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We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.

BRICK Studio features "Temporal: Deception" art exhibition by two artists

An art exhibition titled “Temporal: Deception” is being held at BRICK Studio in Yangon, Myanmar, from December 25 to 29, 2025. The show features works by two artists, Win Myint Oo and Sithu, who explore the concept of time through different perspectives, beliefs, and experiences. Win Myint Oo presents three collage pieces—'Time Consumes Time', 'Time Consumes Man', and a third untitled work—that examine themes of impermanence, the cycle of Samsara, and the relationship between body, machinery, and soul, accompanied by poetry from Nwe Oo Hlaing.

17 museums and galleries to explore in Berkeley

Berkeleyside has published a guide to 17 museums and galleries in Berkeley, California, highlighting free and affordable arts and culture destinations. The list includes major institutions like the Berkeley Art Museum and Pacific Film Archive (BAMPFA), the Kala Art Institute, the Berkeley Art Center, the Magnes Collection of Jewish Life and Art, and the Lawrence Hall of Science, as well as smaller venues such as the Arts and Crafts Cooperative (ACCI), Shoh Gallery, 120710, and the Lacis Museum of Lace and Textiles. Each entry includes hours, admission details, and notable features, with an emphasis on free access and local artists.

The waves that disappeared—Art duo Cooking Sections track lost tides in new installation

Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.

This Garden of Weeds Review: V. Sanjay Kumar Maps the Art World

V. Sanjay Kumar's novel *This Garden of Weeds* explores the Indian art world through a murder mystery centered on the death of a mythic artist, Maya. The story follows her daughter Tara as she uncovers Maya's past through flashbacks involving former art-school classmates—an art critic, a reporter, and a performance artist—while also weaving in subplots about a wealthy family's entry into art collecting, a gallerist's shady dealings, and a reality show for artists. The novel satirizes the fusion of gossip, celebrity, and commerce that defines contemporary art culture.

Multicultural Art Exhibit Opens in Metuchen

The "Open Archways: By the Light of the Same Moon" exhibition opened on December 18 at the Bowery Art Collective gallery in Metuchen, New Jersey, featuring new works by 15 Muslim and Jewish artists. Curated by Hannah Finkelshteyn and Aakef Khan, the show explores themes of heritage, faith, identity, and culture through five shared themes: shared moments, diaspora experience, womanhood, family and loved ones, and light and spirituality. The opening included a menorah lighting ceremony during Chanukah, and the artists agreed to exclude nationalist symbols or military references from their works.

drapery contemporary artists 2731349

A new exhibition titled “Drop, Cloth,” co-curated by Glenn Adamson and Severin Delfs, explores how contemporary artists have reimagined drapery over the past 50 years. The show features 30 works by 25 artists, spanning two Chelsea galleries—Hollis Taggart (through January 10, 2026) and Susan Inglett Gallery (through January 30, 2026). Works range from Sam Gilliam’s seminal *Little Dude* (circa 1972) to recent pieces by Kennedy Yanko, Jenny Morgan, and Chellis Baird, alongside historical pieces by Nina Yankowitz, Lynda Benglis, and Rosemary Mayer. The exhibition traces a lineage of drapery as both subject and material, including shaped canvas, paint skin, ceramic, metal, embroidery, and weaving.

michaela yearwood dan longlati foundation 2732357

British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Guatemala’s Bienal de Arte Paiz nurtures connections across geography and history

The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.

A museum packed with once banned art is flourishing in the Uzbek desert

The I.V. Savitsky State Art Museum in Nukus, Uzbekistan, near the former Aral Sea, houses nearly 100,000 works of 20th-century art, including Russian avant-garde pieces and Central Asian folk art. After a 2024 exhibition in Florence and Venice, the museum underwent a major renovation led by Italian academics and new director Gulbahar Izentaeva, reopening with updated galleries and a new exhibition, "The World of Igor Savitsky." The project is backed by the Art and Culture Development Foundation (ACDF), which also launched the inaugural Bukhara Biennial and partnered with Art Basel Paris.

Opening reception at UWAG for "i look to the skies" an installation by Jude Abu Zaineh.

The University of Waterloo Art Gallery (UWAG) opened an exhibition titled "i look to the skies," a solo installation by Palestinian-Canadian interdisciplinary artist Jude Abu Zaineh. The work centers on Maqlouba, a traditional Palestinian dish, as a metaphor for diaspora, memory, and cultural preservation. The installation incorporates bioart, video, sculpture, textiles, and petri dishes cultivated from food remnants and foraged materials, creating a contemplative sanctuary that explores themes of exile, migration, and identity under colonial violence.

vienna museum exhibition religious controversy 2732661

Conservative religious groups in Austria have launched a campaign against the exhibition “You Shall Make For Yourself An Image” at Vienna’s Künstlerhaus contemporary art museum, which explores Christian iconography from critical, feminist, and queer perspectives. The backlash, including an online petition and a “prayer of atonement” protest outside the museum, has been linked to a prior attack on another religious-themed exhibition at a Jesuit Church in Vienna. The show features over 30 artists, including Martin Kippenberger, Andres Serrano, and Marina Abramović, and has drawn particular ire for works like Kippenberger’s crucified frog and Anouk Lamm Anouk’s depiction of the Virgin Mary as a transgender woman.

if emmett till lived exhibition mocp chicago sarah lewis 1234767619

The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will host an exhibition titled “If Emmett Till Lived: Freedom on American Ground,” guest curated by Harvard professor Sarah Lewis. Opening September 3, the show draws from MoCP’s permanent collection and features 70 photographers—including Gordon Parks, Henri Cartier-Bresson, Dorothea Lange, and Carrie Mae Weems—to imagine the life Emmett Till might have lived had he not been lynched in 1955. The exhibition includes images of Chicago, the railways Till traveled, and milestones he missed, such as the Chicago Bulls phenomenon, Barack Obama’s election, and ongoing civil rights protests.

BGSU Fine Arts Gallery Presents, “Italy In The Artist’s Imagination,” A Student-curated Exhibition

Bowling Green State University's Fine Arts Gallery presented "Italy In The Artist’s Imagination," a student-curated exhibition running from November 21 to December 10, 2025, at the Dorothy Uber Bryan Gallery. The show featured nearly a hundred works from the university's permanent collection alongside student submissions, spanning Renaissance masters like Albrecht Dürer to contemporary artists, all exploring how Italy has inspired artistic creativity over centuries. Curated by students enrolled in Dr. Allie Terry-Fritsch's Professional Practices in Art History course, the exhibition highlighted pieces such as Dürer's woodcut "Christ Taking Leave of His Mother" (1511), Jessica Faber's screen print "Prospecttiva" (2024), and Jules Maidoff's "Lo Studio."

Exhibition explores meaning of home

Linnaeus Sanitas in Botswana hosted a collaborative art exhibition funded by the Companies and Intellectual Property Authority (CIPA), marking the culmination of a documentary project that brought together six local artists to explore the meaning of 'Home' through art. The exhibition was part of Contemporary Art Botswana 2025, a two-year initiative to highlight exceptional artistic work from Botswana for local and international audiences. Facilitator Ann Golifer explained that the project aimed to support young artists by providing a platform to showcase their work, addressing her own lack of such opportunities as a young artist.

Former Guilford Student Selected For Prestigious Art Exhibition

Keoni Mcfee, a former Guilford High School student who graduated in 2025 and now attends the University of Hartford, has been selected for the 2025 AP Art and Design Digital Exhibition presented by the College Board. His artwork, drawn from his AP Drawing Sustained Investigation, explores the relationship between human growth and nature using mixed media, collage techniques, and wild-style graffiti. Mcfee is one of only 51 student artists chosen from over 82,000 portfolios submitted worldwide.

Major exhibition to transform USC Pacific Asia Museum into an immersive journey through myth and the immigrant story

USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.

'We can imagine alternatives to the present': Cannupa Hanska Luger on his exhibition at the Joslyn Art Museum

Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.

derrick greaves patrick caulfield james hyman gallery 2730661

James Hyman Gallery is presenting a dual-artist online exhibition titled “Signature Pots: Patrick Caulfield | Derrick Greaves,” which runs through December 25, 2025. The show brings together works by two major British artists—Derrick Greaves (1927–2022) and Patrick Caulfield (1936–2005)—exploring their shared focus on still life, color, and form. Greaves, who represented Britain at the Venice Biennale in the 1950s and was associated with the Kitchen Sink painters, later developed a graphic style linked to Pop art. Caulfield emerged in the 1960s as part of the New Generation alongside David Hockney and Bridget Riley. The exhibition highlights how both artists transformed everyday objects into iconic images, with works such as Greaves's "Still Life with White Lillies" (2021) and Caulfield's "Untitled (signature pots)" (ca.1975) demonstrating their mastery of line, shape, and color.

“Arteries with Wings”: Mai al-Halwani opens her Art Exhibition in Homs

Syrian visual artist Mai al-Halwani opened her latest exhibition, “Arteries with Wings”, at the Palace of Culture in Homs on Wednesday, December 18. The show features 40 paintings in her signature expressionist style, combining miniature art and decorative motifs to explore themes of life, freedom, and resilience. Organized by the Union of Visual Artists, the exhibition marks al-Halwani's first in Homs since the city's liberation, with some pieces referencing the Syrian revolution. Half of the proceeds will go to the Syrian Development Fund.

The Best Art Shows Around the World in 2025

Hyperallergic's editors and contributors have compiled their favorite art exhibitions of 2025, spanning cities across the United States, Europe, and Asia. Highlights include shows by Nan Goldin, Noah Davis, Stan Douglas, Yoko Ono, Tishan Hsu, Felix Gonzalez-Torres, and a group exhibition on Japanese American women artists at the Smithsonian American Art Museum. The list also features the Louvre's presentation of Cimabue, Fra Angelico's frescos in Florence, a durational performance by Pussy Riot founder Nadya Tolokonnikova in Los Angeles, and works by Cara Romero, Ruth Asawa, Huguette Caland, and H. C. Westermann.

‘Colourful Dialogues’: An art exhibition by Gwarniċ

Gwarniċ presents 'Colourful Dialogues', a collective exhibition opening on 7 January 2026 at Bizzilla Art Space in Floriana, Malta, running through 27 January. The show brings together local and international artists—including Kevin Sciberras, Antje Flauss, Chris Saliba, Teo Burki, Rosette Bonello, Irakli Chikovani, and Sopho Simonishvili—to explore colour as a universal visual language that connects cultures and artistic approaches. The exhibition marks Gwarniċ's transition from digital and site-specific curation to a fully realized physical exhibition.

Art on the Wall That Echoes Protests From the Streets

The New York Times article explores how contemporary artists are translating the energy and imagery of street protests into gallery and museum exhibitions. It highlights specific works that incorporate protest signs, slogans, and visual motifs from recent social movements, examining how these pieces retain their political urgency when removed from the streets and placed in institutional spaces.

5 rising artists defined 2025 2726034

Artnet News published a roundup of five rising artist profiles that defined 2025, highlighting interviews with Alexandra Metcalf and Chase Hall. Metcalf, a British-American artist, blends 1960s psychedelia, 2000s pop music, and Victorian literature in her multimedia works, and debuted at Art Basel with London's Ginny on Frederick. Chase Hall, a painter who uses hot coffee on cotton, explores race and fatherhood, with a solo exhibition "Momma's Baby, Daddy's Maybe" at Galerie Eva Presenhuber in Vienna.

art bites singerie monkeys 2716648

This article explores the artistic tradition of Singerie, or 'monkey trick,' a genre that depicts primates dressed and acting like humans. It traces the history from its origins in the early 1600s through its peak in the Rococo period, citing examples such as Jan Brueghel the Elder's 'Monkeys Feasting' (c. 1620) and Edwin Landseer's 'The Monkey Who Had Seen the World' (1827). The piece connects this historical convention to contemporary culture, noting its influence on the 2024 Robbie Williams biopic 'Better Man,' where the singer is portrayed as a chimpanzee, and on modern satirical works like Banksy's 'Devolved Parliament' (2009).

marie antoinette execution guillotine va exhibition 2699550

The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.

winston branch goodman gallery london 2729569

Caribbean British artist Winston Branch is the subject of his inaugural solo exhibition with Goodman Gallery in London, titled “Out of the Calabash.” The show features new and recent works alongside a historical piece, *Blue for Miles* (1982), and follows the announcement of his global representation by Goodman Gallery in partnership with Varvara Roza Galleries. Branch, who first exhibited at the alternative art space Arts Lab led by Jim Hanes nearly six decades ago, creates abstract paintings that explore light and color, often working on canvas placed on the floor.

17th century spain fashion 2720735

A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

illuminated medieval manuscripts to know 2710634

This article explores the history and significance of illuminated manuscripts, correcting the common misconception that they were exclusively produced by medieval European monks. It highlights five standout examples, including the Très Riches Heures du Duc de Berry, made for Jean I, Duke of Berry around 1411 by the Limbourg brothers, and the Book of Kells, created around 800 C.E. by monks of Iona Abbey. The article notes that illuminated manuscripts, defined by the decorative use of gold or silver, date back to the 4th century B.C.E. and span cultures from the Middle East to Africa and Mesoamerica, serving primarily as status symbols rather than reading material.