Body, Territory, and Food Sovereignty at MAMM

CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM

The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.

Dolce Vita is Over

Dolce Vita war gestern

Andrea Modica's new photobook "Italian Story" collects four decades of photographs taken in Italy, beginning with her first trip there in the late 1980s. Born in 1960 to a family with roots in Sicily and Naples, Modica received a Fulbright scholarship to travel to Sicily and photograph the origins of the Catholic imagery, gender roles, and family structures she experienced growing up in New York. The book, however, is not a documentary of her heritage; instead, it presents dreamlike, surreal images—motionless bodies in water, dead fish, figures behind mosquito nets, Madonna statues—that resist clear narrative or identity politics. Modica works with an 8x10 large-format analog camera and prints using the historic platinum-palladium process, giving the images a timeless, collaborative quality.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

Henrike Naumanns langer Weg in den deutschen Pavillon

Henrike Naumann, a German artist who recently passed away, is being honored with a posthumous exhibition at the German Pavilion during the Venice Biennale. Her work, which explores recent German history, state art, and the absence of East German art in the pavilion, finds its ultimate context in this historically charged Nazi-era building.

Brigitte Meese Dies at 96

Brigitte Meese stirbt mit 96 Jahren

Brigitte Meese, the mother, manager, and long-time artistic companion of German artist Jonathan Meese, has died at the age of 96. She was a formative figure in her son's artistic environment, providing organizational support for decades while also serving as his muse, model, and co-performer.

Once a Year: Shock Trauma!

"Ein Mal im Jahr: Schock-Trauma!"

Artist Nik Nowak is exploring the "Sound Horeg" phenomenon in East Java, Indonesia, where massive DIY loudspeaker systems are mounted on trucks and boats for extreme mobile discos. These parades, characterized by towering walls of speakers and intense bass, represent a global evolution of sound culture influenced by social media rather than traditional folklore. Nowak's research into these unregulated, high-tech spectacles has culminated in a new body of work featuring sculptures and photographs.

Maja Malou Lyse on Representing Denmark at the 61st Venice Biennale

Artist Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 with her project 'Things To Come'. The work is a video created in collaboration with DIS, starring actresses from the porn industry, and explores the intersection of science, fiction, and pornography, inspired by a study on how virtual sexual stimuli affect the body.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

Resisting Death: Glitches and Ornaments at CASTLE

An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.

Ethical Managers Make Their Own Rules at Bodenrader

Bodenrader in Chicago is currently hosting a group exhibition titled "Ethical Managers Make Their Own Rules," featuring works by Jessica Diamond, Hélène Fauquet, and Jason Hirata. The exhibition, which runs from March 21 through May 2, 2026, presents a curated selection of contemporary works documented through an extensive digital archive of installation views.

Valentina Bartolini at Callirrhoë

Valentina Bartolini at Callirrhoë

Valentina Bartolini has opened a solo exhibition, "Belly of the Fish," at the Callirrhoë gallery in Athens. The show, which runs from January 22 through March 21, 2026, presents a new body of work from the artist, documented extensively with 24 images on the platform.

Yalda Afsah “Surge” at Kunsthal Thy, Hurup Thy

Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.

Stanislava Kovalčíková “Rubigo” at Kunstverein Freiburg

Stanislava Kovalčíková has opened her first institutional solo exhibition in Germany, titled "Rubigo," at Kunstverein Freiburg. The exhibition features a large-scale installation constructed from red plasticine, which forms an immersive environment housing a series of paintings executed on discarded clock dials salvaged from Prussian church towers.

Anoushka Mirchandani Conjures Ancient Mythological Nature Spirits in Vibrant Oil Paintings

San Francisco-based artist Anoushka Mirchandani presents a solo exhibition, 'My Body Was a River Once,' at ICA San José. The show features vibrant oil paintings that depict apsaras, ancient Southeast Asian mythological nature spirits associated with water and transformation, drawing from the artist's Indian heritage and childhood memories of sites like the Ajanta and Ellora caves.

Dyani White Hawk: LISTEN at the Nasher Museum of Art at Duke University

Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.

"Costume Art" MET Museum Exhibition

The Metropolitan Museum of Art's Costume Institute has opened a new exhibition titled "Costume Art," featuring a design by Robert Wun displayed in the "Vital Body" section. The show opened on Saturday, May 2, 2026, in New York, as captured in a photograph by Charles Sykes for Invision.

Lucio Santiago | LA ESPERA (2015) | For Sale

Lucio Santiago's bronze sculpture "LA ESPERA" (2015) is listed for sale at US$3,400 through Bernardini Art Gallery & Auction House. The work measures 23 × 19 × 19 cm, is unique, and signed. Lucio Santiago, born in 1987 in Oaxaca de Juárez, is the son of artist Alejandro Santiago. His artistic training includes workshops in photography at the Manuel Álvarez Bravo center and with Katy McFadden, as well as graphic art at Gráfica Bambú and a three-year residency at La Ceiba in Xalapa. His first solo exhibition was in 2007, and he has since shown in Europe and the US. His work explores themes of life and death, incorporating wings, skeletons, mutilated bodies, and animals like eagles, fish, and coyotes.

IN REVIEW: To be felt, not read — ‘Paper Trails: Unfolding Indigenous Narratives’ at IAIA MoCNA

A new exhibition titled 'Paper Trails: Unfolding Indigenous Narratives' has opened at the Museum of Contemporary Native Arts (MoCNA), part of the Institute of American Indian Arts (IAIA). The show features works by contemporary Indigenous artists who utilize paper as a primary medium to explore themes of history, memory, and cultural identity, moving beyond text-based narratives to create visceral, sensory experiences.

In SF, a gallery transformed into an immense, red web of memory

The Asian Art Museum in San Francisco has opened "Chiharu Shiota: Two Home Countries," the first solo museum exhibition in the Bay Area for the Berlin-based Japanese artist. The centerpiece is "Diary," an 88-foot-long network of blood-red yarn that incorporates pages from diaries of Japanese soldiers and German citizens from World War II, creating an immersive web of memory. The exhibition also includes a crimson dress unraveling into cords, set designs for a theatrical psycho-drama, performance videos, and paper works reflecting on the artist's experience as a cancer survivor.

collectible body art: tattoos by lawrence weiner, peter marino and more hit the auction block

JOOPITER, Pharrell Williams's auction platform, launches its first standalone tattoo auction titled 'Inked: Tattoos by Contemporary Artists,' featuring commissioned designs by sixteen artists including Derrick Adams, Thom Browne, Jeffrey Gibson, and the late Lawrence Weiner. The sale runs from October 22nd to 31st, 2025, with select designs previewed at Dover Street Market during Art Basel Paris. Curated by Sharon Coplan, each tattoo design is accompanied by a signed certificate of authenticity, and a complete set will be reserved for institutional donation.

Who Are the Custom Mannequins in “Costume Art” Based On? We’re So Glad You Asked

The Metropolitan Museum of Art's 2025 Costume Institute exhibition, "Costume Art," features 25 mannequins modeled after nine real people with diverse body types and mobilities. Curator Andrew Bolton collaborated with artist Samar Hejazi, who created mirrored faceless heads for the mannequins, and artist Tanda Francis, who modeled features after historical figures like André Grenard Matswa. The mannequins are distributed across two thematic sections: "Disabled Body," featuring individuals such as writer Sinéad Burke, athlete Aimee Mullins, and models Aariana Rose Philip, Antwan Tolliver, and Sonia Vera, along with imagery of the late drag performer Goddess Bunny; and "Corpulent Body," featuring models Jade O'Belle, Charlie Reynolds, artist Michaela Stark, and singer Yseult. The living subjects underwent 3D photogrammetry scanning to recreate their likenesses.

Look Inside the Met Gala 2026’s Exhibit & See What Celebs Will Be Viewing Tonight!

The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.

At the 2026 Met Gala, 'Fashion is Art.' Here's what to expect

The 2026 Met Gala will take place on the first Monday in May at New York's Metropolitan Museum of Art, supporting the Costume Institute. The spring exhibition is titled "Costume Art" and will be the first to occupy the new Condé M. Nast Galleries. The dress code is "Fashion is Art," inviting guests to explore fashion as an embodied art form. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with Jeff Bezos and Lauren Sánchez Bezos as honorary chairs. The event will be livestreamed by Vogue, hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain.

Poetry and visual imagery come together in Marion Art Gallery exhibition

The Marion Art Gallery at Fredonia is presenting "Children of Grass: A Portrait of American Poetry," an exhibition featuring 50 photographic portraits and one video of prominent American poets by photographer B.A. Van Sise. Each portrait visually interprets a poem by its subject, creating a collaborative image. The exhibition runs from February 24 to April 15, with related events including a lecture by Van Sise and a poetry reading by former U.S. Poet Laureate Joy Harjo.

Mapped by Tide and Time art exhibition in Mumbai

The solo exhibition "Mapped by Tide and Time" has opened in Mumbai, showcasing over three decades of work by Indian artist Vishakha Apte. Curated by Ina Puri, the show features a diverse range of mediums including painting, printmaking, paper constructions, and ceramics. The collection highlights Apte’s career-long investigation into tactile depth and material dialogue, moving away from artistic spectacle in favor of quiet, process-led inquiry.

Bone Insurrection

Artist Rabih Mroué's text "Bone Insurrection" is being published by Film Notes in conjunction with an upcoming screening of his films and videos at the e-flux Screening Room in New York. The text is a poetic, first-person narrative that explores the physical and psychological aftermath of historical violence, framing the self as an excavation site where trauma persists in the body.

Meet The Canadian Artist Behind The Mirrored Mannequins That Transformed The 2026 Met Gala

The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.