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Opening Conversation: International Surrealism from Tate

The Frist Art Museum in Nashville will host "Opening Conversation: International Surrealism from Tate" on May 21, 2026, from 6:30 to 7:30 PM. The event features a discussion with Dr. Matthew Gale, exhibition curator; Michael J. Ewing, Frist Art Museum associate curator; and Caroline Yates, Susan H. Edwards Curatorial Fellow, focusing on the exhibition "International Surrealism from Tate: Fifty Years of Dreams." The exhibition, drawn from the Tate's collection in the United Kingdom, presents a broad selection of paintings, photographs, sculptures, publications, and archival material that traces the long trajectory and global reach of surrealism. A live musical performance in the Grand Lobby precedes the conversation from 5:15 to 6:15 PM, and the museum remains open until 9:00 PM for gallery visits.

Archives : MAMM : Lauren Greenfield : Generation Wealth

The Multimedia Art Museum, Moscow (MAMM) presents 'Generation Wealth' by American documentary photographer and director Lauren Greenfield as part of the XII Moscow International Biennale 'Fashion and Style in Photography 2021'. The exhibition, opening May 21, 2021, includes over 200 photographs, documentary films, and interviews drawn from Greenfield's 25-year investigation into global consumer culture, wealth aspiration, and the transformation of happiness. It marks Greenfield's third exhibition at MAMM, following previous shows in 2000 and 2004.

Project 88 and Vadehra Art Gallery at No.9 Cork Street for London Gallery Weekend

Project 88 and Vadehra Art Gallery, two leading Indian galleries, will present exhibitions at Frieze’s No.9 Cork Street space in London from 5th–28th June 2026, coinciding with London Gallery Weekend. Project 88 debuts with 'Treeish', a group show curated by Prajna Desai featuring artists Claire Baker, Mahesh Baliga, Neha Choksi, Goutam Ghosh, Trupti Patel, and Tejal Shah, exploring the agency of trees through diverse media. Vadehra Art Gallery returns with 'A Singular Modernist', a solo exhibition dedicated to the late modernist painter A. Ramachandran (1935–2023), showcasing works from his Puppet Theatre series and later lotus pond imagery.

centre pompidou hanwha opens in seoul inside jean-michel wilmotte's box of light

Centre Pompidou Hanwha has opened in Seoul, housed within Jean-Michel Wilmotte's 'Box of Light' design. The new museum features flexible galleries that can accommodate large-scale contemporary exhibitions, with inaugural displays including large-scale paintings and sculptures.

Controversial art show canceled at NY archdiocese venue finds home at Jesuit parish

Jesuit artist Nicholas Leeper's solo exhibition "Twilight of the Idols," which blends Byzantine iconography with pop art and advertising imagery, was abruptly canceled by the Sheen Center for Thought and Culture in New York about two weeks before its scheduled opening in May 2026. The center, founded by the New York Archdiocese, cited phone calls and emails expressing concern about the work, which includes pieces like "Madonna and Child (Tomatokos)" depicting Mary as a Campbell's soup housewife and "The Visitation" reimagining Mary and Elizabeth in a cigarette ad. Within a day, the exhibition found a new venue at the Mary Chapel of St. Francis Xavier Church, organized in partnership with Xavier High School, where Leeper teaches.

Oxford Festival Of The Arts brings world famous artists, free exhibitions and silent films to the city centre

The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.

2026 Sondheim Art Prize semifinalists to exhibit work at Reginald F. Lewis Museum

The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

Museum exhibitions to coffeehouse chats: How to celebrate America 250 this summer

The article outlines various events and exhibitions in Washington, D.C., celebrating the 250th anniversary of the United States this summer. Highlights include the "In Pursuit of Life, Liberty, and Happiness" exhibit at the National Museum of American History, featuring 250 objects from 1776 to the present; a Gen-Z-focused coffeehouse chat at Tudor Place; exhibitions at the National Museum of Women in the Arts, including "Ms. Americana" and "Burnished: Pueblo Pottery"; and the Spirit of America Festival at the National Archives, showcasing rare documents.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

Racine Art Museum announces sizzling slate of summer events

The Racine Art Museum (RAM) and its Charles A. Wustum Museum of Fine Arts campus have announced a packed schedule of summer events for 2026, including new programs like the Twilight Garden Series, which combines cocktails, creativity, and themed activities. Highlights include Free First Friday, a Master Workshop with artist Liandra Skenandore on black ash plaiting, Kids Day inspired by the Handcrafted exhibition, and City Movie Night featuring a screening of Lilo & Stitch (2025). Wustum also offers one of Wisconsin's largest museum-based studio arts programs with over 60 class options in ceramics, drawing, glass, fiber, jewelry, painting, and paper arts.

Without Childhood Photos, A Haitian American Artist Spends A Decade Imagining Her Family Archive

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's emigration from Haiti to New York, has spent nearly a decade creating a multi-generational "living archive" of photographs, video, sound, and sculpture. The archive fills the gaps left by scarce family photographs and fading memories, exploring the diasporic experience and the elusiveness of memory. The largest presentation of this work is currently on view at the Milwaukee Art Museum in the exhibition "Currents 40: Widline Cadet."

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

Taos Art Museum The pull of the landscape

The Taos Art Museum has opened a new exhibition titled “Land, Legacy, and Perspective: Landscapes of Northern New Mexico” on May 12, 2026, in the Janis and Roy Coffee Gallery. Featuring 30 works from the museum’s permanent collection and select loans from private collections, the show includes paintings and works on paper by artists such as Ernest L. Blumenschein, Leon Gaspard, Gene Kloss, Barbara Latham, Joseph Henry Sharp, Victor Higgins, and E. Martin Hennings. Spanning the early to mid-20th century, the exhibition captures scenes of Taos Pueblo, adobe villages, Black Mesa, snowy mountain passes, and aspen groves in various media.

Artist Yeesookyung Reimagines Works Through AI in Seoul-Jeju Exhibition

Artist Yeesookyung, known for her "Translated Vase" series that repairs broken ceramics with gold, has created new AI-driven video works for the exhibition "Fail Better," jointly held at Forum & Space in Seoul and Vido Gallery in Jeju through June 13. The two-person show, curated by Kim Yoon-kyung, also features media artist Yangachi and includes works like "Moonlight Crown," which uses real-time GPS and weather data to generate ever-changing forms, and "Oh, Rose!," a digitally bred rose series produced through an AI generative system.

Venice exhibition rethinks curating and creativity in the AI era

A new exhibition titled *Metamorphosis: Beyond the Real. Searching for Victoria Lu – When Humans and AI Think Together, the Story Begins* has opened at Ca' Foscari Esposizioni in Venice, running parallel to the 2026 Venice Biennale. The show centers on Victoria Lu, a pioneering Chinese curator whose five-decade career helped shape contemporary Asian art. It features archival materials, AI-generated works, and collaborative experiments exploring the intersection of human creativity and artificial intelligence.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Brandywine Conservancy & Museum of Art announces $100m expansion

The Brandywine Conservancy & Museum of Art in Pennsylvania has announced a $100 million expansion project to transform its 15-acre campus. The plan includes a new 40,000-square-foot museum building designed by Kengo Kuma & Associates—the firm's first museum in the U.S.—along with renovations to the original mid-19th century grist mill building, and the creation of a 325-acre publicly accessible preserve and garden with 10 miles of trails. Construction is set to begin in spring 2027, with completion expected in autumn 2029.

Sex, desire and intimacy explored in Singapore art exhibition for over-18s

National Gallery Singapore (NGS) is presenting "Passion is Volcanic: Desire in Southeast Asian Art," an exhibition for over-18s that explores eroticism and desire through more than 70 works spanning 800 years. The show is structured into three chapters—"Asian Mythos and Rituals," "Conventions of the Erotic," and "Public Arenas/Private Interiors"—and includes pieces such as a 14th-15th century Tantric Buddhist sculpture and Araya Rasdjarmrearnsook's video work "I’m Living" (2002). Senior curator Adele Tan, a co-curator, says she wanted to use the lens of eroticism to uncover overlooked narratives in the museum's collection.

Trace the making of Fermata: Hong Kong in Venice through complete artwork reveals and installation photography

The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

HistoryMiami rebrands as Museum of Miami, a ‘museum without walls’

HistoryMiami, the historical museum of South Florida, has rebranded as the Museum of Miami, adopting a 'museum without walls' concept. The change reflects a shift away from a traditional brick-and-mortar institution toward a more flexible, community-engaged model that will operate across various locations and digital platforms throughout Miami.

The Bad Bunny chairs taking over the art world

Edra Soto, a Puerto Rican artist based in Chicago, has created a series of plastic lawn chairs upholstered with the face of reggaetón superstar Bad Bunny, now on view in the exhibition "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago. The chairs, part of Soto's broader practice transforming everyday Puerto Rican objects into art, also appear at the Kemper Museum of Contemporary Art in Kansas City and were shown at EXPO Chicago. The exhibition explores the visual history and political power of Caribbean music, highlighting Bad Bunny's role in the 2019 protests that led to the resignation of Governor Ricardo Rosselló.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

Abbas Akhavan: Entre chien et loup

This article appears to be about an exhibition titled "Abbas Akhavan: Entre chien et loup" hosted by the National Gallery of Canada (www.gallery.ca). However, the provided text consists solely of a security verification page and error messages, not the actual article content. No substantive information about the exhibition, the artist, or any events is available from this text.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.