Art Basel has launched a new fair in Doha, Qatar, opening across the Msheireb district's M7 building, Design District, and other venues. The event coincides with significant cultural milestones for Qatar, including the 50th anniversary of the National Museum and the 15th anniversary of the Museum of Islamic Art, and represents a long-term commitment with plans to expand to Al Maha Island by 2029.
Palazzo Dario, a historic Gothic palace on Venice's Grand Canal built in 1486 by diplomat Giovanni Dario, is now listed for sale through Christie's International Real Estate following a structural restoration. The 10,000-square-foot property features four levels, marble staircases, Murano chandeliers, and a Moorish fountain, with its asking price available upon request. The palace has changed hands through noble families, countesses, and financiers over centuries, and was famously painted by Claude Monet in 1908 and sketched by John Ruskin.
New York's marquee spring auctions in May 2025 tested the theory that strong supply drives demand, but results were mixed. Alberto Giacometti's *Grande tête mince* (1955), estimated at $70 million, failed to sell at Sotheby's, while Christie's withdrew a $30 million Andy Warhol electric-chair painting. The top lot of the week was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922), which fetched $47.6 million from the collection of late Barnes & Noble founder Len Riggio. However, Christie's pre-sold 93% of that collection's value to third-party backers, and the house fell $26 million short of its guaranteed amount. Sotheby's avoided financial risk on the Giacometti by not guaranteeing it, still earning $34.4 million in buyer's premiums. A new record for a living woman artist was set when Marlene Dumas's *Miss January* (1997) sold for $13.6 million at Christie's, though adjusted for inflation it fell short of Jenny Saville's 2018 record.
Artist Sung Tieu has clad the German pavilion at the 2024 Venice Biennale with a mosaic replica of the Gehrenseestrasse complex, a now-abandoned housing estate in Berlin where she lived as a child. The work, titled "Human Dignity Shall Be Inviolable," uses three million mosaic stones to recreate the facade of the prefabricated blocks that housed Vertragsarbeiter—contract workers from Vietnam, Mozambique, Angola, and Cuba who bolstered East Germany's economy. Tieu, who shared a single bed with her mother in the complex for three years, conceived the pavilion alongside the late artist Henrike Naumann.
Bharti Kher presents "The Sun Splitting Stones" at Perrotin in Paris, on view through December 20, marking a significant return to painting after focusing on sculpture. The exhibition features works created during the Covid pandemic, including her "Weather Paintings" series on circular teak panels, which explore themes of intuition, cosmology, and the balance of masculine and feminine forces through spirals, triangles, and egg-like forms.
Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.
Sotheby's will auction 12 works from the personal collection of the late art dealer Barbara Gladstone this May, with a combined estimate exceeding $12 million. Highlights include Richard Prince's *Man Crazy Nurse* (2002–03) estimated at $4–6 million and a black *Flowers* painting by Andy Warhol estimated at $1–1.5 million. The stand-alone sale precedes the May 15 evening contemporary auction and marks the first public offering from Gladstone's estate.
The Chelsea townhouse of legendary art dealer Barbara Gladstone has been listed for sale at just under $12 million. The Greek Revival row house on West 22nd Street, which Gladstone purchased for $6.3 million in 2011, was extensively renovated by architect Annabelle Selldorf, who also designed Gladstone's two Chelsea galleries. The five-bedroom, five-bathroom property features a curving skylit staircase and floor-to-ceiling windows overlooking a garden. The listing is held by Compass agent Scott Hustis.
Sotheby's has been selected by the trustees of Barbara Gladstone's estate to auction twelve major works from the legendary gallerist's personal collection. The single-owner sale, estimated at over $12 million, will take place on May 15 as part of the New York marquee sales. Highlights include Richard Prince's "Man Crazy Nurse" (2003, est. $4–6 million), Andy Warhol's black "Flowers" (1964, est. $1–1.5 million), and works by Mike Kelley, Rudolf Stingel, Carroll Dunham, Elizabeth Peyton, and Alighiero e Boetti. None of the artists are currently affiliated with Gladstone Gallery, though some were previously represented by her.
Artist Nathaniel Mary Quinn, known for his distinctive collage-like composite portraits, is opening his first solo exhibition in his hometown of Chicago at the National Public Housing Museum. Titled "A Love Letter to My Mother," the show honors his late mother and includes a replica of his family's living room in the Robert Taylor Homes public housing project. Quinn, who is represented by Gagosian, has seen his work acquired by major institutions including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Art Institute of Chicago. His art will also appear on the cover of the Rolling Stones' forthcoming album "Foreign Tongues."
Los Angeles is hosting a surge of high-profile exhibitions to coincide with the arrival of Frieze Los Angeles and its various satellite fairs. The city's gallery and museum circuit is currently anchored by major debuts and surveys, including Leiko Ikemura’s mystical explorations at Lisson Gallery, Sarah Sze’s immersive video and painting installations at Gagosian, and Alejandro García Contreras’s folklore-inspired ceramics at Anat Ebgi.
The article previews major New York City museum exhibitions opening in 2026, including a Carol Bove survey at the Solomon R. Guggenheim Museum (March 5–August 2), the first U.S. Marcel Duchamp retrospective since 1973 at the Museum of Modern Art, the New Museum's inaugural show in its OMA-designed expansion titled "New Humans: Memories of the Future," and a Goya exhibition at the Hispanic Society Museum & Library tied to the 250th anniversary of the United States. Each show highlights significant artistic milestones, from Bove's scrap-metal sculptures to Duchamp's readymades and Goya's war commentaries.
Artsy has released its list of the 10 most in-demand artists of 2025, based on year-over-year surges in artwork inquiries on its platform from January to November. Topping the list is filmmaker and artist David Lynch, whose inquiries surged 2,940% following his death in January, followed by Spanish painter Guim Tió Zarraluki (1,350% increase) and British painter Danny Fox (1,210% increase). Other artists include Amy Sherald, whose inquiries rose 710% after her 2018 portrait of Michelle Obama. The article notes that demand often spikes due to major publications, institutional shows, art fairs, or career milestones.
Artsy has identified eight artists poised for breakout moments during the fall 2025 art season, including Teresa Solar Abboud, who secured new representation by Lehmann Maupin and will debut a bronze sculpture at London's Hayward Gallery during Frieze Week, and Ana Cláudia Almeida, who is presenting her first major solo exhibition in New York with Stephen Friedman Gallery. The article highlights artists reaching new career milestones through gallery representation, solo debuts, and institutional exhibitions across major art capitals like Paris, London, and New York.
Major blue-chip galleries like Gagosian, Hauser & Wirth, Pace, and White Cube are increasingly signing emerging artists earlier in their careers, bypassing the traditional trajectory where young artists would first develop with smaller galleries over many years. Examples include George Rouy joining Hauser & Wirth at age 30, Pam Evelyn joining Pace at 27, and Sasha Gordon joining David Zwirner in 2024. This shift comes amid a contracting art market where aggregate dealer sales fell 6% between 2023 and 2024, while smaller galleries with turnover under $250,000 saw sales grow 17%. Ultra-contemporary auction sales dropped 37.9% in the same period, signaling a cooling of speculative buying.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
Wohin am Wochenende?
This week's art tips include Anton Corbijn's birthday exhibition at Fotografiska Berlin, featuring iconic portraits alongside personal favorites; the 25th anniversary of Daniel Libeskind's extension at the Jewish Museum Berlin; Refik Anadol's first Belgian AI-driven installation at Brusk in Bruges; the Schirn Kunsthalle Frankfurt's 40th anniversary weekend with free entry and performances; and a Lee Ufan solo show at Dia Beacon in New York, following his Wolfgang Hahn Prize.
Philip Castle, the influential British airbrush artist best known for creating the iconic poster for Stanley Kubrick's film 'A Clockwork Orange,' has died at age 83. Castle's distinctive, futuristic style, achieved with an airbrush tool, defined a key visual aesthetic of late 20th-century pop culture.
The 61st Venice Biennale features standout national pavilions from Japan, the Philippines, Timor-Leste, Singapore, and India. Japan presents Ei Arakawa-Nash's 'Grass Babies, Moon Babies,' an interactive exhibition with hand-sewn baby dolls and sound pieces exploring queer parenthood and collective care. The Philippines showcases Jon Cuyson's 'Sea of Love / Dagat ng Pag-ibig,' a solo show using 'mussel thinking' to highlight Filipino seafarers. Timor-Leste's 'Across Words' brings together three artists addressing ethnolinguistic diversity and cultural memory, while Singapore presents Amanda Heng's 'A Pause,' a feminist performance on vulnerability and resilience. India's pavilion features Ranjani Shettar's work, supported by Talwar Gallery.
The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.
Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.
A lithograph by Joan Miró titled "Miró Sculptor" (1974) is being offered for sale by Bernardini Art Gallery & Auction House in San Pedro Garza García, Mexico. The work, sized 20 × 40 cm, is priced at $2,200 and comes framed with a certificate of authenticity. The listing includes a brief biography of Miró, noting his association with Surrealism, his pioneering role in automatism, and his major career milestones including the Grand Prize for Graphic Work at the 1954 Venice Biennale and exhibitions at the first Documenta in 1955.
Goodman Gallery is celebrating its 60th anniversary with a high-profile collaborative exhibition at Pierre Yovanovitch Mobilier in Paris. Running from April 17 to August 29, the showcase features major works by leading artists from the African continent and the diaspora, including El Anatsui, William Kentridge, and Kapwani Kiwanga. The presentation places contemporary African art in direct dialogue with the high-end furniture and interior architecture of Pierre Yovanovitch, marking the start of a series of international events for the gallery this summer.
Don Porcaro (American, b. 1950) presented his second solo exhibition at Westwood Gallery in New York, titled "Lost Stories," featuring two series of stone sculptures: towering polylithic pillars from the Lost Stories series and mysterious artifact-like objects from the Art or Fact series. Curated by gallery co-founder James Cavello, the show highlights Porcaro's lifelong practice of sourcing stones from diverse geographies and reconfiguring them into stacked, architecturally inspired forms that evoke prehistoric megaliths, ancient columns, and funerary urns.
Kunsthal KAdE in Amersfoort, Netherlands, is hosting 'Jacob Lawrence: African American Modernist,' the first European retrospective of the American artist Jacob Lawrence (1917-2000). The exhibition spans his six-decade career from the 1930s, featuring 70 paintings, 25 drawings, and 75 prints, along with photographs and archival materials. It includes works from his celebrated series on the Great Migration, Builders, World War II, and historical figures like Harriet Tubman and Toussaint L'Ouverture, as well as new works by contemporary artists Barbara Earl Thomas and Nina Chanel Abney inspired by Lawrence.
August 2025 brings a vibrant lineup of art exhibitions across India, from Chennai to New Delhi and Mumbai. Highlights include Akhil Anand's solo debut "Morphogenesis" at ArtSpace by KalpaDruma in Chennai, blending mathematics, mythology, and nature; the group show "The Personal is Mythical" at LATITUDE 28 in New Delhi, curated by Bhavna Kakar and featuring Bhajju Shyam, Neha Sahai, and Viraj Khanna; the all-women showcase "Objects May Appear Softer" at Black Cube Gallery; antique map and print sales at Nilaya Anthology's Gallery 2; and the Mumbai debut of London's Evoke and Bangalore's Kaash, hosted by Srila Chatterjee.
This article highlights five art exhibitions opening across Japan in July 2025. Featured shows include Izumi Kato's largest solo exhibition in Japan, "Road to Somebody," at Iwami Art Museum; Christine Sun Kim's eponymous project at Mori Art Museum in Tokyo; Maya Erin Masuda's solo show "Ecologies of Closeness" at Yamaguchi Center for Arts and Media; and "Van Gogh's Home" at Osaka City Museum of Fine Arts, which centers on the Van Gogh family collection. Each exhibition spans diverse media and themes, from Kato's animistic sculptures to Kim's exploration of sound and deaf experience, Masuda's ecological trauma investigations, and Van Gogh's legacy through his family's archive.
Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.
Sheila Hicks, the American textile artist born in 1934, is profiled in a concise overview of her career. The article traces her journey from studying under Josef Albers at Yale and learning weaving from Andean artisans in Chile, to establishing her studio in Mexico and later Paris. It highlights her monumental commissions for hotels, embassies, and public spaces, as well as her intimate "Minimes" works. Key milestones include her 2014 piece "Pillar of Inquiry/Supple Column" at the Whitney Biennial, her 2017 installation at the Venice Biennale, and a major retrospective at the Centre Pompidou in 2018.
The RISD Museum in Providence has opened "Liz Collins: Motherlode," the first U.S. survey dedicated to fiber and textile artist Liz Collins. Curated by Kate Irvin, the exhibition spans Collins's multi-decade career, from her early fashion label to her recent cross-disciplinary experiments, and includes works like "Cosmic Explosion" (2008–18). Collins, a double RISD graduate and former professor there, describes the show as a homecoming rooted in her deep ties to the school and museum.