The Narrows Center for the Arts in Fall River, Massachusetts, is preparing to host a group exhibition titled "Fall River: A Sense of Place" this autumn. The show will feature works by local artists exploring the city's unique identity, history, and community through various mediums.
The Galleries Art Fair, also known as the Hwarang Art Fair, will return to Seoul's COEX exhibition center from April 8-12, 2026. This year’s edition marks a significant milestone with a record-breaking 169 participating member galleries, making it the largest iteration in the event's history. The fair will feature a diverse range of contemporary Korean art, including a special section for emerging talent titled "Zoom In Edition 7" and a commemorative exhibition celebrating the 50th anniversary of the Galleries Association of Korea.
York College of Pennsylvania has opened its annual York College Art Scholastic Exhibition (YCASE), featuring artwork from students across 14 local high schools. The exhibition showcases over 100 pieces in various media, selected by a jury of York College art faculty, and includes an awards ceremony recognizing outstanding student artists.
The City of San Antonio's Department of Arts & Culture has opened a new exhibition titled 'Built on Legacy: Artists of San Antonio' at the Culture Commons Gallery. The show features 23 artists, both living and deceased, whose work in prints, sculpture, and installation represents the evolution of the city's art scene over the last fifty years.
Edinburgh's Hidden Door, an annual independent multi-arts festival, has announced an open call for visual artists to submit work for its 2026 edition, running from June 3 to June 7. The festival, which is volunteer-run, received transformative multi-year funding from Creative Scotland through 2027, enabling it to pay artists fairly and expand its ambitions. Artists based in Scotland or with a meaningful connection to the country are invited to apply by January 11, with themes including 'Out-of-Place Objects,' 'Stone Tape Theory,' and 'Myth of a Building.' The venue for 2026 remains secret, with the full program to be announced later.
Arts in Irvine is celebrating the 25th anniversary of the Beall Center for Art + Technology with a new exhibition titled "25 Years at the Beall Center for Art + Technology," opening October 26 at the Great Park Gallery. The show features interactive installations and digital experiments that explore the intersection of art and science, highlighting influential artists and milestone moments from the center's history since its founding in 2000. A free opening reception will be held from 1 to 3 p.m., and the exhibition was curated in collaboration with the University of California, Irvine.
The Guernsey Literary Festival and Art for Guernsey are inviting local artists to submit cover designs for "Time & Tide," the Guernsey Short Story Anthology, a new publication celebrating writers connected to the Bailiwick. The competition is open to artwork of any medium inspired by the anthology's theme of personal memories, imagined futures, and island life rhythms. The anthology will be published by Blue Ormer and launched at the Guernsey Literary Festival from 24 April to 3 May 2026, with a submission deadline of 30 November 2025.
An art exhibition in Daegu, South Korea, was shut down after featuring works by artist Hong Sung-dam that satirize former President Yoon Suk Yeol. The exhibition, titled "Art for the Future: Daegu, Art, Answer the Zeitgeist," was held at the district-run Bongsan Cultural Center and organized by the Daekyung Art Research Institute. Three paintings—"Donghak-uiguk," "Ddong-gwang," and "Pal-gwang"—depicted Yoon in provocative contexts, including nudity and references to political controversies such as the doctors' strike and his wife Kim Keon Hee. On the first day, the center requested removal of the works; after the institute refused, the center required artists to sign a liability pledge. Ultimately, Ryu Kyu Ha, head of Daegu's Jung-gu District Office, ordered the exhibition hall closed, citing regulations against political works. Two other galleries remain open with about 50 works by 19 artists.
Marquee, a gallery in Asheville's River Arts District, has reopened nearly one year after Tropical Storm Helene devastated the area. The storm caused the French Broad River to flood local businesses, leaving extensive damage and emotional toll. The gallery's return marks a significant milestone in the district's ongoing recovery and rebuilding efforts.
Sydney art dealer Justin Miller is offering a crayon drawing of a sailing boat by a nine-year-old King Charles III at the Sydney Contemporary art fair at Carriageworks, with a price tag of $48,000. The artwork, created by the future monarch during his childhood, is being presented as a rare collectible tied to royal history.
Kiripost has announced an open call for Southeast Asian artists to apply for a Solarpunk-themed exhibition and residency program. The initiative invites visual artists from the region to submit proposals that explore solarpunk aesthetics—a genre blending ecological sustainability, technology, and utopian futures—for a group exhibition and accompanying residency. The call is open to emerging and established artists working in various media, with selected participants receiving production support, exhibition space, and a stipend. The deadline and specific dates are not detailed in the article, but the program is organized by Kiripost in collaboration with local partners.
The South Dakota Art Museum has opened 'The Founding Gifts,' a summerlong exhibition running from March 29 to September 21, celebrating the people and collections that established the museum. The exhibit highlights three key contributors: artist Harvey Dunn, whose 1950 donation of homesteading-era paintings formed the museum's foundational collection; the South Dakota General Federation of Women’s Clubs, which advocated for a permanent art museum and donated its art collection in 1970; and Congressman Benjamin Reifel, the first Lakota person elected to U.S. Congress, who loaned his Plains art collection in 1977, founding the museum's Native American collection. A free public reception is planned for August 8.
21c Museum Hotel St. Louis announces the opening of "The Future Is Female," an exhibition featuring 94 works by 50 international artists exploring themes of identity, consumer culture, ecology, history, mythology, and power. The exhibition runs from June 30, 2025 through June 2026, with a reception on July 15 featuring remarks by Chief Curator Alice Gray Stites and artist Tiffany Shlain, plus a special four-course dinner by female chefs.
The 'Imagine – Youth Art Exhibition' is currently on display at the Erina Centre, Erina Fair, until May 30, showcasing works by students from Erina and Terrigal High Schools. Organized by the Erina Rotary Club in partnership with The Arcade Gallery, eMerge, and Central Coast Council, the exhibition celebrates youth culture through mixed media and technology. A People's Choice Award, sponsored by Eckersley's, allows the public to vote for their favorite artwork via QR code until May 25, with prizes of $100 and $50 vouchers. Teachers, council youth services, and Rotary members collaborated to curate and support the event, which includes collaborative pieces from Year 7 and 8 students exploring magical themes, landscapes, still life, and portraits.
The Wallingford arts group is organizing a spring show aimed at launching a series of cultural events in the community. The exhibition will feature local artists and is intended to generate momentum for future programming, including workshops, performances, and public art initiatives.
ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA
The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.