Brazilian artist Alex Senna creates large-scale, black-and-white murals that depict figures gathering, interacting, and connecting with their own shadows. His work, often set against colorful urban backdrops, emphasizes themes of community, emotional bonds, togetherness, and belonging.
NASA’s Artemis II mission has released a series of stunning high-definition images captured during its 10-day journey around the Moon, marking the first crewed lunar mission in over half a century. Among the most striking visuals is a photograph of an 'Earthset,' showing our home planet descending behind the lunar horizon. The mission is currently underway and is expected to conclude with a splashdown in the Pacific Ocean on April 10.
Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.
San Francisco-based artist Anoushka Mirchandani presents a solo exhibition, 'My Body Was a River Once,' at ICA San José. The show features vibrant oil paintings that depict apsaras, ancient Southeast Asian mythological nature spirits associated with water and transformation, drawing from the artist's Indian heritage and childhood memories of sites like the Ajanta and Ellora caves.
Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.
Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.
The article lists May art exhibitions and events in Charlottesville, Virginia, including the grand opening of Milkweed Clay Studio, a new creative space offering pottery demonstrations and workshops. Other highlights include "Spring Bouquets in Oils" at Atlas Coffee, "Artful Gardens Bouquet Display" at The Center at Belvedere, and shows at Chroma Projects, Create Gallery, Crozet Artisan Depot, C’ville Arts Cooperative Gallery, and Fairhaven Guesthouse. The Fralin Museum of Art at UVA presents multiple exhibitions featuring works by Joan Mitchell, Jody Folwell, and African American artists, among others.
On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.
Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.
The article reports on a series of significant shifts in Beijing's art world since 2024. UCCA Center for Contemporary Art faced financial troubles; its director and CEO Philip Tinari ended his 14-year tenure to lead Hong Kong's Tai Kwun. Taikang Art Museum also disclosed leadership changes. Smaller venues like DRC NO. 12 and fRUITYSPACE closed due to lease issues. Independent publishing faces sharp restrictions, and art book fairs are being replaced by cultural-lifestyle merchandise events. Official figures show Beijing lost over a million young residents since 2020 due to soaring living costs and tightening regulations.
Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.
Artist RD Riccoboni curated a new exhibition titled "ArtSpectrum 2026" at Gallery 21 in Balboa Park, showcasing the work of 12 LGBTQ artists from San Diego. The show runs from May 5 through June 1, 2026, and was produced in collaboration with the Village Arts and Education Foundation and Patric Stillman of The Studio Door. Featured artists include Miguel Camacho-Padilla, Trevor Copenhaver, Tommy Diethert, Don Grant, Brian Hicks, Carole Kuck, Martin Luera, Danne Sadler, Stefan Talian, and Tim Weedlun, with works spanning painting, sculpture, ceramics, and stained glass.
Interior designers Tony Walker and Max Jones have established Jones Walker of Taos, a gallery on Bent Street that emphasizes a welcoming, domestic atmosphere. After relocating from Dallas in 2018, the duo transitioned from award-winning interior design careers to gallerists, curating a diverse collection of local talent that includes descendants of Taos Pueblo and Spanish carving families. The gallery showcases a mix of modern and traditional paintings, carvings, pottery, and weaving, focusing on authentic regional craftsmanship that appeals to both local residents and international collectors.
The Gallery at Hotel Willa and the Encore Gallery at the Taos Center for the Arts have emerged as vital "satellite" exhibition spaces in Taos, New Mexico. Managed by the nonprofit Paseo Project under Executive Director Matt Thomas, the Gallery at Hotel Willa has transformed 2,000 square feet of hospitality space into a hub for local talent, featuring high-profile fashion installations by Josh Tafoya and upcoming ecological exhibitions like "Disturbance." Meanwhile, the Encore Gallery leverages the high foot traffic of the Taos Center for the Arts to provide local artists with significant community exposure alongside film and theatrical programming.
Young students from Kent Talents Art Studio in Broadstairs have won top honors at the Royal Society of Miniature Painters, Sculptors and Gravers (RMS) Annual Exhibition for the third consecutive year. Emilia Kalnikaite, age 17, won first prize in the Young Artist Award category for her miniature painting “Ladybird,” while Maria Belousova, age 14, received the President’s Special Award for her bone china sculpture “Creature of No Ocean.” The exhibition took place from 18–22 November at Bankside Gallery in London, featuring works from leading miniature artists and emerging talents worldwide.
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.
The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.
The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.
The iconic Rocky statue, a symbol of Philadelphia and the beloved film franchise, is now the subject of its own dedicated exhibition at a museum after years of tension between the city, the film's creators, and local institutions. The statue, originally created as a prop for the 1976 film 'Rocky' starring Sylvester Stallone, has had a complicated history, moving from the Philadelphia Museum of Art steps to the Spectrum arena and back, with debates over its artistic merit and placement.
Award-winning artist Adriana Groza has announced the grand opening of the Adriana Groza Art Gallery & Studio at 38 Spring Street in Princeton, New Jersey, in the former Kopp’s Cycle building. The ribbon-cutting event takes place on Tuesday, November 25, from 5:25 to 7:25 p.m., coinciding with the 21st anniversary of Groza and her husband's arrival in the United States. Groza has been an active member of the Princeton arts community since 2021, maintaining a studio at Princeton Makes, an artist cooperative founded by Jim Levine. The new gallery will showcase her original paintings and serve as a hub for workshops, exhibitions, and community engagement.
Hauser & Wirth will open a new gallery in Palo Alto, California, in spring 2026, marking its first location in Northern California and its third in the state. The gallery will occupy a historic post office building at 201-205 Hamilton Avenue, near Stanford University, offering 2,600 square feet of exhibition space, a bookshop, and a design overseen by architect Luis Laplace. The expansion follows the gallery's existing venues in Los Angeles and comes nearly a decade after its major downtown L.A. complex opened in 2016.
The San Francisco neighborhoods of the Marina and West Portal are set to host "The Art of Place," a three-month exhibition featuring 24 local artists. Organized by Ingleside Gallery founder Shrey Purohit in partnership with the BarbCo real estate group, the fair will showcase cityscapes, sculptures, and photography across two commercial offices starting April 17. The initiative aims to integrate art into everyday community spaces, featuring works by artists like Sarah Horowitz and Rhonel Roberts that capture the unique geometry and secret views of the city.
The Venice Biennale, one of the world's most prestigious contemporary art exhibitions, opens its most contested edition in memory without a jury after the jury resigned in protest over the participation of Israel and Russia, both under investigation by the International Criminal Court for human rights abuses. Protests have erupted outside the Israeli and Russian pavilions, with demonstrators clashing with police, while feminist groups from Ukraine and Russia converged on the Russian Pavilion and Palestinians remembered artists killed in Gaza. The Biennale has replaced the jury with a public vote via email, with winners announced at the close on November 22.
Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.
The 47th annual Venice Family Clinic Art Exhibition + Auction will take place May 8–17, 2026, at 910 Abbot Kinney in Venice, Los Angeles. Founded in 1979 as the Venice Art Walk, it is the city’s longest-running charity art exhibition, featuring Signature Artist Alison Saar and over 150 established and emerging Los Angeles artists. Proceeds support Venice Family Clinic’s health care services for more than 45,000 patients across the Westside, Inglewood, the South Bay, and beyond.
連載 中島りか 新しい死者の書 第三回
Japanese artist Rika Nakajima reflects on the trial of Tetsuya Yamagami, who assassinated former Prime Minister Shinzo Abe in 2022, weaving together her own experience running the project space "Datsuisho – (a) place to be naked" in Tokyo's Yanaka district. As the space faced demolition in late 2025, Nakajima draws parallels between the trial's timing and the closure of her venue, recalling earlier events at the space that discussed the state funeral controversy and the cult issues exposed by the assassination. She describes attending the trial in Nara, observing Yamagami's demeanor, and connecting the case to broader themes of political aesthetics, fascism, and the theatricality of the judicial system.
Satellite imagery obtained by Caucasus Heritage Watch (CHW) confirms that the Azerbaijani regime has demolished the Holy Mother of God Church in Stepanakert, the former capital of the Republic of Artsakh (Nagorno-Karabakh). The church, consecrated in 2019 after 12 years of construction, was destroyed within the last eight weeks, as evidenced by Sentinel-2 satellite images from March 3 and April 2. The Artsakh Tourism and Cultural Development Agency announced the destruction on April 21, three days before the 111th anniversary of the Armenian Genocide. This demolition follows a pattern of damage to Armenian religious and cultural sites since the forced displacement of over 130,000 Armenians in September 2023.
Artist Ed Woodham reflects on the evolution and co-option of socially engaged art, using his own projects like 'The Keepers' protests and the Art in Odd Places initiative as examples. He describes a troubling trend where the language and strategies of social practice art, once used to challenge systems, are now being adopted by developers, corporations, and institutions for branding, place-making, and community engagement initiatives that often operate within the very economic structures driving displacement and eroding public space.
川辺ナホ「Flos Filicis：羊歯の花」@ WAITINGROOM
The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.