Can Art Feel?

Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.

NADA New York 2026 Welcomes 121 International Galleries

The New Art Dealers Alliance (NADA) has announced the 12th edition of NADA New York, taking place from May 13 to 17, 2026, at the Starrett-Lehigh Building in West Chelsea. The fair will feature over 121 galleries, art spaces, and non-profit organizations from 15 countries and 46 cities, including 45 NADA Members and 51 first-time exhibitors such as Brigitte Mulholland (Paris), The Address (Brescia), and Central Server Works (Los Angeles). Returning initiatives include the TD Curated Spotlight, organized by Anthony Elms of the Mattress Factory, and NADA Presents, a series of conversations and performances. Highlights include solo presentations by Malcolm McCormick, Jonathan Torres, Effie Wanyi Li, Xiaoyi Gao, and others.

Discover the quietly affecting artworks of Poppy Jones, a fashion-world favourite

Poppy Jones, a British artist known for her quietly affecting works on textiles like suede and silk, has opened her first institutional solo exhibition, 'Frozen Sun', at Towner Eastbourne (until 31 May 2026). The show follows her 2024 presentation 'Solid Objects' at Herald St gallery in London and a sold-out monograph with Zolo Press in 2025. Jones, who was commissioned by Bottega Veneta's Louise Trotter for two works that became the house's A/W 2026 show invitation, creates intimate pieces featuring eggs, flowers, glasses of water, and vintage apparel details, often framed in sleek aluminium. Her practice, which blends photography, lithography, and watercolour, was shaped by the birth of her first child in 2019 and the Covid-19 lockdowns, leading her to focus on domestic subjects and small-scale works.

Joan Miró | Silence (1967) | For Sale

Joan Miró's 1967 lithograph 'Silence' is being offered for sale by Epicentrum Art Gallery for €6,000. The work is a limited edition print on Arches paper, hand-signed by the artist, and comes with a certificate of authenticity. Miró, a leading Surrealist and pioneer of automatism, created the piece during a prolific period of his career, and it is part of an edition of 100.

Discover 5 Standout Talents at New York’s Satellite Art Fairs

Galerie magazine highlights five standout satellite art fairs running concurrently with Frieze New York and TEFAF New York: Independent, NADA New York, Esther III, 1-54 Contemporary African Art Fair, and Future Fair. The article profiles emerging and rediscovered artists such as Julia Maiuri (presented by 12.26 at Independent), Shangfeng Zhang (LATITUDE Gallery at NADA New York), and others, noting that more than a third of Independent's booths feature artists making their New York solo debuts.

Photo London Returns with a Global Perspective at Olympia

Photo London has opened its latest edition at Olympia London, marking a significant move from its previous home at Somerset House. The fair brings together international galleries from cities including New Delhi, Cologne, New York, Glasgow, Buenos Aires, Johannesburg, Zurich, Paris, Tokyo, Taipei, Munich, and London, creating a global conversation around photography. Highlights include Alfredo Jaar's installation 'Searching for Africa in LIFE,' which interrogates the absence of African voices in Western media, and presentations by Autograph, Leica Gallery London, and others that explore themes of migration, memory, identity, and representation.

Switzerland’s flagship fair brings the art world to town

The article recounts a journalist's trip to Switzerland for Art Basel 2025 and the surrounding satellite events, including Zurich Art Weekend and visits to galleries and museums in Zurich and Bern. It highlights the participation of Canadian galleries like Catriona Jeffries and Eli Kerr, as well as encounters with artists such as Jeffrey Gibson, Monster Chetwynd, and Pipilotti Rist. The tour covers institutional highlights like the Kunsthalle Zürich, Kunsthaus Zürich, Zentrum Paul Klee, and the Kunstmuseum Bern, with exhibitions featuring Carol Rama, Kurt Schwitters, and Tai Shani.

Tracey Emin debuts intimate new prints at London art fair

British artist Tracey Emin has debuted a new series of six intimate lithographs titled "I Need tomorrow" at the London Original Print Fair, held at Somerset House in London. The prints, which include the work "You Never made me sad" (2026), are on display until Sunday and are published in editions of 50 by Counter Editions. Emin describes the series as a "gift" to herself, created spontaneously while working on a print for her major Tate Modern exhibition. The fair appearance coincides with her landmark retrospective "A Second Life" at Tate Modern, running until August 31, which spans 40 years of her career and features iconic pieces like the 1998 installation "My Bed."

Art in Chicago: A Guide for Collectors, Curators and the Curious

This article introduces a comprehensive guide to Chicago's art world, published by a local outlet. The guide features multiple sections exploring the city's art history, key institutions, and lesser-known venues, including feature stories on the Hyde Park Art Center, the Arts Club of Chicago, the National Museum of Mexican Art, the South Side Community Art Center, the Renaissance Society, and the School of the Art Institute of Chicago. It also includes a massive 22-page "Art Geography" directory of museums, nonprofits, galleries, and alternative spaces, written by seasoned art critics. The editor, Brian Hieggelke, acknowledges the daunting task of covering a hometown art scene after forty years, but aims to provide both a resource for newcomers and fresh insights for longtime locals.

Who’s Showing What—and What They Love—at Market Art Fair

Market Art Fair in Stockholm celebrated its 20th edition, the largest to date with 150 exhibitors, after moving from Liljevalch’s to Magasin 9, a former warehouse at the city’s port. The fair, founded in 2006 as a joint Nordic initiative, expanded its scope in 2025 to include international presentations. During the preview day, Malin Ebbing captured exhibiting artists, gallerists, and notables with her Polaroid, asking about their work and favorite booths. Artists such as Arvida Byström, Hans Berg, Sigrid Soomus, and Gabriel Karlsson discussed their artistic expressions and discoveries at the fair, with many gallerists reporting significant sales.

What’s on for spring? Spiritualism and symbolic systems

This article surveys several spring exhibitions in Chicago that explore themes of spiritualism, symbolic systems, and interconnected consciousness. Featured shows include Mindy Rose Schwartz's "Countersealed" at M. LeBlanc, which uses deconstructed fur coats, wands, and twisted fiber sculptures to evoke rituals addressing ecological disaster and historical subjugation. Daniel G. Baird's "Margin" at Patron examines thresholds between material and spiritual realms through a gilded canoe, wax arm cast, and birchwood oar. Leah Ke Yi Zheng's "Change, I Ching (64 Paintings)" at the Renaissance Society presents 64 hexagram paintings on silk, connecting abstract minimalism with Eastern silk painting traditions.

Thelma Appel | Thelma Appel - Worlds (2010) | Available for Sale

The representational and abstract painter Thelma Appel is seeing a resurgence in market and institutional interest, highlighted by the sale of her 2010 work "Worlds." This specific piece, part of her "Journey of the Tarot" series, was a centerpiece of her 50-year career retrospective at the Brattleboro Museum and reflects her unique fusion of Kabbalistic mysticism, landscape, and abstraction.

Rare Books Stolen from Former MoMA President Are Returned

Manhattan District Attorney Alvin L. Bragg, Jr., has returned 17 rare books, collectively valued at nearly $3 million, to the heirs of John Hay and Betsey Cushing Whitney. The books were stolen from the couple's Long Island estate in the 1980s and include a bound collection of John Keats's love letters, a signed James Joyce volume, and an illustrated Brothers Grimm book. The recovery followed a tip from Manhattan book dealers in 2015, leading to search warrants executed in 2025 and 2026.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

New York Art Week Will Test the Market’s Momentum

New York Art Week is set to test the art market's momentum with half a dozen fairs and major auctions. Frieze New York opens at the Shed on May 13 with 68 galleries, while Sotheby's leads auction sales starting May 14, featuring a Mark Rothko painting estimated at $70–$100 million from Robert Mnuchin's collection. The total low estimate for Sotheby's week is $690.4 million, roughly 70% higher than last year's hammer total. Alternative fair Esther, co-founded by Margot Samel and Olga Temnikova, kicks off May 12 at the Estonian House for its third and final edition, emphasizing intentionality and community over scale.

Met Gala Memes That Ate the Rich and Left No Crumbs

The article covers the 2026 Met Gala, sponsored by Jeff and Lauren Sánchez Bezos, and the intense online backlash it generated. Despite a dress code of "Fashion is Art," celebrities faced merciless mockery on social media for their looks, with particular scorn directed at Lauren Sánchez Bezos's Schiaparelli gown inspired by John Singer Sargent's "Madame X." The criticism was amplified by weeks-long protests against Amazon's labor practices and Bezos's involvement, as well as the museum's own unionized employees speaking out. The piece compiles the most inventive and cutting memes from X (formerly Twitter), targeting everything from fashion fails to political hypocrisy.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

Venice, Here We Come

Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.

Historic $116M Gift Endows Lending Program at National Gallery of Art

The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.

Roses and Thorns of Greater New York

The article is a digest of recent art news, with a primary focus on critical reviews of the 2026 "Greater New York" exhibition at MoMA PS1. Hyperallergic's editorial team provides mixed assessments of the works in the massive quinquennial survey of local artists. The piece also covers American-French sculptor Barbara Chase-Riboud's decision to decline an invitation to represent the United States at the 61st Venice Biennale, citing the problematic nature of the pavilion's commissioning entity.

"Man besitzt Kunst nicht, man ist nur ihr Verwalter"

The 61st Venice Biennale opened on Saturday without ceremony or an opening celebration, amid political turmoil over the participation of Russia and Israel. Italy's Culture Minister Alessandro Giuli criticized Biennale director Pietrangelo Buttafuoco for not informing the government about Russia's participation request, suggesting it could have been used as leverage for a ceasefire in Ukraine. The entire jury resigned after attempting to exclude both Russia and Israel from prize awards, leading to the cancellation of the traditional jury decision in favor of a public vote, which over 70 participating artists have protested by withdrawing from this year's prizes. Separately, a rare photograph from the early 1940s has surfaced showing Lucas Cranach the Elder's painting "Venus with Cupid as Honey Thief" in Adolf Hitler's Munich apartment, raising unresolved questions about whether the work was looted from Jewish owners before 1935.

10 Highlights You Shouldn't Miss in Venice

10 Highlights, die Sie in Venedig nicht verpassen sollten

The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.

"Du bist nun in die ewigen Jagdgründe der Kunst entschwunden"

This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'

La quinquennale d’art contemporain

This issue of Le Journal des Arts (n°676, May 2, 2026) covers a range of contemporary art news in France and internationally. Headlines include a critical look at the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling down the Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artists' site in Paris, and a profile of auctioneer Hubert L'Huillier.

The Venice Biennale Reaches Full Capacity

La Biennale de Venise fait le plein

The Venice Biennale has reached full capacity, with all exhibition spaces and pavilions fully booked for the upcoming edition. The article reports on the overwhelming demand from participating countries and artists, highlighting the logistical challenges and the record number of national pavilions confirmed for the event.

Cécile Debray : « Une proposition poétique de dialogue entre trois œuvres pour une délectation esthétique »

Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.

Gagosian reconstitue une œuvre oubliée de Christo

Gagosian Gallery in London has reconstructed Christo's unrealized 1968 work "Air Package on a Ceiling" for the first time. The installation, measuring 16 by 10 meters, was originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The maquette and drawings were rediscovered in 2018 by studio manager Lorenza Giovanelli, hidden under a base in Christo's New York studio, and the full-scale work was realized in collaboration with the Christo and Jeanne-Claude Foundation.

Photographs of Victorine Meurent who posed for 'Le Déjeuner sur l'herbe' discovered by chance in Grenoble

Les photos de Victorine Meurent qui ont servi de modèle au « Déjeuner sur l’herbe » retrouvées par hasard à Grenoble

A chance discovery at the Musée de Grenoble has unearthed two previously unknown photographs of Victorine Meurent, the favorite model of Édouard Manet, taken by Gaudenzio Marconi in 1863. Art historian Laure Boyer, while researching a different subject, recognized Meurent in the images and realized they directly served as studies for Manet's iconic paintings *Le Déjeuner sur l'herbe* and *Olympia*. The photographs show Meurent in poses nearly identical to the figures in both works, with only the orientation reversed in one case and facial expressions swapped between the two paintings.

Museum Night in Paris and Île-de-France: 5 ideas to get off the beaten track

Nuit des musées à Paris et en Île-de-France : 5 idées pour sortir des sentiers battus

The article from Beaux Arts Magazine offers five alternative recommendations for experiencing the Nuit des Musées (Museum Night) in Paris and the Île-de-France region on May 23. Instead of visiting major museums like the Musée d'Orsay or the Grand Palais, readers are guided to lesser-known institutions and unique activities: exploring the craftsmanship of Sèvres porcelain at the Mobilier national, joining a festive dance workshop led by choreographer Wanjiru Kamuyu at the Palais de la Porte-Dorée, creating a collective fresco inspired by Jean Dubuffet at the Parc de l'Île Saint-Germain in Issy-les-Moulineaux, and immersing in the historical atmosphere of 1936 at the Musée de l'Histoire vivante in Montreuil.

The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."