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dealer oghenochuko ojiri pleads guilty hezbollah financier 1234741683

London art dealer Oghenochuko Ojiri has pleaded guilty to eight charges of failing to disclose potential terrorist financing after selling artworks to Nazem Ahmad, a collector sanctioned by the US since 2019 for funding Hezbollah. The charges, brought by the Metropolitan Police’s National Terrorist Financial Investigation Unit, cover transactions from October 2020 to December 2021, with artwork valued at approximately £140,000 ($186,000). Ojiri, who owned a namesake gallery in East London and appeared as an art expert on BBC’s Bargain Hunt, allegedly filled out paperwork in other individuals' names to disguise Ahmad’s ownership of the works.

A ruined building, five Ghanaians and an elegant horse: Ron Timehin’s best photograph

Photographer Ron Timehin discusses a standout image from his documentary project in Labadi, Accra, featuring five local community members and a horse against a ruined farm building. The project, commissioned by My Runway Group, aims to move away from traditional documentary tropes by portraying West African communities in a collaborative, dignified, and elegant manner.

Here’s what’s on the gallery walls in Boulder County

Boulder County’s art scene is currently hosting a wide array of exhibitions across its museums, galleries, and community centers. Highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…," a historical examination of segregation at the Lafayette Swimming Pool in the 1930s at the Collective Community Arts Center, and a showcase of Indigenous ecological knowledge at the Dairy Arts Center. The region is also emphasizing local talent through the Boulder Valley School District student showcase and various member exhibitions at the Louisville Art Association and Liminal Light Gallery.

risd design aesthetics recession

A writer revisits the Rhode Island School of Design (RISD) alumni magazine after being assigned to explore how a group of RISD graduates from the late 2000s helped shape contemporary American material culture. The article focuses on the cohort that studied at RISD during the 2008 financial crisis, a time of institutional dysfunction and curricular drift, and includes figures like fashion brand Eckhaus Latta (co-founded by Mike Eckhaus and Zoe Latta), designer Adam Charlap Hyman, artists Katie Stout, Misha Kahn, F Taylor Colantonio, and Martine Gutierrez. The author reflects on shared memories and the unique conditions that produced this influential group.

Georg Baselitz, German Neo-Expressionist Painter, Dies at 88

Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.

french audit louvre robbery security flaws no cameras 1234757968

A leaked French government audit reveals that the Louvre Museum's security system is "outdated and inadequate," with significant gaps in CCTV coverage. The report, conducted by France's Court of Auditors and set for public release next month, found that modernization of security systems had been repeatedly postponed, and cameras were mostly installed only when rooms were refurbished. In the Denon Wing, home to the Mona Lisa, one-third of rooms lack cameras; in the Richelieu Wing, 75 percent of rooms are without them. Only 138 additional cameras have been installed since 2019. The audit was initiated by Louvre president and director Laurence des Cars after she assumed the role in 2021. The findings follow a robbery of French crown jewels from the museum and come amid staff strikes over understaffing and overcrowding.

bayeux tapestry british museum loan 2665313

The Bayeux Tapestry, a 230-foot-long medieval textile depicting the Norman Conquest of 1066, will be loaned to the British Museum in London for the first time in 950 years. The historic deal between Britain and France is set to be finalized on July 9, with the tapestry expected to appear in a blockbuster exhibition about the Norman Conquest opening in September 2026. In exchange, treasures from across the U.K.—including artifacts from Sutton Hoo and the Lewis chessmen—will travel to France. The agreement will be announced by British Prime Minister Keir Starmer and French President Emmanuel Macron, and signed by British Museum director Nicholas Cullinan.

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Cowley Abbott’s Fall Live Auction of Important Canadian Art will take place on November 26 at Toronto’s Globe and Mail Centre, featuring a curated selection of historical and contemporary Canadian works. Highlights include Jean Paul Riopelle’s *Sans titre* (1950, est. CA$1.2–1.5M), Emily Carr’s *Pole of Harhu* (1912, est. CA$800,000–$1.2M), Lawren Harris’s *Rocky Mountains; Abstract Composition* (est. CA$400,000–$600,000), Jack Bush’s *Awning* (1974, est. $200,000–$300,000), and Jean Paul Lemieux’s *Jeune fille en jaune* (1964). Founded in 2013 as Canada’s first online art auction house, Cowley Abbott has evolved into a hybrid gallery and digital marketplace, with onsite viewing at its Dundas Street West gallery through the auction date.

matthiesen gallery lawsuit jill newhouse jon landau courbet 1234755812

The Matthiesen Gallery in London has filed a lawsuit in the Southern District of New York alleging fraud, breach of contract, and other counts over a Gustave Courbet painting, *Mother and Child on a Hammock*. The gallery claims that Thomas Austin Doyle, a convicted con man, orchestrated a scheme to defraud director Patrick Matthiesen, selling the painting—valued at $650,000—through artist and dealer Shalva Sarukhanishvili to Jill Newhouse Gallery for $115,000, which then sold it to top collector Jon Landau for $125,000. The lawsuit also names Landau, who allegedly viewed the work multiple times at TEFAF fairs knowing its retail price, yet refuses to return it. Doyle has a long criminal history, including prior convictions for art fraud and theft.

‘A daring flash of pubic hair’: the extraordinary, monumental nudes of Sylvia Sleigh

A small London gallery, Malarkey, is exhibiting eight paintings by Welsh-born artist Sylvia Sleigh (1916–2010), including her monumental 1963 work *The Bridge*, which is now for sale. The show, curated by Daniel Malarkey, features Sleigh's earliest-known self-portrait and her first commission, alongside other nudes that challenge traditional objectification by portraying both sexes with dignity. Sleigh, who studied at Brighton School of Art and moved to New York with her second husband, critic Lawrence Alloway, reimagined classical poses like Giorgione's *Sleeping Venus* in modern settings, notably including a daring flash of pubic hair in *The Bridge*.

Lu Yang at Kunsthalle zu Kiel

Lu Yang's solo exhibition "Electromagnetic Brainology" opened at Kunsthalle zu Kiel, running from January 30 to March 15, 2026. Curated by Muriel Meyer, the show features a new body of work from the Shanghai-based multimedia artist, known for immersive installations blending digital avatars, neuroscience, and pop culture iconography.

A new wing to solve the problems of the Galleria Borghese in Rome. Beautiful challenge, tedious controversy

Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche

The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.

All the complexity of Cézanne on display at the legendary Fondation Beyeler in Basel

Tutta la complessità di Cézanne in mostra alla mitica Fondation Beyeler di Basilea

The Fondation Beyeler in Basel has opened a major exhibition dedicated to Paul Cézanne, marking the 120th anniversary of his death. Curated by senior curator Ulf Küster, the show features 80 works—58 paintings and 21 watercolors—drawn from public and private collections across Switzerland, Germany, France, the UK, the Netherlands, Spain, Denmark, and the United States. Highlights include nine versions of Mont Sainte-Victoire, rare comparisons of two watercolor versions of "Boy in a Red Waistcoat," and two versions of "The Card Players" from the Courtauld Gallery and the Musée d'Orsay. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Hatje Cantz Verlag.

The Château de Boutemont: An Architectural Gem to Discover in Normandy

Il Castello di Boutemont: un gioiello architettonico da scoprire in Normandia

The Château de Boutemont in Ouilly-le-Vicomte, Normandy, has reopened for its new season running through November. Now in its sixth year under owners Johanna Wistrøm-Monnier and Bruno Monnier, the property has seen steady growth in visitors thanks to investments in its gardens and the opening of three castle rooms. Bruno Monnier founded Culturespace in the 1990s, a private company that manages museums such as the Palais des Papes in Avignon and the Ateliers des Lumières immersive art centers. Johanna Wistrøm-Monnier, formerly director of the Dan Graham Foundation, now dedicates herself full-time to the estate, which features gardens designed by famed landscape architect Achille Duchêne.

Basquiat's intense works on paper are at the center of his first exhibition in Denmark

Le intense opere su carta di Basquiat sono al centro della sua prima mostra in Danimarca

The Louisiana Museum of Modern Art in Humlebæk, Denmark, is hosting "Headstrong," a retrospective of 50 works on paper by Jean-Michel Basquiat, running until May 17. The exhibition focuses on Basquiat's depictions of the human head and body, created between 1981 and 1983, and first shown posthumously in 1990. It is the first solo museum presentation of Basquiat in Scandinavia, featuring loans from private collections and international museums, highlighting a lesser-known aspect of the artist's practice.

Is there really an energy transformation in Marina Abramović's exhibition in Venice?

Nella mostra di Marina Abramović a Venezia c’è davvero una trasformazione di energia?

At the Gallerie dell'Accademia in Venice, Marina Abramović's exhibition "Transforming Energy" opens to the public from May 9 to September 30, 2026, as part of the 2026 Venice Biennale. The show is designed as an experiential device that moves beyond traditional exhibition formats, inviting viewers to determine their own presence through a sequence of rooms built around relationships between body, materials, and time. Crystals and locks of hair function not as decoration but as presences to be inhabited, demanding radical attention rather than spectacular participation. During the press conference, Abramović and curator Shai Baitel insisted that the materials, especially the crystals, possess real energy capable of directly affecting the viewer's body and perception, not merely as metaphor but as an active condition.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

The New Installation of the Querini Stampalia Foundation in Venice Is a Game of Combinatory Art. Interview with Director Cristiana Collu

Il nuovo allestimento della Fondazione Querini Stampalia a Venezia è un gioco di arte combinatoria. Intervista alla direttrice Cristiana Collu

The Fondazione Querini Stampalia in Venice has unveiled a new permanent installation titled "The Dreamer," curated by director Cristiana Collu and opening May 5, 2026. The exhibition repositions over 170 works from the foundation's collection—including Giovanni Bellini's *Presentation of Jesus at the Temple*, Luca Giordano's *San Sebastiano*, and Palma il Vecchio's *Madonna with Child*—in dialogue with works by six contemporary artists: Giusy Calia, Silvia Giambrone, Daniela De Lorenzo, Davide Rivalta, Emanuele Becheri, and Chiara Bettazzi. Inspired by the dreams and passions of founder Giovanni Querini Stampalia (born May 5, 1799) and his sister Caterina, the installation is conceived as a non-chronological, emotionally driven journey likened to a "reverse cinema" where visitors move through space like directors constructing their own narrative.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

The Last Interview with the Great Artist Georg Baselitz on the Occasion of His Exhibition in Florence

L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze

Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.

According to Brian Eno, everything is political. And in Parma, his first exhibition in Italy opens, also speaking about Palestine

Secondo Brian Eno tutto è politica. E a Parma apre la sua prima mostra in Italia che parla anche della Palestina

Brian Eno, the internationally renowned British artist and musician, opens his first retrospective exhibition in Italy at the Complesso Monumentale di San Paolo in Parma, running from May 1 to August 2, 2026. The show features two complementary projects: SEED, a site-specific sound installation created with Turkish writer Ece Temelkuran in the garden, and My Light Years, a light-based work in the newly restored Ospedale Vecchio. Curated by Alessandro Albertini, the exhibition marks Eno's return to Italy after his Golden Lion for lifetime achievement at the 2023 Venice Biennale, and follows earlier interventions at Castello del Buonconsiglio, Palazzo Te, and Ara Pacis.

What does Giovanni Muciaccia do after Art Attack? He continues to spread culture and tells us all about it in this interview

Cosa fa Giovanni Muciaccia dopo Art Attack? Continua a divulgare cultura e ci racconta tutto in questa intervista

Giovanni Muciaccia, the beloved host of the children's art show "Art Attack" that aired in Italy from 1998 to 2004 and again from 2011 to 2014, continues his mission of art education through books, theater performances, and a new online series. Now also an artist and collector himself, Muciaccia discusses his journey from television presenter to full-time art communicator, explaining how his early passion for art was sparked by a middle school teacher and deepened during his time filming in London, where he visited the newly opened Tate Modern and began studying contemporary art.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

In Spain, art becomes popular thanks to this expert influencer. We interviewed him

In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato

Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.

"The Palestine Pavilion Exists, and It's in Turin": Interview on the Exhibition Dedicated to the History of Gaza at the Merz Foundation

“Il Padiglione della Palestina esiste, ed è a Torino”. Intervista sulla mostra dedicata alla storia di Gaza alla Fondazione Merz

The Merz Foundation in Turin is hosting the exhibition 'Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo' (Gaza, the future has an ancient heart. Matters and memories of the Mediterranean). The show, created in collaboration with the Egyptian Museum and the MAH – Musée d’art et d’histoire in Geneva, juxtaposes ancient archaeological artifacts from Gaza with contemporary artworks. It aims to present Gaza's history as a Mediterranean crossroads, moving beyond its current wartime representation. The exhibition features artifacts from a collection of about 500 pieces, temporarily held in Geneva, alongside works by contemporary artists like Samaa Emad, Mirna Bamieh, and Wael Shawky.

Art and Social Consciousness: The Ideals of Legendary Artist Joseph Beuys Told in a Comic

Arte e coscienza sociale: gli ideali del leggendario artista Joseph Beuys raccontati in un fumetto

A new graphic novel by Italian illustrator Gianluca Costantini explores the life and social ideals of the legendary German artist Joseph Beuys. The comic focuses on Beuys's final major work, 'Palazzo Regale' (1985), an environmental installation housed at the K20 museum in Düsseldorf, interpreting it as a synthesis of his belief in art as a transformative social force.

Candidates Announced for the 2026 Cannes Film Festival (Again No Italians, Just Like at the Biennale)

Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)

The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.

Edward Weston Unveiled: The American Photographer on Display in Turin

Edward Weston senza veli. Il fotografo americano in mostra a Torino

CAMERA – Centro Italiano per la Fotografia in Turin is hosting a major retrospective of the American photographer Edward Weston. The exhibition explores Weston’s mastery of 'straight photography,' showcasing his iconic nudes, still lifes of organic forms like peppers and shells, and sweeping Californian landscapes. Through absolute precision and tonal control, the show highlights how Weston transformed physical matter into timeless, sculptural images that defined a new visual language of the 20th century.

An exhibition in New York reconfigures German Expressionism. The curator explains everything

Una mostra a New York riconfigura l’Espressionismo Tedesco. La curatrice ci spiega tutto

The Guggenheim Museum in New York has launched "Contours of a World," the first major U.S. retrospective of German Expressionist painter Gabriele Münter in nearly thirty years. Curated by Megan Fontanella, the exhibition features a significant selection of paintings and photographs produced between 1908 and 1920, including a rare loan from the Vatican Museums. The show follows a major 2025 retrospective in Paris and aims to present Münter as a primary figure of the avant-garde in her own right.

Everything to know about David Geffen Galleries as a new LACMA emerges

The Los Angeles Times reports on the upcoming David Geffen Galleries, a new building that will become the centerpiece of the Los Angeles County Museum of Art (LACMA) as it undergoes a major transformation. Designed by architect Peter Zumthor, the structure is part of a long-delayed, multi-billion-dollar renovation project that aims to modernize the museum's campus and consolidate its collection under one roof. The article details the timeline, design features, and the controversies surrounding the project's cost and scope.