The Philadelphia Art Museum is presenting an exhibition of works by the late artist Noah Davis, running from January 24 to April 26, 2026, in the Morgan, Korman, and Field Galleries. The show features paintings such as "Untitled" (2015), "40 Acres and a Unicorn" (2007), "Isis" (2009), "Mary Jane" (2008), and "1975 (8)" (2013), drawn from private collections and the Mellon Foundation Art Collection, with works courtesy of David Zwirner.
Two solo exhibitions are on view at the Rice Hotel, offering immersive experiences that challenge viewers to engage deeply with the artworks. The shows feature distinct artistic voices, each presenting thought-provoking installations that encourage contemplation and reflection.
Tate Modern in London is hosting a major solo exhibition of Emily Kam Kngwarray, the celebrated Aboriginal artist who rose to fame in the late 1980s and early 1990s. The show, first presented at the National Gallery of Australia in Canberra, features works from the height of her career, deliberately omitting some of her final paintings due to concerns about the circumstances under which they were created. Curators Kelli Cole and Hetti Perkins highlight how Kngwarray's rapid success attracted dealers and entrepreneurs who exploited the artist and her community, revealing an opaque market system that took advantage of artists' inexperience and poor socio-economic conditions.
Medina, New York will host its inaugural contemporary art triennial in 2026, running from June 6 to September 7 across more than a dozen indoor and outdoor venues along the Erie Canal. The event will feature over 50 local, domestic, and international artists with site-responsive commissions, and a Medina Triennial Hub will open this September with programming in collaboration with Western New York arts institutions. Initiated by the New York Power Authority and the New York State Canal Corporation, the triennial is co-directed by Kari Conte and Karin Laansoo. In other news, Sotheby's RM will host a major Formula 1 auction titled 'The Champions – Schumacher and F1 Legends' from July 24–30; the Bakehouse Art Complex in Wynwood, Miami plans to build 60 affordable artist apartments; and artist Khaled Sabsabi has been reinstated as Australia's representative for the 2026 Venice Biennale after an external review found Creative Australia mishandled his withdrawal.
U-Haul Gallery, founded by James Sundquist, is a nomadic art initiative that uses rented U-Haul trucks as mobile exhibition spaces. During New York art week, the gallery parked outside major fairs and openings, drawing crowds into its cargo bay for shows like Ben Nuñez's video work "Today, Last Year." The gallery operates on a budget of $29.99 per day for truck rental, bypassing the high costs of traditional brick-and-mortar spaces. Sundquist, along with head of global strategy Jack Chase, curates collaborative, adaptable exhibitions that respond to their surroundings.
Pace Gallery in London is presenting 'My Country,' the first solo exhibition of works by renowned Australian artist Emily Kam Kngwarray in the UK, in collaboration with D’Lan Contemporary. Running from June 6 to August 8, the show traces Kngwarray's artistic evolution from early organic forms to vibrant dot-filled color fields and minimalist compositions, coinciding with a major survey at Tate Modern opening in July. The exhibition includes historical and contemporary batiks by artists inspired by her pioneering practice, alongside key paintings such as 'Harmony of Spring' (1990) and 'Desert Storm' (1992).
David Zwirner is opening a new gallery building in Chelsea at 533 West 19th Street, inaugurated by an exhibition of new work by Kenyan-British artist Michael Armitage. Titled "Crucible," the show runs from May 8 to June 27, 2025, and features new paintings and bronze reliefs that explore the theme of migration, using Lubugo bark cloth as a support. This is Armitage's first solo show with the gallery since his representation was announced in 2022 and his first solo presentation in New York since 2019.
The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.
This article is a roundup of current and upcoming art exhibitions and events in and around Athens, Georgia, published under the title 'Art Around Town.' It lists shows at numerous venues including ATHICA@CINÉ Gallery, the Georgia Museum of Art, Lyndon House Arts Center, and others, featuring artists such as Greg Benson, Jon Swindler, Beverly Buchanan, and Rachel B. Hayes. Exhibits range from landscape works and Civil War-era illustrations to installations exploring bathrooms, cosmic themes, and discarded objects, with many running through May, June, or later in 2025.
The Amarillo Museum of Art (AMoA) is hosting the Texas Panhandle Student Art Show, an annual exhibition showcasing student artwork from across the Texas Panhandle. A special reception will be held on May 15, 2026, to honor participating students and award winners. The show features a wide range of media including paintings, drawings, printmaking, computer art, collage, jewelry, ceramics, sculpture, and mixed media. Awards include Best of Show honors, scholarships from West Texas A&M University and Amarillo College, and Georgia O’Keeffe Excellence in Art & Creativity awards sponsored by Education Credit Union.
The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," opens May 9 as a tribute to its late curator Koyo Kouoh. Alongside the Biennale, Venice hosts numerous concurrent exhibitions: Marina Abramović's "Transforming Energy" at Gallerie dell'Accademia (the only living female artist with a major show there); the Matthew Wong Foundation's inaugural exhibition "Interiors" featuring unseen works by the late Chinese Canadian artist; retrospectives of Michael Armitage at Palazzo Grassi and Lorna Simpson at Punta della Dogana; Hernan Bas's new paintings at Ca' Pesaro; Lu Yang's "DOKU The Illusion" at Espaces Louis Vuitton Venezia; and "Minimal Legends" at the Vincenzo de Cotiis Foundation, staging a dialogue among Minimalist masters.
The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.
Catherine Couturier Gallery in Houston is presenting "Interpolation," the first solo exhibition in the city for Dutch-born, London-based artist Sander Vos, running from May 16 to June 20, 2026. The show features photographs that deconstruct portraits and everyday objects through layering and spatial manipulation, drawing on Cubist influences and blending digital and analog processes.
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The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.
The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.
Two record-breaking auctions closed a blockbuster year for the South Asian Modern art market. On 27 September, Saffronart in New Delhi sold 85 lots for $40.2 million—the largest single sale ever in South Asia—while on 29 September, Sotheby’s in New York sold 54 lots for $25.5 million, a record total for South Asian art in the West. These followed Christie’s March sale of M.F. Husain’s mural *Gram Yatra* (1954) for $13.7 million, the highest price ever for an Indian painting. India also enacted a major tax reform, cutting the Goods and Service Tax (GST) on art from 12% to 5%, further stimulating the market.
The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.
Texas Vignette has announced an open call for Texas women artists to participate in the eighth annual Vignette Art Fair, scheduled for September 30 to October 3, 2026, at On The Levee in the Dallas Design District. Alison de Lima Greene, the Isabel Brown Wilson Curator of Modern and Contemporary Art at the Museum of Fine Arts, Houston, will curate the juried exhibition. Submissions open May 26 through June 26, with a $36 fee, and selected artists will be notified by August 17. The fair is free to the public on October 2-3, with ticketed preview events including a Patron Welcome Dinner and a Preview Benefit.
Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.
Philippe Vergne, the French curator who has served as director of the Serralves Museum of Contemporary Art in Porto since 2019, will step down at the end of July 2026 at his own request. The Serralves Foundation announced that Vergne will continue contributing to exhibition curation until his departure, and the search for a new director will begin immediately. During his tenure, the museum presented major exhibitions of artists including Alexander Calder, Joan Miró, Cindy Sherman, Mark Bradford, and Maurizio Cattelan, and expanded its space with the Álvaro Siza Wing.
The article highlights seven art exhibitions in Washington, D.C. that are closing at the end of summer 2025, urging visitors to see them before they end. Featured shows include a retrospective of African American artist Alma Thomas at the Smithsonian American Art Museum, a survey of contemporary Indigenous art at the National Museum of the American Indian, and a solo presentation of Yayoi Kusama's infinity rooms at the Hirshhorn Museum and Sculpture Garden. Other notable exhibits include a photography collection by Gordon Parks at the National Gallery of Art and a showcase of modern Latin American art at the Museum of the Americas.
Northwestern University's Block Museum of Art is hosting the exhibition "We can make any two stories touch," featuring contemporary works by five second-year MFA candidates in the art theory and practice department: Lamia Abukhadra, Pegah Bahador, naakita f.k., Przemek Pyszczek, and Gabby Banks. The show, running through June 14, includes portraits, films, and mixed-media pieces. Gabby Banks presents three portraits of living Black figurative painters Kerry James Marshall, Jordan Casteel, and Amy Sherald, painted in their respective styles. Przemek Pyszczek explores legacy with works like "My Father Winning Gold at the 1984 Los Angeles Summer Olympics (No Boycott Version)" and a wooden Olivier salad sculpture. naakita f.k. addresses resource extraction in "Porous Bodies," using dust from deep-sea mining and copper mine samples from the Democratic Republic of the Congo.
The Broad museum in Los Angeles announced that its exhibition "Yoko Ono: Music of the Mind" will be free every Thursday evening from 5 to 8 pm, starting May 28, 2026. Tickets include free admission to the exhibition and the museum's third-floor galleries, which feature rotating works from the Broad collection. Separate reservations are required for Yayoi Kusama's "Infinity Mirrored Room—The Souls of Millions of Light Years Away" (2013).
New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.
A rare early artwork by David Hockney, created when he was just 19, is heading to auction at Tennants Auctioneers' Modern and Contemporary Art Sale on June 13. The mixed media piece, titled *Bolton Junction Eccleshill, Bradford*, depicts scenes from Hockney's hometown and is expected to fetch between £7,000 and £10,000. Originally purchased by Hockney's tutor Malcolm Riley at the artist's end-of-year show, the work reflects the perspective lessons Hockney learned at Bradford Regional College of Art. The sale also features works by other notable northern artists, including two drawings by L.S. Lowry, pieces by mining artists Norman Cornish and Tom McGuinness, and ceramics by Pablo Picasso, alongside lots by Damien Hirst and David Bailey.
Tate Britain in London is opening a major retrospective of James McNeill Whistler, the largest exhibition of his work in Europe in 30 years. Featuring 150 works spanning painting, drawing, printmaking, and design, the show includes iconic pieces like *Arrangement in Grey and Black No.1* (commonly known as *Whistler's Mother*) and *Nocturne: Blue and Gold - Old Battersea Bridge*. For the first time, the exhibition examines Whistler's teenage years and also displays his personal notebooks, easel, paint palette, and collections of East Asian ceramics and Japanese prints. The exhibition runs from May 21 to September 27, 2026.
The article lists the most expensive Mark Rothko paintings ever sold at auction, highlighting record-breaking sales such as *No. 6 (Violet, Green and Red)* (1951), which fetched $186 million in 2014, and *Orange, Red, Yellow* (1961), which sold for $86.9 million in 2012. Other notable works include *No. 1 (Royal Red and Blue)* (1954) at $75.1 million and *No. 10* (1958) at $81.9 million, demonstrating the enduring high demand for Rothko's abstract expressionist canvases in the secondary market.
The Seoul Museum of Art (SeMA) has opened a major retrospective on Korean abstract artist Yoo Young-kuk titled "A Mountain Within Me" at its Seosomun main branch. The exhibition, marking the 110th anniversary of the artist's birth, is the largest ever mounted on Yoo, featuring 178 works including 115 oil paintings and 15 canvases from the artist's family's private holdings shown publicly for the first time. Curated by Yeo Kyung-hwan, the show defies chronology, beginning in 1964 and moving backward through Yoo's Tokyo years and the lost decade after Korea's liberation, then forward through his geometric abstractions of the 1960s and 1970s, culminating in his late "mind-image abstraction" phase after 1980.
Each spring, over 24,000 flowers are planted on Jeff Koons' 37-foot-tall sculpture "Split-Rocker" in Potomac, Maryland, which blooms from May to October. This year's planting took seven days, according to the Glenstone museum, which houses the work.
Frieze New York 2026 opened at the Shed in Hudson Yards, drawing a record crowd of collectors, artists, and celebrities on preview day. The fair featured over 65 international galleries, with a strong presence of Latin American artists and a notable shift toward textile-based works, sculpture, and paper pieces. Highlights included the Ruinart Art Lounge with preparatory studies by Tadashi Kawamata, and the Focus section spotlighting emerging galleries. Notable attendees included Leonardo DiCaprio, gallerist Almine Rech, and Sotheby's senior vice president Ralph DeLuca.