Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

Interview to discover Theo Eshetu, the only Italian artist at the 2026 Venice Biennale

Intervista per scoprire Theo Eshetu, unico artista italiano alla Biennale di Venezia 2026

Theo Eshetu (London, 1958), the only Italian artist invited to the central exhibition "In Minor Keys" of the 2026 Venice Biennale curated by Koyo Kouoh, is profiled in an interview. Born to an Ethiopian father and Dutch mother, Eshetu trained in the Netherlands and London before settling in Rome in the early 1980s. He discusses his cosmopolitan background, his early struggles with belonging, and how he transformed that into artistic strength. The interview covers his career, his memories of the Roman art scene in the 1980s and 1990s, and his current work presented at the Biennale, including the piece "The Return of the Axum Obelisk" (2010).

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

Annalee Davis at the 2026 Venice Art Biennale. Landscape as mourning, archive and resistance in the Barbados Pavilion

Annalee Davis alla Biennale Arte di Venezia 2026. Il paesaggio come lutto, archivio e resistenza nel Padiglione Barbados

Annalee Davis, an artist from Barbados, will represent her country at the 2026 Venice Biennale with an installation titled "Let this be my Cathedral" within the exhibition "In Minor Keys." The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict, using suspended plants and organic materials to create a threshold where loss, vulnerability, and wonder remain in tension. Davis discusses the influence of curator Koyo Kouoh, whose vision shaped the Biennale, and the importance of research as an integral part of her artistic process.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

Working in Art and Culture: Opportunities from Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

Lavorare nell’arte e nella cultura: opportunità da Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

This article from Artribune compiles five current job and grant opportunities in the Italian visual arts and culture sector. It lists open calls for the Premio di Pittura Giuseppe Casciaro (a painting prize with a career award and a solo exhibition prize), a residency program for artists and curators under 36 at Fondazione MUS.E's MAD Murate Art District, an open call for artists on the theme of play by Associazione Circuiti Dinamici, a search by the Comune di Roma for a three-year artistic director for the La Vaccheria cultural space, and a stage (internship) position at Fondazione Culturale Officine Saffi for exhibition programming and project coordination.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

In Venice, an unprecedented space in the Arsenale opens to the public for the first time. It will host performances.

A Venezia apre al pubblico per la prima volta uno spazio inedito dell’Arsenale. Ospiterà performance

For the first time, the Galeazze—historically used for constructing the Serenissima fleet—will open to the public during the 2026 Venice Art Biennale on May 5 and 6. Artist and choreographer Faustin Linyekula has conceived a site-specific performance titled The Galeazze Project, activating the monumental, water-adjacent spaces of the Arsenale Nord. Collaborating with musician Heru Shabaka-Ra, Linyekula integrates the architecture into the performance, involving local performers and musicians. The project, conceived by Cosimo Ferrigolo and Dirk Bell and curated by Edoardo Lazzari, features scaffolding, platforms, and an irregular lighting system, inviting the audience to move freely and redefine the relationship between bodies and space.

There are 21 artists supporting the new voyage of the Global Sumud Flotilla that set sail from Sicily with painted sails

Ci sono 21 artisti a sostegno del nuovo viaggio della Global Sumud Flotilla salpata dalla Sicilia con vele dipinte

A new humanitarian mission by the Global Sumud Flotilla set sail on April 26 from Augusta, Sicily, with 59 Italian and Spanish boats heading toward Gaza. The flotilla, which follows a first attempt in September 2025 that ended with activists arrested by the Israeli military, aims to deliver humanitarian aid by early May. Twenty-one artists have joined the initiative, called Vele d'Arte, painting the sails of the boats with symbolic artworks. Among the participating artists are Gio Pistone, Antonio Curcio, Escif, Lydia Giordano, Glenda Costa, Millo, Elia Novecento, MP5, Matteo Todeschini, Alleg, Sam3, Okuda, Antonella Santonocito, Fabrizio Foti, Igor Scalisi Palmiteri, Andrea Sposari, and Salvo Ligama. The project was conceived by Carlo Alberto Giardina, who hopes the energy painted on the sails will transform into positive forces.

Working in the arts: opportunities from Arte Laguna Prize, Reggio Parma Festival, Italian Cultural Institute of London, Museo Mitoraj

Lavorare nell’arte: opportunità da Arte Laguna Prize, Reggio Parma Festival, Istituto Italiano di Cultura di Londra, Museo Mitoraj

Artribune has compiled a list of five open calls and job opportunities in Italy for visual artists, theater professionals, curators, and digital media specialists. The opportunities include the Arte Laguna Prize 2026 offering exhibitions at Venice's Arsenale Nord and international residencies at venues like The Swatch Art Peace Hotel in Shanghai and BigCi in Australia; the Gradus theater residency program by Reggio Parma Festival; an artist residency for Italians under 40 at Camberwell College of Arts in London organized by the Istituto Italiano di Cultura di Londra; the Terre Alte residency for visual artists and curators under 36 by CasermArcheologica; and a digital media specialist position at the Fondazione Museo Igor Mitoraj.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

An Italian Photographer Traveled to Palestine to Document the Growth of Two Bedouin Twins

Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine

Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.

Bocconi University opens an art gallery in its new Rome headquarters: the first exhibition speaks of the sacred

L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro

Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.

All of Italy Rediscovers Bice Lazzari: After the Brera Exhibition, the Second Stage Opens at the National Gallery in Rome

Tutt’Italia riscopre Bice Lazzari. Dopo la mostra a Brera, ecco la seconda tappa alla Galleria Nazionale di Roma

The major retrospective "Bice Lazzari: The Languages of Her Time" has arrived at the Galleria Nazionale d’Arte Moderna e Contemporanea (GNAMC) in Rome following its debut at Palazzo Citterio in Milan. Curated by Renato Miracco and featuring over 200 works, the exhibition traces the Venetian artist’s journey from her early collaborations with architects to her late-career mastery of abstract painting. The show highlights her constant experimentation across various media, including textiles and jewelry, before she fully dedicated herself to painting in her fifties.

The Forgotten of Art: The Story of Architect and Sculptor Pietro De Laurentiis

I dimenticati dell’arte. La storia dell’architetto e scultore Pietro De Laurentiis

The life and legacy of Pietro De Laurentiis, a multifaceted Italian architect, sculptor, and cultural activist, are being rediscovered through a retrospective look at his prolific career. Born into a peasant family in Abruzzo, De Laurentiis rose to prominence in Rome's mid-century art scene, balancing a forty-year teaching career at the Faculty of Architecture with significant public commissions, including bronze panels for the ACEA headquarters and marble works for INPS. His artistic style evolved from rural-inspired figuration to a unique geometric abstraction that blended Cubism with folk traditions.

In Rome, the major company Acea launches its Foundation for art and culture: The interview

A Roma la grande azienda Acea lancia la sua Fondazione per l’arte e la cultura. L’intervista

The Italian multi-utility giant Acea has officially launched the Acea Foundation, signaling a shift from being a mere cultural sponsor to an active producer and curator of cultural projects. Central to this initiative is the Acea Heritage Museum, which showcases the company’s 117-year history through a massive 12km historical archive and a rediscovered art collection valued at two million euros. The foundation aims to integrate art into corporate spaces, including a dedicated contemporary art section in its foyer and a focus on site-specific works by artist Gino Marotta.

In Florence, Art Creates Community and Dialogue in the Bagasseria Space: An Interview with its Founder

A Firenze l’arte crea comunità e confronto nello spazio Bagasseria. Intervista al suo fondatore

Painter Samuele Alfani has launched Bagasseria, a new independent art space and studio in the Sant’Ambrogio district of Florence. Named after the Catalan word for a house of prostitution as a gesture of reclamation and freedom, the venue functions as a porous community hub that blends artistic production with public engagement. Its inaugural exhibition, "Bau Bau Baby," is a group show curated by Luigi Presicce and Anna Capolupo featuring artists such as Francesco Lauretta, Davide Serpetti, and Thomas Berra.

‘Good for the soul’: Local art show opens at Oshawa art gallery tonight

The Oshawa Art Association (OAA) is hosting the opening reception and awards night for its 58th annual juried art exhibition tonight at The Robert McLaughlin Gallery in Oshawa, Ontario. The free event runs from 6 to 9 p.m., featuring live music by local singer David Saliba, attendance from local politicians, and a cash bar. The exhibition, which includes over 100 artworks selected from nearly 300 submissions, will remain on display until May 10. Categories include wildlife, people, abstracts, sculptures, and a youth category for artists aged 12 to 18, with $3,000 in total prize money awarded by jurors Hi-Sook Barker and Lucy Manley.

Before Language: An Interview with Song E Yoon at Biennale Arte 2026

Song E Yoon's exhibition "Songs Across Time" at Spazio 996/A in Venice, presented as a Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia, pairs her Song E Code with Frédéric Bruly Bouabré's Bété alphabet. In an interview with Kun Sok, Yoon discusses how her work uses dots, intervals, and repetition to create a visual language that exists before conventional meaning, emphasizing bodily encounter, sensation, and the productive role of misreading.

International Friendship Park, at the western end of the U.S.-Mexico border, is focus of new art exhibition

A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.

Fisherton Mill to showcase 14 artists and makers on Salisbury Art Trail

Fisherton Mill in Salisbury will host 14 artists and makers as part of the Salisbury Art Trail, running from May 23 to June 7. The mill's first-floor display space will feature resident studio artists, while the main gallery presents 'Brush, Kiln & Camera', a group exhibition from the Nova Art Guild showcasing ceramics, paintings, glasswork, and photography by Fiona Charter, Tamsyn Gregory, Lindsay Keir, Scarlet Leatham, Geraldine McLoughlin, and David Walker. Visitors can meet artists daily during the trail, and admission is free.

Explore Luxembourg’s open-air urban galleries

The article explores the street art scene in Luxembourg, highlighting cities and towns like Esch-sur-Alzette, Leudelange, Koler, and Ettelbruck where murals and graffiti adorn buildings, schools, and even waste bins. It traces the movement's origins to the 1980s hip-hop-inspired rebellion, when graffiti was illegal and artists like Sumo, Spike, Stick, Dan Sinnes, and Alain Tshinza emerged. Today, urban art is embraced as a tool for social cohesion and expression, with projects like Kufa's Urban Art Esch in Esch-sur-Alzette featuring over fifty murals by international artists. The article also notes techniques such as grid systems, projections, and reverse graffiti, exemplified by Klaus Dauven's 2023 tribute on the Vianden dam.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

La tour Perret, premier gratte-ciel en béton armé d’Europe, renaît à Grenoble après 60 ans de fermeture

The Tour Perret in Grenoble, Europe's first reinforced concrete skyscraper, will reopen to the public on July 11, 2026, after being closed since the 1960s. Designed by Auguste Perret in 1925 for the International Exhibition of White Coal and Tourism, the 95-meter tower has undergone a complex restoration led by heritage architect François Botton, addressing water infiltration and corrosion while preserving its original character.

A New "Creative" Campus in Rennes

Un nouveau campus « créatif » à Rennes

The private higher education group Icônes is investing €33 million to construct a new 16,000-square-meter "creative campus" in the EuroRennes district of Rennes, France. Scheduled to open in 2027, the complex will feature three buildings designed by architect Philippe Dubus, including a new home for the ESMA 3D animation school, a 300-studio student residence, and coworking spaces dedicated to creative startups.

Stained Glass Objects by Pia Hinz Reflect the Contrast Between Strength and Fragility

Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.