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Korean artists are taking the world by storm—but why does their work resonate so widely?

Korean artists are gaining unprecedented global recognition, with figures like Haegue Yang, Do Ho Suh, Lee Bul, and Mire Lee leading a shift from traditional Dansaekhwa abstraction to more conceptual and contemporary practices. The article highlights how K-pop and Korean soap operas have boosted cultural awareness, drawing new audiences to events like Frieze Seoul and prompting major international galleries such as White Cube, Perrotin, and Pace to open in Seoul. Curators and scholars note that Korean art now engages deeply with globalization, historical trauma, and sociopolitical change, facilitated by biennials in Gwangju, Busan, and Seoul, as well as a surge in art institutions.

The 10 Exhibitions to See in June 2025

The article highlights 10 exhibitions to see in June 2025, curated by editors. Key shows include the Serpentine Pavilion in London, designed by Dhaka-based architect Marina Tabassum, titled "A Capsule in Time" (6 June–26 October), a semi-open wooden structure inspired by South Asian tent designs that engages with light and public activation. Another featured exhibition is Hiền Hoàng's "Garden of Entanglement" at FOAM Amsterdam (6 June–ongoing), presenting works that explore trauma's imprint on human bodies and nature, including a soundscape installation developed with scientists and a VR piece on the Agarwood tree.

Exhibition Walkthrough: ‘Pat Steir. Song’

Hauser & Wirth Zurich is hosting a guided tour of 'Pat Steir. Song' coinciding with Zurich Art Weekend, led by Corinne Erni, Chief Curator at the Parrish Art Museum. The event includes a preview of 'Ed Clark. Paint is the Subject' on the ground floor. Erni, who joined the Parrish in 2016, has curated numerous exhibitions including works by Shirin Neshat, Nina Yankowitz, Sanford Biggers, and Rafael Lozano-Hemmer, and leads the Dorothy Lichtenstein ArtsReach Fund.

Basquiat's monumental work on paper sells for US$16.3m, leading Sotheby's contemporary sale in New York

On May 15, Sotheby's held The Now and Contemporary Evening Sale in New York, achieving a total of US$127.1 million. The top lot was an untitled 1981 work on paper by Jean-Michel Basquiat, which sold for US$16.3 million after a five-minute bidding battle. The sale included 41 lots with a 92.6% sell-through rate, and all nine works from the collection of Roy and Dorothy Leichtenstein were sold, contributing US$29 million to the total.

Kinetic energy: events across Europe and the US celebrate Jean Tinguely anniversary

A series of exhibitions and events across Europe and the US in 2025 mark the centenary of Swiss artist Jean Tinguely, known for his Dadaist kinetic sculptures that often self-destruct. Key shows include a focus on his relationship with Eva Aeppli at the Lehmbruck Museum in Duisburg, and two major exhibitions on his partnership with Niki de Saint Phalle at Hauser & Wirth Somerset and the Grand Palais in Paris. The Museum Tinguely in Basel has commissioned artists Rebecca Moss and Augustin Rebetez to create a new installation inspired by Tinguely's work.

Sotheby’s Closes Marquee Week With $186.1M in Contemporary Sales

Sotheby’s closed its May marquee auction week with $186.1 million in combined contemporary sales across three sessions on May 16. The evening began with a white-glove sale of 12 works from Barbara Gladstone’s personal collection, fetching $18.8 million, followed by a $40.4 million sale from Daniella Luxembourg’s collection, which signaled revived appetite for Italian postwar art. The main Contemporary Evening Auction saw strong bidding for emerging artists like Danielle Mckinney and Mohammed Sami, though some high-profile lots like Richard Prince’s Man Crazy Nurse fell short of estimates.

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

Why dealers play the waiting game before exhibiting a newly signed artist

David Zwirner Gallery is opening a new 18,000 sq. ft flagship in New York with a solo exhibition by Michael Armitage, his first at a Zwirner location since signing in March 2022. The three-year gap was intentional, aligning with the gallery's expansion and Armitage's other projects. Other dealers like Gladstone Gallery and Mrs. also vary their timelines, sometimes showing artists before officially signing them, as seen with Brook Hsu at Gladstone and Alexandra Barth, Nevena Prijic, and Precious Okoyomon at Mrs.

On the Met Gala’s Cy Gavin-designed blue carpet, art was front and centre

The 2025 Met Gala, held on May 5 at the Metropolitan Museum of Art, raised a record $31 million while celebrating the opening of the Costume Institute's new exhibition, "Superfine: Tailoring Black Style" (May 10-October 26). The event's dress code, "Tailored for You," inspired attendees to embrace Black-dandy fashion, with guests including Rihanna, Cynthia Erivo, Stevie Wonder, and Kamala Harris. The exhibition, curated by Andrew Bolton and Monica L. Miller, explores the evolution of Black style in the Atlantic diaspora from the 18th century to today, drawing on Miller's 2009 book "Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity." It is the Costume Institute's first show to directly address race's impact on style and the Met's first menswear exhibition in over 20 years.

How To Do New York Art Week 2025 Like An Insider

Sophia Penske, founder of Penske Projects and an art advisor at Gagosian Art Advisory, provides an insider guide to New York Art Week 2025, running May 5–12. She highlights three main fairs: Frieze New York at The Shed (May 7–11), Independent Art Fair at Spring Studios (May 8–11), and TEFAF. The guide includes notable artists to see—such as Daisuke Fukunaga at Tomio Koyama Gallery, Doron Langberg at Victoria Miro, Moka Lee at Carlos/Ishikawa, Julia Jo at Charles Moffett, Laura Footes at SHRINE, and Nicole Economides at Callirrhoe—along with nearby dining, spa, and gallery recommendations.

7 Artists Who Capture the Essence of Black Dandyism

The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.

Observer’s 2025 May Art Fair Calendar (Updated)

Observer has published its updated 2025 May Art Fair Calendar, highlighting a packed schedule of art fairs in New York and around the world. Key fairs include CONDUCTOR 2026 (April 29–May 3), a Brooklyn-based fair focused on artists of the global majority; the Aotearoa Art Fair 2026 (April 30–May 3) in New Zealand; the Clio Art Fair 2026 (May 7–10 and 14–17), known as an "anti-fair" for unrepresented artists; and PHOTOFAIRS Shanghai 2026 (May 7–10), a leading platform for contemporary photography in China. The article notes that May is one of the busiest months in the spring art calendar, with many fairs concentrated in New York City during "Frieze Week."

Antonia Ruder On the Role of Gallery Weekend Berlin in a Changing Art Market

Gallery Weekend Berlin returns for its 21st edition from May 2-4, 2025, featuring fifty-two galleries showcasing established and emerging artists. Antonia Ruder, who joined the event in 2023 and is now preparing her second full edition as director, discusses the festival's origins as a private initiative by five art dealers in 2005, its growth to become a global art calendar highlight, and its role as a premier platform for contemporary art in Germany in the absence of an international art fair in Berlin.

When—and why—did Van Gogh paint a pair of crabs?

An article explores the story behind Vincent van Gogh's still life "Two Crabs," revealing that the two crabs are likely the same individual—a female Cancer pagurus missing its first pair of walking legs. Paul Clark, a crustacean specialist at London's Natural History Museum, confirmed the sex based on the broad abdomen visible in the painting. The work is on long-term loan to London's National Gallery, where it was recently redisplayed as part of the gallery's major rehang ahead of the Sainsbury Wing reopening on May 10. The article also traces the painting's provenance: it was the first Van Gogh bought by a British collector, William Cherry Robinson, in 1893 for 200 guilders, later sold at auction in 1906 for half that amount, and eventually resold at Sotheby's in 2004 for £5.2 million to an anonymous collector who lent it to the National Gallery.

TOP CHARITY Art Exhibition

The Museum of King Jan III in Wilanów, Warsaw, is hosting the TOP CHARITY Art exhibition from April 24 to June 24, 2025, featuring works from the OmenaArt Foundation’s African art collection. Acclaimed Ghanaian artist Ibrahim Mahama served as guest of honour at the opening, and his jute sack piece NANDANBIA (2019) is on display. The exhibition includes a sculpture park curated by Isabel de Vasconcellos and Natalia Bradbury in partnership with Opera Gallery, showcasing artists such as Niki de Saint Phalle, Manolo Valdes, and Amedeo Modigliani. Works from the exhibition will be auctioned in the TOP CHARITY Auction on June 7, alongside a silent auction for emerging artists.

teamLab in Abu Dhabi, Christine Sun Kim and Thomas Mader, Vermeer’s final painting?—podcast

The article covers three major art stories: the opening of Christine Sun Kim and Thomas Mader's exhibition "1880 THAT" at the Wellcome Collection in London, which explores the 1880 Milan Conference that banned sign language in Deaf education; the launch of a new teamLab museum in Abu Dhabi's Saadiyat Cultural District; and new conservation findings on Johannes Vermeer's "Young Woman seated at a Virginal" (1670-75), which may be his final painting, with 17th-century pollution helping to date the work.

Regional strength helps insulate Art Dubai from tariff-related turbulence

Art Dubai, running until 20 April, opened as the first major art fair since US President Trump announced global tariffs that nearly triggered a financial crisis. Sales were solid, with most works priced in the low six figures or thousands, insulating the fair from market anxieties. A divide emerged between regional SWANA galleries—which presented the strongest booths—and international galleries from the US, Europe, and Latin America, which seemed uncertain about what to bring. Notable sales included works by Rana Begum, Mehdi Ghadyanloo, Ali Cherri, and Shaikha Al Mazrou, while galleries like Sfeir-Semler, Vigo Gallery, and Experimenter reported strong results.

Artist interview

The article is an interview with an artist, though the provided text is incomplete and primarily consists of a subscription prompt for The Art Newspaper's digital newsletter. The core content of the interview itself is missing from the given snippet, which only includes the title "Artist interview" and standard footer information about the publication.

Work in Progress: Kite

Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of notable shows across the city during the art fair period.

The Changing Face of the Latin American Art Market

The article provides a critic's guide to seven must-see exhibitions during the Art Brussels event. It highlights specific shows, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS.

Lydia Ourahmane’s Simple Yet Audacious Acts

The article highlights seven must-see exhibitions during Art Brussels, curated by critic Emile Rubino. Featured shows include Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher at WIELS, among other notable displays across the city.

What Not to Miss in Venice’s Arsenale and Giardini

Frieze has published a critic's guide titled "What Not to Miss in Venice’s Arsenale and Giardini," though the provided text appears to be a truncated excerpt that actually promotes a different article: "7 Must-See Shows During Art Brussels," featuring Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS, written by Emile Rubino on April 21, 2026. The guide likely highlights key exhibitions and artworks within the historic Arsenale and Giardini venues during a major art event in Venice.

Bugarin + Castle Lead a Parade of Shame

Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of standout shows across the city during the art fair period.

The Best Shows to See Across the UK Right Now

Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection of notable shows across the UK and Brussels art scene.

Work in Progress: Nohemí Pérez

The article is a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. Written by Emile Rubino, the piece serves as a curated selection for visitors navigating the Brussels art scene during the fair.

Marina Xenofontos Recreates an Empty Nightclub

Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.

Ivy League Style Is Back – But Why Now?

The article, published by Frieze, is a critic's guide highlighting seven must-see exhibitions during the Art Brussels fair. It specifically mentions shows by Richard Tuttle at Galerie Greta Meert and an expansive exhibition of Lutz Bacher at WIELS, curated by Emile Rubino.

What’s on at No.9 Cork Street this May

The article highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. It serves as a critic's guide for visitors navigating the Brussels art scene in late April.

Sammy Baloji Binds Past and Present in Uneasy Union

The article highlights seven must-see exhibitions during Art Brussels, curated by critic Emile Rubino. Featured shows include Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS, alongside other notable presentations across the city.

How to Stage a Performance in Venice

Frieze's critic's guide highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The article, written by Emile Rubino, provides a curated selection of shows across Brussels galleries and institutions during the art fair period.