Verdun s'enrichit d'une œuvre d'un enfant du pays
The Musée de la Princerie in Verdun has acquired a painting by Joseph Christophe, a rare artist originally from the city. The work was purchased from the Versailles-based Galerie Barnabé, which specializes in Old Master paintings.
ENTRE EL RITO Y LA INSTITUCIÓN: LAS INTERVENCIONES DE ANDREA CANEPA EN ESPAÑA
Andrea Canepa, a Peruvian artist born in 1980, has installed "Fardo" at the Palacio de Cristal in Madrid's Parque del Retiro, running from January 13, 2026 to January 1, 2027. The work wraps the building's perimeter in a printed fabric bearing patterns from Paracas funerary textiles, a pre-Columbian culture from southern Peru. Created during the palace's ongoing restoration (which began in 2023), the installation challenges the building's colonial history—it was built for the 1887 Exhibition of the Philippine Islands—by introducing indigenous visual and ritual references. Canepa also presented "Entre lo profundo y lo distante" at the IVAM in Valencia until April 12, 2026, which uses Andean huacas (sacred spaces) to propose a non-linear relationship between time, body, and space. Both works transform passive contemplation into active, bodily participation, using ritual as a means to reorganize the exhibition experience.
Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.
Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.
Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.
Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.
Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.
The Alzueta Gallery in Madrid will present a two-person exhibition featuring artists David Macho and Juan Narowé from May 7 to June 8, 2026. The show highlights the work of these two contemporary artists, bringing their practices to a significant gallery platform in the Spanish capital.
Artist Cheryl Pope has opened a solo exhibition titled "All There Is" at Monique Meloche Gallery in Chicago. The show features new, large-scale works made from needle-punched wool roving on cashmere that depict landscapes, marking a shift from her previous focus on the human form, memory, and identity. The exhibition runs through May 16.
The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.
Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.
Vian Sora’s solo exhibition "Tepe Gawra" at Bortolami Gallery marks her debut with the gallery, featuring a series of large-scale paintings that bridge ancient Mesopotamian history with contemporary Iraqi experience. The works, such as 'Celestial capsule' and 'Scarlet', utilize a complex layering process of poured acrylics and precise oil applications to explore themes of mortality, survival, and the aftermath of conflict.
Brooklyn-based artist Charis Ammon presents "Pedestrian," an exhibition of oil paintings depicting storefronts from her Bushwick neighborhood and other parts of New York City, at Sargent's Daughters Gallery in Tribeca. The works, inspired by photographs taken during her daily walks, feature scenes of Chinese takeout places, bodegas, dry cleaners, and laundromats, often incorporating reflections of buildings across the street. The exhibition runs through January 24 and is Ammon's second with the gallery, which is owned by Allegra LaViola.
Swedish-born, Brooklyn-based artist Helena Calmfors presents 'Floral Disciplines,' her debut solo exhibition at The Untitled Space gallery in New York, on view from October 23 to November 7, 2025. Curated by Indira Cesarine, the show features watercolors, photography, and performance that explore queer identity, eroticism, and power through the visual language of BDSM, blending floral imagery with fetish iconography to challenge patriarchal and heteronormative frameworks.
Artist Jan Vorisek's exhibition at Arcadia Missa features sculptures titled IGBTTLTVOE (Elbow), created from mass-produced plastic moulds used for casting decorative Doric columns. The artist modifies these cheap, prefabricated objects with 3D-printed curved sections, bending them into flaccid, wormlike structures that undermine their intended classical dignity and function.
The Financial Times reports on the largest-ever outdoor exhibition of Henry Moore's sculptures, held at Kew Gardens in London. The show presents a startling and stunning summer meeting between Moore's monumental modernist works and the botanical landscape, offering visitors surprising new perspectives on the artist's oeuvre.
Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.
Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.
Un dessin de Toulouse-Lautrec pour Albi
The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.
Une exposition autour du Champollion de Bartholdi, déposé à Nogent-sur-Seine
The Musée Camille Claudel in Nogent-sur-Seine is hosting a new exhibition centered around Auguste Bartholdi’s monument to Jean-François Champollion. The statue, recently transferred from the courtyard of the Collège de France by the Fonds national d’art contemporain, serves as the focal point for a display that explores the history and significance of the work. The exhibition provides a scholarly counter-narrative to recent ideological criticisms surrounding the monument's iconography.
Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.
The Catalan government has formally demanded €791,000 (approximately $920,000) from the Aragonese government to recoup costs related to the value and upkeep of 56 artworks from the Royal Monastery of Santa María de Sigena. The works were removed from the monastery in 1936 for safekeeping during the Spanish Civil War, and Spain's Supreme Court ruled in 2021 that they must be returned to Aragón. Of the 56 pieces, 12 were held at the National Art Museum of Catalonia and 44 at the Diocesan Museum of Lleida. The Catalan government has given Aragón 30 days to negotiate a settlement before returning to court.
Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.
Artist Charlie Cauchi presents a 150-kg chocolate sculpture of Russell Crowe as Maximus from *Gladiator* in her installation *Dolce* at the Malta Pavilion's group exhibition *No Need To Sparkle: Experiments in Love and Revolution* in the Arsenale during the Venice Biennale. The chocolate effigy, originally made by Tiziano Cassar for the Hamrun Chocolate Festival in 2023, was previously admired by Crowe himself, who joked about being made of chocolate.
New York City unveiled its first commemorative public artwork under Mayor Zohran Mamdani's administration on April 30, honoring the historic "Little Syria" neighborhood in Manhattan's Financial District. The monument, titled "Al Qalam (The Pen): Poets in the Park," is a mosaic installation and sculpture by French-Moroccan artist Sara Ouhaddou, created over the past decade. It celebrates nine members of the enclave's literary community, including Lebanese-American poet Khalil Gibran, who co-founded the writers' association Pen Bond in 1920. The $1.6 million artwork sits in Elizabeth H. Berger Plaza, within the blocks where immigrants from Greater Syria settled in the late 19th century before being displaced by tunnel construction in the 1940s.
A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.
Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.
A 16th-century portrait, attributed only to the "French or Flemish School," sold for $2.3 million at a Sotheby's New York auction, dramatically exceeding its estimate. The work, from the collection of Dutch magnate Anton Philips, sparked a 10-minute bidding war among four participants, likely driven by speculation it could be by the Dutch-born French painter Corneille de Lyon.
Judy Baca, a pioneering Los Angeles muralist known for her socially engaged public art, is participating in the Other Art Fair for the first time. She is showcasing a new 10-by-22-foot painting, *The 1968 East L.A. Walkouts*, which is the latest addition to her monumental, decades-long project *The Great Wall of Los Angeles*. The fair has commissioned a printed reproduction of the work for exhibition and will donate it to a community center afterward.
The Erie Art Museum has responded to a lawsuit filed by Georgia Heynes, the 82-year-old daughter of late artist George C. Demiel, who is seeking the return of her father's watercolor painting "House Boats." Demiel submitted the work to an annual juried show at what was then the Art Center of Erie in 1966, but the painting was not accepted and Demiel never reclaimed it before his death in 1967. The museum's December 2025 response argues the painting is "abandoned personal property" and was formally accessioned into its permanent collection in 1983. Heynes discovered the painting hanging in a 2019 exhibition at the museum and requested its return, but the museum has not relinquished it.