Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

Brâncuși exhibition to open at H’ART Museum in Amsterdam this fall

An exhibition titled "Brâncuși - The Birth of Modern Sculpture" will open at the H’ART Museum in Amsterdam on September 20, 2025, running through January 18, 2026. Organized in collaboration with the Centre Pompidou, it is the first solo show of Constantin Brâncuși's work in the Dutch capital and the second in the Netherlands since 1970. The exhibition features over 30 sculptures, original pedestals, photographs, and films by the artist, with loans made possible by the Centre Pompidou's renovation and the institutions' partnership. The collection originates from Brâncuși's studio, bequeathed to the French state in 1957.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

The best museum shows to see during Tefaf New York 2025

The article highlights several major museum exhibitions opening during Tefaf New York 2025. At the Brooklyn Museum, "Solid Gold" (through July 6) traces the material's historical and cultural significance across fine art, fashion, jewelry, and design, featuring works from ancient Coclé gold plaques to pieces by Agnes Martin, Louise Nevelson, and Alexander Calder. The Metropolitan Museum of Art presents "Sargent and Paris" (through August 3) for the centenary of John Singer Sargent's death, reuniting his scandalous "Portrait of Madame X" with preparatory sketches and exploring his formative decade in Paris. The Jewish Museum offers "The Book of Esther in the Age of Rembrandt" (through August 10), examining the biblical story's influence on 17th-century Dutch art through works by Rembrandt and his contemporaries.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Mind-bending work of M.C. Escher alters reality, space at new Arlington exhibition

The Arlington Museum of Art has opened "M.C. Escher: Infinite Variations," an exhibition featuring nearly 150 of the Dutch artist's prints, including his famous lithograph "Relativity" (1953). The show spans Escher's career from the early 1930s to the late 1960s, with themed galleries covering his early works, book illustrations, tessellations, and impossible worlds. The exhibition runs through August 3 and includes an Infinity Mirrored Room as an immersive finale.

A Painting by Gerard van Honthorst in Utrecht

Un tableau de Gerard van Honthorst à Utrecht

The Centraal Museum in Utrecht has acquired a painting by Gerard van Honthorst, titled *Extase de Marie-Madeleine* (c. 1618-1620), purchased from Cantore Galleria. The work was previewed at TEFAF Maastricht, where the museum also announced a major retrospective dedicated to the artist, titled "Gerard van Honthorst - En tout point différent de Rembrandt," which opened on April 25.

‘I see hidden codes within the everyday’: Sandra Poulson’s first museum exhibition explores material histories of global exchange

The article features an interview with Angolan artist Sandra Poulson about her first museum exhibition, 'Este quarto parece uma República! (This bedroom looks like a republic!)', on view at MoMA PS1 in Queens until October 6. The exhibition, originally commissioned by Jahmek Contemporary Art in Luanda and shown at Sadie Coles HQ during Condo London 2025, uses wood and found furniture to explore how symbols in everyday objects reflect postcolonial legacies, global trade, and power structures. Poulson discusses her father's Portuguese phrase that inspired the title, the material history of wood from Dutch colonies, and the use of institutional logos on T-shirts in Angola as a form of propaganda.

The world is rediscovering the talent of Dutch designer Hella Jongerius

Il mondo sta riscoprendo il talento della designer olandese Hella Jongerius

Dutch designer Hella Jongerius is the subject of a major retrospective titled "Whispering Things" at the Vitra Design Museum in Weil am Rhein. The exhibition features approximately 300 works spanning her career, from her early graduation projects at the Design Academy Eindhoven and her involvement with the Droog Design collective to her long-standing corporate collaborations. The show coincides with Jongerius officially entrusting her extensive professional archive to Vitra, marking a significant milestone in her thirty-year career.

Floral photography makes space for grief at Plug In ICA

Plug In Institute of Contemporary Art in Winnipeg is presenting 'Transcendence,' a dual exhibition pairing Sheila Spence's 'Lexicon of Loss'—floral prints made by pressing roses on a flatbed scanner—with 'Observance,' a video installation by the late Toronto artist April Hickox, who died in 2025. The two artists, who first met at the Banff Centre in 1989, reconnected four years ago after both experienced profound loss: Spence's long-term partner died, and Hickox faced a cancer diagnosis. Their collaboration, conceived during daily conversations, brings together works that explore grief through botanical imagery and moving image.

A Dismembered Album by Gerard van Honthorst (1592-1656): Unpublished Drawings and Reconstruction of a Corpus

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.

Two 17th-Century Dutch Still Lifes Acquired by the Getty

Deux natures mortes hollandaises du XVIIe siècle acquises par le Getty

The J. Paul Getty Museum in Los Angeles has acquired two 17th-century Dutch still-life paintings by Pieter Claesz and Jan Davidsz. de Heem, masters of the genre. The works, including de Heem's "Vase en verre avec fleurs et fruits," were purchased on the New York art market and fill a gap in the museum's Dutch still-life collection, which previously lacked examples by these two artists.

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Christie’s will offer Gerrit Dou’s "The Flute Player" (ca. 1636) as the leading lot in its Old Masters Evening Sale on December 2 in London. The painting, Dou’s first depiction of a musician, carries an estimate of £2 million to £3 million ($2.6 million–$4 million). It has been in an English collection for 125 years, previously owned by William Proby, Fifth Earl of Carysfort, and is appearing on the market for the first time in over a century.

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The auction of two 17th-century Dutch still-life oil paintings of flowers was halted at Apple Tree Auction Center in Newark, Ohio, after the Monuments Men and Women Foundation and the Jewish Digital Cultural Recovery Project identified them as Nazi-looted art. The paintings, originally part of Adolphe and Lucie Haas Schloss's collection, were seized in 1943 and later stored in Hitler's Führerbau before being looted again. Foundation founder Robert Edsel traveled to Ohio to alert the auction house, which cooperated by removing the works from sale and placing them in a vault. The consignor's identity remains undisclosed, and the foundation is working to return the paintings to the Schloss family.

nazi looted painting disappears argentina home 1234750369

A Dutch newspaper, Algemeen Dagblad, discovered a Nazi-looted Baroque painting by Giuseppe Ghislandi (also known as Fra Galgario) listed in a real estate ad for a home in Mar del Plata, Argentina. The painting, which once belonged to Jewish dealer Jacques Goudstikker, was later removed from the listing and disappeared from the house, prompting a police investigation involving Interpol. The work had been in the possession of SS officer Friedrich Kadgien, who fled to Argentina after World War II.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

Nazi-Looted Portrait Surfaces in Home of Descendants of Dutch SS Leader

A Nazi-looted painting, *Portrait of a Young Girl* by Dutch artist Toon Kelder, has been discovered in the home of descendants of Hendrik Seyffardt, a Dutch SS collaborator who aided the Nazis during World War II. The work, stolen from the renowned Goudstikker collection, was allegedly displayed for decades by Seyffardt's family. An anonymous descendant contacted art detective Arthur Brand after learning of his family's past and seeing the painting in the hallway of Seyffardt's granddaughter. The family member told Dutch newspaper *De Telegraaf* that he feels "deep shame" and insists the painting must be returned to the Jewish rightful heirs.

Gallery 14 Fine Art Photography features two members and a guest artist

Gallery 14 Fine Art Photography in Hopewell, New Jersey, will host a group exhibition from May 16 through June 14, featuring two member artists and one guest artist. The show includes John Stritzinger's series 'Trees Find A Way,' which captures trees in urban and rural settings; Dutch Bagley's 'What In The World,' a self-taught photographic exploration of environment and diversity; and guest artist Elvira Peretsman's 'The Fractured Perspective,' which uses experimental in-camera techniques to reveal abstract geometric forms. A meet-the-artists reception is scheduled for Sunday, May 17 from 1 to 3 p.m.

Getty Museum Acquires Two Significant Dutch Still Lifes

The J. Paul Getty Museum in Los Angeles has acquired two significant 17th-century Dutch still life paintings. The first is Jan Davidsz. de Heem's 'Glass Vase with Flowers and Fruit' (c. 1673–74), a work the museum had sought for over twenty years, which recently emerged from a private German collection. The second is Pieter Claesz's 'Still Life with Assorted Fruit' (1597/98–1660), a 'fruitagje' painting purchased at a Sotheby's auction for $1.64 million.

Comment | Museums must be the leaders in a moral revolution

Dutch historian Rutger Bregman, in his 2025 BBC Reith Lectures and book 'Moral Ambition,' argues that Europe risks becoming a stagnant, museum-like relic and calls for a moral revolution to counter societal decline driven by unserious leadership. He positions museums, with their high public trust and status as democratic civic spaces, as crucial leaders in this revolution, urging them to move beyond passive neutrality and actively establish ethical standards, combat misinformation, and engage with urgent societal issues like authoritarianism and climate crisis.

netherlands returns 119 benin bronzes to nigeria in landmark repatriation agreement 2610481

The Netherlands has signed an agreement to return 119 Benin Bronzes to Nigeria, one of the largest repatriations of looted artifacts to date. The transfer, formalized on February 19 by Dutch culture minister Eppo Bruins and Nigerian official Olugbile Holloway at the Wereldmuseum in Leiden, includes 113 bronzes from the Dutch National Collection held at the museum and six additional objects from the municipality of Rotterdam. The artifacts were plundered by British forces in 1897 and later acquired by Dutch institutions, with provenance research confirming the museums were aware of their looted origins.

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The Rijksmuseum has acquired a nearly 200-year-old condom made from sheep intestine, which features an erotic illustration of a nun and clergymen and is now on display as part of a small exhibition on 19th-century sex work. The object, likely a brothel souvenir, has sparked outrage from the conservative Christian group Stichting Civitas Christiana and its youth wing TFP Student Action Europe, who organized a protest outside the museum and circulated flyers calling it an insult to God, the Catholic Church, and the Dutch nation.

old condom erotica rijksmuseum show 2652526

Two print curators from the Rijksmuseum, Huigen Leeflang and Joyce Zelen, discovered a rare 19th-century condom with an erotic print at an auction house in Haarlem, Netherlands, in November 2023. They acquired the 1830s condom for €1,000 ($1,140) with no other bidders, and it is now the centerpiece of a small exhibition titled "Safe Sex?" at the Rijksmuseum, which explores 19th-century sex work and sexual health through Dutch and French prints. The condom, likely made from sheep's appendix, features an etching of a half-naked nun with clergymen and is believed to be a souvenir from an upmarket French brothel.

The Picasso of India: Amrita Sher-Gil exhibit opens in Drents Museum

The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.

A Conversation with Milwaukee Art Museum’s New Director

Kim Sajet has been appointed as the new director of the Milwaukee Art Museum, bringing an international perspective shaped by her birth in Nigeria, upbringing in Australia, and Dutch citizenship. In an introductory interview, Sajet discusses her extensive leadership background—having previously run two museums in Australia—and how her personal history, including her relationship with her disabled brother, influenced her path toward art history and museum studies.

Exhibitions at High Museum on Tuesdays

The High Museum of Art in Atlanta has announced a diverse slate of upcoming exhibitions featuring folk art, experimental photography, and avant-garde fashion. Key highlights include a retrospective of Dutch designers Viktor & Rolf, a showcase of Minnie Evans' surrealistic paintings inspired by her dreams, and an exploration of Ralph Eugene Meatyard’s gothic and abstract photography. These exhibitions are scheduled to roll out between October 2026 and May 2027.

‘Creative, provocative, controversial’: Truth Social ads for Nazi-owned art spark heated debate

The German Art Gallery (GAG), a Dutch-run gallery specializing in art once owned by Nazi leaders including Adolf Hitler, has sparked controversy by advertising on Truth Social, the right-wing platform founded by Donald Trump. The gallery’s founder, who uses the pseudonym Marius Martens, defends the move as a cost-effective way to reach a broad American audience, including conservatives, and denies any ties to neo-Nazi ideology. Critics, including a Truth Social user who alerted The Art Newspaper, argue the ads—taglined “Art of the German Elite, 1933-1945”—appear to celebrate Nazism. Curator and historian Gregory Maertz notes that while the GAG holds one of the most complete private collections of Third Reich art, the rising market for such works may reflect a global revival of right-wing sentiment.

It Happened on Herr: Harrisburg abstract artist returns home for a major exhibit at SAM.

Bronx-based abstract artist Alteronce Gumby has returned to his hometown of Harrisburg for a major exhibition at the Susquehanna Art Museum titled “If Herr Street Could Talk.” The show features 25 mixed-media works, displayed just blocks from the Herr Street neighborhood where Gumby grew up. A graduate of Harrisburg High School and Yale University, Gumby creates cosmic, color-driven paintings using materials like gemstones, resin, and glass, inspired by his childhood observations of light and color. The exhibition marks a homecoming for the internationally celebrated painter, who hopes to inspire young artists in the city.