6 Shows Celebrating Asian American Artists This AAPI Heritage Month

Artsy Editorial highlights six exhibitions across the U.S. celebrating Asian American and Pacific Islander artists during AAPI Heritage Month 2025. Featured shows include "Painting As Method" at Alisan Fine Arts, presenting works by Mimi Chen Ting, Yifan Jiang, and Kelly Wang; Ellie Kayu Ng's "Bloom!" at LATITUDE Gallery New York; and Yunfei Ren's "Latitude Unknown" at Jonathan Carver Moore in San Francisco. The article also notes Art for Change's monthlong print spotlight and describes the diverse media and themes—from hyperreal fashion-inspired paintings to ceramic sculptures and abstract landscapes—that reveal the breadth of contemporary AAPI art.

What to Look for at Frieze New York 2025

Frieze New York 2025, its 13th edition, opens May 7 at The Shed in Hudson Yards with over 65 international galleries. The fair features solo, group, and themed presentations, including the Focus section curated by Lumi Tan showcasing 12 emerging galleries. Highlights include the Artist Plate Project (a collaboration with Coalition for the Homeless featuring limited-edition plates by Cindy Sherman, Rashid Johnson, and Takashi Murakami), performances by Pilvi Takala, Asad Raza, and Carlos Reyes, and notable presentations by Christine Sun Kim at François Ghebaly and Jennie C. Jones at Alexander Gray Associates. Frieze’s director of Americas, Christine Messineo, shares her top picks.

Tracey Emin

Tracey Emin, the British artist known for her confessional and provocative works, has been the subject of recent coverage in The Art Newspaper. The article details her ongoing artistic output and public engagements, including her latest exhibitions and contributions to contemporary art discourse. It highlights her continued prominence in the art world, with recent shows and critical attention reaffirming her status as a leading figure in British and international art.

Louisa Buck

Louisa Buck, a prominent art critic and journalist, has been featured in a profile by The Art Newspaper, highlighting her career and contributions to art journalism. The article discusses her role as a columnist and critic, her insights into the contemporary art world, and her longstanding association with the publication.

Hydrojustice: A Review

A Non-Aspirational Justice: Review of Hydrojustice

The article is a critical review of Andreas Philippopoulos-Mihalopoulos's book 'Hydrojustice,' which uses the concept of water as a lens to critique traditional, top-down legal justice and propose a more fluid, collective, and embodied alternative. The review frames this analysis through the recent erasure of a Banksy graffiti piece on the London Courts of Justice, which depicted a judge violently silencing a protester.

Researchers at Art Gallery of Ontario identify painter and subject of 18th-century portrait of Black woman

Researchers at the Art Gallery of Ontario have identified the artist and sitter of an 18th-century portrait of a young Black woman. The painting, purchased in 2020, is now titled 'Portrait of Eleonora Susette' (1775), revealing the subject as a woman born around 1756 in the Dutch colony of Berbice (now Guyana). The artist is Berlin-born Jeremias Schultz, who painted the portrait in Amsterdam after Eleonora Susette was brought there by her enslaver, the artist's cousin.

Can a Play Capture an Artist as Enigmatic as Henry Darger?

Can a Play Capture an Artist as Enigmatic as Henry Darger?

A new play, *Bughouse*, is attempting to portray the life of reclusive artist Henry Darger on stage at New York's Vineyard Theater. The one-man show, starring John Kelly, draws from Darger's own lengthy autobiography to depict his traumatic childhood, institutionalization, and decades of solitary life in Chicago, where he secretly created his vast, fantastical artwork and writings.

The shifting market for luxury: can legacy brands navigate new trends and buyers?

Bénédicte Épinay, president and CEO of Comité Colbert, is organizing 'Hidden Treasures,' an exhibition of French luxury brands at The Shed in New York in late May 2025, timed after Frieze art fair and auction week. The show features 96 French luxury brands, 17 cultural institutions, and six European luxury brands, including Musée du Louvre, Balenciaga, Louis Vuitton, and Cartier. The initiative is part of a broader cultural diplomacy strategy, following a similar exhibition in Shanghai in 2024 that helped reduce tariffs on cognac. The article also notes shifting luxury market dynamics, with strong US sales growth projected at 8% in 2026, while Europe remains stagnant, and emerging markets like India show new wealthy buyers driving auction house growth.

Sotheby’s Pulls In $303.9 M. in a Solid but Subdued Modern Evening Sale Led by $48 M. Matisse

Sotheby’s Modern Evening Auction on Tuesday night achieved $303.9 million in total sales, with 98% of lots sold, led by Henri Matisse’s *La Chaise lorraine* at $48.4 million—the second-highest price ever for a Matisse painting at auction. Other top lots included Pablo Picasso’s *Arlequin (Buste)* (1909), which sold for $42.6 million, and works by Alberto Giacometti and Vincent van Gogh. However, bidding was often cautious, with few prolonged contests, and the total fell below the presale high estimate of $320.2 million, reflecting a tempered market atmosphere.

Sotheby’s Hauls In $304 Million at Modern Art Auction, as Market Momentum Continues

Sotheby’s achieved $303.9 million in its modern art auction in New York, led by Henri Matisse’s *La Chaise Lorraine* (circa 1919) at $48.4 million and Pablo Picasso’s *Arlequin (Buste)* at $42.6 million. The sale included an auction record for a painted bottle, René Magritte’s *Femme-bouteille* (1955), which sold for $974,000. The auction featured conservatively priced material from smaller estates, with a 97.6% sell-through rate and a 63% increase over a similar sale last year.

Six Artists Vie to Design Billie Holiday Monument in New York

Six artists have been selected as finalists to design a public monument honoring jazz singer Billie Holiday in Queens, New York, outside the Jamaica Performing Arts Center. The finalists—La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, Tanda Francis, Thomas J. Price, and Tavares Strachan—submitted proposals after an open call in late 2025, site visits, and discussions with Holiday scholars and family. The New York City Department of Cultural Affairs released the designs on May 19 for public feedback through the end of May, with a final selection expected later this year. Proposals range from abstract silhouettes and bronze beans to more representational figures, reflecting Holiday's legacy and her connection to Queens.

Cindy and Howard Rachofsky’s Dallas Home Could Be Yours at a Discount, for $17.5 M.

Cindy and Howard Rachofsky, prominent art collectors and mainstays on the ARTnews Top 200 Collectors list, have reduced the asking price of their Dallas home, the Richard Meier–designed Rachofsky House, from $23 million to $17.5 million. The property, completed in 1996 and located in the affluent Preston Hollow neighborhood, has been on the market since October 2024. The Rachofskys, whose collection includes over 800 works, previously hosted the Two x Two gala in support of AIDS- and art-focused initiatives in Dallas, but stopped hosting the event in 2024.

S.I. Newhouse’s Brâncuși Sells at Christie’s for Record-Breaking $107.6 M.

A Constantin Brâncuși sculpture titled *Danaïde* (1913), formerly owned by media magnate and top art collector S.I. Newhouse, sold at Christie’s on Monday night for a hammer price of $93 million, totaling $107.6 million with fees. This set a new auction record for the modernist sculptor, surpassing the previous record of $71.2 million set by another Brâncuși work in 2018. The bronze head with gold leaf and black patina attracted half a dozen bids before selling to a client represented by Maria Los, deputy chairman of client advisory Americas. The work was one of six bronze casts, the only gilded example still in private hands, and had notable provenance, having been purchased by Eugene and Agnes Meyer at Brâncuși’s first solo exhibition in 1914.

Tate Britain previews new garden at RHS Chelsea Flower Show

Tate Britain is previewing its new garden at the 2026 RHS Chelsea Flower Show, offering a sneak peek of the forthcoming Clore Garden designed by Tom Stuart-Smith and scheduled for completion in 2027. The show garden features Barbara Hepworth's 1949 sculpture *Bicentric Form*, the first work Tate acquired by the artist, alongside Mediterranean plants adapted to London's warming climate, a wildlife pond, and recycled materials from the Millbank site. After the show, the garden will be relocated to Tate Britain.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

Inside the Unlikely Bond Between Lucian Freud and Kate Moss

In 2002, Lucian Freud unveiled a portrait of a naked and pregnant Kate Moss, a rare celebrity subject for the artist who had turned down Princess Diana. A new film, *Moss & Freud*, dramatizes the unlikely friendship that developed between the aging painter and the supermodel during the creation of *Naked Portrait (2002)*. Directed by James Lucas, the film stars Ellie Bamber as Moss and Derek Jacobi as Freud, and explores their intense studio sessions, personal revelations, and the bond that formed despite their contrasting lifestyles.

The Can’t-Miss Moments at TEFAF New York 2026

TEFAF New York 2026 opened to packed crowds at the Park Avenue Armory, showcasing a mix of historic and contemporary works. Highlights include Gagosian’s solo booth of Kathleen Ryan’s bejeweled “Bad Fruit” sculptures, Thaddaeus Ropac’s presentation of monumental canvases by Danish painter Eva Helene Pade, and Axel Vervoordt Gallery’s spotlight on overlooked Italian painter Ida Barbarigo. The fair also features collectible design and perennial favorites like Alexander Calder mobiles and Alighiero Boetti tapestries.

Does L.A’s Bold New LACMA Museum Work?

The Los Angeles County Museum of Art (LACMA) has debuted a long-awaited new building designed by Swiss architect Peter Zumthor, costing $750 million. The museum opened to the public last month with a gala for the David Geffen Galleries, and its charismatic director Michael Govan promises a new vision for how museums show art and relate to the public. Art critic Carolina Miranda joins Artnet News's Ben Davis to discuss the building's significance, having published her own analysis calling it an instant LA icon.

The Met and Neue Galerie Embark on Historic Merger

The Metropolitan Museum of Art and the Neue Galerie in New York have announced a historic merger set for 2028. The Met will acquire the Neue Galerie's Beaux-Arts mansion, renaming it the Met Ronald S. Lauder Neue Galerie (or Met Neue Galerie), while preserving its museum experience. The merger comes ahead of the Neue Galerie's 25th anniversary and its renovations from May to August 2026. Founder Ronald S. Lauder will remain involved, and the Met will supplement the Neue Galerie's programs, research, and digital initiatives. Major fundraising is underway, with the endowment target of $200 million already 80 percent met, supported by Lauder, his daughter Aerin Lauder Zinterhofer, and trustee Marina Kellen French.

The Met Teams Up with Band-Aid on Art-Themed Adhesive Bandages

The Metropolitan Museum of Art and Band-Aid have reunited for a second collaboration, releasing a new set of art-themed adhesive bandages in 2026. The bandages feature details from three flower paintings in the Met's collection: Claude Monet's *Water Lilies* (1919), Vincent van Gogh's *Irises* (1890), and Odilon Redon's *Bouquet of Flowers* (ca. 1900–1905). The 50-count assortment includes small, medium, and large fabric bandages packed in a collectible tin, available exclusively at Target for $7.29. The 2025 Hokusai collection, which sold out quickly, is also back on sale at major retailers.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

‘The content, material and form support each other’: Sandy Rodriguez on her Hispanic Society Museum show

Sandy Rodriguez presents her new exhibition, *Tierra Insurgente*, at the Hispanic Society Museum and Library in Washington Heights, featuring her hand-painted maps on amate paper alongside historic codices and globes from the institution's collection. Her works blend Mesoamerican and colonial-era imagery with contemporary symbols of state violence and resistance, such as riot police, calavera-style surveillance helicopters, and references to the 2020 racial-justice protests in New Orleans. Rodriguez uses natural pigments like cochineal and hand-processed minerals on bark paper, a material once outlawed by Spanish colonizers, to create a dialogue between past and present.

Contemporary Icons and Modern Masters Headline This Major May Sale

Rago/Wright is hosting two major spring sales on May 14, 2026: 'Pure Edge: American Geometric Abstraction, Selected Works from the Museo de Arte Contemporáneo de Buenos Aires' and a Post War and Contemporary Art sale. The first features 19 works from the museum's premier collection of American geometric abstraction, while the second spans 20th- and 21st-century art. Highlighted lots include Sam Gilliam's 'Sun Woman' (1970, est. $300,000–$500,000), Annie Morris's 'Stack 7 (Ultramarine Blue)' (2015, est. $150,000–$200,000), Miyoko Ito's 'Adam and Eve' (1957, est. $200,000–$300,000), and Maria Martins's 'Impossible' (1946, est. $150,000–$200,000).

New Museum unveils Sarah Lucas's bawdy Bowery commission

The New Museum unveiled Sarah Lucas's sculpture "VENUS VICTORIA" (2026) on May 12 as the inaugural commission for its new public plaza on the Bowery in New York. The work features a pink-hued figure in yellow high heels straddling a giant cast-concrete washing machine, riffing on the classic reclining nude. Lucas's proposal was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. The sculpture will remain on view for two years, after which another commission by a woman artist will take its place.

Two Museums Take on Performative Masculinity, Looksmaxxing, Incels, and Other Macho Buzzwords That Don’t Belong There.

The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.

Delayed by War in Iran, Paul Klee Painting from Israel Finally Joins New York Show

A long-delayed loan of Paul Klee's painting *Angelus Novus* (1920) has finally arrived at the Jewish Museum in New York, completing the exhibition "Paul Klee: Other Possible Worlds." The work, on loan from the Israel Museum in Jerusalem, was stuck in Israel due to the ongoing war in Iran, which began with joint US-Israeli bombardments on February 28. Until its arrival, the painting was represented by an authorized facsimile with a note citing transport delays. The exhibition, which opened March 20, focuses on Klee's final decade and runs through July 26.

Market Outlook for New York’s May Sales

New York's May sales season is underway with over $1.8 billion worth of art heading to auction at major houses including Sotheby's, where a monumental Rothko consigned by Robert Mnuchin is expected to fetch $70–100 million. Frieze New York opens at the Shed with 68 galleries, half of them local. Other notable developments include a major Banksy work hitting the auction block with one of its highest estimates ever, and the estate of sculptor Robert Therrien leaving Gagosian after nearly 30 years to join David Zwirner.

Exhibitions marking 250th anniversary of the US open in New York

Several New York museums have opened exhibitions marking the 250th anniversary of the United States, which falls on 4 July 2026. The New-York Historical Society presents "Old Masters, New Amsterdam," drawn from the Leiden Collection, focusing on the lives of Dutch colonists. The Hispanic Society Museum & Library offers "Goya and the Age of Revolution," linking the American Revolution to European upheavals and Goya's depictions of war. The Metropolitan Museum of Art has installed "Revolution!" in its American Wing, reexamining the nation's founding through art. A rare copy of the Declaration of Independence handwritten by Thomas Jefferson will also be on view at the New York Public Library.

More than 70 Venice Biennale artists withdraw from awards

More than 70 artists participating in the 2025 Venice Biennale have withdrawn from consideration for the Golden Lion awards, which this year will be decided by public vote. The artists, including Walid Raad, Laurie Anderson, and Yto Barrada, signed a statement published on e-flux on May 9, withdrawing in solidarity with the entire prize jury that resigned last month over a dispute regarding the participation of Israel and Russia. The Biennale management replaced the traditional jury-selected awards with a new "Visitor Lion" system where ticket holders can vote, but the Biennale has acknowledged that if any of the withdrawing artists win, they will not collect the award.

Venice Diary Day 3: Offsite Highlights Include Fleshy Films and Vegetarian Videos

The article reports on the author's third day at the Venice Biennale, focusing on offsite exhibitions. Highlights include Li Yi-Fan's animated video "Screen Melancholy" (2026) at the Taiwan Pavilion, described as chaotic, absurdist, and uncanny, featuring a naked CGI character interacting with ChatGPT. The author also praises Janis Rafa's video installation "Baby I'm Yours, Forever" (2026) at Fondazione In Between Art Film, which transforms scenes from a meat refrigeration plant into haunting surreal imagery. The piece notes the resurgence of video art, aided by LED screens that create immersive environments.