The Fayetteville Observer explores the historical racial bias embedded in photographic technology through the lens of "Shirley Cards." These reference tools, used by film developers for decades to calibrate color balance, were based exclusively on the skin tones of white female models, resulting in poor image quality and distorted representations for Black and dark-skinned subjects.
Park City photographer David Winegar has been selected for the Springville Museum of Art’s 102nd annual Spring Salon for the third consecutive year. His winning entry, 'Balancing Act,' is a large-format, hand-processed black and white photograph depicting an ancient pine tree at sunrise in Canyonlands National Park. The piece explores themes of resilience and perseverance through the lens of the Utah landscape.
Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.
The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which uses the iconic Rocky Balboa statue as a focal point to explore the power and meaning of monuments across two millennia of boxing and celebrity culture. Curated by Paul Farber, co-founder of Monument Lab, the show features ancient sculptures, 19th-century works, images from boxing's golden age, and contemporary pieces by artists including Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Glenn Ligon. The Rocky statue, placed on the museum's steps in 1982, attracts an estimated 4 million visitors annually, rivaling the Statue of Liberty.
The Guardian reviews "Handpicked," an exhibition at Kettle's Yard in Cambridge that brings together over 40 artists from the 20th century to the present, all sharing a floral passion. The show features works by Rory McEwen, Vanessa Bell, Cedric Morris, Christopher Wood, Tirzah Garwood, Celia Paul, Gluck, and Caroline Walker, among others, displayed on white and leaf-green walls inspired by the fresh flowers and floral paintings in the neighboring house. The review highlights specific pieces, such as McEwen's exquisite tulip watercolor and Garwood's poignant painting from the last year of her life, noting the technical variety and emotional depth across the exhibition.
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The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.
The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.
The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.
Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.
Art Basel has announced a new initiative called "Basel Exclusive" for its upcoming Swiss fair, running June 18–21 with VIP previews June 16–17. Under the program, participating galleries will withhold at least one artwork—or even their entire booth—from the PDF previews sent to clients ahead of the fair, encouraging collectors to visit in person. So far, 170 of 232 exhibitors (nearly 75%) have signed on, including major galleries like Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, Gladstone, Lehmann Maupin, Lisson, Matthew Marks, Paula Cooper, Thaddaeus Ropac, and White Cube, as well as secondary-market dealers such as Galerie 1900-2000, Helly Nahmad, Landau, Mayoral, Pace Di Donna Schrader, and Van de Weghe. Art Basel’s chief artistic officer Vincenzo de Bellis described it as a "gallery-led process" developed from conversations with exhibitors, formalized during Art Basel Hong Kong.
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The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.
The South Side Community Art Center (SSCAC) in Chicago, the first Black art institution in the United States, is undergoing a major rehabilitation and expansion campaign. Founded in 1940 during the Chicago Black Renaissance, the center was established by community members including Dr. Margaret Taylor-Burroughs, Eldzier Cortor, Charles White, and Archibald Motley Jr., who raised funds through initiatives like the 'Mile of Dimes' campaign and the Annual Artists' and Models' Ball. Housed in a historic Bronzeville brownstone, the center has served as a vital hub for Black artists, hosting landmark exhibitions and creative programs.
Andrew Kreps Gallery in New York is presenting 'Leaves of the World,' an exhibition of works by Eileen Agar (1899–1991) spanning seven decades of her career, from 1927 to 1980. The show highlights Agar's enduring engagement with collage and her unique blend of surrealism, cubism, and abstraction, featuring pieces such as 'Leaves of the World' (c. 1940) and 'Personnage' (1949). A parallel exhibition of Agar's work will open at Alison Jacques in London this June.
Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.
Katharina Grosse's exhibition 'I Set Out, I Walked Fast' at White Cube London presents a continuous environment where painting extends beyond the canvas into space. The show features new works, archival material, and a large in-situ installation that combines mounds of earth, a partially submerged canvas, and a bronze-cast sculpture into a single painted field. Grosse uses an industrial spray gun to apply acrylic pigments, creating works that blur boundaries between surface, site, and viewer. The exhibition avoids chronological order, instead connecting pieces from different periods to form a spatial network where individual works function as nodes.
A new art space called Arthouse is opening on April 25, 2026, in Marble Falls, Texas. Designed by the architecture firm Lake Flato, the 2,000-square-foot white building will display works from the personal collection of philanthropists Mickey and Jeanne Klein, including pieces by Mary C. Sloane, Kenturah Davis, Faith Ringgold, Ed Ruscha, James Turrell, and Teresita Fernández. The debut exhibition, "Words Matter," curated by Mickey Klein, explores text and narrative and coincides with the town's Paint the Town Art Festival. The building also features a courtyard designed by landscape designer Sada Uchiyama.
A Milano vanno in mostra gli arredi della Casa Bianca. Design e architettura per parlare di propaganda
An exhibition titled 'The White House. Domestic Propaganda' has opened at Dropcity, an experimental center in the tunnels beneath Milan's Central Station, as part of the city's Design Week. Curated by students from the Politecnico di Milano's Interior Design Laboratory, the show critically examines the White House as a domestic space for political propaganda, using installations, models, and drawings to explore how its architecture and furnishings project cultural and social meanings.
Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine
Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.
San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The exhibition, a four-year project, features works including oil paintings and a sculptural piece made from a transformed hose, all centered on themes of water and environmental fragility. A key installation involves a white balloon pressed by a stiletto heel, symbolizing human activity pushing the planet to a breaking point.
San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The four-year project features a range of works, including detailed oil paintings and a sculptural piece, all centered on the theme of water and climate change. A key performance element involved Fernández leading hundreds of participants on Chicago's lakefront to form a giant S.O.S. signal using mirrors, a 'social monument' she previously staged in California.
Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.
Il cinema e la fotografia di Agnès Varda. Cose rivoluzionarie in mostra a Roma
A major exhibition dedicated to the work of Agnès Varda, titled "De-ci de-là, Paris-Rome," has opened at the Villa Medici – Accademia di Francia in Rome. The show explores Varda's multifaceted career as a photographer, filmmaker, and contemporary artist, tracing her journey from post-war Paris to the 1960s and her later recognition in the art world. It features her iconic black-and-white portraits, early photographic work, and cinematic elements, presented as a continuous visual sequence.
Vu[e]s de dos. Une figure sans portrait
The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.
Ghanaian visual artist Ibrahim Mahama has been awarded the 2026 Arnold Bode Prize by the city of Kassel. The prize, announced by his gallery White Cube, includes a €10,000 award in recognition of his artistic practice.
Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.
The Plymouth Center for the Arts is launching its 16th annual Fine Art of Photography Juried Exhibition on April 25. The show, which runs through May 31, will feature selected works available for purchase and includes awards in color, black-and-white, and special categories like street photography and seascapes.
The 25th Biennale of Sydney, titled "Rememory," opened in March 2026 across multiple venues in Sydney, including the prominent White Bay Power Station. Curated by Hoor Al-Qasimi, the exhibition features 83 artists and collectives from around the world, presenting works that demand slow, immersive engagement rather than spectacle, with highlights including large-scale textile installations by Edgar Calel and Nikesha Breeze.
A new exhibition titled 'Dvaita: Dualities' has opened at The Lexicon Art in New Delhi, featuring works by ten artists exploring the concept of oneness through opposites. The show includes paintings, murals, and installations that examine contrasts like black and white, geometry and abstraction, and the relationship between humanity and nature.
French artist Julien Carreyn is preparing his sixth solo exhibition, titled 'Exposition personnelle,' at the Crèvecoeur gallery in Paris. The show will feature a selection of small black-and-white photographs centered on themes of holidays and family, a possible miniature painting, a long, non-linear text, and a series of Polaroids depicting jewelry, installed across the gallery's spaces at 5 and 7 rue de Beaune.
The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.