La situation du Muséum national d’Histoire Naturelle
The New Museum in New York is undergoing a significant physical and institutional expansion, signaling a new chapter for the contemporary art landmark. This 'change of scale' involves architectural developments designed to increase exhibition space and enhance the visitor experience, reflecting the institution's growing influence in the global art scene.
Vittoria Matarrese nouvelle directrice du Magasin de Grenoble
Vittoria Matarrese has been appointed as the new director of the Magasin, the National Center for Contemporary Art in Grenoble. The Italian architect and curator, who previously held positions at the Villa Medici in Rome, the Palais de Tokyo in Paris, and the Bally Foundation in Lugano, and most recently led the first Art Week Riyadh, succeeds Céline Kopp. Her appointment comes as the institution seeks a new direction after a prolonged period of crisis.
Raven Halfmoon's traveling exhibition "Flags of Our Mothers" has opened at Ballroom Marfa in Texas, featuring her monumental ceramic sculptures that explore her dual identity as Caddo and American. The show includes the 12.5-foot-tall outdoor piece "Flagbearer" (2022), her largest work to date, along with two new works debuting at this venue. Halfmoon, who drove from her home in Norman, Oklahoma, to Marfa for the installation, uses a coil technique to build imposing forms that evoke both protective matriarchs and the violence faced by Indigenous women, with her signature graffiti-like scrawl asserting resilience.
A new exhibit has opened at the Macon Museum of Arts & Science in Georgia, featuring a collection of spectacular paintings that the reviewer found visually impressive but thematically puzzling. The exhibit departs from the museum's previous shows, which have ranged from solo artist presentations and local Macon artists to Georgia-wide showcases and even more unconventional, psychedelic-themed works.
The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.
The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.
The Zimmerli Art Museum at Rutgers University's College Avenue campus is hosting 'Andy Warhol: On Repeat,' an exhibition running through July 31st. The show features Warhol's Polaroids, Polacolor prints, 'Crosses' series (1982), and 'Screen Tests'—silent, looping film portraits that place visitors in an immersive, repetitive visual environment. An interactive element allows guests to sit before a camera and become part of the artwork, echoing Warhol's exploration of identity under observation.
Art collector Christoph Müller has gifted approximately 200 works on paper—drawings, prints, and watercolours—to the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The gift is being presented in four successive exhibitions at the Gemäldegalerie under the title "Das alles bin ich" (I am all that!), with the final installment, "Leaf by leaf – A life with art," running from 10 March to 14 June 2026. The works span five centuries and originate from Germany, Italy, the Netherlands, and France, covering themes such as nature, portraits, landscapes, history, and everyday life.
The New York Times article examines the artistic kinship between Michelangelo and Auguste Rodin, focusing on how both sculptors sought to animate stone with a sense of living spirit and emotional intensity. It explores their shared techniques, such as leaving surfaces unfinished to suggest movement and inner life, and highlights key works including Michelangelo's "Slaves" and Rodin's "The Gates of Hell."
Sotheby's has unveiled its May marquee sales, headlined by Mark Rothko's monumental painting "Brown and Blacks in Reds" (1957), estimated at $70–100 million. The sales open with a dedicated auction of works from dealer and collector Robert Mnuchin, followed by The Now & Contemporary Art Evening Auction on May 14, led by a Jean-Michel Basquiat painting valued at over $45 million. Additional highlights include works from the collections of Jean and Terry de Gunzburg, Jennifer Gilbert, and David and Shoshanna Wingate, alongside a Modern Evening Auction on May 19 featuring Pablo Picasso's "Arlequin (Buste)" (est. over $40 million) and Vincent van Gogh's "La Moisson en Provence" (est. $25–35 million).
A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.
Hong Kong’s Kwai Fung Hin gallery has expanded internationally for the first time, opening a new outpost at 30 Beach Road in Singapore. Founded by former banker Catherine Kwai in 1991, the gallery specializes in 20th-century modern and contemporary art with a focus on cultural heritage. The new space launched with an exhibition titled “Worlds beyond Reality – Monet’s Legacy II,” featuring a masterpiece by Claude Monet alongside works by Zao Wou-Ki and Chu Teh-Chun.
French pop-street artist Jisbar has launched a city-wide exhibition in Detroit, transforming 134 static and digital billboards into a public art gallery. Running from April through mid-June, the project is a collaboration with Farmington Hills-based iO Billboard and features numbered works that reimagine pop culture icons and classic art. The initiative encourages residents to interact with the urban landscape by "collecting" sightings of the various pieces scattered across four metro counties.
Christie’s New York concluded its Post-War & Contemporary Art Day Sale on November 10, 2023, generating a total of $66.3 million. The auction saw strong performance across the board, selling 85% by lot and achieving 102% of the hammer price against low estimates. High-profile works by Andy Warhol, Jean-Michel Basquiat, and Hans Hofmann led the results, contributing to a massive Marquee Week running total of over $814 million.
Saudi Arabia's art market reached a significant milestone with Sotheby’s second "Origins" auction in Riyadh, headlined by the $2.1 million sale of Safeya Binzagr’s painting "Coffee Shop in Madina Road." This record-breaking event, which nearly doubled its high estimate, underscores the rapid growth of the Kingdom’s art economy under the Vision 2030 plan. The auction saw a mix of local and international buyers, signaling that Saudi artists are increasingly being integrated into the global contemporary art dialogue.
The statute of limitations has officially expired on the 2006 heist at the Museu da Chácara do Céu in Rio de Janeiro, one of the most significant art thefts in Brazilian history. During the chaos of Carnival, armed thieves overpowered guards and stole masterpieces by Claude Monet, Henri Matisse, Salvador Dalí, and Pablo Picasso. Despite the works being valued at over $10 million and listed on international databases like Interpol and the Art Loss Register, the perpetrators were never identified and the art remains missing.
The Art Auction Center is hosting a major auction titled "Art Department" at the Central Chidlom department store in Bangkok, featuring over 130 artworks. The event aims to democratize the auction experience by integrating masterpieces and contemporary works into a retail lifestyle setting, moving away from traditional, formal auction environments.
Artsy is hosting a live auction titled 'Rago and Wright: Post War & Contemporary Art,' which closed on January 28, 2026. The sale features 78 lots of works by artists including Donald Judd, Tom Wesselmann, Niki de Saint Phalle, Sol LeWitt, Louise Nevelson, Anna Weyant, and Willem de Kooning, among others. Bidders could place max bids in advance or participate live through the Artsy platform, with all lots shipping from Rago/Wright/LAMA facilities.
The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.
Guild Hall in East Hampton is opening two exhibitions on Sunday: “Jason Bard Yarmosky: Time Has Many Faces,” a decade-long series of meticulously rendered portraits focusing on the artist’s aging grandparents, and “Liberty Labs: A Decade of Design,” featuring furniture, lighting, and objects by 33 current and former members of the Liberty Labs Foundation design collective. The portraits blend 17th- and 18th-century painting techniques with contemporary, often playful imagery, while the design show highlights collaborative experimentation. Museum director Melanie Crader, who curated both shows, notes that the artists share Brooklyn bases and East End ties.
Bose Krishnamachari, co-founder of the Kochi-Muziris Biennale in India, has stepped down as president of the Kochi Biennale Foundation and as a board trustee after 14 years, citing pressing family reasons. His departure will not affect the ongoing sixth edition, titled "For the Time Being," which opened last month and runs until March 31. Krishnamachari founded the biennial in 2012 in Fort Kochi, Kerala, alongside fellow artist Riyas Komu, who left in 2018 amid sexual harassment allegations.
The article argues that art and science are deeply interconnected, both relying on freedom of thought and cross-disciplinary collaboration. It cites examples like birds' colorful feathers being explained by a study supported by Schmidt Sciences, which found that birds use a layer of white and black feathers to accentuate color—a technique painters have used for centuries. The piece highlights the Artist-at-Sea programme aboard the Schmidt Ocean Institute's research vessel Falkor (too), where artists like Constance Sartor and Jill Pelto collaborate with scientists to communicate marine science to broader audiences. The author, who works with scientists and is married to one, emphasizes that both disciplines pursue truth through different but complementary methods, from Leonardo da Vinci's anatomical studies to medieval Islamic tilework and Alexander von Humboldt's naturalist drawings.
Washington and Lee University's Art Museum and Galleries is hosting five temporary exhibitions through Winter Term 2026, including "Edward Burtynsky: Taking Place" at the Reeves Museum of Ceramics, "Moffat Takadiwa: Recoded Memories" at the Watson Galleries, and "Luminous Layers: Glazed Surfaces and the Art of Reflection" alongside "Points of Exchange: Asian Ceramics in the Reeves Collection" at the Reeves Museum, plus "Expressions of Color: Paintings by Evelyn Dawson" at the McCarthy Gallery. The museum is also offering free public programming such as Artful Yoga sessions and an MLK Week Open House featuring artworks connected to the Civil Rights movement.
The article profiles praxis ARTSPACE in Adelaide, Australia, which was originally a former brothel and is now a leading arts space celebrating its tenth anniversary. Founded and directed by Patty Chehade, the space offers professional exhibition facilities for emerging and established artists, featuring a mix of one-person and thematic shows. Notable artists exhibited include Liz Butler, Dianne Longley, Olga Sankey, and Margaret Ambridge.
Maria "Masha" Alyokhina, a member of the protest group Pussy Riot, recounts her life-changing meeting with Icelandic performance artist Ragnar Kjartansson at the opening of the GES-2 art centre in Moscow in late 2021. In an extract from her new book *Political Girl: Life and Fate in Russia*, she describes their encounter, during which Kjartansson praised her group's "Punk Prayer" as one of the greatest performances in art history. The book charts her years of dissent, including her 2012 imprisonment with fellow Pussy Riot founder Nadya Tolokonnikova and her 2022 escape from Russia disguised as a food courier, allegedly facilitated by Kjartansson.
The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.
The HOPE Outdoor Gallery in Austin, Texas, will open its new purpose-built location at 741 Dalton Lane near the airport on November 28, following a six-year closure after its original site off Lamar Boulevard shut down. The 8-acre space, sponsored by the Nouns DAO Community, features over 30 street artists including Miles Starkey, Emily Ding, and Kimie Flores, and is designed as a free, accessible laboratory for both budding and established artists. The opening weekend includes a special limited-edition print by Shepard Fairey for the first 50 daily visitors.
The Mills College Art Museum in Oakland, California, has opened "100 Years of Creative Visions," a centennial exhibition running through April 26 that showcases major works from its permanent collection. The show highlights the museum's long history of supporting diverse artistic communities, featuring pieces such as Hung Liu's "White Rice Bowl" and works by Diego Rivera, Alfredo Ramos Martinez, and members of the f/64 photography group including Imogen Cunningham, Ansel Adams, and Tina Modotti. The exhibition emphasizes creative friendships and the museum's role as a laboratory for risk-taking, with artists like Young Suh and Weston Teruya discussing how the institution encouraged experimental approaches.
The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.
Woodmere Art Museum in Philadelphia will unveil a $20 million expansion on November 1, adding the Frances M. Maguire Hall for Art and Education—a converted 19th-century mansion with 14 galleries and an education studio. The project, which also includes four acres of new green space, was funded in part by a gift from the Maguire Foundation and follows the museum's acquisition of the adjacent building in 2021. The expansion allows the museum to display more of its 8,000+ works by regional artists, including Pennsylvania Impressionists and Violet Oakley's preparatory sketches.