UNM Art Museum pauses gallery exhibitions for ‘Collections Year’

The University of New Mexico Art Museum (UNMAM) has paused its gallery exhibitions to launch a "Collections Year" project, prompted by a major gift of over 100 photographs from collectors Daniel Greenberg and Susan Steinhauser. The museum's galleries are now temporary workspaces where staff and 12 collections apprentices are cataloging, condition-reporting, and processing hundreds of new artworks, including prints and drawings dating back to the 15th century. Study rooms remain open for visitors and classes during this period.

McMichael Canadian Art Collection picks architect for museum expansion

The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.

On View in the RSM Art Gallery: The Gleanings by Joetta Maue

RSM Gallery is presenting "The Gleanings," a solo exhibition by multidisciplinary artist Joetta Maue featuring photography, installation, and embroidery. The show runs from October 16 to November 25, 2025, with an artist talk and opening reception on October 16 and a Reading Room Event on November 4 where visitors are invited to share books and excerpts. Maue's work explores the sublime within everyday life, focusing on overlooked fragments, ephemeral light, and the traces of the body across space and time, with embroideries that transcribe her research notations and a large wall installation titled "Sojourn" mapping geographies of artist residencies.

These artists want your help distracting fossil fuel executives

The Brooklyn non-profit space Pioneer Works is hosting an exhibition titled "How to Get to Zero" by artists Tega Brain and Sam Lavigne, featuring climate-focused interactive installations. The centerpiece, "Cold Call" (2023), invites visitors to don headsets and call fossil fuel executives, following a script designed to keep them on the line as long as possible to disrupt their productivity. Another work, "Offset" (2023-25), parodies carbon offset markets by allowing visitors to purchase credits for dissident acts like deflating SUV tires, with proceeds going to activists. The exhibition also includes "Perfect Sleep" (2021), an anti-productivity phone app that encourages rest to reduce carbon footprints, and "Synthetic Messenger" (2021), where cell phones click on climate news ads to boost journalism engagement.

An underground art park by Mike Hewson opens beneath the Art Gallery of NSW

New Zealand-born engineer-turned-artist Mike Hewson has opened 'The Key’s Under The Mat,' an interactive social sculpture inside the subterranean Nelson Packer Tank at the Art Gallery of New South Wales in Sydney. The free exhibition, running from October 4, 2025 through 2026, transforms a former WWII oil reservoir into an art park featuring dozens of usable sculptures—including a functioning sauna, steam room, laundromat, playground, and barbecue—all made from thousands of salvaged objects. Visitors are encouraged to dwell, play, create, and even do laundry, with the artist describing the work as a 'handmade utopia.'

Louvre and Grand Palais among French museums closed due to nationwide strikes

On Thursday, September 18, several major French museums and cultural venues closed due to a one-day strike against budget austerity. Affected institutions include the Musée du Louvre, Château de Versailles, Grand Palais, Musée d’Orsay (where visitors were allowed in freely), Arc de Triomphe, Eiffel Tower, Panthéon, and Musée Picasso. The strike, supported by the CGT union, also led to closures at dozens of other monuments and institutions across the country, with demonstrators protesting outside the office of Culture Minister Rachida Dati. Separately, the Musée de la Tapisserie de Bayeux is closed for two years for renovations, and the planned loan of the Bayeux Tapestry to the British Museum has been postponed due to the strikes, raising concerns about the embroidery's fragility.

Alberta Foundation for the Arts opens first gallery in Calgary

The Alberta Foundation for the Arts (AFA) opened its first-ever gallery in Calgary on September 10, 2025, called the AFA art house, located on the second floor of the Edison building. The space, previously used as a temporary gallery by the Glenbow Museum during its renovation, will host rotating exhibitions from the AFA’s 10,000-piece collection, including the opening show "New Views" featuring 50 works purchased in the last decade. The gallery also allows Alberta artists to display and sell their art, and will feature a solo exhibition by Samantha Williams-Chapelsky, the 2024-25 AFA Alberta Artist in Residence, beginning in October.

Artist reaches settlement with US city that cancelled her residency over a pro-Palestine message

Danielle SeeWalker, a Húŋkpapȟa Lakȟótaits artist, reached a settlement with the town of Vail, Colorado, after her art residency and mural commission were cancelled in 2024 over an Instagram post supporting Palestine. The American Civil Liberties Union (ACLU) of Colorado and law firm Newman McNulty filed a federal civil rights lawsuit in October 2024, citing free speech violations. The settlement includes annual cultural sensitivity training for Vail’s Arts in Public Places employees, an annual powwow organized by SeeWalker, a community forum on Israel and Palestine, a new art program for underrepresented groups, and a confidential payment. SeeWalker’s painting *G for Genocide* (2024) will be exhibited at Art at a Time Like This’s pop-up space in New York City this autumn.

Chinese Dissident Artist Badiucao on His First Solo Gallery Show

Chinese dissident artist Badiucao has opened his first solo gallery show, titled “Disagree Where We Must,” at Goldstone Gallery in Melbourne, Australia, his adopted hometown. The exhibition features nearly three dozen works, including canvases and conceptual pieces that critique developments in mainland China and Hong Kong, as well as geopolitical tensions involving Russia and the Middle East. Badiucao, who has faced threats and censorship for his criticism of the Chinese Communist Party, previously held institutional exhibitions in Europe but had never before had a solo show at a commercial venue.

Shalini Le Gall named director of the Ackland Art Museum

Shalini Le Gall, deputy director for curatorial affairs at the Portland Museum of Art in Maine, has been named director of the Ackland Art Museum at UNC-Chapel Hill. She will begin her new role on September 8, 2025, bringing over 20 years of experience in museums and higher education, including expertise in exhibit curation, acquisitions, strategic planning, and community engagement. Le Gall succeeds a period of growth at the Portland Museum of Art, where she oversaw more than $10 million in acquisitions and coordinated traveling exhibitions across the U.S.

Denja Harris Plays With Yarn in New Exhibit at OMA

Fiber artist Denja Harris opens her solo exhibition "The Space Between: Texture Studies" at the Oceanside Museum of Art (OMA) on June 28. The show features large-scale tufted works that Harris describes as "painting with yarn," alongside three-dimensional soft sculptures stuffed with scrap materials. Harris, who began repurposing fabrics as a middle schooler and later taught herself tufting during the pandemic, uses primarily deadstock and vintage yarn to create layered, colorful pieces that blend high-pile textures with smooth organic shapes.

Feeling Lost? Tackle Life’s Biggest Questions Inside Oracle, Denver’s New Introspective Art Exhibit.

Oracle, a new experiential art exhibit curated by Esther Hernandez, opened on May 9 at Union Hall Art Space in Denver. The 1,700-square-foot gallery invites visitors to wear blindfolds and be guided by volunteers to 16 works by six local female artists—Yazz Atmore, Faatma Be Oné, Linda Bishara, Rebecca Peebles, Sarah Tenney, and Harriet Woodman—before removing the blindfold to reflect on pieces that resonate with their personal questions. The exhibit includes interactive works, such as a ceremonial weighted blanket and a mixed-media altar, and runs through August 23.

Roar materials: the ‘uncanny’ art of dinosaur puppetry – in pictures

The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.

The World's Most-Visited Museums – and Why Germany is Falling Behind

Die meistbesuchten Museen weltweit – und warum Deutschland hinterherhinkt

The Art Newspaper's 2025 ranking of the world's most-visited museums reveals a global landscape dominated by institutions in Paris, Seoul, London, and New York. The Louvre leads with just over nine million visitors, followed by the Vatican Museums and Seoul's National Museum of Korea, which doubled its attendance to 6.5 million. Notable trends include strong post-pandemic recoveries at New York's MoMA and the State Russian Museum in St. Petersburg, while London's Tate Modern and National Gallery still lag significantly behind their 2019 numbers.

A new gallery opens in Milan: Ghiringhelli Art Gallery. It starts with Japanese art

A new pop-up gallery, Ghiringhelli Art Gallery, opens in Milan on May 8, 2026, with its inaugural exhibition "Refracted Worlds. Contemporary Japan Through Multiple Lenses" at Via Tortona 20. Founded by Nicola Ghiringhelli Forlani, the gallery specializes in contemporary Japanese art and will feature works by seven Japanese artists—Kohei Nawa, Yukie Ishikawa, Kenjiro Okazaki, Mr., Ayako Rokkaku, Yuji Ueda, and Noritaka Tatehana—alongside the Chim↑Pom collective from Smappa!Group. The temporary format allows the gallery to maintain a flexible presence in Milan while the founder travels frequently to Japan to follow artists and market dynamics.

In "Dancing the Revolution," Puerto Rico Pushes Back

The article reviews "Dancing the Revolution," a multi-genre collective exhibition at the Museum of Contemporary Art Chicago that explores the music of dancehall and reggaetón, their roots, history, and evolution, and their inextricable link to colonial oppression. The show is inspired by the massive 2019 protests in Puerto Rico against then-Governor Ricardo Rosselló, where music and dance were used as forms of resistance, drawing on centuries of Black Atlantic protest in the Caribbean.

Nelson Félix’s Desire for Ascent

Nelson Félix's exhibition "Pedra de Rumo" is on view at Galeria Almeida & Dale, featuring new sculptures in Carrara marble, bronze, and living plants. The show explores themes of orientation and boundary-breaking, drawing on the artist's long-standing practice of mapping extreme geographical points. The title references Portuguese sailors' navigation stones, and the exhibition extends beyond the gallery to include a metal tip and seedling planted at a point determined by lines drawn between the gallery and the Museum of Contemporary Art of USP, where Félix will have another solo show in May 2025.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

Vertiginous 2658, 2007 by Lucas Samaras

The article highlights a partnership with leading global galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers and available by application and invitation only. It also emphasizes the role of art advisors who provide visibility and access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.

Exhibition | Merlin James, 'See Through' at P420, Bologna, Italy

The gallery P420 in Bologna has opened "See Through," the second solo exhibition by Welsh artist Merlin James. The show features a non-linear curation that blends works from different decades, ranging from landscapes and interiors to erotic scenes and near-abstract compositions. James’s approach treats the exhibition as a "jam session," where visual and thematic repetitions provide a structure for diverse painterly explorations.

Artexpo New York Returns to Pier 36 for 49th Annual Showcase

Artexpo New York has returned to Pier 36 for its 49th annual edition, featuring over 70,000 square feet of exhibition space. Hosted by Redwood Art Group, the fair showcases a diverse range of media from more than 20 countries, divided into the main Artexpo Pavilion for established galleries and the [SOLO] Pavilion for independent artists. The 2026 program includes interactive Art Labs, the affordable Discoveries Collection, and the prestigious Spotlight Program, which honors six selected artists and galleries.

Auctions of the week: Art, design, jewelry and comics

Auctions of the week: Art, design, jewelry and comics

The global auction calendar for the week of March 19–25, 2026, features a dense schedule of sales across major hubs including Milan, Rome, Paris, Hong Kong, and New York. Italian houses like Il Ponte, Wannenes, and Finarte are leading with diverse offerings in Modern and Contemporary art, design, and niche collectibles like European comics and militaria. Simultaneously, international giants Christie’s and Sotheby’s are hosting major sessions ranging from Modern British art in London to luxury spirits and private sales in Asia and the United States.

Museum exhibition highlights the network behind Frederic Church

The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, an exhibition exploring the collaborative network of 19th-century American landscape painter Frederic Edwin Church. Centered on Church’s "Scene on the Catskill Creek," the show highlights the significance of New York’s Tenth Street Studio Building—the first purpose-built space for artists—where figures like Albert Bierstadt and Martin Johnson Heade fostered the Hudson River School movement.

Photomontage of Israel bombing Gaza will go on show at Art Basel Qatar

Pakistani artist Rashid Rana's photomontage 'Black Square (2025)' will be presented at the inaugural Art Basel Qatar fair. The work, composed of hundreds of stills from a Gaza CCTV camera, depicts a night of Israeli bombardment and is priced at $30,000, with all proceeds directed to Gaza relief funds. It is being shown by Mumbai gallery Chemould Prescott Road.

AstaGuru: An Eminent Digital Auction for the Elite

AstaGuru, an Indian online auction house founded in 2008, has established itself as a leading digital platform for modern and contemporary art, antiques, sports memorabilia, fine silverware, and writing instruments. The company achieved a world record with a ₹17.75 crore bid for a Tyeb Mehta painting in 2017 and boasts a 93% lot sale ratio, auctioning works by notable artists such as Ramkinkar Baij, Krishen Khanna, and Nandalal Bose. Led by directors Tushar Sethi and Vickram Sethi, the platform offers secure bidding, physical previews in Mumbai, and services including consultation, restoration, and valuation.

In a ‘K-shaped’ economy, the art market's recovery could rely on the super-rich

Sotheby's and Christie's held a series of high-profile auctions in New York in late 2025, generating a combined $2.2 billion from major collections including the Leonard A. Lauder collection, the Cindy and Jay Pritzker collection, and the Robert F. and Patricia G. Ross Weis collection. Star lots included Gustav Klimt's portrait of Elisabeth Lederer ($236.4m), a Vincent van Gogh still life ($62.7m), a Frida Kahlo self-portrait ($54.7m), and a Mark Rothko abstract ($62.2m). Despite these strong results, the total was still 30% below the equivalent sales in 2022, and the article notes a growing number of contemporary gallery closures in 2025.

Oliver Jeffers: Artist's first Belfast exhibition in more than 20 years

Artist and author Oliver Jeffers is holding his first exhibition in his hometown of Belfast in over 20 years. The show, titled "Disasters and Interventions," is on view at the Naughton Gallery at Queen's University and features a series of works where Jeffers inserts calamitous scenes—such as an oil tanker spill or an airship crash—into tranquil vintage landscapes, transforming calm into catastrophe. The project began when he found a discarded print in New York's Chinatown and began painting into it, eventually building a collection over 14 years that balances tragedy with a wry, thoughtful humor.

A Calibrated Market: How 2025 Shaped the Landscape for Collectors in 2026

The article analyzes the art market in 2025, describing a year of divergence rather than a single trend. While aggregate sales remained below post-pandemic peaks, the year ended with a billion-dollar New York auction week, a record-setting Klimt portrait, and strong demand for exceptional works. Segments like Old Master auctions and the $1 million–$10 million band saw growth, while the ultra-contemporary segment struggled. Key events included the May marquee auctions in New York, the second edition of Art Basel Paris, and November sales at Christie’s and Sotheby’s, which demonstrated a split-level market with record highs at the top and discipline elsewhere.

Austin's HOPE Outdoor Gallery returns near the airport, offering walls for the public to paint

Austin's HOPE Outdoor Gallery, a landmark graffiti park, reopened on a 17-acre site near the airport after years of delay. The space features work from over 30 artists in a 6,000-square-foot gallery and on mural walls, along with a cafe and shop where visitors can buy spray paint to tag the outer walls. On opening day, attendees of all ages painted robots, band names, and colorful designs, with founder Andi Scull noting people were waiting to enter an hour before opening. The original gallery, which operated from 2010 to 2019 in the Clarksville neighborhood, was a temporary exhibit that became a long-term community hub.