Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.

'Artistic Gems from the Past' exhibit coming to Friedman Art Gallery

Penn State Wilkes-Barre's Friedman Art Gallery will open a new exhibit titled "Artistic Gems from the Past" on May 1, featuring artwork by current and former students, including pieces created over 25 years ago. The exhibit includes works from two courses taught by Jonathan Pineno—Art History 112 and Integrative Arts 001—where students created art using recycled materials and techniques inspired by Bob Ross. Unattributed works from the 1990s are also on display, and the gallery is asking the public to help identify the original student artists.

Participatory Art and Abstract Works Anchor UMW Galleries 2025 Lineup

The University of Mary Washington Galleries have announced their fall 2025 exhibition lineup, featuring four major shows at the duPont and Ridderhof Martin Galleries. Highlights include Erika Stearly's participatory installation 'Take a Painting,' where visitors exchange artworks; 'Intersection,' pairing David Carlson's abstract paintings with Chee Keong Kung's geometric sculptures; and 'Adaptation, Innovation and Tradition: Art from the Patawomeck Community,' showcasing historic and contemporary Native American art. The season also includes gallery talks, a juror lecture, and a community roundtable, all free and open to the public.

supreme court declines reconsider copyright case ai art 1234775358

The US Supreme Court has declined to hear a case brought by computer scientist Stephen Thaler, who sought federal copyright protection for artwork created by his AI system, DABUS. This decision upholds lower court rulings that maintain human authorship as a "bedrock requirement" for copyright, effectively ending Thaler's multi-year legal battle to have his AI recognized as an independent creator of the work "A Recent Entrance to Paradise."

AI Art Copyright Supreme Court Ruling

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The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."

Oman announces artist, concept for Venice Biennale

Haitham Al-Busafi will represent Oman at the 61st Venice Biennale, serving as both artist and curator. His installation, titled "Zinah," transforms the tradition of Omani silver horse adornment (Al-zaanah) into an immersive environment of sand, suspended metal, and collectively generated sound. Located in the Arsenale Artiglierie and commissioned by Oman's Ministry of Culture, Sports and Youth, the work was developed through a community workshop in Muscat where participants inscribed marks into silver forms. The exhibition runs from May 9 to November 22, 2025.

‘Was she going to an appointment, maybe even a romantic one?’: ASA’s best phone picture

ASA, an anonymous photographer, captured a candid iPhone X image in Bastia, Corsica, during the summer of 2018. The photograph shows a woman walking through strong sunlight, reduced to a silhouette against burned facades. ASA waited patiently for the right passerby, later imagining the woman might be heading to a romantic appointment, though they emphasize the work is about shape, movement, and contrast rather than identity.

On a Majorcan Estate, a Collage Made Over Hundreds of Summer Holidays

A descendant of one of Majorca's oldest families has preserved and now showcases a unique, sprawling collage within her 18th-century family estate. The artwork was created over hundreds of summer holidays by her mother and aunt, who meticulously assembled it using materials like magazine clippings, postcards, and fabric.

US Supreme Court Declines Appeal Hearing For Case On Copyrighting AI Artwork

The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.

New dates, new venue, and a new theme: Here is what the Moncalieri emerging photography festival will look like

Nuove date, nuova sede e nuovo tema. Ecco come sarà il festival di fotografia emergente di Moncalieri

Liquida Photofestival has announced the details for its fifth edition, scheduled to take place from April 17 to 19, 2026. The independent festival dedicated to emerging contemporary photography is moving to a new venue at the Real Collegio Carlo Alberto in Moncalieri, near Turin. Under the artistic direction of Laura Tota, the upcoming edition will center on the theme "Learning and Unlearning – (re)writing the rules," featuring a program of exhibitions, talks, and publishing events built primarily through open calls.

M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

Nigeria At Venice: Speaking on Our Own Terms.

Nigeria is preparing for its return to the Venice Biennale in 2028 with a fundamentally different approach, framing its participation as a structural intervention rather than mere inclusion. Curator Richard Vedelago, in conversation with Suzette Bell-Roberts, outlines a strategy focused on ownership, authorship, and building a self-sustaining cultural ecosystem, moving beyond seeking validation from global art structures.

‘I Can’t Draw’ exhibition highlights community art

The ninth annual UPRISING art exhibition at St. Olaf College, titled 'I Can’t Draw,' confronts anxiety around art-making by creating a judgment-free, communal space for creating art together. The student-curated show features works like 'Self-Acceptance Is My Oasis of Serenity' and invites visitors to contribute live drawings to evolving pieces, dissolving the boundary between artist and audience. Founded in 2018 by Shaquille Brown, UPRISING celebrates Black history, culture, and identity through visual and performing arts.

Humanoid robot Ai-Da that sold first robot art at auction for over $1 million now says it's not aiming to ‘replace human artists’

The humanoid robot Ai-Da, one of the most advanced in the world, unveiled a new oil painting titled "Algorithm King" at the United Nations' AI for Good summit in Geneva. The portrait depicts King Charles III and was created using artificial intelligence algorithms. Late last year, Ai-Da made history when its portrait of Alan Turing became the first artwork by a humanoid robot sold at auction, fetching over $1 million. The robot, created in 2019 by a team led by Aidan Meller with specialists from the universities of Oxford and Birmingham, is designed to resemble a human woman with interchangeable robotic arms.

Atelier dell’Errore “PINKING UP” at Ar/Ge Kunst, Bolzano

The working collective Atelier dell’Errore has opened a new exhibition titled "PINKING UP" at the Ar/Ge Kunst art gallery in Bolzano, Italy. The show features a collaborative project by a large group of artists, each identified by a pseudonym, presenting a unified artistic statement.

AI-generated art at SFO sparks backlash prompting artist to speak out

An AI-generated artwork installed at San Francisco International Airport (SFO) has sparked public backlash, leading the artist behind the piece to issue a statement defending the work. The installation, which uses artificial intelligence to create dynamic visuals, drew criticism from travelers and online commentators who questioned its artistic merit and the use of AI in public art.