Artists and architects are increasingly designing and creating elaborate, artistic birdhouses, elevating a common backyard object into a subject of creative expression and public art. This movement reflects a broader trend of engaging with nature and public space, blurring the lines between functional design, sculpture, and environmental commentary.
Hong Kong-based painter Stephen Wong Chun Hei, who spent much of his childhood indoors, has become an avid hiker and now creates vibrant, colorful paintings of the city's natural landscapes. His work focuses on capturing the dramatic geology, lush vegetation, and hidden trails of Hong Kong's country parks and coastal areas.
Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.
The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.
Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.
The Cultural Center of Spain in Panama is hosting an exhibition titled 'The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art' until April 1, 2026. The show features traditional and digital works by ten Panamanian and international artists who explore the intersections of nature, culture, and the body from an ecofeminist viewpoint, challenging established boundaries between the human and non-human.
The Patan Museum in Lalitpur recently hosted "Sapanaka Paila" (Steps to Dreams), an exhibition showcasing paintings by nine artists with intellectual disabilities. Organized by Mikha Creative Begins, the showcase featured works by artists including Sama Bajracharya and Sandhya Singh, whose vibrant depictions of nature, animals, and personal aspirations often bypass traditional artistic conventions. The exhibition served as a platform for these individuals to communicate complex emotions and dreams that they are often unable to express through verbal language.
The article reports on the opening night of the exhibition 'Eyes in the Forest' at an unspecified venue, highlighting the energetic atmosphere and attendance at the event. The exhibition appears to be a local art show, likely featuring works related to nature or the forest theme, drawing a crowd for its first night.
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.
A Milano dietro a Palazzo Citterio c’è un bellissimo giardino e un bistrot aperto a tutti dove pranzare e cenare
Palazzo Citterio in Milan is reopening its lush courtyard garden as Citterio Garden for summer 2026, starting May 27, with extended hours from 9 AM to 10 PM. The garden bistro, adjacent to the Orto Botanico di Brera, introduces a partnership with St-Germain liqueur, transforming into a "Giardino St-Germain" with signature cocktails. A major new collaboration brings Michelin-starred chef Claudio Sadler to craft an elevated Italian menu, managed by AFM Banqueting under the Grande Brera institution. The museum also announces summer exhibitions, including a show on Giovanni Agostino da Lodi and neoclassical displays featuring the Canova collection from Banca Ifis and the Sommariva miniature collection.
A Milano la sorprendente natura selvaggia del disegno cieco di Luciana Meazza
The article reviews Luciana Meazza's exhibition 'Wild Thoughts' at Tipografia Fratelli Bonvini in Milan, showcasing her vibrant, spontaneous paintings and works on paper. The show features two series: studio paintings on canvas and outdoor works on paper, including blind drawing and leporellos, all inspired by nature and executed with a free, childlike hand.
At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.
Nella Milano della Design Week in un giardino i designer emergenti possono esporre gratis. “Abbiamo ricevuto quasi 100 richieste alla call”
During Milan Design Week, the venue enoteca/naturale launched the initiative "Entra pure," offering its garden and interior space for free to emerging designers under 35. The open call received nearly 100 applications, with eight selected projects being displayed and utilized within the space from April 21-26, providing an alternative platform during the city's major design event.
A Bologna una mostra mette assieme tradizioni pittoriche e profumi contemporanei
The exhibition "Sogni di natura" (Dreams of Nature) has opened at the Collezioni Comunali d’Arte in Bologna’s Palazzo d’Accursio, coinciding with the 57th edition of Cosmoprof Worldwide. The show transforms the historic Sala Boschereccia into a multisensory "imagined garden" where 18th-century landscape paintings by Vincenzo Martinelli and Giuseppe Valiani are paired with contemporary fragrances. Students from the Italian Perfumery Institute developed these scents by analyzing the historical and symbolic identity of the room’s original decorations.
Gli spazi accoglienti dell’artista italiana Donatella Spaziani alla sua prima grande mostra in Cina
Italian artist Donatella Spaziani has opened her first major solo exhibition in China, titled "Incolume tra le cose" (Unharmed Among Things), at the Sichuan Fine Arts Institute Art Museum in Chongqing. The retrospective features over 100 works, including drawings, collages, site-specific installations, and sound art, spanning her career and highlighting her recent residency in the city. The exhibition eschews chronological order, instead creating an immersive environment where the artist’s signature silhouettes and explorations of the human body interact with the architectural space of the museum.
Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista
Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.
Tra controllo e fragilità: le storie invisibili di Martina Zanin in mostra a Roma
Martina Zanin’s solo exhibition, "EVERY CARESS, A BLOW," has opened at the Fondazione Pastificio Cerere in Rome. Curated by Antonio Grulli, the show features a multidisciplinary range of works including photography, bronze sculpture, and immersive installations that explore the thin line between protection and threat. Through recurring motifs like falconry gloves and symbolic animals such as the hawk and the hare, Zanin investigates the invisible power dynamics and rituals inherent in relationships.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
Arario Gallery Shanghai presents Huang Hankang's solo exhibition 'The Sky Remains as the Bird Departs,' running from May 15 to July 4. The show uses Shanghai as a dynamic 'processing system' where images, histories, and cultures are constantly received, translated, and reorganized. Through installations and paintings, the exhibition compresses multiple visual and historical threads, featuring works such as 'Gate of Flesh and Soul,' which juxtaposes Giuseppe Castiglione's hybrid visual language with the Cathay Theatre and fragments of George Washington's dentures, and 'Overlaid Life,' which contrasts a Song Dynasty crystal rabbit with cultivated orchids. Other pieces like 'Void Resonance' and 'Nameless Mark' explore perception, the body, and cultural mediation.
Korean American visual artist Sungmo Cho is returning to South Korea after 14 years to exhibit his 'Along the LOVE Road' series in Seoul and Buyeo. Cho, who moved to New York in 1992, has created over 30 solo shows and 150 group shows across four countries. His works explore themes of migration, memory, and the tension between civilization and nature, with roads serving as a central symbol of both human progress and environmental destruction.
The Renew Jordan Creek revitalization project in downtown Springfield has severely impacted Fresh Gallery, an award-winning local art space. Extensive road closures on Boonville Avenue and ongoing construction noise have cut off the gallery from its usual pedestrian and tourist traffic, leading to a drastic decline in sales and foot traffic. To combat these challenges, the gallery has launched a GoFundMe campaign and is attempting to reinvent its business model to survive until construction concludes in mid-2024.
Contemporary Chinese artist Ajing Wang has released her 2025 work 'Flower In A Bottle' for sale through Blue Green Galleria. The painting, an oil on canvas, exemplifies Wang’s signature style of merging traditional Chinese xieyi ink painting techniques with Western oil painting to achieve a balance between abstraction and figuration. The work is part of her 'Bottle Flower Series' and is currently listed on the Artsy platform for $425.
Singaporean artist Suzann Victor has unveiled a major installation at Art Basel Hong Kong, showcasing her signature blend of large-scale spectacle and deep conceptual inquiry. The Sydney-based artist, recognized as a pioneer of contemporary art in Southeast Asia, utilizes her multidisciplinary practice to challenge viewers to confront the enduring psychological and cultural impacts of postcolonialism.
Marietta College's Art Department is presenting its Art and Design Capstone Exhibition, featuring work by graduating seniors in graphic design and studio art. The show opened January 13 and runs through March 4 at the Atrium Gallery in the Hermann Fine Arts Center, with an artist reception on January 24. Projects include paintings, digital designs, branding, and textile works, such as Jazlyn Ingold's multi-canvas oil painting "Fragmented Skies" and Renee Mulvaney's mobile app concept "Studiio."
The newly renovated Porter Art Warehouse in Fayetteville, Arkansas, will host its first signature exhibition, "Harold Keller: Portals," from January 15 to March 8, 2025. The show features works by Harold Keller, an artist and educator whose career spanned over seven decades, curated by Matthew Bailey from the University of Arkansas Fort Smith Collection. The exhibition includes paintings, drawings, ceramics, and artist books drawn from the largest repository of Keller's work, housed at the University of Arkansas Fort Smith, where he taught in the late 1950s and early 1960s. The Alexander Gallery, named for philanthropists Bob and Becky Alexander, opened in October 2024 after a $1 million exterior restoration by the city and a $950,000 interior renovation by Walton Arts Center.
Anastasia Drayton is transforming the former Pittsfield Plant Connector space at 46 West St. in Pittsfield into Solarium, a plant shop and art gallery slated to open in mid-September. Drayton, who previously ran a pop-up called Foraged and Found inside the Plant Connector, will offer plants, nature-based home decor, self-care products, and works from local artists. The center of the store will become the Atrium Gallery, curated by muralist Mike Carty, featuring local art and named in tribute to Carty's heart transplant. Drayton also plans to host workshops, educational seminars, and community events, building on the legacy of former owners Bonnie Marks and Emilee Yawn.
Artist Anthony Shapland has opened a solo exhibition titled "Liar Liar" at Aberystwyth Arts Centre, just one month after the publication of his debut novel, "A Room Above a Shop." The show spans twenty years of his practice, featuring works in text, sculpture, books, print, audio, and film, with the earliest piece dating from 2005 and the most recent created within the last month. The exhibition blurs the lines between writing and visual art, drawing on hidden filmmaking techniques such as props, filters, light, and sound, while also exploring themes of rural queerness, passing, and the malleability of landscape. Key works include the films "A Setting" (2007), "A Sign," "FiftytwoSundays" (2018), "Between the Dog and the Wolf" (2019), "Centre A Sound not Meant to be Heard," and the new montage "Seven Starling" (2025).
The Wondai Regional Art Gallery in Queensland, Australia, opened its May 2025 exhibitions with a standout piece: a 3D bark portrait of the late actor Uncle Jack Charles by art student Charlotte Simpson, which won the People's Choice award. The show also features a rare photograph of a bee urinating, captured by Moffatdale photographer Liz Barratt, alongside works by the Tomlinson Family Collective and other local artists. The exhibitions were officially opened by South Burnett Mayor Kathy Duff and will run through May 31.
Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.
A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.