Western Exhibitions’ New Show Maps Cities, Bodies and the Spaces Between

Western Exhibitions in Chicago presents “Spaces for People, Systems for Spaces,” a group exhibition featuring fifteen artists who explore the intersection of architecture, urban infrastructure, and the human body. The show includes diverse approaches to mapping and structural representation, ranging from Kim Beck’s hand-woven asphalt photographs and Courttney Cooper’s massive ink-on-receipt Cincinnati maps to Brian Petrone’s basswood and limestone tectonic sculptures.

New art exhibition of large-scale wool felt sculptures on display at SJU

Artist Nicole Havekost has opened a solo exhibition titled "Totemic" at the Alice R. Rogers and Target Gallery at Saint John's University. The show features large-scale wool felt sculptures, ranging from six to ten feet tall, that explore the human body's dichotomy between controlled and uncontrollable elements. The figurative works, which lack heads, hands, and feet, evoke themes of mothering, caretaking, and exhaustion.

Denver Art Museum announces major exhibition of Australian Indigenous Art

The Denver Art Museum has announced a major touring exhibition of Australian Indigenous Art, set to open in April 2026. The show is a collaborative effort organized by the National Gallery of Victoria and the National Gallery of Art in Washington, D.C., and will also travel to the Portland Art Museum and the Peabody Essex Museum.

Historic Attendance Elevates Korean Cultural Legacy as ‘Korean Treasures’ Exhibition Draws to a Close in Washington

The 'Korean Treasures: Collected, Cherished, Shared' exhibition at the Smithsonian's National Museum of Asian Art in Washington D.C. concluded on February 1st after drawing an estimated 65,000 visitors. The show featured over 200 works from the vast personal art collection of the late Samsung Chairman Lee Kun-hee and was celebrated with a gala event hosted by Samsung Electronics and the museum, attended by the Lee family, U.S. politicians, and business leaders.

Art Museum Announces Spring 2026 Exhibitions

The Syracuse University Art Museum has announced three new exhibitions for spring 2026: “Possible Worlds: 20 Years of the Wynn Newhouse Awards,” “Afterimages: Legacies of the Thirteenth Amendment,” and “Undressed: The Nude in Dutch Art, circa 1550-1800.” These shows will join the permanent collection exhibition “Human/Environment: 4,000 Years of Art” and an Art Wall Project by artist Bhen Alan. The exhibitions explore themes of disability, race, and the human body, with curator talks and programming scheduled throughout the semester.

Meet the Curator Who’s Bringing Fashion Into the Fold at the Cleveland Museum of Art

Darnell-Jamal Lisby, the Cleveland Museum of Art's first fashion curator since 2021, has organized the exhibition "Renaissance to Runway: The Enduring Italian Houses," on view through February 1. The show connects Renaissance artworks from the museum's collection with modern garments by major Italian brands like Armani, Versace, and Capucci, including pieces worn by celebrities such as Blake Lively, Zendaya, and Judy Garland. Lisby, who previously worked at Cooper Hewitt, Smithsonian Design Museum, the Costume Institute of the Met, and the Museum at the Fashion Institute of Technology, has also curated exhibitions like The New Black Vanguard, Egyptomania, and Korean Couture. The exhibition features a generative AI video created by Francesco Carrozzini and Henry Hargreaves to show the garments in motion.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

Miami Advice: Nina Surel on the historic Villa Paula and its future

Nina Surel, a Buenos Aires-born, Miami-based artist and founder of Collective 62, discusses the historic Villa Paula in Miami's Little Haiti neighborhood. Originally built in the late 19th century for Cuban consul Domingo Milord and his wife Paula, the Neo-Classical villa features imported Cuban materials, Tuscan columns, and hand-painted ceramic tiles. After years of disrepair, a civic-minded landlord transformed it into a cultural venue now hosting the design gallery the Future Perfect, with works by artists including Autumn Casey and Faye Toogood during Miami Art Week. Surel highlights the building's layered history, ghost stories, and its significance as a misplaced architectural gem.

“Water’s Edge: The Art of Truman Lowe” Opens Nov. 25 at the National Museum of the American Indian

The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.

Early career artists are invited to apply to Collective programme

Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.

Louvre’s €666m plans for new entrance ‘financially unsound’—and security should come first—auditor says

A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.

‘An important piece of Black history’: Topher Campbell's Tate commission at risk of destruction

Artist Topher Campbell's large-scale sculpture *My Body Is An Archive*, commissioned by Tate Modern for his exhibition *Topher Campbell My ruckus. Heart!*, faces destruction if a new home is not found by the end of October 2025. The polished mahogany and collage work, which weighs over a ton, was temporarily housed at Birmingham Museums Trust after the show closed in January 2025, but the trust can no longer store it due to warehouse pressures. Campbell has launched a Go Fund Me campaign, which has raised 85% of its £2,000 target, to cover transport and storage costs.

On View in the RSM Art Gallery: The Gleanings by Joetta Maue

RSM Gallery is presenting "The Gleanings," a solo exhibition by multidisciplinary artist Joetta Maue featuring photography, installation, and embroidery. The show runs from October 16 to November 25, 2025, with an artist talk and opening reception on October 16 and a Reading Room Event on November 4 where visitors are invited to share books and excerpts. Maue's work explores the sublime within everyday life, focusing on overlooked fragments, ephemeral light, and the traces of the body across space and time, with embroideries that transcribe her research notations and a large wall installation titled "Sojourn" mapping geographies of artist residencies.

Northwest Village Network shows work of 30 area artists

Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.

Selina Roman photo exhibition at Sarasota Art Museum provides new take on femininity and beauty

Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.

Korean-American artist Misoo Bang’s solo exhibition opens at AVA Gallery

Korean-American artist Misoo Bang’s solo exhibition “전미개오 轉迷開悟: Buddhist Teaching of Being Freed of Anguish and Reaching Nirvana” opens at the Alliance for the Visual Arts (AVA) Gallery in Lebanon on August 22. The show features works from her “Giantess” series, which depicts survivors of sexual violence, her “Giant Asian Girls” series, which challenges stereotypes of Asian-American women, and her “Lotus Flowers” series, which uses the traditional Buddhist painting technique Taenghwa to portray Buddhas and female Bodhisattvas. Bang, a Vermont-based lecturer at the University of Vermont, was named one of the 10 emerging artists of New England by Art New England in 2019 and a Vermont artist to watch by the Vermont Arts Council in 2020.

Polish artist's new Tartu exhibition explores inherent fragility of living organisms

Polish artist Paweł Matyszewski presents a new solo exhibition titled "Momentary Organisms" at Kogo Gallery in Tartu, Estonia, opening on August 15. The show explores the fragility and transformation inherent in all living organisms through exuberant, patchwork-like abstractions that merge plant and human body parts. The exhibition is part of a regional exchange program involving galleries in Turku, Riga, and Warsaw, curated by Šelda Puķīte, and will run until September 27.

Chirp Chat: Exploring what birds can teach us about ourselves through art

Hattie Grimm, artist-in-residence at the Charles Allis Art Museum in Milwaukee, has created a new exhibition titled "BIRD BODY" featuring 20 original wooden paintings and sculptures. Inspired by her personal relationship with birds formed during a difficult time, the works explore birds as symbols of freedom, intuition, and bodily wisdom. The exhibit includes interactive elements such as drawing activities and storytelling stations, encouraging visitors to reflect on their own connections to birds and their bodies.

Portraits of the student artists in the 2025 Senior Thesis Exhibition

Bates College's 2025 Senior Thesis Exhibition, titled "Under the Parachute," opened on April 11 at the Bates College Museum of Art, showcasing works by seven studio art majors. The exhibition features a range of media including mixed-media pieces, cyanotype quilts, ceramics, watercolors, and sculptural installations. Student artists such as Avery Lehman, Miryam Keller, Danny Zuniga Zarat, Alex Provasnik, Lila Schaefer, and Lizi Barrow presented year-long projects that explore themes of memory, empathy, family, and modern life. The exhibition is open through May 24, with faculty advisers Carolina González Valencia and Susan A. Dewsnap supporting the seniors.

Une vétérane pour diriger un des musées du Smithsonian

Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.

Vittoria Matarrese new director of the Magasin in Grenoble

Vittoria Matarrese nouvelle directrice du Magasin de Grenoble

Vittoria Matarrese has been appointed as the new director of the Magasin, the National Center for Contemporary Art in Grenoble. The Italian architect and curator, who previously held positions at the Villa Medici in Rome, the Palais de Tokyo in Paris, and the Bally Foundation in Lugano, and most recently led the first Art Week Riyadh, succeeds Céline Kopp. Her appointment comes as the institution seeks a new direction after a prolonged period of crisis.

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

Chilean artist Tohé Commaret has opened her first institutional solo exhibition in Germany, "Mala Onda," at the ZOLLAMT MMK, a project space of the Museum für Moderne Kunst in Frankfurt. The exhibition features a new body of work, including large-scale paintings and a site-specific installation, that explores themes of memory, cultural displacement, and the lingering psychological effects of political violence.

Bonollo Foundation explores the body and mind with two new exhibition projects

The Sandra and Giancarlo Bonollo Foundation for Contemporary Art in Thiene, Italy, has launched two new exhibition projects: the group show "Body in Motion" and a solo exhibition titled "Sanatorium" by Polish artist Tomasz Kowalski. Both opened on May 23, 2026, with "Body in Motion" running until November 7 and "Sanatorium" until September 30. "Body in Motion," curated by Chiara Nuzzi, features works from the Bonollo Collection by artists including Monica Bonvicini, Talia Chetrit, Sam Durant, Mona Hatoum, and others, exploring the body as a site of relationship, resistance, and identity. "Sanatorium," curated by Elisa Carollo, presents Kowalski's recent paintings that use the metaphor of a sanatorium to examine perception, memory, and the boundaries between imagination and reality, designed specifically for the foundation's space in a former religious and psychiatric complex.

Joan Semmel Roars at The Jewish Museum

The article reviews Joan Semmel: In the Flesh, a retrospective exhibition at The Jewish Museum in New York (December 2025 – May 2026). The author describes an initial discomfort with Semmel's graphic nude paintings of aging female bodies, but after researching the artist's significance in feminist art, comes to appreciate her unapologetic honesty. The show is arranged chronologically, tracing Semmel's evolution from works like Erotic Yellow (1973) to later paintings that grow in confidence and freedom, all while maintaining a focus on female embodiment and pleasure from a female perspective.

Newfields Returns To The Runway With New Fashion Exhibit

Newfields has opened a new fashion exhibition titled "Body / Beyond: Fashion That Transforms," its first fashion-focused show in over three years. The exhibition features 25 pieces spanning from the 1950s to the 1990s, including designs by Christian Dior, Balmain, Thierry Mugler, Vivienne Westwood, Jean Paul Gaultier, Rei Kawakubo, and Martin Margiela. Highlights include a conical bra cup maxi dress worn by Madonna and three newly acquired works for the museum's collection.

Lifting Belly, Soft Bodies: Zuzanna Szary Talks with Wojciech Szymański

Polish painter Zuzanna Szary discusses her artistic journey and the intersection of queer identity, domesticity, and painting in an interview with Wojciech Szymański. Szary recounts discovering her lesbian identity in junior high and turning to painting after a period of clinical depression, eventually studying at the Academy of Fine Arts in Krakow. Her work, which has evolved from portraits of partners to still lifes centered on food and home, explores themes of softness, sensuality, and the politics of the body, drawing inspiration from figures like Gertrude Stein and Alice B. Toklas.

Calling Back 11 Forgotten Women Artists: Leeum’s "Inside Other Spaces"

Leeum Museum of Art in Seoul is presenting "Inside Other Spaces: Environments by Women Artists, 1956–1976," an exhibition that reconstructs immersive environmental artworks by 11 pioneering women artists. Originally curated in 2023 at Haus der Kunst Munich and later shown at MAXXI in Rome and M+ in Hong Kong, the show features restored pieces including Judy Chicago's "Feather Room" (filled with 136 kg of white goose feathers), Jung Kangja's "Muchejeon" (restored after 56 years), Lygia Clark's "House Is Body: Penetration, Ovulation, Germination, Expulsion," and Marian Zazila, La Monte Young, and Jung Hee Choi's "Dream House: Environment of Sound and Light" (shown in Asia for the first time).

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

Beyond the Mona Lisa: MOSI’s Leonardo da Vinci exhibit showcases the ‘original innovator’ in Tampa

MOSI (Museum of Science & Industry) in Tampa, Florida, is hosting an exhibition titled "Machines in Motion" that features 20 working machines built from Leonardo da Vinci's 15th-century designs. Created by Italian engineers using period-appropriate materials, the interactive display includes inventions such as ball bearings, an olive oil press, a printing press, and wartime weapons. MOSI President & CEO John Graydon Smith describes da Vinci as "the original innovator" and notes the exhibit aims to inspire creativity in both children and adults. The temporary exhibition runs until May 3.