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Beauty and justice in the same breath: Columbia artists team up with political advocacy groups

Artists in Columbia have partnered with political advocacy groups to create works that intertwine aesthetic beauty with calls for social justice. The collaboration aims to amplify messages of equity and reform through visual art, blending creative expression with activist campaigns to reach broader audiences.

The Health Museum Announces an Open Call for Writers & Visual Artists

The Health Museum in Houston has announced an open call for its upcoming healing arts exhibition "Age in Our Times," inviting writers and visual artists to submit works that reframe aging as a deeply human process. More than 20 works will be selected by a panel of jurors for an exhibition opening in October 2025 and running through Spring 2026. The call is open to Greater Houston area artists and writers age 18 or over, with a submission deadline of July 31, 2025.

Ready for Their Reboot: How Galleries Plumb Art History’s Forgotten Talent

The New York Times article explores how contemporary art galleries are increasingly turning to overlooked or forgotten artists from art history, giving them a second act through exhibitions and market attention. These galleries research historical figures who were marginalized, underappreciated, or simply lost to time, and reintroduce their work to collectors and institutions, often leading to rediscovery and renewed critical interest.

Plates Full of Beauty and History in Upper Manhattan

The New York Times article highlights a collection of decorative plates in Upper Manhattan that blend aesthetic beauty with historical narratives. These plates, likely part of a local exhibition or private collection, showcase intricate designs and cultural stories tied to the region's heritage.

What to See in N.Y.C. Galleries in April (Published 2025)

The New York Times has published a guide to notable gallery exhibitions opening in New York City during April 2025, highlighting a curated selection of shows across Manhattan and Brooklyn. The article provides recommendations for viewers seeking contemporary art, emerging talents, and established names, with details on venues, dates, and artistic themes.

A Guide to U.S. Museums to See This Year

The New York Times has published a guide highlighting notable U.S. museums to visit this year, offering readers a curated selection of cultural institutions across the country. The article likely features a mix of major encyclopedic museums, contemporary art spaces, and specialized collections, providing travel-oriented recommendations for art enthusiasts and tourists alike.

David Sainsbury’s £90mn gift heralds a boom in museum mega-donations

David Sainsbury, the supermarket heir and philanthropist, has donated £90 million to fund the renewal of the Sainsbury Centre in Norwich. This gift is the latest in a series of substantial donations to UK museums, signaling a surge in mega-donations from wealthy individuals supporting cultural institutions.

Taiwanese artist Wu Chia Yun on home and homeland

Taiwanese artist Wu Chia Yun discusses her work and the themes of home and homeland in an interview with the Financial Times. She reflects on how family and nation have become inescapable questions in her life, shaping her artistic practice.

A feminist history of collage

The article explores a feminist history of collage, highlighting how women artists have used the medium to challenge traditional representations of womanhood. It examines works where striking juxtapositions call attention to the tensions and conflicts inherent in female identity, from domestic life to societal expectations.

A morning with Shoair Mavlian, director of The Photographers’ Gallery

Shoair Mavlian, director of The Photographers’ Gallery in London, is the subject of a profile that follows her through a typical morning, discussing her leadership strategies amid challenges facing the arts sector. The article explores how she navigates pressures from AI-generated imagery, government funding cuts, and cultural backlash against progressive initiatives, while maintaining the gallery's relevance and financial stability.