parties cultured china magazine launch

Cultured magazine hosted a launch party for its new Chinese edition, CULTURED China, at The Blond in SoHo, New York. The event brought together fashion, art, and design insiders including designers Prabal Gurung and Bach Mai, gallery directors Lucy Liu and Rachel Uffner, artists Wes Aderhold and Jonathan Gardenhire, and cultural commentator Wesley Breed. A musical performance by Zhang Xiaoqing entertained guests, who received complimentary copies of the September issue.

Exhibition | Lin Zhipeng, 'LIN ZHIPENG (NO. 223): Relationship Duplicates' at DE SARTHE, Hong Kong

DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.

Yanran Chen Set to Launch First Solo Exhibition In China At ART FOCUS Beijing

Yanran Chen, a Chinese multidisciplinary artist also known as Chloe Chen, will launch her first large-scale solo exhibition in China at the new ART FOCUS space in Beijing's 798 Art District. The exhibition, titled "Neon Dreamland," runs from 23 May to 6 July 2025 and is curated by actor and "Art Knock" founder Yuan Hong. The show is divided into two thematic zones: one featuring her personal paintings and sculptures, including works like "The Mechanical Lifeform" and "Dinner," and another presenting a collaborative series with anime label WaarWorld inspired by Liu Cixin's novel "The Supernova Era." The exhibition coincides with the launch of ART FOCUS, an immersive art space focused on digital integration and cross-genre collaboration, and is part of the broader Beijing Art Season.

Beijing’s UCCA Announces New Guangzhou Outpost

Beijing's Ullens Center for Contemporary Art (UCCA) will open a new museum, UCCA OneM Center for Contemporary Art, in Guangzhou in 2027. This marks the institution's first expansion into South China, created through a partnership with Guangzhou's existing OneM Center for Contemporary Art.

Airstrikes, rockets and fields of mustard: photos of the day – Tuesday

The Guardian's picture editors curated a global selection of photographs from March 24, 2026. The images depict scenes of conflict, including a distraught woman in Beirut after an Israeli airstrike, rockets fired from Lebanon towards Israel, an Iranian missile embedded in the West Bank, and damage in Tel Aviv from a missile barrage. Other photos show people sheltering in Kyiv during an air raid and firefighters in Zaporizhzhia, Ukraine.

Retrospective exhibition traces Li Xiaoke's artistic journey

A retrospective exhibition titled "Distant Horizons · Traveler: The Footsteps of Li Xiaoke" opened at the Fangzhuang Culture and Art Center in Beijing, showcasing the work of the late artist Li Xiaoke. The exhibition, organized by the Li Keran Art Foundation, features his ink paintings, prints, and photography, all centered on his 34 journeys to the Qinghai-Xizang Plateau.

Shaohua Nong | Shaohua Nong Animal Original Oil On Canvas "Twain II… (2015) | For Sale

Chinese artist Shaohua Nong (b. 1960, Linfen, Shanxi) is offering an original oil on canvas titled "Twain II" (2015) for sale at US$1,300 through the gallery Sojourner in New York. The 25 × 37 inch painting is hand-signed, includes a certificate of authenticity, and is listed on Artsy with a money-back and authenticity guarantee. Nong, a member of the Shanxi Branch of Chinese Artists Association, has exhibited widely in China and internationally, including at Hong Kong ART CENTRAL Art Fair, Shangshang Art Museum in Beijing, and the Nanjing International Art Exhibition.

Exhibition highlights education as a quiet, steadfast art - China Daily

The fourth edition of the Young Teachers Support Program, founded by 92-year-old oil painter Jin Shangyi in 2017, culminates in the exhibition "Asking Tao and Forging Realms" at the Art Museum of the Chinese Academy of Oil Painting in Beijing. The program provides financial support for selected young art teachers from Chinese colleges to travel to Europe for classical study in museums, followed by field trips to China's border regions, resulting in new works displayed in a group show featuring nine artists.

Ole Scheeren’s Róng Museum: From Tech‑City to Cultural Capital

German architect Ole Scheeren is designing the Róng Museum of Art, a beehive-like cultural complex set to open in 2027 in Shenzhen's Houhai Hybrid Campus. The museum represents his latest major architectural project in China, following his iconic work on Beijing's CCTV headquarters and other landmark structures across Asia.

Albert Yuk Shuttered Light Exhibit Opens in Reed Gallery

On April 12, the Reed Gallery opened 'Shuttered Light,' an exhibition of photographs by Deerfield Academy student Albert Yuk (class of 2026). The show juxtaposes staged war scenes from a Beijing film set with real wartime documentation from Israel and Iran, aiming to highlight media bias and the blurring of authenticity in news imagery. Yuk, who has traveled to conflict zones including Israel, Iran, Kazakhstan, and Afghanistan, began his photography career working for Pulitzer Prize-winning Chinese photojournalist Liu Heung Shing. The exhibition includes personal favorites like 'Intersection of Tradition and Modernity' and 'Warrior’s Respite,' reflecting themes of freedom, liberty, and gender roles.

Beijing exhibition exploring Xinjiang heritage accused of ‘slipping into cultural appropriation and misrepresentation’

A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."

Exclusive: Thai gallery removes China-focused artworks after 'pressure' from Beijing

A Thai gallery has removed artworks focused on China from its exhibition after reportedly facing pressure from Beijing. The pieces, which addressed sensitive political themes, were taken down following diplomatic or official intervention, according to the gallery's statement. The incident highlights ongoing tensions between artistic expression and geopolitical influence in Southeast Asia.

Exhibition celebrates the horse's cultural role

An exhibition titled 'New Steeds of the Silk Road' has opened at Yanhuang Art Museum in Beijing, featuring horse-themed paintings and sculptures by artists from China and Belarus. The show celebrates the horse as a symbol of strength, courage, freedom, and loyalty, and coincides with the Year of the Horse in the Chinese zodiac. It runs until May 18.

Beijing Artists Association Holds Third Session of Seventh Council and Art Committee Work Conference

北京美术家协会召开第七届理事会第三次会议、艺委会工作会议

The Beijing Artists Association convened its Seventh Council Third Session and Art Committee Work Conference at the Beijing Conference Center. The meeting was chaired by Fan Di'an, President of both the China Artists Association and the Beijing Artists Association, with Ma Xinming, Party Secretary and Executive Vice Chairman of the Beijing Federation of Literary and Art Circles, also delivering a speech. Key agenda items included reviewing the council's work report, discussing a draft five-year high-quality development action plan for the city's art sector, and announcing the membership list for a new working committee focused on new artistic groups. The afternoon featured group discussions where participants proposed recommendations on thematic creation, technology integration, talent cultivation, and rural revitalization.

China Pavilion at the 61st International Art Exhibition - La Biennale di Venezia: Dream Stream

The China Pavilion at the 61st International Art Exhibition - La Biennale di Venezia has been announced under the title "Dream Stream." The pavilion will be part of the prestigious Venice Biennale, one of the world's most important contemporary art exhibitions, and is organized by the Chinese government or cultural authorities. The announcement was made via a press release distributed by PR Newswire, highlighting China's continued participation in this global art event.

Scholars and curators share museum practice cases at Beijing symposium

A symposium for young scholars and curators was recently held at Beijing's Culture Palace of Nationalities, moderated by a council of museums with ethnic content from the Chinese Museums Association. Ten speakers from museums, cultural institutions and universities, both on-site and online, presented case studies and ideas under the theme "Bridge, Symbiosis," focusing on the research and exhibition of China's ethnic cultures. The event coincided with International Museum Day, when many museums and art spaces opened their doors to the public, with exhibitions and events held throughout the week to encourage more time at museums.

Miranda Lee and the Ethics of Attention

Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.