition “Pocket Luxury.” Two of the recovered boxes were on loan from the Louvre, two from the British royal family’s Royal Collection Trust, and one from the Victoria and Albert Museum. Two more boxes, one from the V&A and one from the Royal Collection, remain missing. The stolen items, decorated with gold, precious stones, mother-of-pearl, or enamel, are estimated to be worth at least €1 million ($1.16 million).

‘A very basic human desire to want some control’: US exhibition explores the power of magic

The Toledo Museum of Art has opened an exhibition titled 'Cursed!' that explores the widespread use of magic spells and objects in ancient Mesopotamia, Egypt, Greece, and Rome. The show features amulets, inscribed gemstones, and figurines used for purposes ranging from protecting newborns and winning lawsuits to casting coercive love spells.

Tiffany Shlain uses trees and technology to trace Jewish history in new exhibit

Tiffany Shlain, a multidisciplinary artist and founder of the Webby Awards, has opened a new exhibition titled "Ancient Wisdom for a Future Ecology: Trees, Time, and Technology" at the di Rosa Center for Contemporary Art in San Francisco. The show, which debuted in October 2024 at the Skirball Cultural Center in Los Angeles as part of a Getty Museum initiative, uses massive tree trunk slices—some weighing 10,000 pounds—to explore Jewish history, feminism, and existential questions. Shlain, known for her work blending feminism, technology, and Judaism, also co-created a video on the teenage brain with Goldie Hawn and recently screened her 2005 documentary short "The Tribe."

It Happened on Herr: Harrisburg abstract artist returns home for a major exhibit at SAM.

Bronx-based abstract artist Alteronce Gumby has returned to his hometown of Harrisburg for a major exhibition at the Susquehanna Art Museum titled “If Herr Street Could Talk.” The show features 25 mixed-media works, displayed just blocks from the Herr Street neighborhood where Gumby grew up. A graduate of Harrisburg High School and Yale University, Gumby creates cosmic, color-driven paintings using materials like gemstones, resin, and glass, inspired by his childhood observations of light and color. The exhibition marks a homecoming for the internationally celebrated painter, who hopes to inspire young artists in the city.

Review | Walters Museum unveils 4,000-year tour of Latin American art

The Walters Art Museum has unveiled new Latin American galleries, opening with a work by Peruvian-born artist Kukuli Velarde titled "Wak'a del Agua" (2022-2023). The ceramic piece, inspired by the Inca tradition of stacking stones to mark sacred spaces, features five stacked forms painted in diverse styles that reflect different periods of Peruvian history, from ancient textile patterns to neon-colored figures.

Donna Distefano Recreates Centuries-Old Jewelry for the Frick Collection

Donna Distefano, a contemporary jewelry designer, has meticulously recreated 16th-century jewelry pieces for The Frick Collection's exhibition "Gold, Silver, and Rare Stones: Renaissance Jewelry in the Robert Lehman Collection." Her work involved extensive research into historical techniques and materials, resulting in wearable replicas of intricate pendants and brooches originally owned by European nobility.

For Which It Stands...

The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.

TUNGA S YO VOS Y LA LUNA MAKES ITS EUROPEAN DEBUT

Collegium has presented the installation *Yo, vos y la luna* by Brazilian artist Tunga (1952–2016) for the first time in Europe. The work, part of the Sarina Tang collection, was previously shown at MALBA in Buenos Aires and MAM in São Paulo. It is now installed in the Iglesia de San Miguel de Arévalo in Ávila, Spain, where it will be on view until 18 October 2026. The piece incorporates stones, mirrors, glass, plaster, resin, suspended structures, and a fossilized tree trunk, with sensory elements including dripping amber essence and bronze finger fragments.

À Deauville, un vitrail monumental de Clara Rivault fête les cinq ans des Franciscaines

Les Franciscaines de Deauville, a former convent turned cultural center, celebrates its fifth anniversary by unveiling its first permanent commission: a monumental contemporary stained glass window by Clara Rivault. Titled "Ceux qui traversent," the double-sided work spans the entrance of the Grande Galerie, blending traditional glass techniques with photographic transfers, lead, and light. Rivault, born in 1991 and trained at Montpellier's École supérieure des beaux-arts, La Cambre in Brussels, and the Centre international d'Art verrier de Meisenthal, has previously created works for the Institut français in Paris and the church of Saint-Paterne in Saint-Pair-sur-Mer.

Seoul appeal: Korean art captivates Indonesia’s affluent connoisseurs

South Korean artist Choi Sang Chul, in his late 70s, held the opening of his exhibition 'Mumool' at Baik Art gallery in Jakarta, Indonesia, on March 20, 2025. The event drew a crowd of wealthy local art patrons, and several of his works were sold before the ceremony ended. Choi, who earned a BFA from Seoul National University and has rejected artistic trends since the 1970s, uses unconventional methods like stones instead of brushes to create his pieces. His work initially received a tepid response at Art Jakarta in 2023, but interest has since grown.

After a Decade of Delays, a 5th-Century Church in Glasgow Will Become a Museum

The Govan Heritage Trust is moving forward with a $6 million redevelopment of Govan Old, a historic 5th-century church site in Glasgow, following a decade of financial and pandemic-related delays. The project, designed by jm architects, will transform the late 19th-century building into a self-sustaining cultural complex featuring a museum, tourist attraction, and commercial business spaces.

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A team of researchers has successfully recreated Egyptian blue, the world's oldest synthetic pigment, which was used by ancient Egyptians from as early as 3100 B.C.E. The study, published in NPJ Heritage Science, was led by John S. McCloy of Washington State University and Edward P. Vicenzi of the Smithsonian Institution's Museum Conservation Institute, in collaboration with the Carnegie Museum of Natural History. The researchers experimented with various minerals, heating them in ovens at around 1,000 degrees Celsius for up to 11 hours, and used modern microscopy and analysis techniques to compare their results with ancient artifacts from the Carnegie Museum's collection.

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Archaeologists and volunteers in Haldensleben, Germany, have reconstructed the Küsterberg megalithic tomb, a Neolithic burial chamber dating back roughly 5,500 years. The project, based on excavations by the German Research Foundation between 2010 and 2013, involved reassembling 19 upright stones and seven capstones, restoring the tomb's original form after it was altered by Iron Age peoples and damaged over millennia. The restored tomb was unveiled on the European Day of Megalithic Culture in April.