Notta Gallery, founded by Danielle Klonecki, Andy Webb, and Katie Webb, will open with a "soft-ish" launch on September 5 at 125 N. Kentucky Ave., Suite 103, in downtown Lakeland, Florida. The space, formerly occupied by June Taylor (now Junely), aims to make art approachable and build collectors through a mix of interactive elements, affordable works, and higher-end pieces. The inaugural show is titled "Love Lakeland."
The Weisman Art Museum in Minneapolis has opened a new exhibition titled "Imagining Future Cities: Global and Minnesota Visions, Past and Present," running through September 14. Curated by Dingliang Yang, an urban designer and McKnight Land-Grant Professor at the University of Minnesota, the show features architectural drawings, diagrams, and models that examine the history and meaning of cities over the past 150 years. Yang collaborated with faculty members Thomas Fisher and Jennifer Yoos, research fellow Michael Keller, and 17 student research assistants over three years to create the exhibition, which is organized into three galleries exploring theoretical, experimental, and perceptual approaches to urban design.
A new art gallery called Future Rebel Art Gallery is set to open on Canal Street in Stourbridge, UK, founded by local artist Cal. Housed beneath the vintage store Grandad’s Attic opposite the Bonded Warehouse, the space aims to display contemporary and thought-provoking works from artists aged 17 to 70, including sculptures, mixed media, audio-visual art, and interactive pieces. All works will be for sale, and the gallery plans to host around five exhibitions per year, each running for ten weeks. The opening on August 23 will feature food, drinks, live music, and creativity.
A new arts and environmental precinct called Where Art Meets Nature (WAMA) has opened in Halls Gap, Victoria, on a 16-hectare property in the Grampians. The site features Australia's first National Centre for Environmental Art (NCEA), designed by MvS Architects and Taut Architects, along with a botanic garden, native grasslands, wetlands, and outdoor artworks. The inaugural exhibition is by Western Australian artist Jacobus Capone, focusing on humanity's engagement with nature through multidisciplinary works.
The Howick Art Group's Spring Festival Art Exhibition opened triumphantly at Howick Bowling Club, drawing over 100 attendees on Saturday evening. The show features 212 works by adult artists, plus student entries from local intermediate schools, with all pieces for sale. David Szeto won Best in Show for his painting "Beautiful Environment," which also took first in Landscapes. The exhibition runs daily until August 10, with free entry, and celebrates the group's 60th anniversary since its founding in February 1965.
The San Bernardino County Museum, in partnership with the Inland Empire Latino Art Association, has issued a call for artists for an exhibition titled "Expectations: A Better World Through Art, Music, and Respect," running from September 13 to December 14. The show celebrates Hispanic Heritage Month and invites submissions in all mediums from artists in San Bernardino County and surrounding regions, with a deadline of August 8. Selected works will explore how expectations shape identity and community, and the museum has explicitly banned AI-generated art from the submission process.
Throughline Collective in Houston has announced the 15 artists selected for "Future Forward," a group exhibition featuring graduate and undergraduate art students from across Texas. Guest curated by Madi Murphy, Associate Curator of FotoFest, the show opens with a public reception on August 8, 2025, at Throughline Gallery and runs through August 30. Selected artists include students from universities in Denton, Houston, Lubbock, and San Antonio, working in painting, drawing, photography, sculpture, and textile-based art.
Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.
An art gallery has opened in a former Wilko store in Hillsborough, which closed in September 2023 after the high-street chain collapsed. Hypha Studios, a charity led by director Will Jennings, repurposed the empty retail space to provide artists with a venue for exhibitions, acting as a middleman between landlords and creatives.
Glastonbury festival has concluded, and cleanup efforts are underway to address the estimated 4,000 tents left behind, alongside other waste. However, the Shangri-La stage offered a different vision: instead of traditional art installations, it featured allotments, plants, and seeds for festival-goers under the banner of "The Wilding." Creative director Kaye Dunnings led a reset focused on nature, community, and sustainability, with works like Sonic Bloom (a collaboration with charity Sounds Right) and Coral Manton's crop-circle-inspired installation Field Work. Shangri-La also purchased a nearby plot to tend plants for reuse in future festivals, aiming for a sustainable exhibition model.
East Los Angeles College’s Vincent Price Art Museum is hosting an exhibition through August that spans three decades of Latina lesbian activism in Los Angeles, from the 1980s to the late 2000s. The show features photos, posters, letters, and ephemera highlighting the fight against anti-gay hate crimes, alongside struggles for LGBTQ+ healthcare, affordable housing, fair wages for janitors, and immigrants’ rights. Co-curated by Jocelyne Sanchez and Vanessa Esperanza Quintero, the exhibition is a collaboration with UCLA’s Latina Futures 2050 Lab and pays tribute to activists including the late archivist Yolanda Retter Vargas.
The Palmer Museum of Art at Penn State has opened a new exhibition titled “Shaping American Histories, Dreaming American Futures,” on view through July 27. The show features works that explore diverse American histories, including Billy Morrow Jackson's lithograph “The Tattooed Man,” which references the 1963 Birmingham church bombing. Visitors are invited to contribute reflections on a community response wall, answering questions about the nation's past, present, and future via sticky notes.
The Orange Art Center in Pepper Pike, Ohio, will present its first Emerging Artist Residency exhibition this summer, featuring multi-media artist Lauren Sylvia. Her show, “The Many Hues Between Brown and Blue,” explores themes of love, loss, and remembrance inspired by her late cat Twila, using watercolor, acrylic, and experimental materials. The exhibition opens during the Orange Community Art Fest on August 16 and runs through September 30.
Art fairs face significant sustainability challenges due to their temporary nature. Untitled Art in Miami Beach, held in a tent on the beach, works with environmental departments to ensure zero impact, reusing its tent annually. Fairs in permanent venues like Art Basel Miami Beach at the LEED Silver-rated convention center must manage temporary walls, energy use, and waste. Exhibitors struggle with high carbon emissions—art fair activities account for a third of a gallery's annual emissions—and waste from packing materials. Shipping constraints often force reliance on air freight over slower, greener options like ocean or rail, especially for last-minute, high-value consignments. The competitive, secretive atmosphere further hinders consolidated shipments and sustainable practices.
Throughline Collective, a Houston-based artist-run space, has announced a statewide open call for "Future Forward," a juried group exhibition for Texas college students scheduled for August 8-30 at its 1,000-square-foot gallery in Midtown. Madi Murphy, Associate Curator of Fotofest, will curate the show, and two selected students will receive a two-person exhibition in 2026 along with mentorship, installation help, promotion, a stipend, and curatorial freedom. Applications are due June 1, with a $30 fee, and all artistic mediums are welcome.
The New York Times profiles a New York nonprofit that has served as a launching pad for generations of artists, providing studio space, resources, and community support. The organization has nurtured emerging talent for decades, helping many artists transition from obscurity to professional recognition.
The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.
Les écoles d’art privées traversent une zone de turbulence
A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.
Emmanuel Étienne prend les rênes des musées de Compiègne-Blérancourt
Emmanuel Étienne has been appointed as the director of the national museums and estates of Compiègne and Blérancourt. The 48-year-old architect and urban planner, a heritage architect trained at the École de Chaillot, succeeds Rodolphe Rapetti, who has retired. He will oversee the complex, which includes the Château and national estate of Compiègne with its three museums, as well as the estate and the Franco-American Museum of Blérancourt.
Art conservator Julian Baumgartner, who runs Baumgartner Fine Art Restoration in Chicago, received an anonymous portrait that arrived severely damaged—folded inside a mangled parcel with substantial creases, tears, and worn-away paint. Using reversible, archival materials and meticulous attention to detail, Baumgartner painstakingly restored the neglected painting, giving it a second chance at life.
On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.
The Southwest Art Gallery and Science Center in Dickinson, North Dakota, is presenting a women’s Western art exhibition titled “Women Artists of the Western Plains” from May 7 through June 12. The show features 88 artworks including paintings, bronze sculptures, and historic saddles by regional artists Daphne Clark, Afton Ray Rossol, Barb Kalenze Kraft, Oksana Zvyagelskiy, Trish Stevenson, and Kelsey Jacobson. A public reception will be held May 14 with wine, cheese, and classical guitar. The exhibition was organized in collaboration with the Long X Arts Foundation and includes works by sculptor Linda Little and saddles from the North Dakota Cowboy Hall of Fame.
An annual Little Artists exhibition will take place next Sunday, May 10, at The Lighthouse in North Berwick, from 1:30 to 4:30 PM. Young creators will display artworks based on the theme 'favourite things,' including drawings of their favorite toys, foods, places, and more. The exhibition also features eight large wall murals painted monthly, depicting scenes such as a toy shop, a field of animals, and a rabbit village. Tickets are £10 per family group.
Cumbria's largest museum, Tullie House Museum and Art Gallery Trust in Carlisle, has appointed six new trustees to its board, expanding the total to 15 members. The new trustees include Lord Richard Inglewood, a former government minister; Lisa Middleton, head of marketing at National Museums Liverpool; Joanne Orr, former director of Tullie and ex-chief executive of Museums Galleries Scotland; Malcolm Rogers, a banking and finance specialist; Helen Smout, chief executive of Culture Perth and Kinross; and John Stevenson, a former MP for Carlisle. The appointments were announced by Tullie chair Andrew Smith and director Andrew Mackay.
The Venice Biennale jury has excluded Russia and Israel from eligibility for artist awards, following the EU's threat to cut funding over geopolitical concerns. The decision bars artists from these countries from being considered for official prizes at the prestigious international art exhibition.
Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.
The Killeen Independent School District (KISD) has launched its 23rd annual art exhibition at the Killeen Civic and Conference Center, featuring hundreds of works from middle and high school students. The event, which includes drawings, paintings, sculptures, and textiles, opened with a ribbon-cutting ceremony attended by district leaders, faculty, and families. The exhibition showcases the creative output of a program that serves over 6,200 students and includes original works from the district's art faculty.
Art Macao's collateral exhibition 'Since it is•The Future: Media Art Exhibition' opened on Saturday evening at the Cardinal Newman Centre for Culture and Arts Performance of Macau (CCCN). Part of the Art Macao: Macao International Art Biennale 2025, the show is co-curated by Willa Chan and Ha Tin Cheong, featuring works by four local artists—Ng Man Cheng, Cheong Ka Kit, U Ka Kit, and Lo Hio Leng—under a 'post-apocalyptic cultural archaeology' narrative. The exhibition uses media art to explore Macau's identity between passive acceptance and active creation, with each artist presenting interactive installations that reimagine the present through a speculative future lens.
The article announces an exhibition at the Thomas J. Watson Library titled "The Magic of Marbling: The Art of Karli Frigge," showcasing the work of pioneering paper marbler Karli Frigge (born 1943). The display includes her sample books, recipe books, instruction guides, and workbooks from Watson Library's collection, spanning her career from 1960 to 2000. Frigge studied bookbinding in the Netherlands and is known for signature patterns like landscape, tiger eye, and alchemy marbles. The exhibition also features her biographer Sidney E. Berger's account and her 2023 publication "Set of Historical Marbled Papers."