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This article argues that the traditional view of art as a vanguard force predicting cultural change is outdated in the early 21st century. It contends that the rapid acceleration of mainstream culture, driven by social media and news cycles, makes it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. The author suggests that forward-looking art now emerges from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. Citing Claire Bishop's 2024 book *Disordered Attention*, the piece notes that contemporary artworks tend to be symptomatic of larger conditions rather than anticipatory, and that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have pivoted from art-making to art-adjacent content creation.

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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

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Amid a sluggish broader art market, the design category is surging. Major auction houses—Sotheby’s, Christie’s, and Phillips—held design sales in early June 2025 that far exceeded expectations. Sotheby’s New York design sales totaled $37.5 million, Christie’s $23.6 million, and Phillips $4 million, representing a 62.3 percent year-on-year increase across all three houses. Notable highlights include the Goddard Memorial Window by Tiffany Studios, which sold for $4.29 million, the second-highest price for a Tiffany window at auction. The sales attracted many new buyers, with Sotheby’s and Phillips reporting over 20 percent of buyers were new to the houses.

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Rosemarie Beck, a once-promising abstract painter celebrated in the 1940s and 1950s by the Whitney Museum and mentored by Robert Motherwell, abandoned abstraction in 1958 to pursue figuration. Despite early success and shows at prestigious venues like the Stable Gallery, her shift to mythological and literary themes caused her to fade from art historical memory. A new exhibition, "Rosemarie Beck: Earthly Paradise," at Van Doren Waxter in New York, showcases over 25 figurative works from 1959 to 2000, marking a major reappraisal of her career.

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This week's art industry roundup covers major developments across art fairs, auction houses, and galleries. Ahead of Art Basel in Basel, Artnet's Editor-in-Chief Naomi Rea investigates how the trade lost control of the pricing narrative amid a market breakdown. The Armory Show announces its 2025 edition with over 230 galleries and new curated sections, while Frieze will open a gallery space in Seoul. Sotheby's London will auction Pauline Karpidas's collection estimated at over $81 million, and a rare Rodin marble sold for $1.2 million. Caroline Lang steps down as chair of Sotheby's in Switzerland after four decades. Gallerist Kamel Mennour donates 180 works to Paris's Musée d'Art Moderne, and Marian Goodman Gallery now represents the estate of Ana Mendieta.

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This week's art industry roundup covers major personnel changes at Phillips, with Cheyenne Westphal stepping down as global chairwoman and Jean-Paul Engelen departing for Acquavella Galleries, alongside promotions of Robert Manley and Miety Heiden. Auction results show mixed performance: Christie's Riggio collection brought $488.8 million, but Sotheby's and Phillips saw declines, while Marlene Dumas set a record for a living woman artist at Christie's. Other highlights include the launch of Derrick Adams' Scout Art Fair in Baltimore, Art Basel's inaugural awards, and the opening of Destinee Ross-Sutton's gallery in Stockholm.

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This week's art industry roundup covers major developments across art fairs, auction houses, galleries, and museums. At Expo Chicago, emerging artist Auudi Dorsey sold her painting *Rumble* (2025) for $14,000 on opening day at Palo Gallery, while the fair featured 170 exhibitors including 20 from South Korea amid tariff concerns. Vienna Contemporary appointed Abaseh Mirvali as artistic advisor for 2025-2026. Sotheby's was selected by Barbara Gladstone's estate trustees to sell her collection, starting with a May 15 single-owner sale of 12 works estimated at over $12 million. Nine artworks from the Anne and Sid Bass collection head to Christie's New York, and Sotheby's secured a $70 million Alberto Giacometti sculpture for its May 13 evening sale. Philipp Kaiser departed Marian Goodman Gallery after six years. Customs backlogs from President Trump's import policy changes are causing shipping headaches, with DHL halting business-to-consumer shipments over $800 to the U.S. Air de Paris withdrew from Art Basel. Mexico City gallery OMR hired Agustina Ferreyra as director. Angelica Jopling is expanding her London gallery Incubator to New York. Alexander Gray Associates now represents Donald Moffett. In museums, the National Endowment for the Humanities, following DOGE staff cuts, is offering grants up to $600,000 for statues for Trump's National Garden of American Heroes. CCS Bard appointed Lauren Cornell as artistic director and Mariano Lopez Seoane as graduate program director. The New York Academy of Art named Paul R. Provost president. The Artists' Legacy Foundation appointed Daisy Murray Holman executive director. The Speed Art Museum named Diallo Simon-Ponte assistant curator. The Garage Museum of Contemporary Art in Moscow appointed Daria Kotova director. The Nasher Sculpture Center named Carlos Basualdo director. The Cultural Infrastructure Index reported a 17% drop in completed cultural projects in 2024.

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Christie’s will sell nine works from the Bass House, a Fort Worth, Texas home designed by architect Paul Rudolph for collectors Sid and Anne Bass, in its 20th century evening sale this May in New York. The group, with estimates totaling over $60 million, includes pieces by Mark Rothko, Alexander Calder, Ellsworth Kelly, Frank Stella, Agnes Martin, Gino Severini, and Morris Louis, with the top lot being Rothko’s *No. 4 (Two Dominants) [Orange, Plum, Black]* (1950–51) estimated at around $35 million. The works were carefully placed throughout the house, which was custom-built to prioritize art display, and most remained in their original positions after installation.

‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

The article is a personal essay by a writer who, after undergoing a colectomy in 2023, found inspiration in Tracey Emin's unflinching self-portraiture following her 2020 cancer diagnosis. The author describes taking her own post-surgery photographs, echoing Emin's mantra "This is mine, I own it," and reflects on Emin's current work, including the Tate Modern exhibition and paintings like "I watched Myself die and come alive" (2023) and "Barbed Wire Stitches" (2024). The essay also connects Emin's approach to that of Frida Kahlo, whose retrospective is upcoming at Tate.

From Mother Mary to Foo Fighters: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights two exhibitions: "Handpicked: Painting Flowers from 1900 to Today" at Kettle's Yard in Cambridge, featuring artists like Henri Rousseau and Lubaina Himid; and a show of South African photographer George Hallett's work at the John Lennon School of Art and Design in Liverpool, documenting black resistance in 1970s Britain. It also mentions an open house for Lonnie Holley's new works at Edel Assanti gallery in London.

From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

The Camden Art Centre in London is hosting a significant survey of the late Guyanese-British artist Donald Locke, marking the final stop of a UK touring exhibition. Locke is celebrated for blending the formal language of minimalism and modernism with the potent symbols of Guyanese and Black American culture, effectively challenging the traditional art world's Eurocentric perspectives through his work in ceramics, painting, and sculpture.

Matisse Is a Crowd-Pleaser. Here’s What the Crowds Rarely Get to See

Acquavella Galleries in Manhattan has unveiled a major exhibition featuring over 50 works by Henri Matisse, many of which are rarely seen pieces drawn from private collections. This comprehensive survey includes paintings, drawings, and sculptures that span the artist's prolific career, offering a unique glimpse into works that typically remain behind closed doors.

VALIE EXPORT, pioneering artist who centred the female body, 1940–2026

VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.

2026 Venice Biennale pavilions: your go-to list [Updated]

ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

'Trusting that first reaction is important': Nacho Polo and Robert Onuska on the process of collecting

Nacho Polo and Robert Onuska, co-founders of the design gallery Studiotwentyseven, discuss their art collection in an interview with The Art Newspaper. Housed in their Tribeca apartment, the collection spans painting, sculpture, and photography with an emphasis on materiality and sculptural form. They recount their first acquisition—Ron Gorchov's *Autolykos* (2019)—and their most recent purchase, Alex Katz's *Nine Women 5* (2009). The couple also shares their instinctive buying process, a regret over missing a Nick Cave sculpture, and their anticipation for the Jean and Terry de Gunzburg collection at Sotheby's this spring.

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Christie’s will offer Yoshitomo Nara’s painting "Haze Days" (1998) at its 20th/21st century evening sale in London on October 15, with an estimate of £6.5 million–£8.5 million ($8.7 million–$11.4 million). The large-scale work comes to auction shortly after Nara’s retrospective at London’s Hayward Gallery, his first UK institutional solo show. The painting was previously consigned to Sotheby’s in 2023 with an $18 million estimate but was withdrawn before sale.

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The first U.K. public institutional solo exhibition of Japanese artist Yoshitomo Nara opened at London's Hayward Gallery in June 2025, featuring over 150 works spanning four decades. The retrospective includes paintings, drawings, sculptures, and installations, such as the large-scale painting "I Want to See the Bright Lights Tonight" (2017), which sold for $12.3 million at Sotheby's Hong Kong. Notable visitors include artist Takashi Murakami and collector RM of BTS. The exhibition runs through August 31.

Inside LACMA’s 2026 Reopening: What to Know About the New David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has announced that its highly anticipated David Geffen Galleries will officially open to the public on April 19, 2026. Designed by Pritzker Prize–winning architect Peter Zumthor in collaboration with director Michael Govan, the new facility features a horizontal, elevated design that spans Wilshire Boulevard. The structure will house 26 galleries on a single level, representing the culmination of a nearly two-decade redevelopment project.

Art with Bite: Putting Claude Cahun and Marcel Moore’s Bravery on Display

An exhibition at the Art Institute of Chicago, 'Claude Cahun and Marcel Moore: The Seeing Stone,' presents the collaborative and subversive work of the French artists and life partners. The show features over 200 objects, including photographs, photomontages, and manuscripts, focusing on their radical self-portraiture and resistance to gender and social norms.

Frieze New York Is an Assembly-Line Salad

At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.

The Paradoxical Delights of South America’s Biggest Art Fair

The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.

Artist Charles Ross Spent 50 Years Trying to Bring the Stars Down to Earth. At 88, Has He Done It?

Artist Charles Ross is nearing the completion of Star Axis, a monumental naked-eye observatory in the New Mexico desert that has been under construction for over 50 years. Conceived in 1971 and situated on a mesa Ross discovered in 1975, the massive architectural sculpture is designed to make the 26,000-year cycle of Earth’s axial precession perceptible to the human eye. The project began after a chance encounter with a local ranching family provided Ross with the square mile of land necessary to realize his cosmic vision.

10 Power Players in Paris

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The inaugural edition of Paris+ by Art Basel has opened in Paris, marking a significant shift in the city's art fair landscape. The article profiles ten key figures instrumental in shaping the French art market, including fair director Clément Delépine, dealer and committee president Marion Papillon, and institutional leaders like Suzanne Pagé of the Fondation Louis Vuitton and Rebecca Lamarche-Vadel of Lafayette Anticipations.

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Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.

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Schoelkopf Gallery in New York has opened "Mary Abbott: To Draw Imagination," the first comprehensive survey exhibition dedicated to Abstract Expressionist painter Mary Abbott, who died in 2019. The show follows the gallery's announcement that it now represents Abbott's estate. Abbott, born in 1921 into a prominent New York family with presidential lineage, studied at the Art Students League and Subjects of the Artists, and showed alongside Jackson Pollock, Willem de Kooning, and others in the landmark 1951 Ninth Street Show, yet her legacy has remained largely overlooked.

11 Must-See Shows During New York Art Week 2026

New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.

10 Must-See Shows During the Venice Biennale 2026

The 2026 Venice Biennale is embroiled in multiple controversies, including the cancellation and reinstatement of Australia's representative artist Khaled Sabsabi, ongoing calls to bar Israel from participating, criticism over allowing Russia to participate, and mounting voices to exclude the U.S. in response to President Donald Trump's actions in Iran. Despite these disputes, the article highlights that many of the city's most exciting shows will take place away from the main Biennale venues.

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

A major new exhibition of Carol Bove's work has opened at the Guggenheim Museum in New York. Titled "Carol Bove: The séance isn't over," the show features over two dozen of the artist's large-scale sculptures, many crafted from delicately arranged steel tubing and precariously balanced metal plates. The installations are strategically placed within the museum's iconic rotunda, creating a dynamic conversation with the Frank Lloyd Wright-designed spiral.

How This Cannabis CEO Brings an Edge to Art Collecting

How This Cannabis CEO Brings an Edge to Art Collecting

A cannabis industry CEO is applying the aggressive, data-driven tactics of his business to the art market, building a significant collection focused on underrepresented artists. Steve DeAngelo, co-founder of Harborside Inc., leverages his company's analytical approach to identify value and emerging trends, targeting works by artists of color, women, and LGBTQ+ creators that he believes are undervalued by the traditional market.