Paris-based gallery Romero Paprocki is expanding its presence in the Italian art market with a multidisciplinary presentation at miart 2026. Following the opening of a second gallery space in Milan, the booth features a curated dialogue between four artists—Antoine Carbonne, Louis Jacquot, Winnie Mo Rielly, and Matisse Mesnil—spanning figurative painting, minimal works, and sculptural photography.
Artist Sean Benton is currently showcasing a solo exhibition at the Truro Public Library in Nova Scotia, running through April 24. The collection features a diverse range of subjects, including portraits, landscapes, and architectural studies, all unified by Benton’s commitment to expressive realism and observational painting. The exhibition was organized following an open call from the Colchester-East Hants Public Library system, reflecting the artist's ongoing effort to engage with new audiences outside of traditional gallery spaces.
Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.
Uruguayan artist Evelyn Politzer has released a new textile work titled "Water on Mars II" (2025), currently available for purchase through The Contemporary Art Modern Project in Miami. The piece is a unique creation featuring wool and silk yarn on linen canvas, priced at $1,800.
Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.
The Hal Marcus Gallery is celebrating its 30th anniversary, marking three decades as a vital cultural hub for the El Paso-Juarez border region. Founded in 1996 by local artist Hal Marcus alongside his daughter Leilainia Marcus and wife Patricia Medici, the gallery has remained a steadfast physical space for regional talent, ranging from early El Paso masters to contemporary folk artists. The milestone comes at a poignant time for the founder, who is currently navigating a terminal cancer diagnosis while continuing to produce new creative work.
Florida Atlantic University’s Center for Autism and Related Disabilities (CARD) partnered with the City of Boynton Beach to host the fifth annual 'Art and Autism' exposition. Held at the Boynton Beach Arts & Cultural Center in honor of Autism Awareness Month, the event featured approximately 50 artists—a significant increase from the three or four participants at its inception in 2021. The showcase included a diverse array of media, from graphic illustrations and children's books by artists like Kiora Slate to live musical performances by Patrick Fahely, providing a public platform for neurodivergent creators to sell their work and share their personal stories.
Trans Art Fest has launched as a major citywide celebration in New York City, featuring over 120 transgender artists across more than a dozen exhibitions and 20 public events. Running through late May, the festival includes gallery shows at venues like Eleventh Hour Art and Puffin Brooklyn, alongside outdoor installations, glassblowing workshops, and community-driven projects. Founded by textile artist and curator Carter Shocket, the initiative seeks to move beyond fleeting visibility by establishing a sustained, multi-week presence across Brooklyn and beyond.
The Ellen Noël Art Museum in Odessa, Texas, is hosting its annual Community Art Day, a free public event designed to engage the local population through hands-on creativity. The program features a variety of art-making stations, live demonstrations, and guided tours of current exhibitions, aiming to make the museum's resources accessible to families and individuals of all ages.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.
The Japanese Friendship Garden & Museum in San Diego has opened a new exhibition that blends traditional Japanese aesthetics with contemporary artistic innovation. The show, curated by a museum professional, features works that reinterpret classic forms and concepts through modern materials and perspectives.
A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.
Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.
The New York Times profiles a previously overlooked or emerging artist whose work focuses on the iconography of 'caped crusaders' and superhero mythology. The feature explores the artist's journey from the periphery of the art world to a position of critical visibility, highlighting their unique aesthetic approach to pop culture figures.
Amelchenko Gallery has officially opened its doors in Red Bank, New Jersey, relocating from Sea Bright to the Galleria complex on Bridge Avenue. The gallery celebrated its arrival with a ribbon-cutting ceremony and a reception for its inaugural exhibition, "Reel Icons," featuring the work of New York-based artist Ginette Laboz. Laboz utilizes a unique pointillist technique, applying paint with pastry tools to create large-scale reinterpretations of iconic cinematic moments from films like "Pulp Fiction" and "When Harry Met Sally."
Western Exhibitions in Chicago presents “Spaces for People, Systems for Spaces,” a group exhibition featuring fifteen artists who explore the intersection of architecture, urban infrastructure, and the human body. The show includes diverse approaches to mapping and structural representation, ranging from Kim Beck’s hand-woven asphalt photographs and Courttney Cooper’s massive ink-on-receipt Cincinnati maps to Brian Petrone’s basswood and limestone tectonic sculptures.
The San Diego Museum of Art (SDMA) is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's chronological evolution from its origins after the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity. It features rediscovered archival materials, including early children's art and photographs documenting periods like its conversion into a naval hospital during World War II.
The Denver Art Museum is hosting the opening gala for "DIVA," a touring exhibition originally created by the Victoria and Albert Museum (V&A) in London. The event is supported by premier sponsors Joy and Chris Dinsdale, with additional funding from several prominent donors and organizations including U.S. Bank and the Scientific and Cultural Facilities District (SCFD).
Michael McGraw, a prominent figure in the design public relations world, is opening a new gallery called Dernier Cri on New York's Upper East Side. The space debuts on January 29, 2026, with an exhibition titled "Night Shift," featuring sculptural works by artists including Julian Mayor, Casey Johnson, Todd Marshard, Jessie Nelson, and Marit Harte, all rendered in a single black palette. McGraw, who has spent years shaping narratives for design studios and brands, describes the gallery as a physical extension of his work as a design publicist, aiming to showcase compelling art and design that inspires interior designers.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.
Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.
One month after Hurricane Melissa devastated the Caribbean, causing an estimated $48bn-$52bn in damage and over 100 deaths, artists and art organizations are leading fundraising efforts. The National Gallery of Jamaica launched a donation drive through its western branch, while New York-based nonprofit Forgotten Lands, artist Ania Freer, the Lemon Seed Project, and the Prints for Jamaica initiative have raised thousands of dollars for relief, medical aid, and heritage preservation.
The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.
The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.
Longtime Charleston artist and educator Leo Twiggs has opened a new downtown gallery called the Twiggs Gallery, described as a 'space where everyone is welcome.' The gallery, located on King Street, will showcase Twiggs's own work alongside that of other regional artists, with an emphasis on community engagement and accessibility.
The Maui Arts & Cultural Center will present "Satoru Abe: Reaching for the Sun," a retrospective exhibition showcasing over seven decades of work by the late Hawaiʻi-based artist Satoru Abe (1926–2025). Running from September 16 to November 22, 2025, at the Schaefer International Gallery, the show features more than 70 paintings, sculptures, and works on paper drawn from the Honolulu Museum of Art’s permanent collection and private lenders. Co-curated by HoMA curators Katherine Love and Alejandra Rojas Silva, the exhibition traces Abe’s evolution from figurative works in the 1950s through abstract explorations of natural forms, marking his first solo exhibition on Maui.
Researchers at the Fitzwilliam Museum in Cambridge, UK, have discovered a 4,000-year-old handprint on the base of an ancient Egyptian "soul house"—a clay model of a building used in burial rituals. The handprint was found during preparations for the museum's upcoming exhibition "Made in Ancient Egypt" (3 October–12 April 2026), when senior conservator Julie Dawson examined the object under different lighting. The soul house, excavated at Deir Rifa north of Luxor, dates to Egypt's First Intermediate Period or Middle Kingdom and was likely left by the artisan who moved it to dry before firing.
Art Basel has announced the gallery list for its 2025 Miami Beach edition, featuring 283 premier galleries from 43 countries and territories. The fair, taking place December 5-7 at the Miami Beach Convention Center, includes 48 debut exhibitors and will debut the new Art Basel Awards, presented in partnership with BOSS. The event will highlight Latinx, Indigenous, and diasporic artistic positions, with a strong focus on the Americas, including galleries from New York, Los Angeles, and Latin America.