100 Years of Leighton House

Leighton House in London has announced a year-long centenary program for 2026, marking 100 years since the house opened as a museum. The centerpiece is "The Arab Hall: Past and Present" (21 March – 4 October 2026), featuring three site-specific installations by artists Ramzi Mallat, Kamilah Ahmed, and Soraya Syed, a short film by Syrian filmmaker Soudade Kaadan, and an exhibition of original designs by George Aitchison, William De Morgan, and Walter Crane, alongside new research by Dr. Melanie Gibson published in a fully illustrated book. The museum is also collecting public memories and memorabilia for a Centenary Archive, and has formed an Advisory Panel to inform the exhibition.

Paul Kooiker on photographing 42 art-school students for Acne Paper Palais Royal debut

Dutch photographer Paul Kooiker has opened a new exhibition titled '2025' at Acne Paper Palais Royal in Paris, featuring portraits of 42 students from the Gerrit Rietveld Academie in Amsterdam, where he taught photography for 25 years. Commissioned by Acne Studios' magazine offshoot Acne Paper, the show marks the first exhibition in the brand's new permanent gallery space. Kooiker shot the students spontaneously in corridors and classrooms, capturing them in his signature black-and-white style that blends timelessness with a sense of the unsettling, though this project breaks from his usual anonymity by focusing on faces and a specific moment in time.

Union Public Library & Arts Center hosts a grand opening

The Union Public Library & Arts Center in Union, New Jersey, held a grand opening celebration for its newly renovated three-level facility. The event featured an art gallery unveiling with works by acclaimed artist Winston Young, a Black Box Theater plaque unveiling with live performances, a parade from the interim library location, a ribbon cutting, and activities including LEGO workshops led by Corey and Travis Samuels, origami, caricature drawing, face painting, and a book sale. Library director Kassundra Miller expressed excitement about offering new amenities such as a sensory room, creativity lab, study rooms, podcast room, and musical instrument lending.

Malak Mattar becomes first Palestinian artist to get solo show at London's prestigious Central Saint Martins

Malak Mattar, a 25-year-old self-taught Gazan artist, has become the first Palestinian to receive a solo exhibition at London's Central Saint Martins (CSM). After winning a scholarship for a Master's in Fine Art at CSM, she was trapped in Gaza until October 6, 2023, the day before the Hamas attack and subsequent Israeli invasion. Her show, opening May 15 at Window Galleries, features powerful works like 'No Words' (2024), a monochrome canvas likened to Picasso's Guernica, and 'Gaza's Phoenix' (2025), a colorful collage symbolizing resilience. Mattar has also faced institutional challenges, including a lack of public solidarity from the University of the Arts London (UAL) regarding Gaza and financial disparities compared to Ukrainian students.

The Pressure to Mean Something: Inside the VCUarts’ MFA Exhibition

The article covers the MFA exhibition at VCUarts, showcasing the work of graduate students in the visual arts program. It highlights the pressure on emerging artists to imbue their work with meaning and the diverse approaches taken by the exhibitors.

‘Exhausted’ life models at Florence art academy threaten nude protest

Life models at the Accademia di Belle Arti di Firenze (Florence Academy of Fine Arts) are threatening legal action and a nude protest in the academy's courtyard over poor working conditions. They describe their work as “exhausting,” involving eight-hour sessions with minimal breaks, and say their renewable annual contracts—offering 500 hours over 11 months—lack insurance, paid leave, sick days, or a digital timecard. The dispute centers on Italy’s ministry of universities and research rules introduced last year, which the academy interprets as excluding models hired more than three years ago under simplified procedures from permanent contracts. Union president Giancarlo Iacomini has met with academy director Gaia Bindi to seek a resolution, while the academy says it will publish a new public recruitment notice that counts previous contracts as qualifications.

Russian artist reveals portrait Putin commissioned him to make as gift for Trump

Russian artist Nikas Safronov revealed a portrait of Donald Trump commissioned by Vladimir Putin as a gift for the U.S. president. The painting depicts Trump after the July 2024 assassination attempt, with blood on his face and fist raised, against a U.S. flag and Statue of Liberty backdrop. Safronov confirmed Putin personally conveyed the importance of the order, and the portrait was delivered via Trump envoy Steven Witkoff. The Kremlin pool journalists posted the image, and Putin spokesperson Dmitry Peskov confirmed the gift.

Dealers Face a Choice: Show Solo Artists? Or Groups?

Art dealers are weighing the strategic decision of whether to present solo artist booths or group shows at art fairs. Solo booths allow visitors to focus deeply on a single artist's work, avoiding the sensory overload of multiple artists, while group booths offer variety and broader market appeal. The choice often varies depending on the fair and the dealer's goals.

How to Reduce the Environmental Impact of Collecting

The article outlines practical strategies for art collectors to minimize their environmental footprint. It details specific actions such as opting for commercial flights over private jets, selecting reusable and sustainably sourced packing crates, consolidating shipments, and choosing local artists or galleries to reduce transportation emissions.

In Japan, Making Wooden Kokeshi Dolls

The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.

Endangered Species? Venice Biennale Ditches Golden, Silver Lions for 2026 Edition

The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

Street artist Ozmo acquitted in court: 'His work is not vandalism and has cultural value' (but in the meantime it has been erased)

Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)

In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.

Milan Depaves: A New Garden Arrives to Combine Sustainability and Culture

Milano si depavimenta: sta per arrivare un nuovo giardino per tenere insieme sostenibilità e cultura

Construction will begin in the coming weeks on Giardino Manifesto, an urban regeneration project at the historic Milanese cultural space Santeria Toscana 31. Presented on May 19, 2026, with Mayor Giuseppe Sala, Gruppo CAP President Yuri Santagostino, and architect Cristiana Cutrona of ReValue, the initiative transforms a fully paved external area into a green infrastructure applying sponge city (SUDS) principles. The design includes rain gardens, drainage surfaces, a rain-collecting amphitheater, and a sensory garden, aiming to reduce flood risk and lower perceived temperatures by up to 4-5°C through de-paving and resilient vegetation.

IDF Soldiers Hide From Our Gaze

An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.

How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

The Forgotten Eligibles. Protest over the Ministry of Culture's ranking of 200 art historians

Gli idonei dimenticati. Protesta per la graduatoria dei 200 storici dell’arte del Ministero della Cultura

The CISDA (Committee of Qualified Art Historians) has issued a strong protest against the Italian Ministry of Culture's intention to let the ranking list from a 2018 public competition for Art Historian Officials expire on May 30, 2026, without extension. This would invalidate the eligibility of 204 qualified candidates who passed rigorous selections. The protest has escalated into a parliamentary inquiry directed at Culture Minister Alessandro Giuli, and a public demonstration is scheduled for April 28 in front of the Ministry's headquarters in Rome.

The National Choreographic Center is doing everything to involve young people in ballet

Il Centro Coreografico Nazionale sta facendo di tutto per coinvolgere i giovani nel balletto

The Centro Coreografico Nazionale Aterballetto in Reggio Emilia has launched "Alla ricerca della meraviglia" (In Search of Wonder), a year-long research and production project aimed at engaging younger audiences through contemporary dance. The initiative involves three choreographers—Fernando Melo, Jacopo Jenna, and Francesco Marilungo—who are developing works that adopt a child’s perspective rather than simply creating content for children. These studies will be presented at the Internazionale Kids Festival in May 2026, with one selected for full production later that summer.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

The concept of 'Italian Capital of Culture' needs a rethink

Il concetto di “Capitale Italiana della cultura” avrebbe bisogno di un ripensamento

Ancona has been named the Italian Capital of Culture for 2028, a decision that was widely anticipated but has sparked debate regarding the selection process. While Ancona’s proposal was praised for its depth and quality, critics point out that nine out of the ten shortlisted cities are led by center-right mayors, raising concerns about political influence and the independence of the evaluation commission.

At Mcube, the movement and memory of jatras come alive

Pradip Kumar Bajracharya's solo exhibition 'Festive Spirit' at Gallery Mcube in Kathmandu marks his return to solo shows after over a decade. The exhibition captures the movement and memory of Nepal's jatras (festivals), focusing on the cultural celebrations of the Newa people. Bajracharya uses abstraction and fluid acrylic techniques to depict events like Bhaktapur's Sindure Jatra and Indra Jatra, often decentering faces to emphasize atmosphere and emotion. The works also reflect on the pandemic's halt of festivities, with paintings referencing locked chariots and temple guardians.

No Regrets: Artists Decide To Sell Buffalo’s Legendary Hitching Post Gallery

Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.

Art gallery owner pursues expansion of historic Museum Mile building

Salon 94 founder Jeanne Greenberg Rohatyn is pursuing an expansion of a historic building on Museum Mile at 3 East 89th Street in Manhattan. The project aims to enlarge the gallery's footprint on the Upper East Side, a move reported by Crain's New York Business.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

Life with ALS fuels the newest art exhibit in Covington

Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.

New Currents: Zhang Mingxuan’s Politics of Skin

Chinese artist Zhang Mingxuan, 27, debuted her first mature body of work in a 2023 solo exhibition at Hive Center for Contemporary Art in Shanghai, featuring paintings and prints of distorted human forms wrapped in torn nylon hosiery. Her process involves stretching, tearing, and pressing nylon-clad boards onto canvas to create uncanny impressions of compressed, fetal-like bodies. The works, created after she completed her MA in printmaking at the Royal College of Art in London, explore themes of violence, embodiment, and the limits of the body through a labor-intensive method blending painting and printmaking.

This Long Beach Art Gallery Survived a Drunk Driver. But The Next Threat Could Mean Its End.

A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.

In Paris, Emmanuel Grégoire Abolishes the Position of Deputy for Heritage

À Paris, Emmanuel Grégoire supprime le poste d'adjoint au patrimoine

The newly elected Mayor of Paris, Emmanuel Grégoire, has unveiled a leadership team consisting of 36 deputy mayors covering a vast array of specific portfolios, ranging from nightlife and overseas territories to animal welfare and free media. Notably absent from this extensive list is a dedicated deputy for heritage (patrimoine), a move that marks a significant shift in the city's administrative priorities.

Artists In Erbil Turn Canvas Around in Bold Exhibition with No Visible Art

Fourteen Kurdish artists staged a provocative "Non-Art Exhibition" at Media Gallery in Erbil to commemorate World Art Day. In a radical departure from traditional gallery formats, the participants displayed only the reverse sides of their canvases, completely concealing the painted surfaces from the audience. Organized by artist Ahmed Nabaz, the one-day event kept its conceptual twist a secret from the participating artists until the moment of the opening.