Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

MARGARET WHYTE TURNS FRAGILITY INTO LANGUAGE AT THE 2026 VENICE BIENNALE

The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.

Open Air/Open Space Art Exhibition at the Wayrick Wildlife Art Gallery

The Wayrick Wildlife Art Gallery at the Schermann Hoffman's Nature Center in Somerset County, New Jersey, is hosting the "Open Air/Open Space" juried art exhibition from February 6 through March 25. The show features works by professional and novice New Jersey Plein Air artists, celebrating the county's Open Space Preservation Program and its public park system.

Art with a heart - High Point pet portraitist schedules benefit show

Emily Cassidy, a High Point-based pet portrait artist with a background in animal science and veterinary technology, is holding a three-day solo exhibition titled "All Things Bright & Beautiful" from May 27 to May 29 at Reynolda Village in Winston-Salem. A portion of the proceeds will benefit the Wake Forest University Chaplain’s Emergency Fund, which assists students, faculty, staff, and contract workers with essential expenses. Cassidy, who returned to art in 2020 after a career in cancer research, now has a two- to three-month waiting list for commissions and works in colored pencils, pastels, and oils.

Exhibition by Visual Artist Aly Roshdy to Open in Sofia

Visual artist Aly Roshdy will open his solo exhibition "Inside Out" at Sofia Green Gallery in Sofia, Bulgaria, with a vernissage on May 7. The show runs through May 21 and features a series of paintings and collages inspired by the artist's travels, each depicting a specific place seen through a window. Roshdy describes the window as both a literal frame for observing different cultures and a symbolic lens for documenting his journeys, capturing moments of silence and contemplation.

'Mayday' call from gallery looking for new home

Trapezium Arts, a community arts group in Bradford, UK, has issued a 'mayday' call for help to find a new home after being told it must vacate its current space in the Kirkgate Shopping Centre by June 18. The centre is slated for demolition to make way for a 1,000-home City Village development. The group, founded eight years ago by a collective of local artists, has been operating out of empty retail units and will open its final exhibition at 54 Kirkgate on Saturday, titled 'May Day!', running from May 2 to 30.

Five-Minute Tours: Ana Stapleton at Red & White Gallery, Fayetteville

Ana Stapleton's exhibition "Persona" is on view at Red & White Gallery in Fayetteville, Texas, from March 7 to May 3, 2026. The show features recent paintings by the Austin-based artist that explore the tension between cultural expectations and authentic self-expression, particularly around growing up Mexican female.

These colors will enchant you. An exhibition of Niehliubka weavers opened at the Art Museum

On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.

Art charity takes over vineyard for exhibition

Art for Cure, a charity founded in 2014 by Belinda Gray after her own breast cancer diagnosis, is holding its annual exhibition at Wyken Vineyards near Bury St Edmunds, Suffolk, from May 1 to June 28. The show features over 200 sculptures and artworks by 30 sculptors and numerous other artists, displayed across the vineyard grounds and in the Leaping Hare restaurant. Up to 50% of sales commissions go to breast cancer research charities; the charity has raised £1.5 million to date from £3 million in art sales.

This art exhibition wants to leave you ‘a bit happier’

Architect and artist François Valentiny, together with his wife Edith Burggraff, has opened a joint exhibition titled "L'art en partage" at the Valentiny Foundation in Remerschen, Luxembourg. Running until 10 May, the show features paintings and sculptures by the couple and is accompanied by concerts, workshops, and community events. Valentiny, known for designing landmarks like KPMG Luxembourg's headquarters and the Bijou building, studied architecture in Vienna and splits his time between Luxembourg and Austria.

Rome: A new cultural space opens in Trastevere (there's also an art radio station)

Roma: apre a Trastevere un nuovo spazio culturale (c’è anche un radio sull’arte)

A new cultural space called ASIF has opened in Rome's Trastevere district at Via della Lungara 24, launching on May 8 with an exhibition titled "Educazione sentimentale per architetti" by artist and illustrator Chiara Carrer, running until June 20. The space is distinguished by an accompanying radio station that extends its reach through programs exploring art and the city, with a team including Yasmin Rosciglione, Arturo Zanaica, Novella Hoffer, Iacopo Taddia, Monica Dell'acqua, Edoardo Taddia, and Blanca Castro Xiques. The inaugural show, curated by Bonvini 1909 (named Artribune's gallery of the year in 2025), features over sixty works including collages, engravings, and sculptures centered on the theme of dwelling.

Chiamata aperta ad artisti e architetti under 35 a Roma. Obiettivo? Progettare un’opera in dialogo col Gazometro

A new open call for artists and architects under 35 has been launched in Rome, inviting proposals for a public artwork in dialogue with the iconic Gazometro (gasometer) in the Ostiense district. The initiative is promoted by Spazio Taverna in collaboration with Eni and ROAD – Rome Advanced District, and was announced on May 21 during the event "ON THE ROAD – Distretti di Innovazione." Participants are asked to design a monument, pavilion, or installation that engages with the former industrial complex, now a creative hub hosting the cultural program Arte al Gazometro since 2024. A jury including Marco Bassan, Ludovico Pratesi, Mattia Voltaggio, Claudio Quaternato, and Lorenza Baroncelli will select the winner, who will receive a €3,000 prize; the ten finalists will be published on Artribune and gain access to a Masterclass at the School of Vision. Submissions are open from May 21 to July 31, 2026, with results announced in September.

Santarcangelo Festival 2026: The Village Fills with Performances, Speaking of the Body as a Political Space Under Pressure

Santarcangelo Festival 2026, il borgo che si riempie di performance parlando di corpo come spazio politico sotto pressione

The 56th edition of the Santarcangelo Festival, titled "Deep Pressures," will take place from July 3 to 12, 2026, in the historic town of Santarcangelo, Italy. Curated by Tomasz Kirenczuk in his final year as artistic director, the festival transforms the town into a "city-festival" with over 100 events including performances, concerts, and participatory practices. The program explores the body as a political space under pressure—from geopolitical conflict and colonial legacies to emotional and social tensions. Key works include "In relation to whom?" by Palestinian artists Marah Haj Hussein and Nur Garabli, "When I Saw the Sea" by Lebanese choreographer Ali Chahrour, and "Homem Novo" by Mozambican artist Yuck Miranda, among others. The festival was presented at Mambo in Bologna, with Kirenczuk emphasizing that the role of the festival is to be unsettling, not reassuring.

In Pompeii, an immersive experience is born that takes visitors back to 79 AD. Here's how it works

A Pompei nasce un’esperienza immersiva che riporta i visitatori proprio al 79 d.C. Ecco come funziona

A new immersive experience called Discovery Pompeii Alive is set to open in June 2026 at the MaxiMall Pompeii, just steps from the archaeological site of Pompeii. Developed by 3DBA and managed by Irgenre Group in collaboration with Warner Bros. Discovery Global Experiences, the project uses multisensory technology, spatial sound design, and interactive devices to transport visitors back to the hours before the eruption of Mount Vesuvius in 79 AD. The experience aims to reconstruct daily life in ancient Pompeii—its villas, public spaces, and homes—culminating in the eruption itself, blending historical reconstruction with emotional engagement.

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.

Stefano Boeri designs a new monastery that will be born in Milan in the district where Expo 2015 was held

Stefano Boeri progetta un nuovo monastero che nascerà a Milano nel quartiere dove si fece l’Expo2015

Stefano Boeri Architetti has designed a new monastery, the Monastero Ambrosiano, to be built by 2029 in the Mind – Milano Innovation District, the tech hub developed on the site of Expo 2015 in Milan. Presented at the Abbey of Chiaravalle, the project is commissioned by the Diocese of Milan and includes a church for 300-350 worshippers, a Cloister of Religions, a Garden of Religions, and a Library of Religions, blending contemporary architecture with monastic tradition and interfaith dialogue.

The gardens are beautiful but we have stopped designing them. Analysis by architect Gabriele Mulè

I giardini sono bellissimi ma abbiamo smesso di progettarli. L’analisi dell’architetto Gabriele Mulè

Architect Gabriele Mulè analyzes the garden of Bruce Ginsberg in Hampshire, England, describing it as a masterful blend of Eastern and Western traditions. The garden, cultivated for over thirty years, features fluid curves, geometric hedges, a Tibetan stupa, and a labyrinth, embodying the concept of sharawadgi—planting without apparent order—while integrating elements from ancient Greece, the Renaissance, and Buddhist philosophy.

Near Florence there is a castle that recalls the Orient. The rebirth of the gardens begins with architect Tommaso del Buono

Vicino Firenze c’è un castello che ricorda l’Oriente. Al via la rinascita dei giardini con l’architetto Tommaso del Buono

The Castello di Sammezzano, a Moorish-style castle near Florence, Italy, is set for a major revival. Built in the 19th century by the Marquis Ferdinando Panciatichi Ximenes d'Aragona, the castle is one of Italy's most important examples of Orientalist architecture, featuring over sixty uniquely decorated rooms, a monumental park, and rare botanical species. After decades of neglect, auctions, and sporadic openings, the property was purchased in 2025 by the family of entrepreneur Giorgio Moretti, who plans a €50 million restoration. The first phase will focus on rehabilitating the historic gardens, with work beginning in June 2026.

Story of Stampé is the new social atelier in Turin: art gallery, workshop, laboratory of ideas and participation

Storia di Stampé è il nuovo atelier sociale di Torino: galleria d’arte, bottega, laboratorio di idee e di partecipazione

Stampé, a new community atelier in Turin, Italy, has opened at Via Stampatori 5, a historic street once home to printers. The space is a hybrid cultural hub combining an art gallery, a workshop, a showroom for artisanal and food products, and a social enterprise incubator. It launched with a group exhibition featuring seven cultural associations and the communication agency Hello Tomorrow, showcasing works by emerging artists and graphic artworks from past events. The initiative is part of the "Piani Generativi 2" social enterprise development project, funded by the city of Turin and the Compagnia di San Paolo foundation.

The arrival of the Orient Express hotel in Venice reopens the historic Palazzo Donà Giovannelli (filling it with contemporary art)

L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)

Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

A Milano esiste una community di illustratori che racconta la città disegnandola dal vivo

Urban Sketchers Milano, a local chapter of the international Urban Sketchers community, recently held an event at Casa Galimberti, a notable Liberty-style building in Milan. The group, founded in 2007 by journalist and illustrator Gabriel Campanario in Seattle, brings together illustrators who draw urban scenes directly from life, on location. The Milan chapter, active since March 2008, is currently managed by Valentín Di Salvo, Stefano Ziffarelli, and Daniela Paglia, and organizes events such as a recent gathering at the garden of Via San Martino, which drew over 90 artists.

Cultural Observatories: Dinosaurs or Subjects Capable of Interpreting the Present?

Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?

The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.

Veneto: In Place of a Liberty Café in Recoaro Terme, a Contemporary Art Center Opens. Interview with the Curator

Veneto: al posto di un caffè liberty di Recoaro Terme apre un centro d’arte contemporanea. Intervista alla curatrice

The historic Palazzo Caffè Nazionale in Recoaro Terme, a small spa town in the Veneto region of Italy, is being transformed into a contemporary art center called Cantiere del Contemporaneo, set to open on May 2, 2026. The project, curated by Elisabetta Bacchin, will focus on artist residencies, with the inaugural group including Romesh Bothalage, Pietro Chiarello, Francesco Pizzocchero, and Virginia Stevenin, who will work for two months in the converted spaces. The initiative is part of a broader regeneration plan funded by the National Plan for Borghi and the European Union's PNRR funds, aiming to revitalize the town's cultural and economic identity through contemporary art.

No, the closed Museum of Comics in Milan has not found a new home in Brianza

No, il Museo del Fumetto chiuso a Milano non ha trovato la nuova sede in Brianza

The Museum of Comics (Museo del Fumetto) in Milan, which suspended operations in June 2025 due to a €180,000 debt to the city, has not found a permanent new home despite online rumors. Instead, the Fondazione Franco Fossati, which runs the museum, has secured temporary storage for its archive in Desio (Monza-Brianza) for up to two years, using spaces granted free of charge by the local municipality. The archive—containing over 500,000 items including publications, original boards, and memorabilia—will be cataloged and preserved there, but the museum itself remains closed to the public.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

“La preistoria non è stata solo violenza, ma anche cura”. Intervista all’archeologa femminista Marga Sánchez Romero

Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.

In Piazza Navona the École française de Rome opens a space for exhibitions (all will be free admission)

A Piazza Navona l’École française de Rome apre uno spazio per le mostre (saranno tutte ad accesso gratuito)

The École française de Rome, founded in 1875 and housed at Palazzo Farnese, has opened a permanent exhibition space at Piazza Navona 62 in Rome. A current exhibition running until April 30, 2026, traces the institute's 150-year history of historical, archaeological, and social science research, highlighting its Italian and Mediterranean focus and the collaborative spirit between France and Italy. The new gallery will host a regular program of free-admission exhibitions and events dedicated to cultural heritage, archaeology, and history, starting with the show "Isole e santi – Monasteri e santuari dell’Adriatico orientale, da san Girolamo a Gregorio VII" from May 27, 2026.