Tracey Emin is the subject of a major retrospective at Tate Modern titled 'A Second Life,' which spans her career from her first solo show in 1993 to recent works. The exhibition is structured thematically around pivotal life events and includes a documentary addressing her 2020 bladder cancer diagnosis and subsequent surgery.
Newly released documents from the Jeffrey Epstein case reveal that billionaire investor and former Museum of Modern Art chairman Leon Black was a major private collector of works by Vincent van Gogh. The files detail his ownership of at least five significant Van Gogh pieces, including the painting 'Quarry near Saint-Rémy' and the drawing 'Garden with Flowers,' with a combined value exceeding $95 million by 2016.
Amy Sherald's traveling mid-career survey, 'American Sublime,' has set a new attendance record at the Baltimore Museum of Art (BMA), drawing 63,000 visitors as of early February with an expected final total of 75,000. This makes it the museum's most-attended show since 2000. The exhibition features nearly 50 grisaille portraits of Black Americans and was previously shown at SFMOMA and the Whitney Museum of American Art.
The article highlights 20 art exhibitions across India running concurrently with the India Art Fair, focusing on six key shows. Atul Dodiya presents 'The Gatecrasher' at Vadehra Art Gallery in Delhi, featuring 12 large-scale oil paintings that weave pop culture, art history, and personal memory. Sudarshan Shetty's 'A Breath Held Long' at GallerySKE explores the intersection of voice, body, and urban life through film and steel sculptures. Bikaner House hosts 'Typecasting: Photographing the People of India 1855-1920,' a critical exhibition of colonial ethnographic photographs. The Kolkata Centre for Creativity presents 'Convergences: A Shared Ground' examining artistic and architectural practices from eastern and northeastern India. Nilaya Anthology in Mumbai showcases a retrospective of architect Pinakin Patel, 'The Turning Point,' featuring 11 signature pieces.
Conservators at Rotterdam's Boijmans Van Beuningen Museum have discovered that Vincent van Gogh's painting *Poplars near Nuenen* (1885) conceals two earlier compositions: a moonlit view of a church tower and graveyard from July 1884, and a subsequent reworking in Paris in late 1886 that brightened the autumnal landscape. X-ray imaging revealed the original church scene, which Van Gogh painted over after his father's death. The final version, now restored after four years of conservation, goes on display on 7 February.
Banco Santander announced on 21 January that it will manage 160 works from the Gelman Collection of 20th-century Mexican art, following a long-term agreement with the Zambrano family, which acquired the collection in 2023. The newly branded Gelman Santander Collection will debut this summer at Faro Santander, the bank's new venue in Cantabria, Spain. The collection, started by Russian-born film producer Jacques Gelman and his wife Natasha, includes major works by Frida Kahlo, Diego Rivera, Rufino Tamayo, and others, but has been largely out of public view since 2008 amid inheritance disputes. The agreement is complicated by Mexican law, which designates many works as National Artistic Monuments, restricting their permanent export and requiring oversight by the Instituto Nacional de Bellas Artes y Literatura (INBAL).
An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.
Galleries and museums across the United States are presenting a diverse range of exhibitions featuring Black artists during Black History Month. These shows highlight artists working in various mediums, from painting and drawing to installation and tapestry, and are on view in cities including Miami, Los Angeles, New York, San Francisco, and Chicago.
Six major art exhibitions are opening in London public galleries in February 2026, running through at least May. Highlights include Lucian Freud: Drawing Into Painting at the National Portrait Gallery (12 Feb–4 May), Seurat and the Sea at The Courtauld Gallery (13 Feb–17 May), Chiharu Shiota: Threads of Life at the Hayward Gallery (17 Feb–3 May), Beatriz González at the Barbican Art Gallery (25 Feb–10 May), and Tracey Emin at Tate Modern (26 Feb–31 Aug). These shows span modern masters, contemporary installation, and international voices.
A roundup of current and upcoming exhibitions at San Francisco museums in January 2026 highlights several shows closing soon, including "Manet and Morisot" at the Legion of Honor and "Suzanne Jackson: What is Love" at SFMOMA, both ending March 1. New exhibitions opening include "The art of Cece Carpio" at SOMArts on Jan. 30, and "Trina Michelle Robinson: Open Your Eyes to Water" at 500 Capp Street and Root Division in February. The de Young Museum features "Boom and Bust: Photographing Northern California" and artist Rose B. Simpson's show "LEXICON," part of the newly opened galleries dedicated to Arts of Indigenous America. The Museum of the African Diaspora presents "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time," while the Asian Art Museum hosts "Jitish Kallat: Covering Letter (Terranum Nuncius)."
FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.
Fred Wilson: The Flag Project is on view at the Rose Art Museum from February 11 to May 31, 2026, in the Lois Foster Wing stairwell. The exhibition features a selection of Wilson's Flag paintings, including the large canvas Hidden Flag (2012), and a series of national flags from African and African diasporic countries rendered entirely in black paint on raw cotton canvas, arranged in a mural-like procession. The show is organized by Dr. Gannit Ankori, the museum's Henry and Lois Foster Director and Chief Curator, and supported by Pace Gallery.
The Guggenheim Museums and Foundation has announced an exhibition titled "Rashid Johnson: A Poem for Deep Thinkers." The show will feature the work of contemporary artist Rashid Johnson, known for his multidisciplinary practice encompassing sculpture, painting, photography, and installation.
A wave of Van Gogh exhibitions is scheduled for 2026 across the United States, Japan, and the Netherlands. Highlights include "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" at the Philadelphia Museum of Art (June–October 2026), featuring a rare loan of London's National Gallery version alongside Philadelphia's own. Amsterdam's Van Gogh Museum will present "Yellow: Beyond Van Gogh’s Colour" (February–May 2026), while the Kröller-Müller Museum in Otterlo will display all 88 Van Gogh paintings for the first time since 1984 in "Van Gogh, All Our Paintings" (September 2026–January 2027). In Japan, the Kröller-Müller's "The Grand Van Gogh Exhibition" tours Kobe, Fukushima, and Tokyo, and the Van Gogh Museum's "Van Gogh’s Home" is at Nagoya's Aichi Prefectural Museum of Art. Smaller shows take place at the Van Gogh House in Zundert, the Maison du Dr Gachet in Auvers-sur-Oise, and the Foundation Vincent van Gogh Arles.
The Metropolitan Museum of Art will present "Lorna Simpson: Source Notes" from May 19 to November 2, 2025, the first museum survey dedicated entirely to the New York-based artist's painting practice. Featuring over 30 works, the exhibition traces Simpson's shift from conceptual photography to paintings that explore gender, race, identity, and history, including pieces from her 2015 Venice Biennale debut and her "Special Characters" series, alongside recent sculptures and collages. The show is funded by the Ford Foundation and supported by Jim and Irene Karp and John and Amy Griffin.
The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," an exhibition of 40 works by the German artist dating from the 1970s to the present, including 20 recent pieces and five monumental site-specific paintings. Curated by museum director Min Jung Kim, the show features Kiefer's characteristically vast, heavy works built from materials like tar, melted lead, and steel, displayed without stanchions and with minimal labels to encourage immersive viewing. The exhibition was inspired by a conversation between Kim and Kiefer about the confluence of rivers—the Rhine in his native Germany and the Mississippi and Missouri in St. Louis—and makes use of SLAM's grand 1904 World's Fair building.
Filmmaker Wes Anderson and Gagosian curator Jasper Sharp have recreated Joseph Cornell's basement studio from his home on Utopia Parkway in Queens, New York, at Gagosian Gallery's Paris location. The exhibition, titled "The House on Utopia Parkway: Joseph Cornell's Studio Re-Created by Wes Anderson," features over 300 original objects collected by Cornell, alongside his iconic shadow boxes and collages. It runs through March 14 and is free to the public, displayed behind the gallery's storefront windows.
The article reviews the Van Gogh year in 2025, highlighting several key developments. The Van Gogh Museum in Amsterdam faces potential closure unless the Dutch government increases its annual building subsidy from €8.5m to €11m, leading the museum to file a legal complaint. At auction, two Van Gogh paintings sold, with "Parisian Novels" (1887) fetching $62.7m at Sotheby's, a record for his Paris period, and eight drawings were sold, including "Sower in a Wheatfield with setting Sun" (1888) for $11.2m. Acquisitions included "Tarascon Stagecoach" (1888) given to LACMA via the Henry and Rose Pearlman Foundation, and "Head of a Peasant" (1885) bought by Korean-born gallery owner Hong Gyu Shin, marking the first known Van Gogh acquisition by a Korean.
Gagosian Paris has opened "The House on Utopia Parkway," an immersive exhibition reconstructing Joseph Cornell's basement studio in Queens, New York. Running from December 16, 2025, to March 14, 2026, the show is a collaboration between filmmaker Wes Anderson and curator Jasper Sharp, transforming the gallery into a life-size tableau filled with over 300 objects from Cornell's personal collection—maps, toys, feathers, shells, and paper fragments. It also features key works such as "Pharmacy" (1943), "Untitled (Pinturicchio Boy)" from the Medici series, "A Dressing Room for Gille" (1939), and "Blériot II" (c. 1956), marking Cornell's first solo presentation in Paris in over forty years.
Hyperallergic's editors and contributors have compiled their favorite art exhibitions of 2025, spanning cities across the United States, Europe, and Asia. Highlights include shows by Nan Goldin, Noah Davis, Stan Douglas, Yoko Ono, Tishan Hsu, Felix Gonzalez-Torres, and a group exhibition on Japanese American women artists at the Smithsonian American Art Museum. The list also features the Louvre's presentation of Cimabue, Fra Angelico's frescos in Florence, a durational performance by Pussy Riot founder Nadya Tolokonnikova in Los Angeles, and works by Cara Romero, Ruth Asawa, Huguette Caland, and H. C. Westermann.
Hong Kong is hosting a vibrant array of must-see art exhibitions in December 2025, as highlighted in a curated guide. Key shows include 'Zao Wou-Ki: Master Printmaker' at M+, focusing on the artist's lithograph prints; 'Violet Veil' by Laura Zhang at The Extension, featuring meditative violet-hued works; 'Guan Yu vs. Wilson Shieh' at JPS Gallery, blending traditional gongbi painting with AI technology; and 'The Villepin House' at Villepin, celebrating the gallery's fifth anniversary with works by Zao Wou-Ki and Myo.
This podcast episode features an in-depth conversation with Belgian painter Luc Tuymans, born in 1958 in Mortsel and based in Antwerp. Tuymans discusses his transformative approach to painting, which draws from photographs, film, and media to explore subjects ranging from contemporary politics and historical events to everyday objects. He shares insights into his meticulous process, his influences including Piet Mondrian, Léon Spilliaert, Francisco de Goya, and David Lynch, and his concept of "authentic forgeries." The episode also highlights his current exhibitions: "Luc Tuymans: The Fruit Basket" at David Zwirner in New York and Los Angeles, and a presentation at the Basilica di San Giorgio Maggiore in Venice.
Gagosian gallery in London will present the first-ever UK exhibition of Nan Goldin's complete series 'The Ballad of Sexual Dependency' (126 prints, 1973-1986) at its Davies Street location from January 13 to March 21, 2025. Simultaneously, the gallery's Grosvenor Hill space will host 'Richard Avedon: Facing West,' featuring 21 portraits from Avedon's 'In the American West' series, including several unseen since 1985. Both exhibitions mark the 40th anniversary of the publication of the two landmark photography books.
Nora Lawrence, executive director of Storm King Art Center, curated a selection of her favorite three-dimensional works at Art Basel Miami Beach, highlighting sculptures by Thaddeus Mosley, Rashid Johnson, Mary Ann Unger, Paloma Varga Weisz, and Claes Oldenburg, as well as a painting by Saif Azzuz. The tour, published by The Art Newspaper, showcases works from galleries including Karma, Hauser & Wirth, Berry Campbell, Nicelle Beauchene Gallery, Konrad Fischer Galerie, and Paula Cooper.
Art Basel Miami Beach (ABMB) saw strong sales and a cautiously optimistic mood, with Pace gallery reporting nearly $5 million in sales including a $1.1 million Sam Gilliam painting. The fair debuted a new digital art section, Zero 10, where a Beeple installation of robotic dogs excreting NFTs sold out within five hours for $1 million total, and generative art from Larva Labs sold for up to $45,000 each. However, the opening day crowd was thinner than in past years, and about 20 galleries did not return, replaced by a record 48 new exhibitors. Dealers noted a slower, quieter pace, with buyers more cautious than during the indulgent pre-pandemic era.
Glenn Ligon's exhibition "Break It Down" opened at the Aspen Art Museum on November 21, showcasing 47 works spanning three decades. The show examines how the artist constructs a portrait of self by drawing on external institutional documents, including school reports, museum conservators' notes, and James Baldwin's essay "Stranger in The Village." Key works include 50 screenprinted self-portraits with printing glitches that question stable identity, and a final gallery centered on a painting built from Baldwin's text, surrounded by dark carbon and graphite rubbings that reinterpret the essay through physical mark-making.
This December, Los Angeles presents a diverse array of art exhibitions that engage with contemporary social issues, cultural protest, and new possibilities. Highlights include Alan Luna's subversive reinterpretations of Mexican history and American modernism at the new La Plaza Projects, a group show at The Box featuring nearly 200 artists challenging normative sexuality, and Daniel T. Gaitor-Lomack's assemblages at Night Gallery that poetically repurpose discarded objects from LA streets. Other notable shows include Edith Dekyndt and Richard Long's dialogue on nature at Okey Dokey Konrad Fischer, and Sam Shoemaker's performance-based mushroom boat project at Fulcrum Arts.
On November 27, 2025, On Kawara's date painting "NOV. 27, 1984" from his Today series sold for HK$8.5 million (US$1.1 million) at Bonhams' Modern and Contemporary Art Sale in Hong Kong, becoming the top lot of the auction. The work, executed exactly 41 years earlier on November 27, 1984, features the date in white sans-serif lettering on a dark canvas and was acquired by a client represented by Bonhams specialist Ryo Wakabayashi, likely destined for a private collection in Japan.
A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.
Paris is hosting a diverse array of art exhibitions this month, ranging from Jeffery Gibson's first solo show in France at Hauser & Wirth to a retrospective on photographer Denise Bellon. Other highlights include 'Radical Making' at Carpenters Workshop Gallery, featuring designs by Charlotte Perriand and Jean Prouvé alongside contemporary artists; Gareth Mason's ceramic-focused exhibition at the same gallery; Inez & Vinoodh's 'Think Love' series at India Mahdavi's Project Room #21; and a major Art Deco centenary exhibition at the Musée des Arts Décoratifs. The guide also notes ongoing photography shows following Paris Photo 2025.