The article profiles artist Mirna Bamieh and her unique artistic practice that uses food as a medium to explore themes of borders, displacement, and belonging. Bamieh creates edible installations and participatory performances that engage audiences in sensory experiences tied to Palestinian identity and the politics of land.
Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.
Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of notable shows across the city during the art fair period.
The article, published by Frieze, is a critic's guide highlighting seven must-see exhibitions during the Art Brussels fair. It specifically mentions shows by Richard Tuttle at Galerie Greta Meert and an expansive exhibition of Lutz Bacher at WIELS, curated by Emile Rubino.
The article provides a historical overview of protest actions that have taken place at the Venice Biennale, tracing key moments of political and social dissent within the prestigious international art exhibition. It highlights instances where artists, activists, and participating nations have used the Biennale as a platform to challenge authority, address censorship, and critique global issues, from the 1968 student protests to more recent controversies involving national pavilions and institutional policies.
Frieze's critic's guide highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The article, written by Emile Rubino, provides a curated selection of shows across Brussels galleries and institutions during the art fair period.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Frieze published a critic's guide titled 'Emergent Figures' Carves Space for Thai Artists in a Global Canon, which highlights a group exhibition featuring Thai artists at a venue in Brussels during Art Brussels. The show aims to present Thai contemporary art within a broader international context, moving beyond regional stereotypes. The article is part of a larger guide that also includes recommendations for other must-see shows during the fair, such as Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS.
Galerie Lelong in Paris is presenting 'Paula Rego, Drawing from Life,' an exhibition focused on the artist's intense three-year period from 2005 to 2007, during which she devoted herself almost exclusively to drawing and lithography in her London studio. The show features works inspired by literary sources such as 'Jane Eyre,' 'Peter Pan,' and the sixteenth-century tale 'The King of Pigs,' as well as her connection with playwright Martin McDonagh. Key pieces include 'Shakespeare’s Room,' 'Scarecrow,' and 'Turtle Hands.' The exhibition is made possible with the support of Nick Willing, the artist’s son, and Cristea Roberts Gallery in London.
Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.
The article presents a curated list of the sixteen best art shows in Jersey City from 2025, written by a critic who made a concerted effort to attend every exhibition in town over the past year. The list includes highlights such as Sarah Mueller's solo show "Reconstructions" at Art House Productions, the 5.7 Sculptors Guild exhibition spread across MORA Museum and Firmament Gallery, and Anna Collevecchio's installation at 150 Bay Street. Each entry is accompanied by descriptive commentary on the artists' techniques and thematic concerns.
This article provides a comprehensive guide to current and upcoming exhibitions at San Francisco museums in December 2025. Highlights include "Printing Color: Chiaroscuro to Screenprint" closing January 4, "Rave into the Future: Art in Motion" closing January 12 at the Asian Art Museum, and the upcoming San Francisco Art Week from January 17 to 25. The Legion of Honor features "Manet and Morisot" through March 1, offering a deep dive into the artistic dialogue between Édouard Manet and Berthe Morisot, alongside "Drawn to Venice" opening January 24. The de Young Museum presents "Boom and Bust: Photographing Northern California," while the Museum of the African Diaspora showcases "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time." A tribute to Lawrence Ferlinghetti, including his exhibition at the Legion of Honor, is also featured.
NEXTpittsburgh's November gallery guide highlights several new exhibitions opening across Pittsburgh. Shows include "Frank Harris: Born to be Wild" at Groove Gallery, featuring music-inspired portraits of icons like Jerry Garcia and David Bowie; "Ground Shift: Four Artists Navigate a Shifting Landscape" at Spinning Plate Gallery, with works by Paul Rosenblatt, Ann Rosenthal, Michel Demetria Tsouris, and Briget Shields addressing environmental threats; "Picture This: A Photo Exhibit Celebrating Intergenerational Connections" and "Peju Alatise: I Will Belong to Only Me" at the August Wilson African American Cultural Center; and "Neither/Nor" by Rum Hansra and Sayak Mitra at Atithi Studios, coinciding with Diwali.
Bogdan Ablozhnyy has been awarded the 2025 Camden Art Centre Emerging Artist Award. The prize recognizes emerging visual artists and provides them with a solo exhibition at Camden Art Centre in London, along with a residency and production support. Ablozhnyy was selected from a competitive pool of nominees by a jury of curators and art professionals.
Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.
The article presents a curated guide to 10 art exhibitions opening in the Bay Area this fall, highlighting shows by artists such as Mike Henderson, Julio César Morales, Auudi Dorsey, and Jim Melchert. It covers venues ranging from Haines Gallery and Gallery Wendi Norris to the Manetti Shrem Museum and di Rosa SF, with works addressing Black Oakland history, immigration, segregation-era Black leisure, and conceptual ceramic art.
Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.
The traveling exhibition "Woven Histories: Textiles and Modern Abstraction" has made its final stop at the Museum of Modern Art (MoMA) in New York. Organized by Lynne Cooke, senior curator at the National Gallery of Art in Washington, DC, in collaboration with MoMA, the Los Angeles County Museum of Art, and the National Gallery of Canada, the show features around 150 works that explore weaving through the lens of abstraction. At MoMA, the exhibition responds to the museum's historical ties to the Bauhaus, including works by Anni Albers and Gunta Stölzl, and highlights lesser-known figures like Ed Rossbach. The show also includes contemporary artists such as Jeffrey Gibson, with several having concurrent solo exhibitions in New York.
The Museum of Modern Art (MoMA) in New York is launching the first comprehensive U.S. exhibition of Marcel Duchamp’s work in over 50 years. In an interview regarding the opening, renowned scholar Thierry de Duve discusses the artist's enduring legacy, from his infamous readymades like "Fountain" to his complex, labor-intensive works like the "Large Glass." The exhibition seeks to reconcile Duchamp’s identity as both a conceptual provocateur and a meticulous craftsman.
Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.
The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.
Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.
"Die zeitgenössische US-Kunst ist von Problemen krank"
Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.
Art Paris, un bilan meilleur que prévu
The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.
The Musée Marmottan Monet in Paris is hosting the first retrospective in France of Giovanni Segantini (1858–1899), a major but little-known figure of Symbolism. The exhibition traces his career through the lens of his geographical ascent into the Alps, from his early success with "Ave Maria à la traversée" (1886–1888) to his final triptych "La Vie, La Nature, La Mort," which he was working on when he died at age 41. Segantini's divisionist technique, which Vassily Kandinsky considered a precursor to abstraction, is highlighted as a means of expressing a dematerialized vision of the world.
Michel Bassompierre, célèbre sculpteur animalier, est décédé à 78 ans
Michel Bassompierre, the celebrated French animal sculptor known for his gentle, rounded bronze and marble bears, gorillas, elephants, and pandas, has died at age 78. He suffered a fatal head injury from a fall following a fainting spell in Nantes on April 21.
A rare ancient Greek funerary sculpture, the Stele of Medeia (375-350 BCE), is being offered for sale at the TEFAF art fair by the London gallery David Aaron. The piece, priced at £450,000, depicts an unmarried young woman and retains significant original pigment. It has already attracted significant interest from a major US museum.
MoMA PS1 has announced details for the 2026 edition of Greater New York, its quinquennial survey of art made in and around New York City, coinciding with the institution's 50th anniversary. Unlike previous editions that brought in outside curators, this iteration will be organized entirely by PS1's in-house curatorial team, led by director Connie Butler, chief curator Ruba Katrib, and associate curators Jody Graf and Elena Ketelsen González, with support from assistant curator Kari Rittenbach, curatorial assistant Sheldon Gooch, and curatorial coordinator Andrea Sánchez. The exhibition, featuring more than 50 artists, opens on April 16, 2026, though a specific theme has yet to be announced.
The Metropolitan Museum of Art in New York will open a landmark exhibition dedicated to Renaissance master Raphael in 2026. Titled "Raphael: Sublime Poetry," the show runs from March 29 to June 28 and will be the first major Raphael retrospective ever mounted in the United States. Curated by Carmen Bambach, the exhibition brings together 200 works including paintings, drawings, tapestries, and decorative arts, with loans from major museums worldwide such as the Louvre, the Uffizi, the Prado, and the Vatican Museums. Key loans include the Louvre's "Portrait of Baldassarre Castiglione" and the Galleria Borghese's "Portrait of a Lady with a Unicorn."
Johanna Burton, director of the Museum of Contemporary Art (MOCA) in Los Angeles, has been appointed the next director of the Institute of Contemporary Art (ICA) Philadelphia, effective November 1. She succeeds Zoë Ryan, who left in January to lead the Hammer Museum in Los Angeles. Burton, who joined MOCA in 2021 after leading the Wexner Center for the Arts, stabilized the institution following a period of turmoil, reinstating its annual gala, securing major gifts, and hiring senior curator Clara Kim.