filter_list Showing 4929 results for "Sol" close Clear
search
dashboard All 4929 museum exhibitions 2463trending_up market 948article news 490article local 324article culture 201person people 171rate_review review 92article policy 89gavel restitution 84candle obituary 58article event 7article museum 1article gallery 1
date_range Range Today This Week This Month All
Subscribe

This Contemporary Icons Auction Packs Blue-Chip Firepower

Artnet Auctions has launched "Contemporary Icons: Part II," a summer auction now live for bidding through August 20, 2025. The sale features over 100 lots from a single private collection, including works by blue-chip artists such as Rashid Johnson, Jean-Michel Basquiat, Shara Hughes, Marilyn Minter, Tunji Adeniyi-Jones, and Jean-Baptiste Bernadet. Highlights include Johnson's "Write me In" (est. $120,000–$180,000) and Adeniyi-Jones's "ESHU" (est. $60,000–$80,000). Head of post-war and contemporary art Johannes Vogt noted the rarity of an online auction offering so many lots from one cohesive collection, with most pieces acquired in the last 15 to 20 years.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

In Light of Innocence Raúl de Nieves

Raúl de Nieves's first solo institutional show in New York City, titled "In Light of Innocence," has opened at Pioneer Works. The exhibition transforms the Main Hall into an immersive, cathedral-like environment featuring 50 faux stained glass panels, a monumental lightbox mural, and works that blend Catholic, Mexican folkloric, and tarot symbolism. The artist uses humble materials like paper, wood, glue, tape, and colored acetate to create kaleidoscopic, light-responsive installations that shift throughout the day.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

Jenny Saville: The Anatomy of Painting

The National Portrait Gallery in London is hosting a major exhibition of Jenny Saville's work, titled "Jenny Saville: The Anatomy of Painting," running from 20 June to 7 September 2025. The show brings together some of Saville's most monumental paintings, including works like "Hyphen" (1999) and "Reverse" (2002-03), drawn from private collections and courtesy of Gagosian. The article traces Saville's career from her early days as a committed child artist, through her studies at Glasgow School of Art and the University of Cincinnati, to her breakthrough when collector Charles Saatchi purchased her entire degree show in 1992, enabling her to create large-scale works for a solo exhibition.

'Hugging has replaced air kissing' – Inside America's new wave art galleries

A new wave of design galleries across the United States is redefining the traditional gallery model by prioritizing community, craft, and hospitality over sterile white-cube spaces. Galleries like Tiwa Gallery in Tribeca, Marta in Los Feliz, Blunk Space in Point Reyes Station, and Landdd in Portland are hosting opening-night dinners, sound baths, flower arranging, and workshops to create intimate, home-like environments. Curator Sonya Tamaddon, an alumna of LACMA and the Peggy Guggenheim Collection, notes a shift away from formal hierarchies toward richer dialogue between designers, artists, and collectors, with hugging replacing air kissing.

Art Basel Qatar unveils new fair format and appoints Artistic Director

Art Basel has announced details for its inaugural edition in Qatar, set to take place from February 5 to 7, 2026, at the M7 creative hub in Doha's Design District. Departing from the traditional booth model, the fair will introduce an open-format exhibition centered on the theme 'Becoming,' with solo presentations by galleries responding to a central curatorial framework. Egyptian-born artist Wael Shawky has been appointed Artistic Director for the first edition, working alongside Art Basel's Chief Artistic Officer Vincenzo de Bellis to shape the curatorial vision and guide gallery selection. The fair will span two key venues—M7 and the Doha Design District—as well as public sites in Msheireb, and plans include transforming Qatar Museum's Fire Station into a platform for educational programs.

The flesh artist: Jenny Saville returns to the spotlight with a US$2.7m drawing and major London retrospective

British figurative painter Jenny Saville has returned to the spotlight with a new auction record and a major retrospective. Her charcoal drawing *Mirror* (2011-12) sold for £2.11 million (US$2.7 million) at Sotheby’s London, setting a record for a work on paper by the artist. The sale coincides with *Jenny Saville: The Anatomy of Painting*, a retrospective at London’s National Portrait Gallery running through 7 September, which features 45 works tracing her evolution from early oil paintings to recent charcoals.

Highlights from Art Basel 2025

Art Basel returned to Basel for its 55th edition in June 2025, featuring 289 top international galleries from 42 countries and territories. The fair attracted 88,000 visitors, including collectors, curators, and representatives from over 250 museums and foundations. Highlights included Arturo Kameya's storytelling installation at GRIMM in the Statements section and Lothar Hempel's series of painted aluminum works at Anton Kern Gallery in the Kabinett sector, alongside large-scale installations in Unlimited and public projects in Parcours.

What’s on now at San Francisco museums, June 2025

This article from Mission Local provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in June 2025. Highlights include the reopening of 500 Capp Street with "Mildred Howard Collaborating with the Muses Part 2" and a forthcoming show celebrating the 50th anniversary of Ant Farm's "Media Burn." At the de Young Museum, Henri Matisse's "Jazz Unbound" closes July 6, Isaac Julien's first U.S. retrospective runs until July 13, and Paul McCartney's photography exhibition has been extended to October. SFMOMA's "Around Group f.64" closes July 13, and the Asian Art Museum features "Yuan Goang-Ming: Everyday War" through August 4. The piece also notes Ashley Voss's local gallery guide and a Q&A with Isaac Julien.

12 things not to miss at Art Basel's bigger and better 2025 event

Art Basel's 2025 edition in Basel features a packed program across the city, including a new Shop with exclusive drops like a limited-edition porcelain Labubu by Kasing Lung, an FC Basel jersey designed by an artist, and rare prints by Daniel Arsham and Amoako Boafo. Highlights include Jordan Wolfson at Fondation Beyeler, Dala Nasser at Kunsthalle Basel, a ghost train by Rebecca Moss and Augustin Rebetez at Museum Tinguely, and the group show Maison Clearing organized by C L E A R I N G. Joyce Joumaa presents a light-based installation at Art Basel Statements, Thomas Bayrle's 1960s installation Coats appears in Parcours, and Alia Farid shows at Unlimited.

On View: 'Jack Whitten: The Messenger' at Museum of Modern Art in New York is First Full Retrospective of Pioneering Artist

The Museum of Modern Art (MoMA) in New York has opened "Jack Whitten: The Messenger," the first full-scale retrospective of the pioneering abstract artist Jack Whitten (1939-2018). The exhibition features over 175 works spanning six decades, including paintings, sculptures, and works on paper, alongside archival materials. Whitten, known for his inventive techniques such as using squeegees, rakes, and Afro combs to manipulate paint, explored themes of race, identity, history, and technology. Key works include "Birmingham 1964," inspired by the 1963 church bombing, and "9.11.01," responding to the September 11 attacks. The show runs from March 23 to August 2, 2025, exclusively at MoMA.

Post-Minimalist sculptor Joel Shapiro has died, aged 83

Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.

Hot new artist: Jadé Fadojutimi, a colour genius

The article profiles painter Jadé Fadojutimi, highlighted as a "colour genius" by curator and advisor Hervé Mikaeloff in Numéro art's series on hot new artists during the 56th edition of Art Basel. Fadojutimi's large-format, near-abstract compositions feature rich fuchsias, indigos, and yellows with expressionist brushstrokes and oil pastel marks, evoking plant worlds and musical scores. Her work has been shown internationally, including at the Hayward Gallery, Kunstmuseum Bonn, the 59th Venice Biennale, and the National Art Museum in Osaka, and she is represented by Gagosian, Galerie Gisela Capitain, and Taka Ishii. Her first Gagosian solo show in New York in 2024 incorporated a soundtrack, underscoring the role of music, fashion, and animation in her practice.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

Have we reached peak painting?

The article examines the enduring dominance of painting in the art world, despite repeated predictions of its demise. It cites record-breaking sales—Leonardo's *Salvator Mundi* ($450m), Jasper Johns's *Flag* ($110m), and Marlene Dumas's *Miss January* ($13.6m)—and highlights the upcoming Jenny Saville survey at the National Portrait Gallery in London. The Turner Prize shortlist includes painter Mohammed Sami, whose work *Poor Folk II* sold for $571,500 at Sotheby's, far exceeding estimates. Exhibitions like *Painting after Painting* at SMAK in Ghent and *R U Still Painting???* in New York explore how artists continue to use the medium, with curators and market figures affirming painting's resilience.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.

In Galerie Sardine, a New Idea of What the Art Gallery Can Be

Artist Joe Bradley and his wife Valentina Akerman, neither of whom had run an art gallery before, opened Galerie Sardine in a 1701 farmhouse on Main Street in Amagansett, Long Island. The gallery, named after a small fish to convey modesty and portability, attracted crowds of local and visiting art lovers, including prominent dealer Larry Gagosian. The article profiles the couple's backgrounds—Akerman, an architect and former art director from Colombia, and Bradley, a painter who rose to prominence with a solo show at MoMA PS1 in 2006 and now shows with David Zwirner.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Basquiat's monumental work on paper sells for US$16.3m, leading Sotheby's contemporary sale in New York

On May 15, Sotheby's held The Now and Contemporary Evening Sale in New York, achieving a total of US$127.1 million. The top lot was an untitled 1981 work on paper by Jean-Michel Basquiat, which sold for US$16.3 million after a five-minute bidding battle. The sale included 41 lots with a 92.6% sell-through rate, and all nine works from the collection of Roy and Dorothy Leichtenstein were sold, contributing US$29 million to the total.

Tentatively, Photo London's tenth edition moves away from traditional content and crowds

Photo London's tenth edition, under new director Sophie Parker, opened at Somerset House with a deliberate shift away from its traditional focus on established male photographers and celebrity subjects like Kate Moss. The fair eliminated its 'Master of Photography' award and revived the Positions section for unrepresented artists, featuring Palestinian-American Adam Rouhana and British Indian photographer Kavi Pujara. While the main pavilion still showcased familiar names like Sebastião Salgado, newer galleries reported strong early sales, including a £10,000–£15,000 portrait by Chou Ching Hui sold to a Norwegian museum via Taipei's Chini Gallery, and multiple sales at Amsterdam's Hungry Eye Gallery and Paris's Galerie XII.

Sotheby’s Closes Marquee Week With $186.1M in Contemporary Sales

Sotheby’s closed its May marquee auction week with $186.1 million in combined contemporary sales across three sessions on May 16. The evening began with a white-glove sale of 12 works from Barbara Gladstone’s personal collection, fetching $18.8 million, followed by a $40.4 million sale from Daniella Luxembourg’s collection, which signaled revived appetite for Italian postwar art. The main Contemporary Evening Auction saw strong bidding for emerging artists like Danielle Mckinney and Mohammed Sami, though some high-profile lots like Richard Prince’s Man Crazy Nurse fell short of estimates.

Why dealers play the waiting game before exhibiting a newly signed artist

David Zwirner Gallery is opening a new 18,000 sq. ft flagship in New York with a solo exhibition by Michael Armitage, his first at a Zwirner location since signing in March 2022. The three-year gap was intentional, aligning with the gallery's expansion and Armitage's other projects. Other dealers like Gladstone Gallery and Mrs. also vary their timelines, sometimes showing artists before officially signing them, as seen with Brook Hsu at Gladstone and Alexandra Barth, Nevena Prijic, and Precious Okoyomon at Mrs.

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing

New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, spanning from New York to Miami and Los Angeles. Featured artists include Takako Yamaguchi at Ortuzar in New York, Enzo Cucchi at Vito Schnabel Gallery, Iván Argote at Perrotin, and Kang Seung Lee, among others, with exhibitions showcasing a range of styles from hybrid transnational paintings to Neo-expressionist works and conceptual installations.

Stockholm’s 10 Contemporary Art Galleries You Should Visit

Rebecca Steel's article for Google News highlights ten contemporary art galleries in Stockholm, Sweden, that are essential for visitors interested in the local and international art scene. Featured spaces include Wetterling Gallery, which has championed Swedish and international artists since 1978; Magasin III Museum & Foundation for Contemporary Art, housed in a 1930s warehouse and known for its ambitious shows and private collection; Fotografiska, a premier photography museum in an Art Nouveau building; and Bonniers Konsthall, named after the Maria Bonnier Dahlin Foundation, which presents themed group and solo shows. The list also includes artist-run initiatives and galleries specializing in photography, all promoting Swedish talent alongside global artists.