Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

parties tropa tequila haas brothers carvingblock

Tropa Tequila launched its limited-edition Añejo Artist Series bottle, designed by artist Nikolai Haas of the Haas Brothers and produced by Max Block and Cam Saffle of CARVINGBLOCK. The launch event was held at the Haas Brothers’ new studio in North Hollywood, featuring an intimate dinner for Los Angeles artists, designers, and collaborators. Only 300 individually numbered bottles were released, with caps hand-beaded by artisans in South Africa.

film ronan day lewis anemone interview

Ronan Day-Lewis, son of legendary actor Daniel Day-Lewis, has directed his debut feature film *Anemone*, which premiered at the New York Film Festival. The film stars Daniel Day-Lewis as a traumatized veteran living in self-exile in Northern England after the Irish Troubles, whose estranged brother arrives to trigger a reckoning filled with magic realism. Ronan, who also works as a painter, describes the film as being about brotherhood and the silence within it, developed over five years of collaboration between father and son. A concurrent exhibition of his paintings is on view at Megan Mulrooney gallery in Los Angeles.

parties cultured china magazine launch

Cultured magazine hosted a launch party for its new Chinese edition, CULTURED China, at The Blond in SoHo, New York. The event brought together fashion, art, and design insiders including designers Prabal Gurung and Bach Mai, gallery directors Lucy Liu and Rachel Uffner, artists Wes Aderhold and Jonathan Gardenhire, and cultural commentator Wesley Breed. A musical performance by Zhang Xiaoqing entertained guests, who received complimentary copies of the September issue.

art young photographer sara messinger

Sara Messinger, a 26-year-old photographer based in New York, has been nominated by Michael Foley, director of Leica Gallery NY, for her poignant portraits of teenagers. Her work, which has appeared in The Cut, The New York Times, and The New Yorker, was recently exhibited alongside Magnum photographer Bruce Davidson at Leica's New York gallery. Messinger describes her focus on teenagers as an organic discovery, drawn to their authenticity and honesty, and uses her photography to explore childhood fears and a search for connection.

New contemporary art auction to debut in Dubai this May

A new auction platform called Bam Auctions will launch in Dubai this May, with its inaugural sale held on Saturday at Bayt AlMamzar, an independent cultural space in a restored villa. The sale features 21 lots of contemporary art from the UAE and the wider region, including works by Jaber Al Azmeh, Manal Al Dowayan, and Hale Tenger, with estimates ranging from a few hundred to several thousand dollars. Bidding will be in person with remote options via phone, WhatsApp, and absentee bids.

オノ・ヨーコ「A statue was here　一つの像がここにあった」@ 小山登美夫ギャラリー六本木／天王洲

Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.

Downtown Canton art expansion. Patina Arts Centre being reborn as Second April Studios

Tim Carmany, owner of The Hub Art Factory, is transforming the former Patina Arts Centre in downtown Canton into a new creative hub called Second April Studios. The space, which had recently closed, is already being populated by resident artists and vendors such as Uncle Archie's Oddity Emporium, signaling a swift revival of the venue.

Exhibition | Zhi Wei, 'Folly' at Beijing Commune, Beijing, China

Chinese artist Zhi Wei presents 'Folly', a solo exhibition at Beijing Commune in Beijing, China. The show features a new body of work that explores themes of absurdity and human folly through painting and sculpture.

Weekend for the arts: 'Untitled' exhibition, 'Lessons Of Silence' theatre

The article covers three events in Kuala Lumpur as part of the KL Festival and Borneo Native Festival 2026. The 'Untitled' group exhibition at GMBB creative mall features 127 artists and 329 works without labels or artist names, inviting viewers to write personal reflections. Proceeds from admission and 'gift letters' go directly to participating artists, offsetting typical financial burdens for emerging creators. The theatre piece 'Lessons Of Silence' by Indonesian artist Agnes Christina is a wordless performance exploring race, class, and parent-child dynamics during a turbulent period in Indonesian history. Additionally, the Borneo Native Festival 2026 at Central Market showcases Sabah and Sarawak's arts and culture, with a highlight being Pangrok Sulap, a woodcut collective from Ranau, presenting prints, books, and socially engaged art.

Here's your last chance to support city centre art gallery forced to close

The Trapezium Art Gallery in Bradford city centre, a volunteer-run space that has hosted over 70 exhibitions by local artists and community groups over the past eight years, is being forced to close due to the redevelopment of the Kirkgate Shopping Centre site. Its final exhibition celebrates the volunteers who kept the gallery thriving, showcasing a diverse range of artwork including printmaking, painting, digital art, photography, collages, and textiles, and runs until May 30.

New Media Gallery to be ‘refreshed’ and reopen in New Westminster’s Anvil Centre

The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.

Homecoming for local artist in new West Lothian exhibition

Artist Leo du Feu is returning to his hometown of Linlithgow, Scotland, for his largest solo exhibition to date, titled 'Homecoming,' at the Gallery at Linlithgow Burgh Halls. Running from 22 May to 17 September 2026, the show traces the evolution of his work across nature, landscape, wildlife, and storytelling, and includes new pieces inspired by fatherhood and emotional well-being. The exhibition also marks the 15th anniversary of the gallery's opening in 2011, and a free artist talk is scheduled for 17 June.

BLEACHxLAM "SOUL ART SHOWCASE" Exhibition Reveals New Artwork Ahead of Nationwide Tour

The hit anime series BLEACH and renowned illustrator LAM have announced a collaborative nationwide exhibition tour titled “BLEACH×LAM -SOUL ART SHOWCASE-.” Launching in late April 2026, the showcase features new, highly stylized artworks by LAM that reinterpret iconic characters from Tite Kubo’s manga, including Ichigo Kurosaki and Grimmjow Jaegerjaquez. The exhibition will travel to galleries in Tokyo, Osaka, and Fukuoka, offering free admission and exclusive merchandise to the public.

Young artist honours Pekan Nenas’ pineapple farmers

Young Malaysian artist Lee Wei Heng, 22, has opened his first solo exhibition titled "Ananas" at Artas Gallery in Petaling Jaya. The show features 17 oil paintings that document the grueling lives of pineapple farmers in Pekan Nenas, Johor, where his grandparents worked as laborers. Lee, who studied fine arts and worked part-time in the plantations during school holidays, captures the farmers' daily struggles—from cutting thorny fruit under the sun to praying for protection against wild animals. His works, such as the monochromatic "Old Farmer," use motifs like the parang (machete) to symbolize both the farmers' hidden identities and their pain.

This Indian creative has just opened a new gallery in the UK that uses art to heal

Deep Kailey, a former Vogue India fashion editor turned artistic director, has opened a new 7,500-square-foot gallery in Slough, UK, under the not-for-profit arts platform Without Shape Without Form. The inaugural exhibition, 'Reflections – Sangat and the Self' (on view until May 2, 2026), features works by South Asian artists Jasmir Creed and Roo Dhissou, alongside participatory installations like The Whisper Box and 'Focus, Form and Repeat', all designed to encourage mindfulness, meditation, and community gathering.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

kennedy center adds trump name

The board of trustees of the John F. Kennedy Center for the Performing Arts voted on Thursday to add President Donald Trump's name to the institution, renaming it "The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts." The vote was described as unanimous by spokeswoman Roma Daravi, but Democratic Representative Joyce Beatty, an ex-officio board member, disputed this, claiming she was muted when trying to voice opposition. The move has been met with disapproval from members of the Kennedy family and legal experts who argue it violates a federal stipulation from 1963. The name change has already been reflected on the institution's website and façade, following a year of turmoil that included Trump being booed at a performance and a Washington Post exposé on staff turmoil and declining ticket sales.

In my Auntieversum, everyone is free, there are no rules

"In meinem Auntieversum sind alle frei, es gibt keine Regeln"

Wenhui Lim, a Singapore-raised artist and former architecture designer, creates AI-generated images and videos featuring older Asian women she calls 'Aunties.' Her surreal 'Auntieversum' depicts these figures bathing in oversized ramen bowls, playing with pastel jellyfish, and driving sushi cars—a fantastical parallel universe where they are free from societal and familial expectations. Lim began the project in early 2023 as a personal exploration to reconcile her own feelings toward the aunties in her life, who often made blunt comments about her appearance while also plying her with food.

Mythical Creatures at the Met Cloisters

The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."

Exhibition | Lin Zhipeng, 'LIN ZHIPENG (NO. 223): Relationship Duplicates' at DE SARTHE, Hong Kong

DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.

Clark Art Invites People With Dementia, Caregivers for Gallery Talk

The Clark Art Institute in Williamstown, Massachusetts, is launching a free gallery talk program called Meet Me at the Clark on May 18, designed specifically for people living with dementia and their care partners. The tours take place on select Mondays from 1–4 pm when the museum is closed to the public, offering private access to the galleries with specially trained educators leading guided, open-ended conversations about art.

Rory J Browne | Dawn, Cow Parsley (2026) | Available for Sale

British artist Rory J Browne has released a new contemporary realist landscape titled 'Dawn, Cow Parsley' (2026). The oil-on-canvas work, which features a detailed foreground of wild plants silhouetted against a warm, atmospheric sunrise, is currently being offered for sale through Signet Contemporary Art in London and via the Artsy platform.

Artfully Aired: Balloon Art Exhibition Opens in Dallas in November

The Balloon Museum, founded in Rome in 2021, will open its exhibition "Let's Fly—Art Has No Limits" at Dallas' South Side Studios on November 22, running through April 26. The multisensory show spans over 65,000 square feet and features large-scale inflatable and air-based installations by 18 international artists, including Sasha Frolova, Lucas Zanotto, Camilla Falsini, and Ouchhh. Created by Italy-based Lux Entertainment, the exhibition explores themes of flight, freedom, and lightness through works like Michael Shaw's 44-meter "Lava Lamp" and Christopher Schardt's 26-foot butterfly sculpture with 39,000 LEDs.

Korean-American artist Misoo Bang’s solo exhibition opens at AVA Gallery

Korean-American artist Misoo Bang’s solo exhibition “전미개오 轉迷開悟: Buddhist Teaching of Being Freed of Anguish and Reaching Nirvana” opens at the Alliance for the Visual Arts (AVA) Gallery in Lebanon on August 22. The show features works from her “Giantess” series, which depicts survivors of sexual violence, her “Giant Asian Girls” series, which challenges stereotypes of Asian-American women, and her “Lotus Flowers” series, which uses the traditional Buddhist painting technique Taenghwa to portray Buddhas and female Bodhisattvas. Bang, a Vermont-based lecturer at the University of Vermont, was named one of the 10 emerging artists of New England by Art New England in 2019 and a Vermont artist to watch by the Vermont Arts Council in 2020.

Yanran Chen Set to Launch First Solo Exhibition In China At ART FOCUS Beijing

Yanran Chen, a Chinese multidisciplinary artist also known as Chloe Chen, will launch her first large-scale solo exhibition in China at the new ART FOCUS space in Beijing's 798 Art District. The exhibition, titled "Neon Dreamland," runs from 23 May to 6 July 2025 and is curated by actor and "Art Knock" founder Yuan Hong. The show is divided into two thematic zones: one featuring her personal paintings and sculptures, including works like "The Mechanical Lifeform" and "Dinner," and another presenting a collaborative series with anime label WaarWorld inspired by Liu Cixin's novel "The Supernova Era." The exhibition coincides with the launch of ART FOCUS, an immersive art space focused on digital integration and cross-genre collaboration, and is part of the broader Beijing Art Season.

UK artist defends pro-Palestine drawings after show cancellation

UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.

Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

A Doomed Mission to Mars Awaits Henry Wood’s Lanky Explorers

Artist Henry Wood has created a series of wooden figures depicting doomed explorers on Mars, titled 'We went to Mars and it was a disaster.' Each lanky, meticulously carved figure represents a colonist with a specific tragic history, such as being stranded or buried, imagining a future archaeological dig on the terraformed planet. The work reflects on humanity's ambitious but potentially flawed drive to colonize other worlds, using the medium of wood and ancient relic aesthetics to critique grand narratives of exploration and progress. Wood's process, influenced by travel and traditional techniques, transforms speculative science fiction into tangible artifacts that question the costs of expansion and the stories we tell about our future.

L'Art en une semaine n° 1 - Mardi 26 mai 2026

La Tribune de l'Art has launched a new filmed podcast series titled "L'Art en une semaine n° 1 - Mardi 26 mai 2026." In this first episode, the hosts discuss the Pont-Neuf, the Louvre, Chambord, the Louvre-Lens, and the Société de l'histoire de l'art français. The podcast is being distributed for free on YouTube and Dailymotion, with plans to also host it on the ad-free platform Peertube, though technical issues have delayed that upload. The article provides links to the Société de l'histoire de l'art français website and to Cairn, where issues of La Revue de l'Art can be found.