Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
The Grohmann Museum in Milwaukee has opened a new exhibition pairing two shows by contemporary American artists focusing on military service. Ohio-born Mary Whyte's "We the People: Portraits of Veterans in America" features 50 large-scale watercolor portraits of veterans from various wars and backgrounds. Milwaukee photographer Dennis Darmek's "Boots and Sand: The Marines of 29 Palms" presents two dozen color photographs taken at the Marine Corps base in California's Mojave Desert, where Darmek himself trained in 1969. The photos capture both posed and candid moments, highlighting diversity within the modern Marine Corps, including women in combat roles.
Artists nationwide are invited to submit original works to a juried exhibition titled "Allegories of a Better World," which will be held at the Minneapolis Institute of Art on June 28, 2026. The submission deadline is May 15, 2026. The exhibition is organized in conjunction with the premiere of the documentary film "The Making of America," directed by Monique Linder and produced by OMG Studios in partnership with the Minnesota Humanities Center. Submissions should explore themes such as virtue, moral courage, truth, justice, liberation, reconstruction, memory, history, and cultural healing. Selected works may also be featured in the film.
Four months after the Bondi Beach terror attack that killed 15 people during a Chanukah celebration, a major exhibition titled 'Holding Light' has opened at Bondi Pavilion Art Gallery. Curated by Shalom Collective and supported by Waverley Council, the show brings together 29 artists and 28 works selected through a community call-out, spanning visual art, installation, and digital media. Artists including Ella Dreyfus, Munganbana Norman Miller, Beck Feiner, Bibi Solimani, and David Solomons respond to themes of loss, memory, courage, and hope, with works such as Dreyfus's 'Nature Morte – Zikaron' documenting the spontaneous memorial near the beachfront.
The Bailey Art Gallery in Hobe Sound, Florida, will open a new exhibition on April 24 featuring works by local painter Dan Mackin and photographer M.E. Gruber. Mackin’s highly stylized paintings—created with airbrush and traditional techniques—depict idyllic coastal scenes on canvas, navigation maps, surfboards, and a guitar, and include collaborations with Brian Wilson of The Beach Boys. Gruber’s mid-century Kodachrome transparencies, drawn from an archive of over 5,000 images, document the emerging surf culture of Palm Beach County and the Treasure Coast. The exhibition will display 50 full-frame prints from this collection.
Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.
The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.
The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.
A new student-curated exhibition titled “Through Different Eyes: Industrial Worlds by Women Artists” will open on January 22 at the Earth and Mineral Sciences Museum and Art Gallery at Penn State University Park. The exhibit, curated by undergraduates Alexis Woodring and Gabriella Heidorn, features works from the EMS Steidle Collection of American Industrial Art, highlighting women artists in 20th-century industrial Pennsylvania. The opening reception runs from 4 to 6 p.m. and is free to the public.
Grundy Art Gallery in Blackpool is celebrating its 115th birthday in 2026 with a winter exhibitions programme that includes a giant birthday cake drawing installation in the foyer, the largest-ever Grundy Open Exhibition for local artists, newly commissioned paintings by locally based artist Jayne Simpson, and a collection spotlight exhibition themed around 1926 featuring loans from Showtown History Centre. The gallery invites the public to a special launch on January 24, 2026, and the exhibitions run through March 7.
Topkapi Palace in Istanbul has opened the Mabeyn Route Tile Art Gallery, a new permanent exhibition space inside a historic corridor that once connected the imperial reception area with the Imperial Harem. The gallery displays around 250 ceramic tiles, tracing the stylistic and technical evolution of Ottoman tile art from Iznik to Kutahya, with many pieces previously kept in storage and rarely seen by the public. The corridor was restored as part of a long-term program by the National Palaces Administration, and the gallery also features large-scale tiles inscribed with the names of Ottoman sultans and verses from a 11th-century poem.
The Cincinnati Art Museum will open a new exhibition titled "Rediscovered Treasures" this fall, featuring approximately 60 East Asian masterpieces from its own collections, including Japanese armor, Chinese scrolls, Korean lacquer, a Japanese bronze "magic mirror," a Qing dynasty portrait of Lady Nian, and a Meiji period sumo wrestler's embroidered apron. The exhibition runs from September 19, 2025 to January 18, 2026, and is organized into three thematic sections: Rediscovery, New Identities, and Conservation. Admission is free.
The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.
A new report commissioned by the grant-giving body Anonymous Was A Woman and authored by journalists Charlotte Burns and Julia Halperin reveals that museums and galleries are failing women artists, particularly those over 65. Based on a survey of 1,263 female artists (91% based in the US), the report finds that 63% cite a lack of museum backing and 59% cite a lack of gallery support as hindering their careers. As a result, 55% of all respondents are selling work independently, with women over 65 leading the way—59% have sold directly to collectors in the past five years. The report also highlights that female artists work 49 hours per week but spend only 38% of that time making art, with the rest consumed by administrative tasks and other paid work, and that art sales provide only 16-18% of household income.
Artist Gerrit Frohne-Brinkmann opened a solo exhibition titled "Carnivores" at Beige gallery in Brussels. The show, featuring new work, ran from February 26 to March 28, 2026, with documentation provided by photographers Isabelle Arthuis and Volker Renner.
Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.
The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.
The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.
The Riverside Artists Group is celebrating its 40th anniversary with a major retrospective titled "PULL FOCUS" at the Riverside Studios in Hammersmith. The exhibition features 48 artworks across various media—including oil paintings, sculptures, and digital prints—by 33 artists, alongside a 30-minute documentary film and an extensive archive of the group's history. Founded in 1986 following an open submission call that drew over 1,000 entrants, the collective has grown from a local community initiative into an international presence.
The Azerbaijan National Art Museum has opened an exhibition titled 'Chronicle of the City of Winds: Baku in the Works of Artists from the 19th to 21st Centuries,' organized jointly by the Azerbaijan Culture Ministry and the museum. Featuring over 80 works of painting, graphic art, and sculpture, the show traces Baku's historical, architectural, and cultural evolution from the 19th century to the present day. It includes pieces from the museum's collection alongside contemporary works, and is part of the 13th session of the World Urban Forum (WUF13), held within the Year of Urban Planning and Architecture in Azerbaijan. The opening ceremony featured speeches by Deputy Culture Minister Saadat Yusifova, museum director Shirin Malikova, and People's Artist Salhab Mammadov, as well as a musical performance by Honored Artist Nargiz Karimova and Zumrud Alizade.
The Polish Institute in Paris is participating in the 25th edition of Nuit Blanche on June 6-7, 2026, with a program featuring photographer and war correspondent Agata Grzybowska, who will give an artist talk titled "Everyone deserves their own story," followed by a guided tour of an exhibition by Anglo-Polish photojournalist Chris Niedenthal. The event runs from 8 p.m. to 11 p.m., offering free access to the public as part of the citywide contemporary art festival.
京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター
The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.
The Cedarburg Art Museum in Wisconsin has announced its summer exhibition lineup, running from April 30 through October 4. Featured shows include "Deeply Rooted: Small Family Farms," a photography exhibition by Cedarburg native Leslie Witte documenting life on her family’s farm; "This is Cedarburg," a display of landscape and plein air works from the museum’s permanent collection; the annual juried exhibition "America: A Wisconsin Perspective," showcasing artists from across the state; and outdoor sculptures by local artist Dan Grunst on the museum grounds.
The Korea Craft and Design Foundation (KCDF) announced the launch of its "2026 KCDF Craft and Design Open Call Exhibition" on April 27, selecting 10 emerging artists, 6 mid-career artists, and 3 groups through a professional review. The program opens with a solo exhibition by mid-career artist Seo Junghwa, titled "Ambiguity," featuring metal furniture that blurs boundaries between natural and artificial objects, running from April 29 to May 10 at KCDF Gallery. Additional window gallery shows include Jeon Young Eun's "Showcase of Extinction" (April 15–May 10) and Lee Hyungchan's "Supporting [ ]s" (May 13–June 7). Since 2018, the Foundation has supported 154 exhibitions through this initiative.
La MansA lance son magazine
La MansA – Maison des mondes africains has launched MansA Magazine, a bilingual (French/English) semiannual cultural publication. The magazine, available at newsstands, bookstores, and online, features essays, interviews, and portfolios focused on African and Afro-diasporic art scenes, adopting a critical and documentary approach. The cover of the inaugural issue features Guillaume Diop, the first Black male principal dancer at the Paris Opera.
David Hills Gallery in Orleans, Massachusetts, is celebrating its first anniversary with a public event on May 16 at 4 p.m. at its Route 6A location. The celebration includes a talk by local food expert and author Elspeth Hay, a spring refresh of the gallery, and a renewed seasonal presentation of David Hills’ photography, which focuses on commercial fishing and Cape Cod’s waters.
Photographer David Bird has unveiled a new exhibition titled "Cold Water Swimmers" at the Royal Bournemouth Hospital’s Art Space gallery. The series features before-and-after portraits of local swimming groups, such as Beyond the Blue in Poole, capturing the physical and emotional transformation of participants who brave the sea at sunrise without wetsuits. The project was developed during Bird's recent MA in Photography at Arts University Bournemouth, marking a return to academia after a 30-year career in commercial and press photography.
The School of the Museum of Fine Arts at Tufts University (SMFA at Tufts) presents "Passages," the 2026 MFA Thesis Exhibition, on view from May 5 to 17 at Tufts University Art Galleries in Medford, Massachusetts. The show features thesis work by nineteen MFA candidates, exploring themes of journey, transition, and exploration across media including painting, sculpture, assemblage, and artists' books. Works incorporate found visa documents, portraiture, clay cities, and symbolic animals such as goldfish, black birds, and a dog-headed cynocephalus.
Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.