Sydney Contemporary art fair sees fourth year of decline in sales

Sydney Contemporary, Australia's largest contemporary art fair, reported A$16m (US$10.5m) in sales for its 2025 edition, marking a fourth consecutive year of decline. The fair, held from 11 to 14 September at Carriageworks, featured 116 exhibitors and nearly 500 artists, making it the largest edition to date. Despite the drop from last year's A$17.5m and A$23m in 2022, founder Tim Etchells remains committed, citing record visitor numbers of 26,440 and a shift in buyer behavior where sales often close weeks after the fair. Notable sales included a A$1.5m painting by Emily Kam Kngwarray, still under consideration by a collector. A new photography section, Photo Sydney, debuted and will return next year.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Act on It! Artists, Community, and the Brockman Gallery in Los Angeles

The article reports on the exhibition "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," currently on view at the Lancaster Museum of Art and History through August 31, 2025, before traveling to the Vincent Price Art Museum and CSU Dominguez Hills in 2026. Organized by the Los Angeles County Museum of Art (LACMA), the show revisits the legacy of the Brockman Gallery, founded in 1967 by brothers Alonzo Davis and Dale Brockman Davis in Leimert Park. As one of the first Black-owned commercial galleries on the West Coast, it provided a vital platform for Black artists during the Black Arts Movement, showcasing early works by figures such as Betye Saar, David Hammons, John Outterbridge, Charles White, Noah Purifoy, and Doyle Lane. The gallery also expanded into a nonprofit cultural hub through Brockman Gallery Productions, offering residencies, film festivals, and jazz concerts.

Combine art with nature at these local sculpture parks and trails

This article highlights several outdoor sculpture parks and trails in Luxembourg where visitors can experience art integrated with nature. It features the Domaine Mondorf park in Mondorf-les-Bains, which houses 21 sculptures by local and international artists, including works by Wil Lofy, Lucien Wercollier, and Catherine Lhoir. The sculpture trail in Lultzhausen, established in 1999, showcases site-specific stone works by artists like Georg Ahrens, Ton Kalle, and Bertrand Ney, designed to harmonize with the landscape around the Upper Sûre reservoir.

Bollywood Star Sonam Kapoor on the Women Who Shaped Her Eye for South Asian Art

Bollywood star Sonam Kapoor discusses her evolution as an art collector, shaped by the women in her family—her mother Sunita Kapoor and aunt Kavita Singh, a Mumbai-based interior designer and art curator. Kapoor began collecting instinctively, drawn to South Asian modernists like Amrita Sher-Gil and Manjit Bawa, but has recently shifted toward contemporary works and underrepresented artists, especially women and those outside major art hubs. She sources art from galleries such as Jhaveri Contemporary, Chemould Prescott, and Nature Morte, as well as auction houses including Christie’s, Sotheby’s, and Saffronart. Kapoor was on the host committee for the Serpentine Summer Party in London, where she admired Arpita Singh’s first institutional solo show outside India.

Home Away from Home — Finding Connection Through Utah Lake | UVU

Shirin Abedinirad, an Iranian land artist and faculty member at Utah Valley University School of the Arts, has created works for the exhibition "Healing Waters: Restoring Our Relationship with Utah Lake" at the UVU Museum of Art. After immigrating to the United States four years ago and studying at Michigan State University, she felt disconnected from Michigan's humid landscape. A trip to Utah, where the desert environment reminded her of Iran's Urmia Lake and the Great Salt Lake, inspired her to create land art again. Her pieces in the show include videos of performance art filmed on Utah Lake's shores and a striking installation of red felt roots symbolizing the connection between all living things.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

Full Circle

The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.

How Private Art Collectors In Singapore Are Helping To Shape Our Artistic Future

Singapore entrepreneur Chong Huai Seng and his daughter Ning Chong are presenting "Artist's Proof: Singapore at 60," a landmark exhibition at Artspace @ Helutrans running until 17 August 2025. Featuring over 90 artworks from Chong's private collection, the show spans 1940 to 2025 and includes more than 50 artists, mostly Singaporeans, such as Cultural Medallion recipients Cheong Soo Pieng, Chua Mia Tee, and Lee Wen, alongside emerging talents. For the first time, Chong commissioned 11 new artworks and an original musical composition for the exhibition, which he describes as his "love letter to Singapore."

How Third-Party Guarantees Are Quietly (But Significantly) Rewriting the Rules of the Art Auction

The article reports that the New York Spring Marquee auctions in May 2025 generated $1.27 billion, an 8% decline from $1.38 billion in May 2024, followed by a 26% drop in London June auctions to £98 million. In response to this volatile market, auction houses like Christie’s and Sotheby’s are increasingly relying on third-party guarantees (or irrevocable bids), where a buyer agrees in advance to purchase a lot at a set price if no higher bid emerges. Data from Pi-eX Ltd shows that third-party guarantee coverage surged from near zero in 2021 to a record 73% in May 2025, with the Leonard & Louise Riggio collection being 99% backed by such guarantees.

Featured Artists & Exhibitions

Relévant Galleries in Vail, Colorado, is hosting a series of artist meet-and-greet events and exhibitions throughout July 2025, featuring works by renowned photographer David Yarrow, jeweler Dan Telleen, and painter Sarah Winkler, among others. The gallery also highlights its other locations in Scottsdale, Park City, and Denver, while C. Anthony Gallery in Beaver Creek and Vail International Gallery present concurrent shows with artists like Britten and Sarah Winkler.

Failed auction of $70M bronze bust stuns Sotheby’s bidders into silence

Sotheby's high-stakes Modern evening sale on Tuesday night ended in shock when Alberto Giacometti's bronze bust "Grand tête mince (Grand tête de Diego)," estimated at $70 million, failed to sell. Bidding stalled at $64.25 million, well below the reserve, and auctioneer Oliver Barker withdrew the lot. The consignment came from the Soloviev Foundation, the nonprofit arm of the late real estate mogul Sheldon Solow, who had declined an auction guarantee. The sale ultimately brought in only $152 million, far short of the $240 million low estimate, with the Giacometti representing nearly 30% of that target.

The rise of contemporary African art in a global market

The article reports on the rapid growth of the contemporary African art market, which has more than doubled in value since 2016 to an estimated annual combined value of $72 million. Sales of ultra-contemporary works by African-born artists under 45 surged from $16.2 million in 2020 to $40.6 million in 2021, and the market could reach $1.5 billion this year. Aspire Art, a South African auction house, has set records for artists like Joseph Ntensibe, whose painting *Forest Scene* sold for R924,200, and Nicholas Hlobo, whose work *Intlambo yochulumanco* fetched R1,479,400.

Christo and Jeanne-Claude, Legendary Artists, Are Back in Spirit

The article revisits Christo and Jeanne-Claude's iconic 1983 "Surrounded Islands" project in Miami's Biscayne Bay, where they wrapped 11 small islands in hot pink plastic. It describes how the spectacle drew global attention and marked a turning point for Miami, which was then struggling with crime and a negative image. The piece also notes that the couple's work is being seen again in Florida, New York, and Germany, with a related exhibition at NSU Art Museum Fort Lauderdale.

Bone Insurrection

Artist Rabih Mroué's text "Bone Insurrection" is being published by Film Notes in conjunction with an upcoming screening of his films and videos at the e-flux Screening Room in New York. The text is a poetic, first-person narrative that explores the physical and psychological aftermath of historical violence, framing the self as an excavation site where trauma persists in the body.

Salone Diary – Day One

Diario del Salone – Tag eins

The author begins a daily diary from the Milan Design Week, navigating the sprawling Fuorisalone exhibitions that run parallel to the Salone del Mobile furniture fair. The overwhelming experience prompts a search for genuine innovation amid a sea of installations merging fashion, art, and design, leading to the first lesson of the week: accepting the inevitability of missing out on some events.

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Security guards at the de Young Museum in San Francisco have leveled serious allegations against the Fine Arts Museums of San Francisco (FAMSF) and their union, SEIU 1021, citing a decade of workplace toxicity. Multiple lawsuits detail a culture of whistleblower retaliation, wrongful termination, and harassment, including claims of religious discrimination where a guard was allegedly called a "terrorist" and threatened with gun violence by management. To date, the city has paid out over $1 million to settle seven different lawsuits from security staff, with more litigation reportedly on the horizon.

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The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.

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The Museum of Fine Arts, Boston announced layoffs affecting approximately 30 staff members, a 6.3% reduction of its workforce, effective this Friday. The decision was communicated via an internal email obtained by WBUR, citing an unsustainable deficit and the need for financial restructuring. The MFA, Boston Union, which represents 16 of the affected employees, expressed concern and called for negotiations to avert layoffs and preserve workforce diversity. This follows a previous round of layoffs and early retirements in 2020.

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Workers at the Uffizi Galleries in Florence staged a protest in the Piazzale degli Uffizi, waving flags and holding flares behind a banner reading “Basta Vite Precarie” (No More Precarious Lives). The demonstration, organized by the trade union Sudd Cobas, followed the loss of jobs by temporary workers in security, reception, ticketing, the bookshop, and the coatroom after the museum switched service providers from Opera Laboratori Fiorentini to CoopCulture. Permanent employees retained their positions, but temporary workers were not rehired, sparking outrage over working conditions and contract practices.

lacma workers vote to unionize afscme 1234767316

Workers at the Los Angeles County Museum of Art (LACMA) voted to unionize with AFSCME District Council 36, forming LACMA United. The union will represent approximately 300 employees, including curators and art handlers. The vote took place electronically after LACMA leadership declined to voluntarily recognize the union in November, opting instead for an election overseen by the American Arbitration Association and approved by the National Labor Relations Board. 96 percent of those voting supported the unionization effort.

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Egyptian Member of Parliament Freddy Elbaiady publicly criticized the Grand Egyptian Museum's ticketing system, which imposes separate quotas for foreign tourists and Egyptian nationals. The controversy erupted after overcrowding on a single day saw over 27,000 tickets sold—exceeding the daily limit of 20,000—leading to thousands of frustrated visitors being denied entry. Elbaiady submitted a formal request to remove the quota, calling it discriminatory, and demanded a briefing from the Prime Minister and Minister of Tourism. In response, the museum announced a shift to a pre-booking system with designated entry times, implemented last week, and starting December 1, online booking will be the only method for purchasing tickets.

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Thieves have stolen nearly 2,000 gold and silver coins from the House of Enlightenment, Denis Diderot, in Landres, France, in a nighttime break-in. The heist occurred just hours after a daylight robbery at the Louvre, where eight Napoleon-era jewels worth approximately $102 million were taken from the Galerie d’Apollon. Authorities are investigating possible connections to a series of recent museum burglaries in France, including incidents at the Jacques Chirac Museum in Sarran, the National Adrien Dubouché Museum in Limoges, and the Natural History Museum in Paris.

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Iwan and Manuela Wirth, owners of the global art gallery Hauser & Wirth, have relocated their permanent residency from the United Kingdom to Switzerland, where the gallery’s holding company is based. The move was registered in documents filed with Companies House this month, and the gallery confirmed to the Financial Times that the decision was for personal reasons, unrelated to tax law changes. Despite the relocation, the Wirths plan to open a new London location in 2026, and their UK gallery reported a 13 percent drop in turnover to £144 million in 2023.

israeli attacks on palestinian heritage sites constitute war crimes un report 1234745459

A United Nations Independent International Commission of Inquiry has concluded that Israeli attacks on cultural and religious sites in occupied Palestinian territory constitute war crimes and the crime against humanity of extermination. The report focuses on ten specific sites in Gaza, including the Greek Orthodox Church of St. Porphyrius, the Great Omari mosque, Al Mat'haf Museum, and the Pasha Palace Museum, which were destroyed, looted, or severely damaged between October and December 2023. The commission found that Israeli security forces should have known the locations and significance of these sites and that their attacks violated international law, including intentionally directing attacks against religious and historic monuments and causing excessive damage to civilian objects.

Artist Kasper Eistrup Maps the Human Condition on Canvas

Danish artist Kasper Eistrup (b. 1973) presents his first solo exhibition in Germany, titled "Bridges Over Magma," at Galerie Schimming in Hamburg. The show features a new body of work created during a recent artist-in-residence program in Hamburg, where Eistrup drew inspiration from the city's famous bridges and his ongoing exploration of painting and drawing. The compositions blend meticulously rendered figures with architecture, flora, fauna, handwritten text, and abstract textures, exploring themes of human connection and resilience.

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Adriano Pedrosa, the first Latin American and openly queer curator of the Venice Biennale, has unveiled a record-breaking artist list for the 60th edition titled "Foreigners Everywhere." Featuring 331 artists, the main exhibition is the largest in the event's history and introduces a "nucleo storico" designed to provide belated recognition to overlooked figures from the Global South and marginalized communities. Pedrosa’s selection process intentionally challenges the Western-centric traditions of the art world by focusing on themes of displacement and the "stranger."

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The New York City Council passed the Climate Mobilization Act, a sweeping piece of legislation designed to drastically reduce greenhouse gas emissions from large and mid-sized buildings. The law sets strict emissions reduction targets for 2024, 2030, 2040, and 2050, with the ultimate goal of an 80% reduction by 2050. Major cultural institutions like the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the New Museum, and the planned headquarters of Pace Gallery are among the buildings affected.

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MIT mechanical engineering student Alex Kachkine has developed a new AI technique that could dramatically speed up the restoration of aged or damaged paintings. The method uses a high-resolution scan of the artwork, an AI algorithm to identify cracks and missing patches, and a digitally printed polymer film—called a "digital mask"—that is overlaid onto the painting and sealed with varnish. The mask can be removed without trace using conservators' solvents. Kachkine tested the process on a 15th-century oil-on-panel painting by the Master of the Prado Adoration of the Magi, where the AI identified 5,612 damaged sections and the restoration took just 3.5 hours—66 times faster than conventional hand inpainting.

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The National Etruscan Museum in Rome is undertaking a public restoration of the Sarcophagus of the Spouses, a 6th-century B.C.E. Etruscan terracotta tomb that was discovered in Cerveteri in 1881 and reassembled from 400 fragments by the museum's founder, Felice Barnabei. The open restoration will begin with the couple's legs, using digital technologies, and aims to highlight the work of art professionals while creating a long-term conservation plan for the masterpiece.