filter_list Showing 1975 results for "The Work" close Clear
search
dashboard All 1975 museum exhibitions 985trending_up market 355article news 206article local 152gavel restitution 84article culture 80rate_review review 56article policy 28person people 19candle obituary 9article museums 1
date_range Range Today This Week This Month All
Subscribe

Upcoming Art Exhibition at CACHE – A Look Back

The Center for Art, Culture, and History—Exeter (CACHE) will host a solo sculpture exhibition by Edward Brown Dobson titled "A Look Back," opening August 2025 with a reception on August 2. Dobson, a 90-year-old Exeter native, combines influences from Native American culture, Egyptian history, and his work with metal, bronze, and wood, shaped by his background as a U.S. Air Force helicopter pilot and his studies in archaeology, anthropology, and art.

Emily Legleitner - University Art Department Gallery

Emily Legleitner, a Detroit-based interdisciplinary artist working in print media and installation, presents her solo exhibition "My Life Is the Size of My Room" at the University Art Department Gallery from August 18 to September 26. The show includes a reception and welcome back party on September 4. Legleitner's work explores autobiographical experiences and emotions tied to anxiety, mortality, longing, and the human condition.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Exhibition Highlights Painter Eric Telfort - Inside Art With Michael Rose

Artist and illustrator Eric Telfort is the subject of a solo exhibition titled *Child's Play*, on view through June 28 at AS220 in Providence, Rhode Island. The show features paintings that draw on Telfort's childhood memories, his upbringing in Little Haiti, Miami, and his experiences in a conservative Catholic household. Telfort, a classically trained artist who earned his BFA in Illustration at RISD and his MFA at the New York Academy of Art, combines smooth, academic technique with inventive, narrative-driven imagery. The exhibition also includes photographs by his cousin Greg Almonord.

Chirp Chat: Exploring what birds can teach us about ourselves through art

Hattie Grimm, artist-in-residence at the Charles Allis Art Museum in Milwaukee, has created a new exhibition titled "BIRD BODY" featuring 20 original wooden paintings and sculptures. Inspired by her personal relationship with birds formed during a difficult time, the works explore birds as symbols of freedom, intuition, and bodily wisdom. The exhibit includes interactive elements such as drawing activities and storytelling stations, encouraging visitors to reflect on their own connections to birds and their bodies.

Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Feeling Lost? Tackle Life’s Biggest Questions Inside Oracle, Denver’s New Introspective Art Exhibit.

Oracle, a new experiential art exhibit curated by Esther Hernandez, opened on May 9 at Union Hall Art Space in Denver. The 1,700-square-foot gallery invites visitors to wear blindfolds and be guided by volunteers to 16 works by six local female artists—Yazz Atmore, Faatma Be Oné, Linda Bishara, Rebecca Peebles, Sarah Tenney, and Harriet Woodman—before removing the blindfold to reflect on pieces that resonate with their personal questions. The exhibit includes interactive works, such as a ceremonial weighted blanket and a mixed-media altar, and runs through August 23.

Future Fair updates portraiture for 2025

Future Fair returns for its fifth anniversary from May 7-10 at Chelsea Industrial in Manhattan, featuring 67 exhibitors. The fair is impacted by President Donald Trump’s tariffs, with one Bologna-based gallery, Magazzeno Art Gaze, displaying a sign that its shipment is stuck at JFK customs, showing only works brought in luggage. Montreal’s Wishbone Gallery narrowly avoided a similar fate after its artist consulted a psychic, and the works arrived just in time. Despite trade disruptions, the fair continues its focus on portraiture, showcasing artists such as Saki Sonoda (depicting Bushwick club House of Yes), Émile Brunet (Dutch Golden Age-inspired portraits), Izere Antoine (impastoed Black women), Matthew Rosenquist (wooden reliefs of Americana), Katie Commodore (digital textile tapestries), and Catie Cook (animal stand-ins for Southern womanhood).

Joseph Gargasz Art Exhibition at the Eulalia Building in Monroe Saturday

Local artist Joseph Gargasz will hold an art exhibition titled "A Familiar Place" at the Eulalia Building in Monroe on Saturday, May 3, 2025, from 6 to 9 p.m. The show features over 30 original oil paintings and drawings, all available for purchase. Gargasz, a Lorain, Ohio native with a BFA from the Columbus College of Art and Design, has studied in Japan and participated in international stone carving symposia. His work has been exhibited in China, Germany, and Japan, and is held in collections including the City of Hillsborough, North Carolina, and the Michael C. Carlos Museum at Emory University, where he currently serves as Director of Exhibition Design.

MFA Boston to return Benin Bronzes to wealthy donor, close gallery

The Museum of Fine Arts (MFA), Boston will close its Benin Kingdom Gallery on April 28, and most of the Benin Bronzes displayed there will not be repatriated to Nigeria. Instead, all but five of the 34 objects will be returned to their donor, filmmaker and banking heir Robert Owen Lehman, who rescinded his 2008 gift after stalled negotiations with the museum. The MFA had sought to acquire full ownership of the works to ensure their display, but Lehman asked for them back. The five bronzes the museum does own will remain in its collection and be shown in its Art of Africa Gallery starting in June.

Above & Beyond, Wisconsin folk artist will explore Mexican immigrant experience in next cultural exhibit

Above & Beyond Children's Museum (ABCM) in Sheboygan, Wisconsin, will host a listening session on May 4, 2025, as it prepares the second iteration of its Culture Exchange Exhibit, this time focusing on the Mexican immigrant experience. The museum is partnering with Gabriela Marván, a Mexican artist from Viroqua and co-founder of the Mexican Folk Art Collective, who specializes in cartonería (paper sculpture). Marván will create monumental alebrijes, an ofrenda altar, and papel picado for the exhibit, which will be installed in November. The project also includes workshops, Aztec dance, bilingual story times, and loteria games, aiming to engage visitors in Mexican folk traditions over several years.

Condemned by Francoism, a writer rehabilitated by the Spanish Congress

Condamné par le franquisme, un écrivain réhabilité par le Congrès espagnol

The Spanish Congress has officially rehabilitated Cipriano Salvador (1894-1975), a Republican intellectual wrongly accused by the Franco regime of stealing a Renaissance painting he actually saved. During the Spanish Civil War, Salvador hid Fernando Yáñez's "La Santa Generación" (c. 1525-1532) from destruction. After Franco's victory, a priest sold the work to the Prado Museum for 15,000 pesetas, while Salvador was arrested, sentenced to death (later commuted to 30 years), and spent seven years in prison. He died in 1975 without exoneration. The rehabilitation motion passed with 32 votes in favor, 3 against, and 1 abstention, with only far-right party Vox opposing.

RTRU* (*Raudive Technoculture Research Unit) at KAJE

The exhibition "RTRU* (*Raudive Technoculture Research Unit)" is on view at KAJE in Brooklyn from April 4 to May 17, 2026. Curated by the Riga Technoculture Research Unit (Zane Onckule and Elizaveta Shneyderman), the show features works by Ka Baird, Scott Benzel, Valdis Celms, Cal Fish, Jason Isolini, Voldemārs Matvejs, Karlīna Mežecka, Adriana Ramić, Konstantīns Raudive, and Ieva Rubeze. The press release and checklist are available, and images of the exhibition are provided courtesy of the artists and the gallery.

yuko mohri tunes into the unseen energies connecting people and objects

Japanese artist Yuko Mohri has created an exhibition where decomposing fruit powers electronic systems, and visitors move through the installations, becoming part of the circulation of energy within the show. The work explores the unseen energies connecting people and objects, blending organic decay with technological interactivity.

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

'a little theater of life': JR weaves monumental tapestry of community care in venice

French artist JR has unveiled a monumental tapestry titled 'Il Gesto' in Venice, a contemporary interpretation of Veronese's 'The Wedding at Cana'. The large-scale work is suspended above the Grand Canal as a kinetic installation, transforming the city's waterways into a choreography of silk, light, and movement. The piece is part of the broader programming surrounding the 61st Venice Art Biennale.

More than 200 Banksy art works will come to Texas this summer

More than 200 works by the elusive British street artist Banksy will go on display in Austin, Texas, this summer. The traveling exhibition, titled "The Art of Banksy Without Limits," opens at Fair Market on May 29 and runs through September 7. It features certified original prints, photos, sculptures, and reproduced murals, along with video mapping, an infinity room, and a hologram installation. A portion of ticket sales will support the Banksy-founded Louise Michel organization, which operates a rescue vessel in the Mediterranean.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

Das alles bin ich! Christoph Müller’s gift, part 4

Art collector Christoph Müller has gifted approximately 200 works on paper—drawings, prints, and watercolours—to the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The gift is being presented in four successive exhibitions at the Gemäldegalerie under the title "Das alles bin ich" (I am all that!), with the final installment, "Leaf by leaf – A life with art," running from 10 March to 14 June 2026. The works span five centuries and originate from Germany, Italy, the Netherlands, and France, covering themes such as nature, portraits, landscapes, history, and everyday life.

Intermezzo: revisiting Helmut Newton

The Helmut Newton Foundation at Berlin's Museum für Fotografie is overhauling its permanent exhibition after more than 20 years, introducing a cinematic installation called "Intermezzo" that uses eight video projectors across four screens to present a film portrait of Helmut Newton. The film incorporates previously unreleased material, including personal recordings by his wife June Newton, and features interviews with figures from Newton's world such as Philippe Garner, Carla Sozzani, and Matthias Harder. Alongside the immersive film, the ground-floor gallery displays nearly 100 of Newton's exhibition posters and launches a new curatorial series, "Spotlight: behind the frame," which will focus on iconic photographs by Helmut Newton or Alice Springs, starting with Newton's 1975 "Rue Aubriot" and Alice Springs' 1970 Gitanes advertisement.

Arts Center donates works for library sale

The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Exhibition of engravings and lithographs based on Raphael's work held in Vitebsk

A unique exhibition of engravings and lithographs based on the works of Renaissance master Raphael Santi has opened at the Vitebsk Art Museum, a branch of the Vitebsk Regional Museum of Local Lore in Belarus. The show features 92 works, including 30 engravings from the 1774 copper-plate series illustrating Apuleius's novel "Cupid and Psyche" (originally created 1530-1560), 52 toned lithographs of Raphael's Vatican Loggias frescoes executed in 1866 by Ludwig Gruner and Niccola Consoni, and a series of engravings from drawings of the Chigi Chapel dome. This marks the first time the complete set of 52 lithographs has been displayed together.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

‘All about the history’: Marshall’s Michelson Museum of Art opens newest exhibit to public

The Michelson Museum of Art in Marshall, Texas, has launched "Postcards from Home," a new exhibition featuring the works of Max Cole and Don Brown. The show highlights the regional history of East Texas through Cole’s illustrations of historic landmarks and Brown’s plein air paintings of local landscapes like Caddo Lake. The exhibition was organized through a collaboration with the Harrison County Historical Museum and Centenary College, bringing together works that were previously held in private and bank collections.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

“Rooted” art exhibit explores the nature of trees with paint, camera, and heart

The Arts Garage (TAG) in Port Clinton has launched "Rooted," a group exhibition featuring six artists who explore the intersection of nature and human emotion. The show highlights the work of mixed-media artist Chad Cochran, known for his landscape-based album covers for Nashville musicians, and Susan Danko, whose abstract paintings translate the atmospheric moods of the forest into monochromatic and experimental forms.

Ocean Line, 2026 by Carrie Mae Weems

Carrie Mae Weems has introduced a new photographic work titled 'Ocean Line' (2026). The piece is being presented in multiple dimensions, ranging from 11 x 14 inches to 20 x 24 inches, through a platform that partners with elite, vetted galleries to showcase contemporary artists to a global network of collectors and advisors.

Artists take us down the rabbit hole in this group exhibition

The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.