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robert grosvenor sculptor minimalism dead

Robert Grosvenor, a sculptor known for his idiosyncratic works that initially aligned with Minimalism before evolving into unclassifiable forms, died in New York at age 88. His death was confirmed by Paula Cooper Gallery, with no cause given. Grosvenor gained prominence in the 1960s through exhibitions like "Primary Structures" at the Jewish Museum and later created spare, industrial sculptures ranging from ceiling-piercing steel forms to altered car-like objects and works incorporating creosote and water. He appeared in two editions of Documenta and the 2022 Venice Biennale, and a survey of his work opened at the Fridericianum museum in Kassel just days before his death.

barbara gladstone gallery chelsea townhouse sold 13 million

The Chelsea townhouse of the late gallerist Barbara Gladstone sold for $13.1 million, over $1 million above its $11.99 million asking price, in an all-cash deal that closed on August 27. The 19th-century Greek Revival row house at 344 W. 22nd St was purchased by an unnamed buyer, with brokers Scott Hustis and Mark Jovanovic of Compass reporting the sale set a record per square foot for a Chelsea townhouse. Gladstone, who founded the Gladstone Gallery in 1980 and became one of New York's most prominent dealers, died in June 2024 at age 89. She had bought the property in 2011 for $6.3 million. Architect Annabell Selldorf designed the current iteration of the 4,395-square-foot home, and Piet Oudolf designed its garden. The home featured gallery-like Venetian plaster walls and white oak floors that showcased works from Gladstone's private collection.

amy sillman cameron martin sikkeman jenkins malloy dia bridgehampton

Artist Cameron Martin discusses his new exhibition “Baseline” at Sikkema Malloy Jenkins in New York with fellow painter Amy Sillman. The conversation explores Martin’s shift from earlier landscape-derived graphic paintings to a more abstract approach involving “almost signs”—forms where signifier and signified don’t fully align. Martin describes his work as engaging with paradox and contradiction, using surrogates for gesture and juxtaposing elements that don’t quite fit together, which can produce a sense of humor or drollness.

10 artists liaisons picks june 2023

Artnet News has published a curated list of ten artists selected by their gallery liaisons in June 2023. The featured artists include Amy Barker, Meron Engida, Liam Everett, Franziska Furter, Iulian Bisericaru, Anne Rowland, Jim Richard, Isamu Kenmochi, Rita Maas, and Kyle Dunn, with works ranging from paintings to design objects. The artworks are available through the Artnet Gallery Network, which connects buyers with galleries worldwide, from Tokyo to Zurich, New Canaan to Paris.

intersect aspen art and designs 2025

Intersect Aspen Art and Design Fair returns for its 2025 edition from July 29 to August 3, featuring the largest roster of galleries and programming in its 15-year history. Highlights include works by Shepard Fairey, Pierce Brosnan, and Fernando Botero, with artists such as Cristina Mittermeier, David Drebin, and Kay Seohyung Lee in attendance. The fair will also host talks and signings with photographer Maryam Eisler and a panel on art and the Aspen community.

independent 20th century names 31 exhibitors for 2025 edition in september

Independent 20th Century, the art fair focused on 20th-century works, has announced the 30 exhibitors for its fourth edition, running September 4–7 at Casa Cipriani in New York's Battery Maritime Building. The fair emphasizes single-artist presentations, spotlighting underknown figures such as Raymond Jonson, Gertrude Greene, Elda Cerrato, and Bruce Richards, alongside established names like Picasso, Munch, and Judy Pfaff. Notable collaborations include Nahmad Contemporary and Skarstedt Gallery on Georges Rouault, and presentations of self-taught artists like the Florida Highwaymen and Balraj Khanna.

rena bransten gallery

Rena Bransten Gallery in San Francisco is celebrating its 50th anniversary with a series of exhibitions highlighting key moments in its history. The second installment, "RBG at 50: Photo & Video," on view through August 23, 2025, features works by artists such as Dawoud Bey, Sophie Calle, Jim Campbell, and Vik Muniz. The show traces the gallery's expansion beyond its original focus on ceramics, which began in 1979 with a solo exhibition of photographer Judith Golden. Highlights include Sophie Calle's "La Robe de Mariee" (1989) and a photograph by Dawoud Bey documenting a performance by David Hammons.

lucia painted her own myth

The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).

londons art scene saturation point

London Gallery Weekend (LGW) returned for its fifth edition from June 6 to 8, 2025, drawing art enthusiasts across 126 participating spaces despite dark clouds and drizzle. The event showcased cutting-edge performances, digital experiments, and bold textile art, but faced challenges as several trendy younger galleries—including Union Pacific, Guts Gallery, The Sunday Painter, and Xxijra Hii—chose not to participate this year. The weekend also overlapped with the debut London edition of South by Southwest (SXSW), a tech and arts conference that brought 20,505 pass-holders from 77 countries, including King Charles III, and featured visual art offerings such as LDN LAB curated by Alex Poots. While SXSW included works by Andy Warhol and Beeple, coordination between the two events was minimal, though a hastily planned SXSW VIP gallery tour occurred before LGW officially began.

hito steyerl medium hot images heat verso

Artist Hito Steyerl has published a new book, *Medium Hot: Images in the Age of Heat*, through Verso, continuing her long-running exploration of how images, technology, and politics intersect. The article traces her intellectual evolution from earlier works like *The Wretched of the Screen* (2013) and *Duty Free Art* (2017), highlighting key essays and video works such as *How Not to Be Seen: A Fucking Didactic Educational .MOV File* (2013), which satirizes surveillance culture. It notes that Steyerl topped ArtReview’s 2017 Power List as the most influential person in the art world, and that her latest book addresses war and violent conflict in the context of Web3, with a more decisive tone.

silvia heyden charles moffett

Swiss-born textile artist Silvia Heyden (1927–2015) devoted over half a century to weaving nearly 800 innovative tapestries, despite early discouragement from pursuing violin-making due to her gender. A new exhibition, “Improvisational Nature: The Weavings and Drawings of Silvia Heyden,” at Charles Moffett gallery in New York (through June 7) marks her first solo show in the city and her first U.S. exhibition of tapestries and drawings since 1972. The show, organized with her family, highlights her improvisational, music-inspired approach to the loom, which she likened to playing a violin.

the view from paula tsai

Paula Tsai, a key figure in Asia's art market, discusses the evolving landscape of collecting in the region, focusing on mainland China and Korea. She notes a surge of new buyers from China, many of whom are young entrepreneurs, while the Korean market remains more mature and stable. Tsai addresses the impact of tariffs on importing art, particularly for Chinese collectors, but asserts that passionate collectors will continue to buy, adjusting timing rather than abandoning purchases. She also highlights the growing Thai market and the complexity of the Chinese market, where established collectors are cautious but new entrants keep activity high.

ian hamilton finlay

David Nolan Gallery in New York is presenting “Ian Hamilton Finlay: Fragments,” an exhibition marking the centenary of the Scottish artist Ian Hamilton Finlay (1925–2006). On view through June 7, 2025, the show features works from the late 1970s through the late 1990s in mediums including porcelain, ceramic, stone, bronze, plaster, metal, and prints. It highlights Finlay’s multidisciplinary practice as an artist, poet, philosopher, and gardener, with notable pieces such as *Watering Can (Shenstone)* (1995) and references to his famous garden *Little Sparta* (1966). The exhibition coincides with a book of the same title containing 100 works and fragmentary texts by writers including Stephen Bann, Tom Lubbock, and Alec Finlay.

70 million giacometti flops at sothebys as demand for trophy art softens

The top lot of Sotheby's May auction season in New York, Alberto Giacometti's bronze sculpture *Grande tête mince (Grande tête de Diego)* (1955), estimated at $70 million, failed to sell on Tuesday night. The work was consigned by the Soloviev Foundation, set up by Stefan Soloviev, son of late mega-collector Sheldon Solow, and was offered without a financial guarantee, a risky strategy that backfired when no bidders emerged. Auctioneer Oliver Barker made several chandelier bids before declaring the lot unsold at $64.2 million, shocking the packed salesroom.

esther ii conductor alternative art fair reports

During New York Art Week, two smaller art fairs—Esther II and Conductor—offer alternatives to the major events like Frieze and TEFAF. Esther II, now in its second edition, takes place at the Estonian House in Murray Hill, featuring 25 galleries from 17 cities with site-specific installations and performances. Conductor debuts at Powerhouse Arts in Gowanus, focusing on artists from the Global South and its diasporas, with a unique model that allows artists to fabricate work on-site using the venue's production facilities.

kiang malingue gallery new york expansion

Kiang Malingue, a prominent Hong Kong gallery, is opening a new commercial space in New York's Chinatown this week. The inaugural exhibition features Japanese artist Hiroka Yamashita, marking her New York solo debut. Founders Edouard Malingue and Lorraine Kiang cite a strategy to tap into a growing community of young Asian American collectors and rising market interest in Asian and Asian diaspora artists.

jenni crain gordon robichaux frieze new york

At Frieze New York 2025, New York gallery Gordon Robichaux has dedicated its Focus section booth to the late artist, curator, and dealer Jenni Crain, who died in 2021 at age 30 from COVID-19 complications. The booth features her wood and glass sculptures, a painting, and photographs, coinciding with a two-part exhibition at the gallery's Union Square space that includes a group show of artists Crain championed, such as March Avery. The presentation also realizes Crain's final artwork, a site-responsive basswood lattice, based on her fabrication drawings. Prices for her works range from $6,500 to $36,000.

ho tzu nyen 2026 gwangju biennale

The Gwangju Biennale has appointed Singaporean artist Ho Tzu Nyen as artistic director for its 2026 edition, marking a departure from its tradition of selecting world-renowned curators. Ho, known for his films exploring Asia's evolving identity, previously organized the 2019 Asian Art Biennale and represented Singapore at the 2011 Venice Biennale. The biennial hinted that the 2026 edition will focus on art's power to drive change, with Ho emphasizing a collaborative approach that resonates with Gwangju's legacy of democratic transformation.

overlooked no more jack whitten ascends with a stellar retrospective at moma

The Museum of Modern Art (MoMA) has opened "Jack Whitten: The Messenger," a major posthumous retrospective featuring nearly 200 objects, mostly paintings, by the late artist Jack Whitten. Curated by MoMA's curator at large Michelle Kuo, the exhibition occupies MoMA's top-floor gallery and is arranged largely chronologically, highlighting Whitten's experimental techniques such as using dried acrylic tesserae and extruding paint through screens. The show includes early works from the 1960s and later mosaic compositions, offering a comprehensive view of his career.

In the Studio with Casey Engel

Casey Engel, an artist based in Asheville, North Carolina, is profiled in her studio, where she creates ceramic, fiber, and paper works that blend craft traditions with avant-garde sensibilities. The article, structured as an interview with writer Merin McDivitt, explores Engel's tactile process—from pinching clay to hand-stitching quilts—and her emphasis on touch, intuition, and the tension between functionality and art. Engel previously curated over sixty shows at Blue Spiral 1 before dedicating herself full-time to her own practice.

City Life Org - New York Art World Celebrates Angela Davis, Amy Sherald, Clara Wu Tsai, Crystal McCrary, Raymond McGuire at Awards Dinner in NYC

The Gordon Parks Foundation held its annual Awards Dinner and Auction at Cipriani 42nd Street in New York City, raising nearly $2 million to support its mission of social justice through the arts. The gala honored a distinguished group of changemakers, including activist Angela Davis, painter Amy Sherald, philanthropist Clara Wu Tsai, producer Crystal McCrary, and businessman Raymond McGuire. Hosted by Kaseem Dean (Swizz Beatz) and Executive Director Peter W. Kunhardt, Jr., the event celebrated the enduring legacy of Gordon Parks and his commitment to documenting and advancing civil rights.

Usher, Spike Lee, and Tyler Mitchell Helped Raise $3.7 Million for the Studio Museum in Harlem at a Party for the Ages

The Studio Museum in Harlem hosted a star-studded gala at the Glasshouse in Manhattan, raising $3.7 million to support its upcoming reopening. The event marked a significant milestone for the institution, which has been undergoing extensive renovations for seven years and is scheduled to open its new doors on West 125th Street on November 15. Director and Chief Curator Thelma Golden described the evening as a 'threshold' moment, celebrating the museum's legacy of shaping cultural history since its founding in 1968.

Hoffnung auf Rekorde bei Auktionen in New York

New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.

‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

Isabel Nolan on Representing Ireland at the 61st Venice Biennale

Artist Isabel Nolan will represent Ireland at the 61st Venice Biennale in 2026 with an exhibition titled 'Dreamshook' in the Arsenale. Her presentation will feature a room of tapestries, sculptures, and drawings, inspired by late Medieval European humanist thinkers who questioned inherent human goodness and sought meaning in earthly life.

Craig Jun Li: Scrapping the Camera

Artist Craig Jun Li's solo exhibition features collagist wall-works and installations that deconstruct photographic technology. Works like the 2025 silicone sheets incorporate altered dye-transfer prints, Polaroids, and actual camera parts like SX-70 film cartridge springs, redirecting focus from pictorial representation to the mechanical apparatus of image-making.

Hong Kong’s M+ And Centre Pompidou Announce Strategic Partnership

M+, Hong Kong's museum of modern and contemporary art, has announced a multi-year strategic partnership with the Centre Pompidou in Paris. The collaboration includes co-organized exhibitions at M+ starting in 2027, a joint exhibition at the renovated Pompidou around 2030, and a four-year postdoctoral fellowship funded by the Huo Family Foundation, established by philanthropist Yan Huo in 2009. The Huo Research Fellow will focus on twentieth- and twenty-first-century Western and Asian art.

Amy Sherald Comes Home: “American Sublime” Opens at the High Museum

The High Museum of Art in Atlanta opens "Amy Sherald: American Sublime" on May 15, a mid-career retrospective featuring over 35 paintings from 2007 to 2024. The exhibition was originally scheduled to conclude at the National Portrait Gallery in Washington, D.C., but Sherald canceled that stop after a Trump administration executive order directed Smithsonian institutions to remove so-called "un-American content." The High Museum secured the final slot after the Baltimore Museum of Art, following months of coordination with SFMOMA, Sherald's studio, and Hauser & Wirth. The show includes Sherald's portrait of Breonna Taylor and her iconic Michelle Obama portrait, organized into five thematic sections.

Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.