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In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

Alex Israel on finding inspiration in Erewhon, AI as a tool and new show 'Where Is My Mind'

Multimedia artist Alex Israel has launched his first collaboration with Pace Prints, releasing a new suite of 10 archival pigment prints titled 'Where Is My Mind?' The series, part of his ongoing Self Portrait project, features intimate-scale works that incorporate representational imagery within his signature silhouette—ranging from the Hollywood Bowl stage to aerial views of Los Angeles and a California desert scene with an iPhone outline. Each print began as a photograph, translated into paint by the Scenic Art department at Warner Brothers Studio, then scanned and mounted in custom frames. The show coincides with Pace Prints' upcoming expansion into Los Angeles in fall 2026.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

This exhibition by Aurore Guez invites you to talk to the paintings—our photos.

Artist Aurore Guez presents 'LE CAFÉ,' a free, immersive exhibition at the Wilde Galerie in Paris on April 25-26, 2026. The installation transforms the gallery into a fictional café featuring interactive painted portraits that visitors can converse with via recorded voice clips and AI, alongside a fully designed environment that blurs the line between artwork, décor, and performance.

How the Acquavella Family Controls the Matisse Market

The Acquavella family has solidified its position as the primary gatekeeper of the Henri Matisse market, leveraging decades of relationships with the artist's heirs and a deep inventory of blue-chip works. By maintaining a near-monopoly on the most desirable secondary market pieces and providing expert authentication guidance, the gallery dictates pricing and availability for one of the 20th century's most valuable artists.

At the Galleries for March 26, 2026

The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.

At the Galleries for March 12, 2026

The East End's gallery scene is seeing a seasonal shift as several new exhibitions open across the Hamptons and North Fork. This week's highlights include a group show focusing on abstract landscapes at a local mainstay and a solo presentation of experimental photography that challenges traditional perspectives on coastal environments.

17 Things to Do in San Diego This Weekend: March 4-8

San Diego is hosting a variety of cultural events from March 4-8, ranging from sports and live music to theater and food festivals. Key highlights include the Seven Seas Food Festival at SeaWorld, a Great Gatsby-themed afternoon tea at Fairmont Grand Del Mar, and concerts by Aimee Mann and Lala Lala. The weekend also features celebrations for International Women’s Day, including a makers market and brunch at Stone World Bistro & Gardens.

Los Angeles’s next generation of dealers forges new paths

Despite a wave of high-profile gallery closures and economic pressure from the shrinking entertainment industry, a new generation of Los Angeles art dealers is finding resilience through local community ties. While major outposts like Michael Werner and Sean Kelly have shuttered, local mainstays argue that the market is not failing but rather correcting itself against unrealistic expectations. Success in the current climate requires a physical presence and deep-rooted relationships that satellite galleries often struggle to maintain.

Frieze Los Angeles Diary: Joe Cool, cold juice and hot desert art

Frieze Los Angeles kicked off its 2024 edition with a high-profile opening day, drawing a mix of Hollywood celebrities, professional athletes, and major international collectors. The fair's atmosphere was defined by a blend of blue-chip art commerce and Los Angeles lifestyle culture, featuring notable presentations such as Stephanie H. Shih’s ceramic homages to Erewhon juices at Berggruen gallery and Napoles Marty’s Frieze Impact Prize exhibition.

Highlights from 1-54 Marrakech and four artists to watch

The seventh edition of the 1-54 Contemporary African Art Fair took place in Marrakech from February 5-8, 2026, at the La Mamounia hotel. The fair featured 22 galleries, primarily from Africa and its diaspora, showcasing around 70 artists across various media. A key parallel initiative was Gallery Night, which saw local galleries like La Galerie 38 open new exhibitions, such as Ghizlane Agzenaï's solo show 'Dimension 2112: The Station', to coincide with the fair's energy and visitor influx.

The biggest selling Irish artists – and how to start investing

Art Price's annual list of the world's 500 most saleable contemporary artists features five Irish artists, led by Sean Scully at number 16. Scully's auction record is $2,046,500 for his 1985 painting "Song." The other listed artists are Graham Knuttel (ranked 202), Liam O'Neill (376), and Genieve Figgis (350), with their market performance and notable auction results detailed. The article also cites commentary from independent art advisor Arabella Bishop on each artist's market appeal and investment potential.

‘Certain things you can only see from the sky’: artist Precious Okoyomon on how flying planes has inspired their practice

Artist Precious Okoyomon discusses how learning to fly a propeller plane has influenced their artistic practice, from dioramas depicting aerial perspectives to a video work reading poetry from the cockpit. Their first exhibition with Mendes Wood DM in Paris, titled 'It’s important to have ur fangs out at the end of the world' (through 17 January), features sculptures, wallpaper, a fable, and three lightbox dioramas that draw on sky studies taken while flying. Okoyomon earned their pilot’s license before their driver’s license as a teenager in Ohio, and continues to fly when visiting family, finding the experience a reset for their nervous system.

In pictures: a season for newcomers at Art Basel Miami Beach’s Meridians

Yasmil Raymond returns for her second year as curator of Art Basel Miami Beach’s Meridians sector, focusing on showcasing a more diverse group of artists and providing opportunities for newcomers. She highlights several works, including Huang Yong Ping’s political sculpture referencing a US spy plane incident, Stephanie Syjuco’s critique of Western culture through a photography-studio installation, Ward Shelley’s post-truth library, Jesús Rafael Soto’s immersive Pénétrable, Luisa Rabbia’s feminist reimagining of a labor strike painting, and Anne Samat’s woven family portrait made from thrift-store objects.

Southern Guild gallery to close in Los Angeles, open in New York

Southern Guild, a gallery founded in Cape Town, South Africa, is closing its Los Angeles location, which opened in February 2024, and will open a new 4,000-square-foot space in Manhattan's Tribeca neighborhood in March 2026. The gallery is making its debut at Art Basel Miami Beach this week, featuring works by artists including Zizipho Poswa, Marcus Leslie Singleton, Zanele Muholi, Chloe Chiasson, and Ambrose Rhapsody Murray. Director Andréa Delph, who led the LA outpost, will relocate to New York to head the new space.

NEXT in the Gallery: Pittsburgh in December is a sprawling winter carnival of art

Pittsburgh's visual artists are transforming the city into a sprawling winter carnival throughout December 2025, with a packed calendar of exhibitions and events. Highlights include Sharmistha Ray's three-channel animation "Emergent Realities" at Wood Street Galleries (Dec. 12–July 5, 2026), featuring a commissioned soundtrack by Grammy-winning composer Arooj Aftab; Mary Mazziotti's satirical textile series "Thank You for Your Attention to This Matter" at BE Galleries (Dec. 6–Jan. 31, 2026); and Offroute Art's "Crisis of Empathy // Limit of Empathy" showcasing eight young artists. Wood Street Galleries also partners with Visual AIDS for Day With(out) Art 2025 on Dec. 3, presenting videos exploring drug users and HIV crisis. The month kicks off with holiday markets and arcades, and includes a Neapolitan nativity scene exhibit and an art battle in Sharpsburg.

Stephen Friedman to close New York gallery, two years after opening the Tribeca space

Stephen Friedman, the Canadian-born, London-based dealer, will close his New York gallery in Tribeca at the end of February 2026, less than three years after opening the space in October 2023. The decision is described as a strategic evolution to consolidate operations in London, where several new directors have been hired. The gallery's artist roster will remain unchanged, and Friedman plans to stay active in the US art scene through major fairs. The closure follows a challenging period marked by a £1.7m loss in 2023 due to renovation costs and a downturn in the art market, with cash flow currently tight after slow exhibition sales.

New York gallery Sperone Westwater to close after 50 years amid lawsuit between co-founders

Sperone Westwater, a prominent New York gallery representing artists like Richard Long and Bruce Nauman, will close at the end of 2025 after 50 years. The closure follows a lawsuit filed by co-founder Gian Enzo Sperone against fellow co-founder Angela Westwater, alleging unlawful handling of funds and a "parasitic deadlock" over the gallery's finances, including rent disputes and salary increases. The gallery will continue its current Richard Long exhibition until December 13 and participate in Art Basel Miami Beach before shutting down on December 31.

The British artist David Shrigley wants £1m for piles of old rope

British artist David Shrigley has opened an exhibition at Stephen Friedman gallery in London featuring approximately ten tonnes of discarded rope, collected from seaports, climbing schools, tree surgeons, and other sources over eight months. The rope is piled in four rooms of the gallery, with a neon sign reading “exhibition of old rope”. Shrigley has priced the installation at £1 million plus VAT, describing the figure as a “provocation” that highlights the gap between art-world valuation and public perception. He acknowledges the work may not sell but insists every artwork needs a price.

Altman Siegel, stalwart of San Francisco’s gallery scene for 16 years, will close

Altman Siegel, a prominent San Francisco gallery, will close on 22 November after 16 years in business. Founder Claudia Altman-Siegel announced the decision on 15 October, citing the difficulty for a gallery of its size to scale in the current climate. The gallery, which opened in 2009 at 49 Geary, expanded to a 5,000-square-foot space in the Minnesota Street Project complex and an outpost in Presidio Heights. Over its history, it staged 213 exhibitions and art fairs, representing artists such as Lynn Hershman Leeson, Trevor Paglen, Richard Mosse, Simon Denny, and Kiyan Williams. Its final exhibition will be an eighth solo show with Japanese painter Shinpei Kusanagi.

Making Their Mark: Works from the Shah Garg Collection | Exhibition

The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.

Inside Clarissa, the Hottest Art Show of Frieze Week

Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.

New York’s Tilton Gallery staging final exhibition after more than four decades in business

New York’s Tilton Gallery has announced that its upcoming exhibition dedicated to German-born American conceptual artist Ruth Vollmer will be its final show, closing after more than four decades in business. The gallery, founded by Jack Tilton in 1983, has been run by his widow Connie Rogers Tilton since his death in 2017. The Vollmer exhibition runs from 30 September to 15 November, after which Rogers Tilton plans to transition to private sales and research projects.

Picasso or Bitcoin? How art’s status is changing among the super-rich

Christie's and Sotheby's reported nearly flat first-half 2025 sales of $2.1bn and $2.2bn respectively, with Christie's 20th/21st-century art sales down 2% but luxury up 29%. The Mei Moses Art Index shows over 50% of auction lots sold at negative compound annual returns, which analyst Michael Moses calls 'the worst overall financial performance in the 21st century.' Meanwhile, Bitcoin, gold, and stocks have significantly outperformed art, with BlackRock's Bitcoin ETF alone attracting $84bn—far exceeding the global art market's total value. A record $43.9m Canaletto sale to a Bezos-linked buyer underscores that top-tier works still command attention, but the broader trend suggests wealthy investors are prioritizing financial returns over art as a status symbol.

5 Standout Shows to See at Small Galleries This September

This article highlights five standout exhibitions at small and rising galleries for September 2025. Featured shows include Ali Tahayori's "Archive of Longing" at THIS IS NO FANTASY in Melbourne, where family photographs are transformed into fragile glass sculptures exploring memory; Michael Batty's "Ladders and Tone Poems" at Mark Moore Fine Art, an online exhibition of abstract, geometrically arranged paintings; and "William S. Burroughs: REDUX 1995–2025" at Robert Berman Gallery in Santa Monica, a survey of the Beat writer's gestural abstract paintings and mixed-media works.

Making Waves – Breaking Ground

The third annual Space to Breathe summer art exhibition, titled 'Making Waves – Breaking Ground,' is on view at Bowhouse in St Monans, Fife, Scotland, from 19 July to 4 August 2025 and 16-31 August 2025. Organized by Sophie Camu Lindsay and Alexander Lindsay in collaboration with Purdy Hicks Gallery, the show features 11 artists and over 100 works—paintings, drawings, and photographs—that explore the natural world, particularly land and sea. The installation uses a unique hanging system in the 900-square-meter barn space, allowing visitors to create their own journey through the works. Artists push boundaries in technique, with many using innovative photographic processes that blur the line between photography and painting, such as Anaïs Tondeur's rayograms of radioactive plants from Chernobyl.