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James Rondeau, president and director of the Art Institute of Chicago since 2016, has voluntarily stepped away from his role amid an investigation into an alleged incident on a flight from Chicago to Munich in April. According to a CBS News report citing anonymous sources, police were called after a passenger reportedly stripped off his clothes following consumption of alcohol and prescription medication; sources identified that passenger as Rondeau. The museum confirmed it has opened an independent investigation and that Rondeau is taking time off during the process.

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Jeff Koons will reunite with Gagosian for a solo presentation at Frieze New York 2025, less than four years after leaving the gallery. The booth will feature three sculptures from his Hulk Elvis series—Hulk (Organ), Hulk (Tubas), and Hulk (Dragon and Turtle)—staged against a custom backdrop from his painting Triple Hulk Elvis III. All works come from Koons's personal collection, and he supervised every aspect of the presentation. The reunion follows a turbulent period: Koons left Gagosian and David Zwirner in 2021 to join Pace Gallery exclusively, but that partnership ended after three years amid reported financial disputes over a Meissen-inspired sculpture project that involved $50–100 million in investor funding.

Desperate, Scared, But Social at UC Irvine Langson Orange County Museum of Art

The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.

Curating Around Social Urgencies: How Artists Refuse Quietism

The article focuses on the curatorial approach and artistic ethos of the 2025 edition of the 'Made in L.A.' biennial, highlighting how artists are actively engaging with pressing social and political issues rather than retreating into quietism or abstraction. It examines specific works and the overall thematic drive of the exhibition, which is organized by the Hammer Museum and the Huntington Library, Art Museum, and Botanical Gardens.

Art as Memorial in Lotusland

The article "Art as Memorial in Lotusland" by Aleina Grace Edwards appears in the February 2026 issue of Contemporary Art Review LA (CARLA). It is part of a larger issue exploring themes like scent in art, tarot, social urgencies in curation, and video art, positioning it within a critical discussion of contemporary art practices in Los Angeles.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

Under new ownership, Art Monte Carlo voices 'global ambitions'

The 10th edition of Art Monte Carlo took place from April 29 to May 1 in the Grimaldi Forum, featuring 26 exhibitors ranging from Old Master paintings to contemporary works by Picasso, Warhol, and Richter. The fair was acquired last year by Informa Prestige, a luxury offshoot of Informa, which also owns Miami's Untitled fair. Executive chair John Paton aims to grow the fair, nearly double its size within two years, and expand to another location, leveraging complementary audiences from yachting and supercars.

Spice up your life: Tate channels 90s glam at The Groucho Club

Tate Britain held a press preview for its upcoming exhibition "The 90s: Art and Fashion" (8 October 2026 – 14 February 2027) at The Groucho Club in London. The show, curated by former British Vogue editor Edward Enninful alongside Tate curators, explores the creative energy of the 1990s, featuring works by artists such as Damien Hirst, Corinne Day, Helen Chadwick, and Jenny Saville. Enninful emphasized that the exhibition is not solely focused on the Young British Artists (YBA) moment but presents a broader cultural narrative.

Museum acquisitions round-up: Andy Warhol in an apron, a solid-silver relief and Christo's luggage rack

Major international institutions have secured significant new acquisitions, ranging from intimate photographic archives to monumental silver reliefs. The Smithsonian’s Archives of American Art received over 400 stereoscopic slides by Ronnie Cutrone documenting Andy Warhol’s Factory, while the Germanisches Nationalmuseum acquired Luigi Valadier’s final silver masterpiece, 'Lamentation of Christ'. Additionally, the Christo and Jeanne-Claude Foundation donated 14 works to the City of Paris, including the early sculpture 'Package on a Luggage Rack' for the Musée d’Art Moderne de Paris.

Damien Hirst offers his hot take on art dealers

On a recent podcast, artist Damien Hirst identified his manager, Joe Hage, as the most influential person he's met, praising his work with other major artists. Hirst also downplayed the role of major galleries like Gagosian and White Cube, comparing them to 'estate agents,' and revealed a new private commission: an amethyst-encrusted grotto for the Getty family.

Kiss and Tell! In Venice, Nude Tino Sehgal Work Is Talk of the Town

Laurent Asscher's AMA Venezia foundation in Venice is showcasing Tino Sehgal's live performance piece "Kiss (Clean Version)" during the 61st Venice Biennale. The work features a nude couple reenacting famous kisses from art history, performed by rotating dancers over hours. Asscher acquired the piece after meeting Sehgal, having previously bought a different Sehgal work at a charity auction. The performance has become a standout attraction amid the Biennale's crowded opening week.

Here’s What LACMA’s Lavish New Building Looks Like

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.

Gallery Not Paying? Call Kenny Schachter’s Kollection Agency. He Gets Results!

Art world provocateur Kenny Schachter addresses the current climate of anxiety within the industry, touching on everything from the existential threats of advanced AI tools like Anthropic’s Mythos to the 'doomster' narratives of market analysts. Amidst reports of dwindling demand and galleries struggling with non-paying clients, Schachter highlights the enduring value of historical works, such as a 1799 Goya etching, while dismissing claims that screens are replacing physical art in the home.

Inside ‘Prince of Prints’ Jordan Schnitzer’s Sprawling Collection

Jordan Schnitzer, the Portland-based philanthropist often called the 'Prince of Prints,' recently provided a rare tour of his massive 50,000-square-foot art warehouse. The facility utilizes a sophisticated 'floating bin' logistics system, similar to those used by major retailers, to manage over 22,000 works, including extensive holdings by Andy Warhol, Joseph Beuys, and Richard Prince. Schnitzer’s foundation operates as a lending library, frequently shipping works to museums and hosting educational tours for students from districts where arts funding has been eliminated.

Which Artists Are Insiders Searching For? After 10 Years, Not Much Has Changed

Artnet's Price Database analysis reveals that the most-searched artists by its users have remained remarkably consistent over the past decade. Pablo Picasso, Andy Warhol, and Marc Chagall continue to hold the top three positions, with David Hockney and Yayoi Kusama joining the list, while Salvador Dalí and Lucio Fontana have dropped off.

Mother Exhibition Palazzo Reale Milan

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Milan’s Palazzo Reale has launched "The Great Mother," a massive exhibition exploring the evolution of motherhood and female power throughout the 20th and 21st centuries. Curated by Massimiliano Gioni and produced by the Nicola Trussardi Foundation, the show features over 400 works by 127 international artists, including Louise Bourgeois, Cindy Sherman, and Rineke Dijkstra. The exhibition spans 29 halls, juxtaposing avant-garde historical works with contemporary installations to examine how gender roles and the maternal image have been constructed, challenged, and reclaimed.

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British portrait artist Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to South by Southwest (SXSW) in Austin following its debut at the Centre Pompidou. Developed in collaboration with Snap Inc., the showcase utilizes AR glasses to animate Yeo’s traditional oil paintings, including his famous portrait of King Charles III and a depiction of Cara Delevingne. The experience allows viewers to interact with the works, such as having a digital butterfly from the King's portrait land on their hand, while exploring the intersection of static portraiture and immersive technology.

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The inaugural edition of Art Basel Qatar launched with a unique booth-less format, prioritizing single-artist presentations and regional connections over the typical high-speed frenzy of European fairs. While the pace of transactions was more measured, significant sales were reported, including a $250,000 video installation by Kutlug Ataman sold by Niru Ratnam to an institution and multiple works by regional stars like Ahmed Mater and Ali Cherri. High-value blue-chip items, including a $42 million Picasso, remained tucked away in private viewing rooms to accommodate the region's preference for discretionary collecting.

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The U.S. Department of Justice has released approximately 3 million additional files related to the late financier Jeffrey Epstein, sparking a new wave of resignations and investigations across the global art world. The documents detail extensive connections between Epstein and high-profile figures, including museum leaders, major collectors, and artists. While inclusion in the files does not prove criminal wrongdoing, the public pressure following these revelations has forced several prominent individuals to step down from influential institutional roles.

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London’s Lightroom venue has announced a major new immersive multimedia experience titled “David Bowie: You’re Not Alone,” scheduled to open in April 2026. Developed in partnership with the Bowie estate and designed by 59 Studio, the hour-long spectacle utilizes 36-foot walls to project rare performance footage, interviews, and never-before-seen archival material. The production is led by Mark Grimmer, who previously co-curated the Victoria & Albert Museum’s landmark 2013 retrospective of the artist.

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Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.

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Andisheh Avini, a senior director at Gagosian who has been with the gallery for over 25 years, discusses his career trajectory and the gallery's evolution in an interview timed to the inaugural edition of Art Basel Qatar. Avini, who is also an artist, recounts key moments such as the post-9/11 global market expansion that led Gagosian to open spaces in Europe and Hong Kong, and his work with artists including Cy Twombly, Adam McEwen, Piero Golia, and Maurizio Cattelan. He also shares insights into the gallery's approach to art fairs, emphasizing tailored presentations based on location and audience.

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Yu Nishimura, a Japanese painter born in 1982, is experiencing a rapid rise in the art world, marked by major gallery shows in New York and Paris in 2025, a record auction price of $711,200 for his work "thicket" (2020) at Sotheby's, and an upcoming institutional exhibition at Lafayette Anticipations Foundation in Paris in 2026. His paintings, which blend landscape, still life, and figuration with layered washes and melancholic tension, have attracted representation from David Zwirner, Sadie Coles HQ, and Galerie Crèvecoeur, with collectors and institutions increasingly drawn to his quiet, introspective style.

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At Art Basel Miami Beach 2025, the art market showed a strong turn toward historical references, with galleries like Gagosian featuring Jeff Koons' antique-inspired sculptures and Takashi Murakami's reproductions of Cézanne and Van Gogh. The new Zero 10 sector, named after a 1915 Malevich exhibition, highlighted digital artists such as Beeple and Larva Labs. This trend reflects a broader "flight to quality" in an uncertain market, where collectors seek reassurance by associating emerging or overlooked artists with established historical names.

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Vanity Fair published a two-part feature with unprecedented imagery of the Trump administration, shot by photographer Christopher Anderson. Diet Prada annotated the photos, highlighting that a floral still life by French impressionist Berthe Morisot, titled *Peonies* (1869), appears behind press secretary Karoline Leavitt and is currently available as a print through Walmart. The painting belongs to the National Gallery of Art in Washington, D.C., which lists it as not on view and declined to comment on whether it is on loan to the White House. The Trump administration has not responded to inquiries about the artwork's provenance or whether it was newly installed or left over from a previous administration.

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Artnet News editors compiled a list of the worst artworks they encountered in 2022, including a chaotic performance by Poncili Creación at NADA Miami, an overproduced Danish Pavilion installation by Uffe Isolotto at the Venice Biennale, and a Paul Cézanne painting at the Barnes Foundation that disappointed a critic. The article offers subjective, critical takes on these works, describing the NADA performance as bizarre and jolting, the Danish pavilion as graphic and lacking a powerful message, and the Cézanne as a disappointment within an otherwise memorable museum visit.

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New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.

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Artnet News has curated a selection of 15 unusual and art-themed gifts available at museum shops worldwide, ranging from a snake-embroidered brooch inspired by Cartier at the Victoria and Albert Museum in London to a 'Souls in Purgatory' magnet from the Morgan Library & Museum in New York, a traditional palm-leaf fan from Al Ain Museum in Abu Dhabi, a gilded sewing kit from the Neue Galerie in New York, and a CD of a Hanne Darboven composition from the Dia Art Foundation. Each item is presented with its price, source museum, and a brief explanation of its appeal, often tying back to specific exhibitions or artworks.

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Sotheby's held a marathon evening sale in New York on Tuesday night, achieving $706 million in total sales—the highest single-evening total in the auction house's history. The standout was the collection of Leonard A. Lauder, which alone brought $527.5 million, led by Gustav Klimt's *Portrait of Elisabeth Lederer* (1914-16) that sold for $236.4 million after a 20-minute bidding war. A second sale of contemporary and ultra-contemporary works added $178.5 million, with Jean-Michel Basquiat's *Crowns (Peso Neto)* (1981) topping that session at $48.3 million. Notably, no lots were withdrawn across both sales, and Asian collectors drove bidding on many high-value lots. Maurizio Cattelan's gold toilet *America* (2016) sold for $12.1 million, drawing only one bid.

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Christie's 21st-century evening sale in New York on Wednesday night achieved $123.6 million, just below its $126 million high estimate and 16% above last year's sale. The sale featured 19 lots from the collection of the late Stefan Edlis and his widow Gael Neeson, which brought in $49.2 million against a $30 million estimate. The top lot was Christopher Wool's "Untitled (RIOT)" (1990), selling for $19.8 million. New auction records were set for Firelei Báez ($1.1 million) and Olga de Amaral ($3.1 million). Only one of 45 lots failed to sell—a Cecily Brown painting estimated at $4–6 million. The sale was characterized by careful use of third-party guarantees and lowered reserves, with art advisor Aileen Agopian noting bidding was "deep and robust" despite a flat atmosphere.