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‘It’s a dream vessel for me’: Defne Ayas appointed new director of the Van Abbemuseum

Defne Ayas has been appointed director of the Van Abbemuseum in Eindhoven, Netherlands, replacing Charles Esche, who held the post for two decades. Ayas, previously director of Kunstinstituut Melly in Rotterdam and co-curator of major biennials including the 13th Gwangju Biennale, will take over ahead of the museum's 90th anniversary in 2026. She describes the role as a "dream vessel" and emphasizes the museum's commitment to decolonization, social engagement, and accessibility.

MoMA acquires works featured in monumental Adam Pendleton installation

The Museum of Modern Art (MoMA) has acquired the 35 individual paintings, drawings, and video works that comprised Adam Pendleton's monumental installation *Who Is Queen?* (2019-21), which was on view in the museum's atrium from 2021 to 2022. The installation explored Pendleton's conceptual framework of "Black Dada," a term he first outlined in his *Black Dada Manifesto* (2008), and included works such as *Notes on the Robert E. Lee Monument, Richmond VA (Figure)* (2021), a film reflecting on the 2020 racial justice protests. The acquisition marks a significant institutional commitment to Pendleton's practice, which continues to evolve in his current exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC.

New Exhibition Explores the 60 Artists At the Forefront of Contemporary Fiber Art

The Golden Thread 2, a new exhibition organized by Karin Bravin and John Lee of BravinLee Programs, showcases the work of 60 contemporary fiber artists at an 18th-century mercantile building in Manhattan’s South Street Seaport neighborhood. Running until May 16, 2025, the show features a wide range of techniques including weaving, crochet, knitting, embroidery, tufting, and quilting, with pieces by artists such as Julia Bland, Lucia Engstrom, Mark Fleuridor, Sammy Bennet, Ali Dipp, Ana Maria Hernando, and Ellie Murphy. This second iteration is larger and longer than the first, which coincided with Frieze New York in 2024.

Maine’s Ann Craven spotlighted at Farnsworth Art Museum

The Farnsworth Art Museum in Maine will host a major exhibition titled *Ann Craven: Painted Time (2020–2024)*, showcasing approximately 30 paintings by the celebrated Maine-based artist Ann Craven. The exhibition, running from May 3, 2025, through January 4, 2026, is organized into four thematic sections—moons, trees, flowers, and birds—highlighting Craven's exploration of seriality, repetition, time, and the natural world. It will be accompanied by a fully illustrated catalogue and a film by Fiumi Studio. The exhibition anchors the 2025 Maine in America Award, a lifetime achievement honor recognizing Craven's contributions to Maine's arts and culture, with companion presentations at the Bowdoin College Museum of Art and the Portland Museum of Art.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Dulwich Picture Gallery reveals opening date for redevelopment

Dulwich Picture Gallery in south-east London has announced a celebratory weekend on 6-7 September to mark the completion of its Open Art redevelopment project, the gallery's first major revamp in over 20 years. The project transforms three acres of green space, including an expanded Sculpture Garden, a new ArtPlay Pavilion for under-eights designed by HoLD Collective, and the Lovington Sculpture Meadow by landscape artist Kim Wilkie. The redevelopment, led by architects Carmody Groarke, also restores elements of Sir John Soane's original 1811 building and adds a new entrance, café, and school lunch area. The £5m project, funded by trusts, foundations, and a public campaign, still needs £20,000 to reach its target.

Moffat Takadiwa’s Scrounged Sculptures Confront Africa’s ‘Colonial Hangover’

Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.

New in Town: Four Spaces Debuting in Hong Kong, March 2026

Four new art spaces have opened in Hong Kong in March 2026, expanding the city's gallery landscape. Antenna Space, a Shanghai gallery, debuts in Wong Chuk Hang with the group show "Horizons: South." GOLD, a cultural lab by Serakai Studio, opens nearby with "CERTAINLY." In Mid-Levels, the Cheng-Lan Foundation launches Cheng-Lan's Corner with a solo show by Filipino artist Cian Dayrit. In Central, curator Jims Lam inaugurates the curatorial platform Knotting Space at H Queen's with its first cycle, "KNOT I."

LACMA Geffen Galleries Opening Gala Brings Out Artists, Supermodels, Oscar Winners & Studio Chiefs – Photo Gallery

The Los Angeles County Museum of Art (LACMA) hosted a high-profile opening gala for its new David Geffen Galleries, drawing a massive crowd of celebrities, industry titans, and art world figures. The guest list spanned various sectors of influence, including Disney CEO Bob Iger, artist Jeff Koons, and director Alejandro González Iñárritu, all gathered to celebrate the completion of the museum's new centerpiece.

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The Oakland Museum of California (OMCA) will host a major retrospective for Bay Area artist Mildred Howard, titled “Poetics of Memory,” opening in June 2025. The exhibition spans five decades of Howard’s work, including new pieces, and will be accompanied by a fully illustrated catalog with plans for a national tour. Howard, a 2025 Guggenheim Fellow, has a long history with OMCA, which owns her 1989 installation *TAP: Investigation of Memory*. Senior curator Carin Adams, who worked with Howard on reinstalling *TAP* in 2019, proposed the retrospective to honor Howard’s legacy in the Bay Area arts scene.

lynne drexler painting sets a record at christies 1234763052

Christie’s Post-War and Contemporary Art day sale on Thursday achieved $88.7 million, with an 88% sell-through rate by lot and 90% by value. The standout lot was Lynne Drexler’s 1960 painting *Keller Fair II*, which sold for $2,027,000—shattering her previous auction record by nearly $500,000 and far exceeding its $800,000–$1.2 million estimate. The work, a dense abstraction from Drexler’s early 1960s period, was described by advisors and dealers as a rare, exceptional example.

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Italy slashed VAT on art sales from 22% to 5% in July 2024, the lowest rate in the European Union, after two decades of lobbying by the Apollo Group. The tax cut took effect just before Artissima, Italy's largest contemporary art fair, which saw strong turnout and reported sales increases for many of its 73 Italian galleries, with prices ranging from $2,200 to nearly $20,000. ARTnews interviewed Artissima director Luigi Fassi about the impact of the new rate on the Italian art market and the broader cultural ecosystem.

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Paris Internationale, the emerging art fair known for hosting independent galleries, announced it will launch a Milan edition in April 2026, just before its 11th edition opened in Paris. The fair, founded in 2015 by a group of independent galleries, plans to establish a lasting presence in Milan, with founder Nerina Ciaccia citing alignment with the fair's values and approach to the art market. The Milan edition is partly driven by Italy's recent reduction of VAT on art exchanges from 22% to 5%, making it more competitive than France's 5.5%. The fair has not yet secured a venue but intends to choose an architecturally historic location, continuing its nomadic tradition.

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Faye Wei Wei, a figurative painter known for her ethereal and romantic style, is profiled following her enrollment in Yale's MFA program. The article highlights her recent works, including "Calcium Stars (severed romanesque ears)" (2024) and "A Telescope Made of Champagne Glass" (2024), which blend motifs of hearts, lovers, and architectural forms with musical energy. Wei Wei, who graduated from the Slade School of Fine Art in 2016 and has shown at Situations in New York and Galerie Kandlhofer in Vienna, discusses her improvisational studio practice and the influence of music on her painting.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

Matt Dillon’s New Paintings Trace a Journey Across West Africa

Actor Matt Dillon presents his first solo exhibition at The Journal Gallery in New York, titled "Porto Novo to Abomey," opening April 24. The series of paintings was inspired by Dillon's travels through Senegal and Benin after filming Claire Denis's movie *The Fence* (2025). Dillon, who began painting about a decade ago with little formal training, creates spontaneous, textured works featuring bold figures, symbols, and words. The show's title traces a 100-mile journey from Benin's capital to the historic Kingdom of Dahomey, reflecting the artist's impressions of local textiles, architecture, and landscapes.

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Konstantina Krikzoni's solo exhibition "ARMATURA" at L'Appartement in Geneva presents a new suite of paintings born from a period of intense solitude. The works explore painting as a medium for self-expression, using the metaphor of an armature—the metal framework that supports sculptures—to represent an inner structure of fortification, endurance, and survival. The paintings feature elusive female figures and landscapes rendered with delicate layers of pigment, evoking ancient myths and goddesses, with works like *Warrior I* (2025), *L.K. I Killed the Pink* (2025), and the titular *Armatura* (2025) conveying emotional rawness and psychological drama.

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Sharon Stone has created a new series of figurative paintings titled "Rogues Gallery," which she describes as channeling the spirits of historical figures from different eras and locations, including an enslaved individual who drowned in the East China Sea and Iranian freedom fighter Mahsa Amini. The works, made in 2025, mark a shift from her earlier abstracted landscapes and floral motifs, and were produced in her Los Angeles home studio. Stone, who began painting seriously around 2020 and has previously exhibited at C. Parker Gallery, Allouche Gallery, and Galerie Deschler Berlin, approaches the portraits as a medium for healing and confronting difficult histories, including her own family's potential involvement in enslavement.

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NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.

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Norwegian artist Martine Poppe has opened a new solo exhibition titled "East of the Sun West of the Moon" at Kristin Hjellegjerde Gallery in London. The show draws on a classic Nordic fairytale as a conceptual starting point, blending memory, nature, and landscape painting. Poppe uses photographs taken over the past decade as source material, transforming them into atmospheric compositions that blur the line between reality and fiction. The exhibition explores themes of freedom, distance, and the mystical wildness of the natural world, inspired by both her childhood experiences and influences from Japanese woodblock prints and 19th- and 20th-century Western artists.

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The article excerpts a book about Indian artist Lalitha Lajmi, exploring her creative struggles, loneliness, and distinctive use of blue and red in watercolors. It draws from her dream journals and interviews, describing how she often painted herself in red against blue landscapes, symbolizing desire and isolation, and how her works resemble raw underpaintings that reveal subconscious imagery.

film nadav lapid yes israel palestine

Nadav Lapid's fifth feature film, *Yes*, follows an Israeli musician and his artist wife who adopt a hedonistic lifestyle of parties, orgies, and drug use alongside war ministers and Russian oligarchs in the wake of the October 7 attacks and the Gaza conflict. The film, which premiered out of competition at Cannes, faced production challenges including crew walkouts and actor dropouts, and struggled to find US distribution before being picked up by Kino Lorber for a March 27 release in New York and April 3 in Los Angeles.

Aileen Murphy Sleeps on the Ceiling

Aileen Murphy's third exhibition at Deborah Schamoni in Munich, titled "Sleeps on the Ceiling," presents five new paintings dominated by rosé and pink tones. The works revolve around a table-like motif, featuring animals, disembodied limbs, and surreal details such as a white cat with red eyes and a yellow snake. Murphy, who completed her studies in 2018, blends abstract gestures with detailed figuration, creating scenes that are both playful and uncanny. The exhibition's title is borrowed from Elizabeth Bishop's poem "Sleeping on the Ceiling" (1946), reflecting a dissolution of domestic interior, urban monument, and psychological landscape.

When the Ukraine War Continues

A major exhibition titled 'Looking into the Gaps' at the Jam Factory in Lviv, Ukraine, curated by artist Nikita Kadan, explores the complex psychological and social landscape of Ukraine during the ongoing war. The show features Vladislav Plisetskiy's pivotal documentary film 'What Will You Do When the War Continues?' (2023), which traces his journey from Kyiv's queer anarchist scene to fighting on the front lines, alongside works by artists like Bohdana Kosmina that memorialize attacks on Ukrainian Roma communities.

Sharjah’s Barjeel Art Foundation Is Building its First Museum

The Barjeel Art Foundation has officially broken ground on its first permanent museum in Sharjah, United Arab Emirates, with a scheduled opening for January 2028. Founded by Sultan Sooud Al Qassemi, the 38,750-square-foot facility will be designed by Abdelmoneam Essa of Architecture Corner Consultants, featuring a design inspired by the traditional architecture of the Al Rigga neighborhood.

MEMORY AND PUBLIC SPACE THE 18 ARTISTS OF SONSBEEK 2026

Sonsbeek 2026 has announced the 18 artists and collectives who will participate in its thirteenth edition, scheduled from July 2 to October 11, 2026, in Arnhem, Netherlands. The event, curated by Amira Gad and Christina Li with assistant curator Berber Meindertsma, will feature 12 new commissions across Park Sonsbeek and various city locations, presenting site-specific installations, sculptures, and performances.

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The Museum of the City of New York (MCNY) is launching a new research project to re-examine a 17th-century shipwreck discovered during a 1916 subway dig in Lower Manhattan. The wreck, long believed to be the Dutch ship *Tyger*—one of the earliest European vessels to anchor in New York Harbor—was excavated by subway foreman James A. Kelly and later donated to MCNY in the 1940s. In partnership with the Cultural Heritage Agency of the Netherlands (RCE), the museum will apply advanced scientific techniques, including dendrochronology and wood species analysis, to the ship's timbers to confirm their origins and better understand the vessel's history.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

How Artist Uman Channeled a Turbulent Year Into Calm Abstraction

Artist Uman opened her first solo museum exhibition in the United States, titled “After all the things…,” at the Aldrich Contemporary Art Museum in Connecticut. In an interview, she discusses her initial reluctance to enter the institutional world, preferring to focus on commercial success, but found the right partnership with chief curator Amy Smith-Stewart. The show features large paintings, a video, and works that blend landscape with abstraction, reflecting her life in upstate New York and a turbulent year transformed into calm, internal peace.